Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.An 1890s 'Sanitary' border design wallpaper, typically used in halls and passageways at the top of a dado. In the late 19th century, 'sanitary' referred to wallpapers printed with oil-base colours or water resistant inks, making them the first mass-produced wall coverings that could be wiped clean with a damp cloth This sample was probably printed using engraved copper rollers, which allowed for intricate shading and tonal variations. 1890s designs frequently featured large, trailing floral motifs or patterns imitating more expensive materials like tiles or wood panelling."P-B11 (f)heritage interiors, wallpapers, 19th century design, borders, 1890s, sanitary wallpapers

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.Late 19th century simulated cornice design. The wallpaper border uses trompe-loiel to simulate a three dimensional architectural feature to create the illusion of depth. The design uses a classically inspired bracketed cornice motif. "P-A6 (f)heritage interiors, wallpapers, 19th century design, borders

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.Textured floral frieze showing the influence of the Aesthetic Movement in the colour and flattened representation of the flowers. The design features prominent sunflowers and chrysanthemums set against a textured background. 1880s.P. F11 (f)heritage interiors, wallpapers, 19th century design, borders, 1880s, aesthetic movement

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.A wallpaper frieze from the 1870s that exemplifies the Aesthetic Movement's design principles. The design is possibly based on one by Walter Crane around 1875. It features soft colours and flat, formalised botanical motifs, including butterflies and flowers. Friezes like this were common decorative elements in the later Victorian period. P. F72 (f)heritage interiors, wallpapers, 19th century design, aesthetic movement, 1870s, wallpaper borders

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.Mid 19th century architectural frieze wallpaper representing a cornice. The design features a classic cornice with prominent corbels (bracket-like supports) and a decorative frieze section. The sample demonstrates the elaborate ornamental style characteristic of the High Victorian Period which utilised classical motifs like scrolls and floral patterns. This particular example was a remnant wallpaper from the work of a painter and decorator in Kyneton, Victoria. P. A3 (f)heritage interiors, wallpapers, 19th century design, wallpaper borders, classical friezes

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.c.1900 Wallpaper frieze made by Janeway & Carpender, USA. It has 19th century characteristics, but gold tinsel and graded colour indicate turn of the century printing techniques. This particular design showcases a lush row of yellow and pink roses against a vibrant blue background, typical of the turn-of-the-century aesthetic.P-F21 (j)heritage interiors, wallpapers, 20th century interior design, floral frieze

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.Two early 20th century Art Nouveau friezes. The top frieze is 1909 Art Nouveau, made in England by Walker, Carver Ltd. It was an inexpensive design, printed on ungrounded paper. It features a pattern of roses in muted lavender and grey tones set against a vibrant, textured red-pink background. The design is characterized by the whiplash curves and stylised organic forms typical of the Art Nouveau movement. The bottom frieze was made in the USA by Janeway & Carpender, New Brunswick, Phil'a & Chicago. This specific design features stylised pink roses set within green medallions, a classic motif of the Art Nouveau period. P. F16 (a-h)heritage interiors, wallpapers, 20th century interior design, floral frieze, art nouveau

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching showing a nude model lying on drapery.A/P Signed 'Walters,wes walters, printmaking, available, nude, lifedrawing

Publicity portrait of Jennifer Murphy who performed at Carols by Candlelight in 1980.B/W photograph of Jennifer Murphy30% P.8carols by candlelight, jennifer murphy

Black and white copy of original photograph shows a young, bearded man wearing chequered pants and dark coat. Waistcoat with a fob chain and posing in an outdoor setting with rocks and branches."T. P. Beal"t. p. beale, thomas perry beal

5 copies black and white photograph, one an enlargement taken by P. Esdale. View taken from Oak Lawn towards the Administration Building with a back view of 2 people walking along the path. All the same but with different descriptions on their reverses.On reverse of (a), "The Main Building VCAH Burnley 1990. Photo courtesy of P. Esdale," and on reverse of (b), "The oak lawn and Main Building. Peter Esdale 1990." (c) On reverse, "Main Building VCAH Burnley 1991 Eastern Aspect."1990., administration building, oak lawn, students, main building, trees, garden view

This sturdy, deep hat box has been carefully constructed to give the contents utmost protection in the roughest of travel conditions. At the same time, attention to detail and quality of materials makes the box an attractive, desirable and useful piece of luggage. The supports inside the hat box show that the hat’s brim dipped at the front and back in the popular 1920s Homburg or Derby style. The hat box was likely to have been purchased, complete with its fashionable hat and personalised with the initials ‘G.M.’. The five shipping labels on the hat box tell that the owner traveller overseas with it on more than one occasion. The owner had first travelled with the shipping line Peninsular & Orient Steam Navigation Company, and may have been one the first Australian passengers in 1932, as the remnant of label on the base reads Sydney. The owner later voyaged under the company’s new name of P & O. and travelled from at least one of the voyages from Melbourne to London The square label, with “P & O” and red printed “M” in centre of circle, refers to alphabetical organisation of baggage by surname, connecting the owner ‘G.M.’ to the owner’s voyage with P & O. The P & O shipping line’s early beginnings started with the partnership of London ship broker Brodie McGhie Willcox and Scottish sailor Arthur Anderson in 1822. The partnership was joined by Irish shipowner Captain Richard Bourne in 1835 and they began operation as the Peninsular & Orient Steam Navigation Company with a service between London- Spain - Portugal. In 1932 the company expanded to include Australia with its passenger services departing from Sydney; in 1840 the company was incorporated. After various take-overs of other shipping lines and businesses, it operated under the name P & O. JOHN BRUSH The hat box was made by Australian saddle designer and maker, John Brush, Sons & Co. Brush began his saddlery trade in Roma, Queensland, His designing process included consulting with the men who rode and worked the horses. He was described in the Sydney Morning Herald of December 15, 1897, as a leading Sydney saddler, well known and reliable, with every kind of English and Australian saddle on view. John Brush established his business in 1840, operating from 371 George Street Sydney. A catalogue from that era jointly advertises John Brush (371 George Sty Sydney) and Butlers & Brush (432-4 Queen Street Sydney), both under the name of Edward Butler & Co. Pty. Ltd. The catalogue included saddlery, harness equipment, riding wear and travel goods, and strongly promoted the Wienkek made saddles, which he distributed Australia wide. John Brush, So & co. advertised its ‘new’ address in 1887, as 403 George Street Sydney. In 1898 Brush made a side-saddle for a customer, a design popular with gentlewomen of the era. The business was still operating over 100 years later, producing a catalogue in the 1950s.This early 20th century hat box is significant for being one of a kind in our Collection. Its fitted design shows the shape of the hat, dating it from the 1920s men’s fashions. The hat box is significant for being a high quality hat box made in Sydney, Australia by prominent and successful early colonial saddler and leather goods business, John Brush, Son & Co. The labels on the outside of the hat box are also significant, representing the prosperous lifestyle of an Australian traveller who purchased quality goods and cared for them. The traveller was able to depart from firstly the Port of Sydney and later the Port of Melbourne. Hatbox, oval shape, brown leather, strong, sturdy construction, six pieces, and metal lock on base. Wide lid, then tapers to a narrower base that has a red leather trim. Brown velvet fabric lining inside and covers some accessories. Other internal accessories are trimmed with plain red paper and blue and white striped paper. The lid has two attached leather tabs and a leather handle and underneath it has a drawstring liner and oval, gold-lettered maker’s label. The internal oval box has a leather retention strap and brim support. Separate moulded brim support is included. A detached leather strap with catch is inside the base. Inscriptions are stamped on the lid, printed on the maker’s label, attached as printed paper labels to the lid, sides, and under the base. Maker is John Brush, Son & Co. of Sydney. The owner’s initials “G.M” are embossed on the lid.Stamped on lid “G. M.” Label, oval, inside lid “JOHN BRUSH, SON & CO. / MANUFACTURERS & IMPORTERS / of / SADDLERY AND HARNESS / 403, GEORGE ST. / SYDNEY” Label, paper: “BAGGAGE, MELBOURNE TO LONDON’, part of word ‘CABIN’ and “P & O” Label, square, white background, black print, circular emblem: ‘PE - - - - - & ORIEN-’, ‘STEAM NAVIATION COMPY.’ BAGGAGE’ and a red printed “M” in centre of circle. Label, rectangular, white background, black print; narrow line border, text in rows and an ‘X’ overprinted, from corner to corner of the border: “BAGGAGE / P. & O. S. N. Co. / MELBOURNE / To / LONDON” Label, paper, rectangular, white background, black print, an “X” across the label: “CABIN / P & O / “ Label, paper, on base, “– aid” [Paid], “SYDNEY” flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, hat box, leather hat box, vintage hat box, top hat, homburg hat, derby hat, travel ware, luggage, leather goods, travel goods, clothing accessory, men’s clothing, john brush, son & co, saddler, sydney firm, peninsular & orient steam navigation company, p & o, g.m., melbourne to london, sydney port, melbourne port, hat case

Methods of researching family history. Case studies of Eltham families.x, 197 p., [16] p. of plates : ill. (some col.), ports. ; 28 cm. Includes index. Bibliography p.182-185.ISBN 073445634 Eltham District Historical Society from Peter + Diana Basset-Smith 1/4/07family history research, sweeney family eltham, smale family, cuffley family eltham, eltham families

This is the standard document sent to indicate deferment of National Service during the Vietnam War. This item was issued to P Rankovic of Essendon, A cream card from Department Of Labour and National Service - National Service Registration Office Melbourne 3000. Card reads Dear Sir, This is to advise you that you have been granted indefinite deferment of your liability to render national service, and consequently, under present arrangements you will not be called up. Please keep your Certificate of Registration and this notice as evidence of your registration and deferment. Mr P. Rankovic, 16 Market St. Essendon. Vic dated 25/09/69. Registration Number 21285147. The original envelope with O.H.M.S. with Commonwealth Of Australia is on the front. The envelope also has a window.conscription, national service, nasho, rankovic, deferment, vietnam

Not bad for an old'en; a tribute to Hazel Amos, by Bryan Henderson; with Order of Service for her funeral, April 2018. Hazel Amos (24 November 1919 - 17 April 2018) lived in Doris Street Greensborough from 1950 until her death and was a member of the Living Faith Church Greensborough, Diamond Valley Probus Club and worker at the Brotherhood of St Laurence Opportunity Shops.2 p. document with colour photograph; with 4 p. pamphlet with colour photographhazel amos, amos family

Issued to L. & C. Estates Pty Ltd for Lot 6 PS No. 43356 Parish of Keelbundora, 23 December 1958 (320 Grimshaw Street Watsonia?)Photocopy of Certificate of Title, 2 p. and 3 p. black and white text. Certificate of Title Vol. 8234 Fol. 896certificate of title, grimshaw street watsonia

Laurie Roy, aged 19, was killed while riding in the Australian amateur one mile track cycling championship in February 1932. A memorial to him was erected in Greensborough Cemetery by the Victorian Amateur Cyclists' Union. Other local news is included - a car accident, Easter services, personal news and an obituary for Henry Francis Paterson.1 p. copy of p.2 of Advertiser (Hurstbridge) 26 April 1935roy family, greensborough, laurie roy

Brief account of the slow progress of Australian women towards equality with men to 1960s.2 p. from Ancestor, Winter and Spring 1991, p. 12-13women in australia, gender equality, ancestor (magazine)

3259.1 - Colour photograph printed onto white card as a BTM Membership card for 2002 - 2003. Photo of No. the Gold Tram, No. 45 at St Aidans Drive with Len Millar and passengers standing alongside. Has words "Ballarat Tramway Museum" in white along the bottom edge. Has a printed label and details for members on rear with validity period and space for Member's signature. Issued to P. Winspur, Member 76. 3259.2 - ditto for C.Dean, 42 - has been signed on rear. 3259.1 - Has printed label "P. Winspur /76/ June 2003" on rear. 3259.2 - ditto - for C.Dean, 42 - has been signed.trams, tramways, btm, membership cards, gold tram

Framed black and white photograph of Collingwood Town Hall and Court House where Collingwood Technical School was based from 1912 – 1923. Originally designed by Mr. P Kerr, Govt. Architect, and built about 1853 for the Collingwood Town Hall and Court House.’ iInscription on the picture mount, reads: 'THE ABOVE BUILDING WAS USED AS / THE COLLINGWOOD TECHNICAL SCHOOL / DURING 1912-1923 / Originally Designed by Mr. P KERR, Govt. Architect, and built about 1853 for the / COLLINGWOOD TOWN HALL AND COURT HOUSE'.collingwood technical school, buildings, collingwood town hall, collingwood court house, nmit,

213 p.non-fictionjoan lindsay, daryl lindsay, mulberry hill, authors

A study of the Labor government in Australia from December 1972 to May 1974447 p.australia - politics and government, australian labor party