Harold Ennor Checking Stock of LPG in Bulk Storage - Photography by Gas & Fuel Corporation Printing Sectionperson, individual, worker

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This dark room equipment belonged to Louis Haeusler (b.1878) and is one of the many objects in the Haeusler Collection that represent home and social life in early twentieth century Wodonga. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Metal box shaped object with mirrors inserted at either end, used in the production of dark room photography. On top of object "N°E5-4/12710"/On underside "TB 13259" and "TD 19014ABI"photograph, photographs, photography, dark room, images, family photos, family photographs

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This dark room equipment belonged to Louis Haeusler (b.1878) and is one of the many objects in the Haeusler Collection that represent home and social life in early twentieth century Wodonga.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A black dark room light globe used to produce home photography in the early to mid twentieth century.On light globe socket "240 V TYP. PF 723B / 66GL"/ On glass globe "PHILLIPS MADE IN HOLLANIS"photography, photos, photographic, photographs, family photos, family photography, darkroom photography, dark room photography, haeusler, haeusler collection, wodonga

Black and White photography of a crowd at a Pig-Roast Night for LEFC Tambo River, Keith Drevermann (in cap)clubs, sports, fundraising

Agfa X - 126 Autostar Camera in original box with a 126 cartridge film still in camera. The original instruction sheet is included.Agfa X126 Autostarphotography, cameras

Brownie Six-16 camera by Eastman Kodak Company, black box camera with vinyl covering, assorted view finders & lenses.Made in Canada by Canadian Kodak Co Limited Toronto Ont.photography, cameras-still, brownie

Polaroid instantaneous EE44 camera for taking and developing photos instantly. Film pack would be loaded in back of camera. Each photo pack would have its own chemicals within the pack and procedures commenced to print the the photo when its section of the pack was removed from camera. Distance adjustments in both Imperial and Metric. Instructions on back of camera. Provision for flash cube. Developing clip slides into back of camera.Polaroid EE44photography, cameras

Composite Camera Case well used

Jamieson's comments appear in an article surveying the Uniting Church, 7 years after union. "One member who disagrees with the church presents social justice issues is David Jamieson, who has been editor of the Ringwood parish quarterly magazine "Insight" since union. Mr Jamieson says he knows scores of people who find it very hard to accept what he considers is a bias in the presentation of social justice issues. 'I know a lot of people who are becoming alienated because they feel their side of the story is not being presented by the church. They feel only the radical side of justice issues is being hammered. I think the more conservative side has validity. My main concern is the flood of study booklets and material on social justice issues which look at them from only one angle. The bias is on greed, excessive profits and most unworthy aspects of the multi-nationals compared with the most humanitarian concerns of the left. No mention is made of humanitarian concern by big business or the extremes of the left — such as unwarranted industrial action and the effect that this has on the poor and unemployed. No mention is made of excessive wage demands by highly paid people who are pressuring for bigger flow-ons. ….. I do not believe the church should be neutral on political issues. In fact I agree with nearly all of its stands. But we should look at both sides before making up our minds. Only then should we be vocal in a political sense, no matter how one-sided."Full face, looking intently at the camera.C&N identification.jamieson, david, church union 7th anniversary, social justice

Box Camera (Kodak No 3 Brownie)stawell

Used in WW11.Black metal camera. Leather case AGFA. BELLOWS LENS. Leaflet guide for the filter settings, printed by Kodak. Leather case has a broken catch.

Kam Kit camera case, deluxe Major model Well used camera case, with damaged zip and clear signs of ware and wearKam Kit Deluxe Major

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Beryl initially lived in East Melbourne after they married. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. The children attended Mont Albert Central School. The photo may have been taken in the back yard of 20 Barton Street, Mont Albert. This is part of a large donation related to the Deakin, Mair and Young families with connections to the Surrey Hills / Mont Albert area.A sepia copy photo of 3 children in a back yard; 2 are sitting on a chair and facing the camera; the third has her back to the camera.REAR: In blue biro - "Geoff Jean Swan / Beryl" Handwriting is thought to that of Beryl Young (nee Mair).beryl mair, beryl young, geoff mair, jean swan, children

Aulsebrook Collection: Letter from R. Aulsebrook to Mr R. Ross (Modern Boating). 14th December, 1966. Paper, typed, 1 page. Correspondance regarding a job doing in photography for a company related to Boating. Aulsebrook speaks about some of his resume in photography history.

Reverend Weller succeeded the senior chaplain role after Rev Gurney Goldsmith in the mid 1920s until the end of the decade. He was a keen photographer himself. Freda Kathleen Oxley (1882-1969) pictured here holding a camera took pictures during a voyage to Melbourne on S.S. Persic via Cape Town in 1925. An album of 126 photographs is now held at the National Library of Australia in Canberra., containing views of the Mission to Seamen, Melbourne, with visiting sailors and clergy; family groups, gardens, ships, church picnics, a wedding, some views of Portsea. She seems to have been a childhood friend of Mrs Weller as she was like her born in Windsor, UK. She lived in the chaplaincy for 3 years and became a volunteer; she can be seen in a few photographs of picnics. She left in 1929 shortly after the Wellers (see Jottings Easter 1929) and went back to the UK.Provides early 20th C. records of MTS senior personnel and images of LHLG supporters and members.small black and white photograph mounted on an album page depicting clerically dressed male figure flanked by two females in 1920s dress posed in front of a large palm tree. on page 12On album page handwritten: "Reverend JR Weller, Mrs Weller, Mrs Orley (holding a Kodak Brownie camera)"alexina weller (nee caley), reverend john reginald weller, finhaven, kew, mr john inerrarity buchan, cup day, freda oxley, 1928, ss persic, fan album, annie alexandrina caley (known as alexina) 1885-1934, freda kathleen oxley 1882-1969

This booklet outlines procedures and rules which pertain to the Warrnambool base Hospital. It covers such items as services, admissions, meals, visitors, blood donors, charges, and complaints. A small booklet with social and historical interest to the district.16 page booklet with image of a nurse with a child in her arms on the front cover and text in grey and black on a white background.Back cover has a photograph a woman in a wheelchair with four hospital staff. below is a red cross in a circle with Warrnambool and district Base Hospital around it.It has a map of the site and a table of contents outlining aspects of procedures arpund the hospital.Photography : Roger Lee. Printed by Philprint Warrnambool.warrnambool base hospital, warrnambool, warrnambool and district base hospital

A Pictorial booklet of many views at the Historical Heatherlie Quarry each many tourists visit each yearWhite Cover with Blue/Green Print and colour photograph with rectangular steel structure laying on the groundHeatherlie Quarry Photography by Carol Anne Jonesstawell grampians

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Before true aerial photography became possible, photographers such as J.F.C. Farquhar were compelled to shoot their images from the highest vantage point. Here, it is presumed to be the roof of Xavier College, from which the panoramic view extends west towards the rise of Studley Park. The houses in the foreground face the southern end of Gellibrand Street. Wellington Street is at an angle to the camera with the Queen Street intersection on the near right. The wooden building behind the large horse paddock on the other side of Gellibrand Street is the Kew Recreation Hall, built 1888, demolished 1960. It was reputed to have one of the finest dancing floors in or around Melbourne. The Bowling Green at the rear of the Hall belonged to the Kew Bowling Club. Further west is the Kew Railway Station on Denmark Street, opened to the public in 1887. At this period, much of Studley Park was locked up in large landholdings, dominated by large mansions such as ‘Byram’. Bird's Eye View Looking Westkew illustrated, kew where we live, photographic books, henry kellett, denmark street, kew recreation hall, kew bowling club, wellington street

These images were hung in the corridor of the University of Ballarat School of Education (Mount Helen). It most probably dates from around the time of the transfer of the College. The Ballarat Teachers' College was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. The building used by the Teachers' College was the original bluestone building facing Doveton Street South. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry of the School Tent: A History of State Education in Ballarat", 1974, p73-4.) This image was hung in the corridor of the University of Ballarat School of Education (Mount Helen). It most probably dates from around the time of the transfer of the Ballarat Teachers' College from Gillies Street to the Mount Helen Campus of the Ballarat College of Advanced Educaiton. The building used by the Teachers' College was the original bluestone building facing Doveton Street South.Framed black and white photography with green mount. The photo shows the Ballarat Teachers' College Gillies Street building. ON plaque 'Ballarat Teachers' College, State College of Victoria at Ballarat, Gillies Street, 1958-1976education, ballarat teachers college, gillies street, 00607

As part of the National Trust's Australian Heritage Festival 2021, the Kew Historical Society and the Villa Alba Museum collaborated to mount a fashion and design exhibition. The theme of the exhibition took its focus from the year-long program at the Museum featuring the use of flowers in design. The walls and ceilings of the house are notable for their use of floral and narrative painted decoration produced, in the early 1880s, for William and Anna Maria Greenlaw by the Melbourne art decoration firm the Paterson Brothers. The examples of fashion and design from the collection of the Kew Historical Society were located on the ground floor of the house: in the drawing room, dining room, morning room and in the vestibule, or ballroom as it was sometimes described in nineteenth century newspapers. The exhibition was supported by the City of Boroondara through Triennial Operational Grant funding for the Kew Historical Society and the Villa Alba Museum.Series of photographs taken by Mitchell Luo Photography of exhibition pieces in situ at the Villa Alba Museum in May 2021.textiles in bloom, exhibitions — villa alba museum, australian heritage festival 2021

Colour photography of a bluestone church known as Infant Jesus and presbytery. Includes stained glass windows and interior shots.koroit, catholic church, infant jesus catholic church, presbytery

Camera donated by Society member, Barbara Rogalski. Was used by Joan Roczniok during early 1920's to make photographic records of family membersKodak No. 1A Pocket Kodak black folding bellows camera. Aperture openings - T, B, 1/25 and 1/50 seconds. When opened, shutter extends out revealing 'Shutter made in Rochester NY, Eastman Kodak Co' and 'Made in Canada by Canadian Kodak Co.' engraved on metal plates.Use Kodak film|No. A116photography, cameras

Mr. James Orr (1844-1885) was born in Ireland and was a minister at Brighton Congregational ChurchHead and shoulders, sepia toned head and shoulders studio cabinet card portrait of Mr. James Orr. He is at an angle to the camera and is not looking at the camera.On the front: "BRADWELL LATE Grenville ... ROYAL ARCADE MELBOURNE"james orr congregational minister, brighton congregational church

The Box brownie camera was invented by Frank A Brownell in 1900 and further improved from 1901. Because it was easy to use, cheap and portable it became very popular. It was used by soldiers in the first World War and other models were marketed to groups such as the Boy Scouts. It was further modified until the 1950's and have been used until recent timesThis camera has significance as a very popular model which was used by a wide cross section of people over many decades. It is one of the cameras which made photography accessible to many who would otherwise not have been able to use them.Rectangular black box camera with leather handle attached with silver studs. There are two latches at the top and a winder at the back. There are three circular cutouts on the top and two rectangular ones on the sides.There is a small metal label attached to the bottom. Use film No 116 No Brownie. Brownie stamped into leather handle. On metal label on base: Made in USA by Eastman Kodak Company . Rochester NY USAbox brownie, warrnambool, kodak cameras

Brown leather cased fold down camera.accessory, camera