These presses were used in shearing sheds around the country to create bales of wool by hand in preparation for transport to the wool markets for purchase and distribution. Bales have been used to store and were a standard trading unit for wool for centuries. A standard wool bale holds about 60 compressed wool fleeces and weighs a minimum of 120 kgs. The square shape and weight enabled them to be stacked on wagons or in warehouses, and a large pack horse could carry one on each side. With technological advances, the bales are now formed in electrical and hydraulic presses.All metal wool press, unpainted, surface rustfarm machinery, wool, wool press, hand operated, shearing

At harvest time farmers had relied on itinerant teams of workers descending on the district looking for work. The three Barrie brothers on their adjoining farms combined forces to cut their crop at its optimum time while the weather was in their favour. Up to many 20 workers at times formed a team in earlier times. Agricultural university students were also keen to gain practical experience in the field. Each of the brothers had a particular skill, and Tom Barrie was the expert on stack building. The district haystacks had a distinctive shape and could be recognised by their builder. Harvesting at Ferris Road, Meltonpioneer families, local identities, agriculture

Black and white photograph. Mine site with poppet head and mine buildings. Stacks of wood in foreground. Two chimneys. Poppet heads and chimneys in background. Inscriptions: in image - printed at BL '..w Chum Railway Gold Mine * 4226 feet, deepest in the world'. 'New Chum Railway 4,318 feet deep. One of the deepest in the world', 'A Richardson, 29 Harrison St, Bendigo'. All written on back in ballpoint pen.mine, gold, new chum hill, 180 mine, bendigo, mines and mining, railway line, gold mine, mines, place, gold mines

black and white photo: substantial commercial ( manufacturing ) building with large chimney. Crop fenced on left. Batchelder's photography cart in centre, horse and cart with barrels and attendant on right hand side. High building has louvres in walls and louvres in central roof ridge. May be tannery ? Wood stack at right. Several small buildings in front including bark roofed slab hut. Written on rear ' flour mill ? 'Batchelderbuildings, commercial

Black and white photo: Norfolk Brewery, Sayer Bros. on sign over entrance, brick industrial building with 2 storeys at right with 2 chimneys, 2 gables with louvred arched openings. Weatherboard building with bark roof at right. Stacks of wood at left. Picket fence at front. Horse drawn vehicles in yard. Batchelder photogapher cart at front left, cart with barrels in gateway. Gateway with sign and barrels above,.Batchelderbuildings, commercial, norfolk brewery

A steel curved double bladed silage or hay knife with two wooden handles at the top attached by rivets. The long blades have sharp points at the end. The handle bracket is joined to the steel blades by a nut and bolt. It has a cog mechanism to move the blades. It was used to cut hay when it is dry. Blocks were cut for the ? or stack as needed for stock feed. Silage is an animal feed cut and stored while still green.agricultutal tools, hay knife, agricultural equipment

Something new has happened in Kylie Stillman’s work. It is not a departure. Perhaps a better way of explaining it would be an inward looking, a reflection on process and purpose. In the twelve small book stacks that make up this series, we find not birds or trees – the forms that have become familiar tropes in Kylie’s art – but a stroke, a scribble, a loop, a weave. In Kylie’s words these are: 'the basic structural elements and gestures that make things things - the stroke that makes a painting, the scribble that makes a pen work, the notation that makes writing, the intertwining of wool that makes a garment, the weave of fibres that make furnishings'. - Chloe Watson (2013)Paperback books and timber baseaustralian art, sculpture, female artist

Hutchings family property “Whitehall” 3 Scenes Shows large Haystacks Sheds Cows extensive Garden. Avenue of trees. These copies were taken from the Hutchings Family album.Three (3) Sepia Photographs. 204 Titled Whitehall Avenue: An avenue with wooden fences including people on on left three on right including one woman. 204.1 Titled Yard at Whitehall: 4 Men with herd of cows in foreground, man in front holding a metal bucket. Large Hay stacks behind. wooden shed with metal roof on right. 204.2 Part of Whitehall: Windmill and wooden buildings behind Wooden Picket fence in background. 204: Whitehall Avenue 204.1 Yard at Whitehall 204.2: Part of Whitehall All enclosed in a box, which is above a line of solid triangles over a thin linestawell

Dame Ivy Evelyn Annie Wedgwood, as Senator in the Federal Government, presented the Senate with Statistics of visits done by Melbourne District Nursing Society (MDNS) Trained nurses (Sisters) showing their visits increased threefold in the four years from 1952-1956. She was Honorary Treasurer of the now named Royal District Nursing Service (RDNS) for many years. Dame Ivy Evelyn Annie Wedgwood trained as an Accountant and worked as a Secretary before joining the Australian Women's National League which led her to be a founding member of the Liberal Party, and the Victorian Liberal Party's women's section. She became the first Victorian woman Senator in the Federal Government in December 1949 and served until mid 1971. She presented the Senate with Statistics of visits done by Melbourne District Nursing Society Sisters showing their visits increased threefold in the four years from 1952-1956, and stating that many patients would have been hospitalized without the visits from the Society. She strongly supported the Home Nursing Subsidy Bill in Parliament which was passed in 1956, and continued to work for health, welfare and disability issues as well as being an advocate for women's interests, including equal pay for equal work, during her time in Parliament. Over the years she was a specialist magistrate to the Children's Court of Victoria, a Justice of the Peace, served on the National Council of Women, and was president of the Women's Justice Association, as well as Honorary Treasurer of the now named Royal District Nursing Service (RDNS) for many years and the first President of the Australian Council of Domiciliary Nursing. In June 1967 she was appointed Dame Commander of the Order of the British Empire for 'distinguished services to Parliament and the community' and RDNS holds this award in its Archives. Following her retirement from Parliament she became President of the After-Care Hospital in 1972, and on the 24th of July 1975 after chairing a Board meeting she felt unwell and returned to her home in Toorak where she died, aged 78 years, later that evening.Black and white photograph showing Dame Ivy Wedgwood, who has short wavy dark hair; is wearing glasses and has a single string of pearls around her neck. She and is sitting in a light coloured covered chair and part of a cushion is seen. She is wearing a floral dress with mid length sleeves and is sitting in front of a filled bookcase. A smaller filled bookcase is seen to her left as well as some stacked books.melbourne district nursing society, mdns, after- care hospital, royal district nursing service, rdns, dame evelyn annie wedgwood

Used as disposable seals by The Met to permit resuability of envelopes. 47 copies held.A stationery that is associated with a now-dissolved corporate body which existed in the 1980s. Likely well-used by employees of said body.A stack of envelope labels (47 in total). The logo and the text "The Met" are printed on top; serial numbers (10029 and 7605-88) flank them. Below are 3 blank lines for writing in an address to the receiver, followed by instructions that indicate its intended use: to permit reusability of envelopes (i.e., sealing an envelope with the label adhering to its opening allows removal of sender information without destruction of the envelope). At the bottom is a blank dotted line for the name of the sender.public transport, the met, letters, stationery

BHS CollectionBlack and white photograph of mining landscape with poppet head, chimney and mining sheds (plus timber in stack) in foreground. Other mines in bare landscape on LHS background and housing on RHS background. Inscriptions: on front - 'The Hustler's Line of Reef from Redan Hill Hustler's Tribute Coy', 'Gt. Extended Hustler;s Claim', 'The Old Hustler's Claim, Gt. Hustlers (Late Latham & Watson's). On back - 'A Richardson, 29 Harrison Street, Bendigo'.mine, gold, hustlers reef mine, bendigo, mines and mining, mine, mines, mining, landscape, mining landscape, redan hill, poppet head, old hustlers, mining cottages

Robin Boyd’s desk cupboard contained two exercise books (D482.1-D482.2) and assorted articles, essays and other material regarding Sydney Opera House (P1378.01-P1378.36, D179-D181, D479-D480), inserted inside the front cover of Walkabout Magazine July 1966 (P1377). Robin Boyd asked Mandie Eckersley (nee Boyd), his eldest daughter, to research the Sydney Opera House for him in the Mitchell Library, both before and after Utzon left. Robin was writing a book, but was very disillusioned with the way the entire saga unfolded. Mandie Boyd recalls: “It was a huge task because he wanted any mention at all in any publications to be noted. No one else had done it at that stage, not even the clippings service.” This second (and final) volume is filled with transcriptions on newspaper articles, editorials and letters to the editor covering the period 1962 to 1966 when Utzon quits. The Reding Universal Exercise Book, filled to pp 0-48 and p 92Written on front cover: "Mandie Eckersley, 19 South Street, Edgecliff. NSW." In exercise book: handwritten notes. On back cover: list of dates from 1966-1977. Inserts in page 41: Public Library of New South Wales photocopying service receipts dated 8-2-67. Public Library of New South Wales Applications slips for books from stack.sydney opera house, jorn utzon, sydney opera house project

The granite coach house and kitchen are part of the Glen Loeman complex which is situated on Loemans Road in Bulla. Most of the buildings on the estate were constructed in the 1850's. The first owner of the property was Michail Loeman and his wife Isobella.A coloured photograph of outbuildings. The pitched roof is slate clad and is partly moss covered. The grey stone chimney stack at the end of the building is finished with a simple cornice. The stone walls are constructed in a random rubble pattern. There are two doorways. The wider doorway has black timber doors and is finished with an arched stone lintel and the smaller doorway has a straight stone lintel. The twelve paned sash window has a white painted frame and stone lintel and sill.granite, coach house, burns, joseph, loeman, michael, glen loeman, george evans collection

Black and white photo, image: large stone industrial building, brick chimney, stacks of wood. Man standing on top floor operating winch. Horse and wagon beneath, loaded with bags of ( could be wheat ? ) On LH side of image, picket fence surrounds large amount of cut wood - cut to equal length. Slab and bark roof hut on road adjoining large building , various smaller buildings to back of hut. Batchelder carriage in centre of image. Batchelderindustrial stone building, batchelder

White Paper cover with inset border containing Title & B/W Photograph of a rail yard with flat cars and wheat bags, buildings in the distance. Rails to Lubeck, Rupunyup, Marnoo, Wallaloo, Bolangum, Warranook, Navarre and anywhere else with a strange name! Ex Hobson's bay Railway Co. N Class 252 on the down mixed at Rupunyup in the early 1900's. The large quantities of bagged and stacked wheat were quite common in the days before concrete silos dotted the countryside (VR photo) A Brief history of the Lubeck - Bolgangum Railway By Michael Menziesstawell transport railways

This guillotine is a hand operated machine specifically designed to cut through multiple sheets of paper or card. It has a very heavy and sharp single blade knife mounted between vertical guides or runners. The main users of a machine like this is in by the printing and publication binding industry. Book binding companies use a guillotine to evenly trim the pages of a book after it has been bound. The way the guillotine is used is - paper or card is stacked squarely on the flat table and pushed firmly against the back guide - the handle below the table at the front of the machine is wound around, which brings the back guide forward, pushing the paper stack forward and positioning the centre of the stack below the vertical frame - the upper wheel is wound around, which brings the clamp and firmly in position on top of the paper, to hold it very firmly - the large wheel on the side of the machine is turned around to lower the long sharp blade down onto the pages and cut them through. The sharp edge of the blade is protected somewhat from becoming blunt; a block of wood sits in the table under the stack of paper An early model of a guillotine was patented in 1837 by Thirault, who built a model with a fixed blade. Guillotines similar in principal to this one were patented by Guillaume Massiquot in 1844 and 1852. Over the years many improvements have been made and operation has moved from man power to electricity. Oscar Friedheim Ltd. was the importer and wholesaler of a large range of machinery and equipment for the printing and bookbinding industry. He sold most of his equipment under his own name. On this guillotine or paper cutter he refers to the origin of the guillotine’s manufacture only as “German Manufacrure”. A reference book “Commercial Bookbinding: a description of the processes and the various machines used" by Geo. Stephen, 1910, recommends Oscar Friedheim, amongst others, for the supply of “reliable cutting machines for hand or power”. It also recommends Oscar Friedheim’s for a wide range of other printing machinery and processes. OSCAR FRIEDHEIM LIMITED, LONDON Oscar Friedheim Ltd. was established in 1884 and operated from Ludgate in London. The company was an importer and wholesale supplier in the 1880’s, offering machinery and equipment for the printing and packaging industry for the UK and Ireland. The company became incorporated in 1913. An advertisement of 1913 includes a telegraphic code plus two telephone numbers for Oscar Friedheim Ltd and invites readers to call at the Ludgate, London, showrooms to see the machines working. The company later became Friedheim International Ltd. The book titled “Friedheim, A Century of Service 1884-1984 by Roy Brewer, celebrates Oscar Friedheim’s achievements. Friedheim International currently operates from Hemel Hempstead, on the northern outskirts of London UK. It promotes itself as “… the leading supplier of finishing, converting and packaging machinery to the printing, graphic arts, and highly varied packaging industries in the UK and Ireland. The company’s policy is simple – “employ the best people, work with the best equipment manufacturers in the world, and treat our customers as partners!” The company still sells guillotines. The guillotine is significant for its ability to represent aspects of the printing trade in Warrnambool and in a typical port town circa 1850 to 1910. It represents communication methods and processes used in the time before electrically powered equipment became common in industry.Guillotine (or paper cutter), hand operated. Metal framework with vertical guides, stand and metal mechanical parts including wheels and gears. Table with back guide; handle below front of table winds to move the back guide. A wheel at top of machine winds to adjust pressure of the clamp on the work on the table below it. The cutting blade fits between vertical guides; a timber insert in the table below the blade helps minimise the loss of sharpness of the blade. A handle on the side of the machine turns a large spoked wheel, which rotates a large gear, causing the blade to move up and down. Makers details are on a small oval plaque with embossed maker’s details is screwed onto main body. Maker is O Friedheim, London, and the machine is of German manufacture, circa late 1880’s.Maker’s plaque inscribed "O. FRIEDHEIM / London / German Manufacture"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, printing machinery, printer’s guillotine, paper guillotine, paper cutter machine, oscar friedheim ltd london, friedheim international ltd, bookbinding industry, printing industry

These photographs were taken just before structural modifications and connecting overhead walkways were commenced in 1978.1: Art School opened in 1915 on the site of the original SMB building.It was converted from the abandoned court house. Also Administration building including the teaching and other spaces. .2: "Old Chemistry building" showing the south side and west end. .3: Art school on the left, Ballarat Brewery boiler chimney stack in centre background, Administration building on the right. .4: Entrance on the north side of Art School building .5: South side entrance of Administration building.ballarat school of mines, buildings, a building, administration building, lydiard street south, smb campus

Four scalebuoys stacked above each other in a metal frame one with a copper turbine arrangement on top. An electromagnetic apparatus containing mercury, promoted for its ability to convert ordinary tap water in the home into therapeutic bathing and drinking water with healing powers related to a wide range of medical conditions. The scalebuoy was also sold for a remarkably diverse list of other uses and benefits. Invented by Richard Hartley Smith Abbott, a well known Bendigo businessman following World War 1.Bendigo Electronic Coy Patd A.C. Scalebuoysciences, instruments - general, scalebuoy, bendigo-history-inventions-business-abbott

Colour photo showing two children (or possibly more) playing in an open-sided shed. A girl about 6 years old stands looking at the camera, her hands clasped above her head. She is wearing a light blue patterned sleeveless dress. Behind her, a younger boy is climbing up a wooden frame. He is wearing dark trousers, a reddish jacket and a pale check shirt. There are wooden crates stacked to one side. An adult may be standing on the left.

On 24 March 1962 the special train marking the closure of the Colac-Beech forest railway line was again put on by the Australian Railway Historical Society, this time called the "Bye-Bye Beechie". It had G42 as the locomotive, eight NBH excursion carriages with NC guard's vans at either end, pulling a crowd of keen passengers. Special excursion trains until mid-1962.Colour. G42 locomotive inscribed "Australian Railway Historical Society, Bye-Bye Beechie, 24-3-62", an NC guard's van, eight NBH excursion carriages and another NC guard's van on No.2 Road at Beech Forest Railway Station, with dismounted passengers all around. On No.4 Road a number of loaded or semi-loaded NQR wagons and an NUU louvre van, with a truck, a car, and a van at the end of the row. A parked red truck in the foreground is next to a timber stack.beech forest: railways; "bye bye beechie";, beech forest: railways; "bye bye beechie";

26 photographs of 2 Japanese Exchange Students taken in the 1980's. Some scanned. (16) The 2 students sitting under the Ficus obliqua , Azalea lawn. (22-24) In the Sunken Garden. (18,21) In the Rose Garden. (3-5, 7-8, 10, 19) Using the Ride-on mower. (6, 9, 11-14) Stacking tiles. (17) In the Herb Garden. (25) "Maintenance- a necessary skill." (15) Raking leaves in the Ornamental Garden. (26) Learning about maintenance of machinery.sunken garden, rose garden, ride-on mower, stacking tiles, herb garden, raking leaves, ornamental garden, maintenance, machinery, japanese exchange students

1. A woman sits a wheelchair as she watches to the right of camera. Her hands are poised in the air, as she waits to clap them together. 2. A man sits on the edge of a hospital bed and looks to camera. 3. Seated woman holds her fingers as she moves them, possibly during a therapy session. 4. Near the window looking towards a large bush, a woman fiddles with her beaded necklace. 5. A man sits on the edge of his made up bed, with a small television, cassette player and cassettes stacked in his bedside table. A family portrait hangs on the wall. 6. Sunlight warms a woman talking to another whilst seated. 6 B/W photographs of nursing home residentsassociation for the blind, elanora home (brighton)

History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. (See note section this document for Flagstaff Hills acquisition of the ingots.)The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Lead ingots (sometimes referred to as ‘lead ballast’ or ‘lead pigs), retrieved from the wreck of the LOCH ARD. Grey metal bars with flat base, rising in a curved moulded shape to form a smooth rounded upper face. The imprint of the maker runs along the upper surface in clearly legible capital lettering (height 3cm). The artefacts are stacked on wooden pallets and found in a number of locations at Flagstaff Hill Maritime Village. They are durable and heavy, with some dents and marine staining from their century of submersion, but generally in good condition. .Impressed into the top face “PONTIFEX & WOOD. LONDON”. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lead pigs, lead ingots, lead ballast, pontifex and wood, london lead smelters, ingots

black and white photograph of Great Extended Hustlers Freehold poppet head, now at Wattle Gully, Chewton ( james Lerk 26.22.1999 ) Poppet head in front of mining buildings, stacks of sawn timber tonight. Great Extended Hustlers/locality/Hustlers Hill Nth. Bendigo/ formed 1865/last production 1921. Depth of shaft 3,470 ( 1045 m ) Poppet legs, steel 70 feet high ( 21.08 ) Gold very rich, total yield 300,000 ozs. Dividends 675,000 pounds sterling ( $1,350,000 )organization, business, great extended hustlers mine

Black and white photograph of mine site. Mullock heap in background with various mine buildings. Chimney stack and corrugated iron buildings on right. Mine shaft holes in foreground. Whims centre back. Hand written on back 'Gold Mines Bendigo. Probably New Chum Hill. Looking North. Phoenix, later Old Chum Mine at summit. JB Lazarus' claims in foreground. RT. 'Johnsons No. 2' on back - Royal Historical Society of Victoria, Bendigo Branch. Circular stamp. History: Prev. ACC. No. MNG 2Batchelderplace, mining site, new chum

This photo depicts an outing of VAD nurses Alice Broadhurst, McGeachy and Byrne and two patients of No. 16 AGH Macleod (Mont Park Military Hospital), Curry and Caffery to Eltham in spring 1919. Broadhurst's companions pose with an old timer from Eltham on the roadside verge with a large collection of sticks stacked vertically outside a cottage. This photo is part of the Alice Broadhurst collection held by Yarra Plenty Regional Library, a series of 12 photo albums compiled by Alice Broadhurst (1896-1981), initially while working as a Voluntary Aid Detachment nurse with the Australian Red Cross at the Mont Park Military Hospital (No. 16 AGH) and subsequently as a nurse at the Royal Melbourne and Royal Women’s hospitals alongside many pioneering doctors of their fields.Digital file"McGeachy, Curry, Byrne & Caffery with an old man who lives there at Eltham"eltham, alice elizabeth broadhurst, byrne, caffery, curry, mcgeachy, nursing staff, mont park, 16 agh, old timer, pioneer, cottage, wood pile

This photo depicts an outing of VAD nurses Alice Broadhurst, McGeachy and Byrne and two patients of No. 16 AGH Macleod (Mont Park Military Hospital), Curry and Caffery to Eltham in spring 1919. Broadhurst's companions pose with an old timer from Eltham on the roadside verge with a large collection of sticks stacked vertically outside a cottage. This photo is part of the Alice Broadhurst collection held by Yarra Plenty Regional Library, a series of 12 photo albums compiled by Alice Broadhurst (1896-1981), initially while working as a Voluntary Aid Detachment nurse with the Australian Red Cross at the Mont Park Military Hospital (No. 16 AGH) and subsequently as a nurse at the Royal Melbourne and Royal Women’s hospitals alongside many pioneering doctors of their fields.Digital file"Same group with self instead of Byrne, Eltham, Oct 22"eltham, alice elizabeth broadhurst, byrne, caffery, curry, mcgeachy, nursing staff, mont park, 16 agh, old timer, pioneer, cottage, wood pile