The Wycheproof Craft Group emblem made by Mrs Elaine Storey depicts a large ram and showcases beautifully, wool colours and versatility of creator and medium used. The wool industry, since Wycheproof's settlement days, has greatly supported the town, families and farming in general.The wool picture is the emblem of a local group that met between 1977 and 2010.This item is aesthetically significant as a visually pleasing craft piece that demonstrates the adaptability of skills to raw materials.It is representative of the lifeblood of the town of Wycheproof for 145 years.A framed wool picture constructed entirely from natural fleece, showing a merino ram in a paddock with natural looking vegetation growth. The subject aptly lends itself to a subtle display of various shades of wool colours. It is framed in oak wood.The word WYCHEPROOF is worked in fleece in an arc formation.Wycheproof Craft Group 1977-2010storey, wycheproof craft, wycheproof wool, spinners weavers, elaine

"Ivy (Clayton) and husband Frank O'Neill. My aunt (Daisy) Amy's daughter would have made Ivy's dress. She was a designer. She made my Mum's wedding gown, also mine. Beautiful work." - Vicki Wilson. Ivy May Clayton (1894-1946) married Henry Francis O'Neill (1896-1966) in 1917.Digital copy of black and white photographclayton family, ivy may clayton, oneill family, henry francis oneill

Jessie Partington was born at Willis Vale in 1911 and worked around the farm; when older she and her sisters had to deliver milk around the area from the farm dairy. Jessie attended Greensborough Primary School and from age 4 had piano and singing lessons. She had a beautiful voice, singing in church and choirs. This photograph shows the house 'Willis Vale'Digital copy of black and white photograph.jessie may partington, willis vale, partington family

Jessie Partington was born at Willis Vale in 1911 and worked around the farm; when older she and her sisters had to deliver milk around the area from the farm dairy. Jessie attended Greensborough Primary School and from age 4 had piano and singing lessons. She had a beautiful voice, singing in church and choirs. A pioneer Greensborough family.Digital copy of black and white studio photograph.jessie may partington, partington family

This photograph is one of the first photos of golfing in Mt Beauty. It is dated 1948 and it pictures three high-profile Kiewa Hydro Electric Scheme staff members having a hit of golf on a rudimentary course which was the fore runner to the beautiful golf course we enjoy today. This photo may have been published in one of the SECV magazines.Jack Giniff, Jack Ormerod and Lloyd Dunn were well known on the K.H.E.scheme. The photo shows how quickly community facilities were organised to provide sporting opportunities for the 4000+ workforce.Photo of 3 men playing golf copied from the original onto photo-quality paper in an enlarged form.Hand written at the bottom of the photo: "Mount Beauty Golf Course 1948 (7th Fairway). This is now the 2nd Fairway. Fairway Avenue will run along - the fenceline on the left. Players: Jack Giniff, Jack Ormerod, Lloyd Dunn." Note: "Jack Andrews" crossed out.golf at mt beauty, sport and recreation

Photograph of an outing for Legacy widows, with an instructor demonstrating gentle exercises in a garden. It was published in the June 1995 edition of The Answer with the details: "Preston/Reservoir Legacy Widows' Club. Members enjoyed a session of gentle exercise, a healthy meal and a beautiful day - all that was needed for a wonderful event at Bundoora Park last month. Sponsored by Veterans Promotions Department."A record of one of the many activities arranged by the Widows Clubs.Colour photo of a widows' outing in 1995.widows, exercise classes, activities, answer

Two coloured postcards. One of displays at the Dairy Centre, Newhaven. The second of Rhylston Park homestead, Cowes and it’s display of antiques and clocks.Dairy Museum, Phillip Island Road, Newhaven. Victoria 3925. Phone (059)567583 All Hours Rhylston Park Homestead Thompson Ave Cowes 3922 Phone (059)59522856. Rhylston Park(1886) features a display of over 380 antique clocks and watches. This unique collection is enhanced by the original homestead with beautiful lead light, ornate metal ceilings and marble fireplaces.the dairy centre, newhaven, homes, postcards

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A colour photograph of Gallipoli Park and Darmody's Lake in Marysville, Victoria. Darmody was a prominent builder at one time in Marysville and this lake was named after him. The Rose Series postcard No. 3529.MARYSVILLE VICTORIA/ Gallipoli Park & Lake POST CARD The "Rose" Series/ De Luxe Proudly Printed in/ Australia Since 1880 AFFIX/ STAMP/ HERE/ Rose Series/ Post Card No./ 3529 ADDRESS/ POSTCODE Beautiful Gallipoli Park and Lake/ MARYSVILLE, VICTORIA, AUSTRALIA/ Photos Neil Cutts Copyright Rose Stereograph Co., Glen Waverley, Victoria (03) 9560 7772marysville, victoria, gallipoli park, postcard, souvenir, rose stereograph co, 3529, darmody's lake

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A colour photograph of Gallipoli Park and Darmody's Lake in Marysville, Victoria. Darmody was a prominent builder at one time in Marysville and this lake was named after him. The Rose Series postcard No. 3529.MARYSVILLE VICTORIA/ Gallipoli Park & Lake POST CARD The "Rose" Series/ De Luxe Proudly Printed in/ Australia Since 1880 AFFIX/ STAMP/ HERE/ Rose Series/ Post Card No./ 3529 ADDRESS/ POSTCODE Beautiful Gallipoli Park and Lake/ MARYSVILLE, VICTORIA, AUSTRALIA/ Photos Neil Cutts Copyright Rose Stereograph Co., Glen Waverley, Victoria (03) 9560 7772marysville, victoria, gallipoli park, postcard, souvenir, rose stereograph co, 3529, darmody's lake

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Waterfall scene near the Buchan River’ : Views of Victoria (General Series), No.39 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buchan River is a tributary of the great Snowy River, which extends itself from Port Ricardo, on the Gipps Land coast, to considerably beyond Mt. Kosciusko, in New South Wales. It is comparatively but a stream, but, like most of the smaller rivers in Victoria, it contains some beautiful scenery, peculiar to itself. Our present illustration is characteristic of its scenery, and is taken from a creek close to the River.’nicholas caire (1837-1918), buchan river, landscape photography - victoria

A green tin with a pictures of trees on the lid. The words 'Autumn Glory' are also written on the lid - 1. Series 1 - 12 'Life in other Lands.' A set of six photographs in each envelope. From pictures painted by E .S. Hardy. The All-British Picture Company Ltd., The Sunday School Union, 57/59 Ludgate Hill. London, E.C.4. 2. One envelope containing beautiful coloured reproductions of the paintings by E. Stuart Hardy. Titled 'Early Saints of History.' A.B. Shaw & Co., Ltd. 3, Creed Lane, Ludgate Hill, London, E.C.4. 3. Four black and white postcard size photographs of the process of making Guinness in a plain envelope.place, tin, lydia chancellor collection, collection, tin, photograph, photo, photos, photographs, guinness manufacturing, history, early saints of history, saints, st. columba, st. patrick, caedmon, st. augustine, st. benedict, st. francis, life in other lands, china, japan, africa, eskimos, inuits, south seas, india, geography, person, people, e. s. hardy, art, artwork, painting, place, societies

Published in 1940Booklet, green cover 'Fairy Waxflower' by Tui Ryland. Booklet is enclosed in a brown envelope, addressed to Mrs Chancellor, Panton Street, Golden Square. Written on outside of envelope ' Fairy Waxflower by Tui Ryland, 3 B.O. Member from New Zealand' Dedication on first page reads ' this little booklet is dedicated to my many friends in Bendigo, especially to the Members of the 3 B.O Home Forum for their kindness to me during my long illness. I trust this little story of your beautiful Waxflower will give you some pleasure. Sincerely thanking you all. Tui Ryland Card enclosed in booklet reads' with the compliments of Tui Ryland, 273 McCrae Street, Bendigo.'

Details of some aspects of A K (Gus) Lines' life. Includes article by Eric Poulter, photograph of Albert and Ivy Lines as children (c1906), an obituary for Mr Lines, 2 articles from Australian Home Beautiful (1940 and 1943) discussing his work as an architect, and a newspaper article (c1940) of Mr Lines as Mayor of Heidelberg and his sister Ivy as Mayoress.A K Lines was a local Heidelberg councillor & Mayor and prominent resident of Greensborough.Folder containing articles on A.K. LinesNilgreensborough, heidelberg council, architects, a k gus lines

This handmade women’s pair of bloomers, or drawers, features hand-worked Broderie Anglaise and applique trim and a drawstring rear closure at the waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's bloomers or drawers, handmade from white cotton fabric, with hand-worked Broderie-Anglaise trim around the bottom of legs with applique motifs. Bloomers have a drawstring, back of waist closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, broderie anglaise, hand-made broderie anglaise, paton family, trefnant, yangery, bloomers, drawers, underpants

[48] pages : colour illustrations, plans ;non-fiction"This book is right royally produced to be a treasured exhibit in the library of every home. Seven separate distinct printing operations have gone to make the beautiful, vivid coloring which distinguishes it as an object of fine and lasting craftsmanship. No pains have been spared to produce a fitting volume to mark the beginning of the Age of Queen Elizabeth the Second, and the publishers proudly present it as a book which their readers will rejoice to own."--Front flap.queen elizabeth ii, coronation

Photograph taken in 2009Colour photograph, mountedI took this photo because I think it represents Ripponlea. The photo shows all of the different things Ripponlea has to offer like beautiful parks with native plants and seating where you can see fascinating views. The station is a great part of Ripponlea because the station is old, interesting and it's good to travel from because it is never busy and it's always very clean. By Tian Steuartripponlea, ripponlea station, ripponlea state school

Glass bottle full of ink with a cork stopper. It has a beige label with a blue rectangle, a red diagonal stripe and blue and white lettering.On the blue rectangle: "ANGUS & Co PTY LTD OFFICE BLUE BLACK WRITING FLUID". On the red diagonal stripe: "Special". Across the bottom of the label: "CONTENTS 32 Ozs. This ink writes a beautiful blue color & changes to a deep and permanent black. It is non-corrosive & flows freely from the pen. A perfect ink for office use. MANUFACTURED BY ANGUS & CO. PTY. LTD. AUST. CONTENTS 32 Ozsbottles, glassware

This handmade women’s nightgown features hand-worked Broderie Anglaise yoke and trim. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. This design of nightgown was worn by females in the 19th century and is still worn today.The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's long straight nightgown, white cotton, with long sleeves gathered at the cuff, stand-up lace collar, and a small catch closure on the bodice's centre opening. Hand-worked Broderie Anglaise yoke and sleeve tips.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, nightie, nightgown, women’s nightwear, sleepwear, night dress, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, broderie anglaise, hand-made broderie anglaise, paton family, trefnant, yangery, nightdress

Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1980s, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy Demonstration.Black and white negative film x5 with 2 photo’s on each of the November 1946 Melbourne Junior Legatee Annual Demonstration held at the Melbourne Town Hall.junior legatee, annual demonstration

Junior Legatees Judy Bishop (on the left) and Jeanine Shinners (nee Hunt) dressed for an Annual Demonstration performance. They were taught by Miss E. Domec-Carre and went on to become soloists and then assistants at Girls' Classes. Jeanine later became an active Legatee with SE Group. This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.This photograph is of historical and social significance as it serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of Judith Bishop and Janine Hunt standing side-by-side wearing very elaborate floor-length dresses.junior legatee, annual demonstration, costumes

Various documents from 'Box 511': a. 'Royal Family' - re filmed portrait of Queen Elizabeth II (1959); b. 'Scientific American', issue of April 1934; c. 'Band of Hope Review, 1867 - published in England (Baptist); d. 'Beautiful Britain' - Art Series No 6 - Scenery of the United Kingdom, m1894; e. as for d. but Series 10; f. as for d. but Series 11; g. as for d. but Series unknown (no cover); h. 'Hobart and Suburbs' = Aerial Survey Maps (street directory), 1954 - ex libris A. Richardson, 1959; I. 'Weekly Times Annual, Dec 10, 1931 - cover and pages missing; j. 'Table Talk Christmas Annual, Dec 3, 1923 (cover and pages missing)document

This crochet chart was designed by the twentieth century crochet pattern designer, Mary Card, for the Victorian Centenary in 1934. It was published in the Australian Home Beautiful magazine on November 1934. The chart was published in four sections, with instructions for working it as a complete piece. Mary Card lived in Olinda and published books of her patterns and individual patterns in Australia, American and English magazines from 1909 until the 1930s.Giant paper crochet chart of Mary Cards Victorian Centenary cloth design, featuring Australian animals, ships, buildings and horseman. Chart has FLORENCE / MCNABB 1944 written in pen ar thje bottom. Over the orignial pattern which was printed with VICTORIAN / CENTENARY 1934. Chart is in 4 pieces, each attached to Cardboard. Written on with ink: 12-4-44 On back : No 1, No 2 , No 3, No 4 mary card, centenaries, crochet patterns

Penleigh Boyd recalls the original holland blinds, which had beautiful little brackets fitted to the columns. The replacement blinds may not be as elegant. Robin and Patricia did things as they could afford them -- hence the very early Strizic photos of Suzy in the lower living room do not show blinds (the image on the cover of the 2013 edition of Living in Australia) but they were added shortly after, by Robin.Holland blinds on 7 windows and 2 on doorswalsh st furnishings

A major rebuilding project took place. Brothers John & Thomas Morgan with local storekeeper Harold Goodwin Taylor designing and building a grand new Guest House with 22 bedrooms plus the original bungalows. Unheard of at the time the guests bedrooms had hand basins with hot & cold running water. This was achieved by building a weir on Stony Creek and piping the water to a high holding tank at the guest house. The dining room was a grand affair, a 4.5 metre high ceiling with beautiful gold leaf cornices, art deco ceiling and wall lights with feature plaster lights in the form of blue bells, wall to wall carpet and Kentia palms completed the picture. Ladies & gentlemen dressed for dinner, the ladies resplendent in their long evening gowns and jewellery would come down the stairway from the entrance hall to the lounge then the dining room. The tables were beautifully appointed with damask table cloths & fine silverware. The kitchen was well appointed with a huge coal fired range and a donkey for hot water. Milk & cream, bacon & pork, chicken & eggs together with vegetables were all home grown on the property. A large ballroom with a beautiful timber floor was the scene after dinner for many dances and party nights with guests from other establishments and locals joining in for the night. A huge fernery was also a feature of the gardens. During the day tennis parties would be held on the courts, together with horse riding and guided walks were taken out by local guide Gilbert Rogers.Photo of newly built Grampian Houseaccommodation, guesthouses, accommodation, grampian house

In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strapA lady's beige, beaded, silk lined, evening bag with press stud fastenerevening wear, purses, personal effects, handbags, fashion, needlework, craftwork, dressmaking, moorabbin, brighton, early settlers, pioneers, cheltenham

Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1980s, usually held at Melbourne Town Hall. In these photos it is at the Olympic Swimming Pool. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy Demonstration in 1959.Black and white photo x 16 of the 1959 Melbourne Junior Legatees Annual Demonstration held for the first tiime at the Olympic Pool Stadium.junior legatee, annual demonstration

Rose Series postcard No. P 672, titled "Beautiful Collins Street, Melbourne". Photo is looking west along tree lined Collins Street from Russell Street with W2 class 446 (Kew Depot, route 47), climbing the hill. In the background are at least three other W2s. All trams have the war time white strip under the driver's windows and the part white bumper bar.Yields information about Collins St, early 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear. Two copies held.tramways, trams, w2 class, collins st, tram 446, world war ii, route 47

The newly renovated Kyneton Mechanics Institute is located next to the Kyneton Bowling Club. It features heritage décor, beautifully restored meeting rooms of various sizes and the main hall which seats approximately 200. A community space suited to exhibitions, theatre, business and private functions. This venue is managed by the Macedon Ranges Shire Council. (http://www.mrsc.vic.gov.au/Community_Facilities/Find_a_Facility/Kyneton_Mechanics_Institute, accessed 18/10/2016)The former Kyneton Mechanics' Institute. former kyneton mechanics' institute, kyneton, library

This photo provides an example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. The girls are dressed as native American girls. A similar photo was featured in the Age Newspaper on 20 October 1952. The caption read 'These girls of the Legacy Club could pass for Indian lasses as they wait their turn to perform in the Totem Tom Tom at Melbourne Town Hall, They were among those who participated in Legacy's annual demonstration of physical culture, dancing and allied activities.' Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. The photo was featured in an article in the Legacy Newsletter in December 1952.A record of a Junior Legacy annual demonstration. This photo serves as photographic evidence of the effort put into the annual demonstrations.Black and white photo of performers in Native American costumes for the 1952 Demonstration.Stamped on the back of the photo, Copyright of Herald Sun Feature Service, in purple inkjunior legatee, annual demonstration, costumes

The Rainbow Bee-Eater is native to Australia, living across the mainland, except in desert areas. Male and female birds are both brightly coloured, the primary difference being the length of their tail streamers. Male Bee-Eaters have longer streamers than the females. They are insectivores and use techniques to remove threats to themselves; eg. they will remove wasp's stingers to avoid the poison. They nest in sand and dig a long tunnel, at the end is a 'chamber' where they lay the eggs. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Rainbow Bee-Eater is a uniquely beautiful species of bird with strikingly bright colouring. The plumage is green, blue, chestnut and yellow. The build of this specimen is small and graceful and the bill is slender and curved. This Bee-Eater has two distinct streamers that extend from the base of the tail. The glass eyes provided to this specimen are dark black in colour; however, in life, this specimen has red eyes which contrast with the black stripe of colour that is located from the base of the bill to the ears. Below the black stripe, is a smaller pale blue colour. The throat is orange-yellow and the breast is green. The tail is black with a blue tinge to the plumage closer to the rear of the torso. The colouring on this particular specimen has faded significantly, but it provides a good example of what this specimen looked like while alive.Label: 5a / Australian Bee-Eater / See catalogue page 7 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, rainbow bee-eater