Invitation to Campaign Launch of Colin Brooks for State Legislative Assembly seat of Bundoora, 2 November 2006.1 p. colour leaflet, printed two sidesbrooks family, victoria parliament, elections, colin brooks, bundoora

The man is possibly a ship master or captain and the photo of the couple depicts also his wife. Studio photographic portrait of two people: female standing dressed in black? formal attire, arm leaning on seated male also formally dressed in 3 piece suit with watch chain and bowler hat.skipper, captain, ship master

Small monochrome photograph (faded) depicting outdoor gathering of seated seamen and LHLG member.lhlg, fancy dress, picnic, cadet

small b & w photograph depicting congregation at St Peter the Mariner chapel. Two blurry figures in foreground, seated figure in background.stamp: 8940, photographic paper markings ILFORDst peter chapel, seamen, services, pews

The Women featured in this image seem to be on a re-union outing. Two confirmed identities are Berenice who appears and provides commentary on her memories as a young woman hosting dances at the Mission between WW2 and 1960 in a documentary produced by Csilla Tsongaray circa 2005. Marjorie Duckett's identity was confirmed by her nephew and in two articles in Ship to Shore newsletter. ( Search this database under the term Duckett for more background). POst WW2 the term ladies was gradually dropped and the LHLG became the Harbour Lights Guild in later years and in 1962-63 merged with the Flying Angel League.Colour photograph showing five former members of the LHLG seated outdoors.Jesse, Betty, Berenice, Marjorie, Unidentifiedhlg, lhlg, marjorie duckett

This set of six original chairs (2 armchairs + 4 chairs) along with the dining table was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. chair, dining, manse, heritage listed, dining suite, arts and crafts

In front of Bakehouse, a wooden building with two closed windows, is harnessed horse and buggy. Seated on the two-wheeled buggy is probably one of the West brothers. A tree in background is partially obscured.Horse an Baker's Buggy outside Bakery in Thompson Avenue, Cowes.On side of Buggy - H E West. Bakery (another word undecipherable)local history, photographs, thompson avenue, cowes, horse & buggy, sepia photograph, mary robb

Post Office on corner of Thompson Avenue and The Esplanade. Brick above concrete building with two brick chimneys. Iron roofing, fenced verandah. Group of 12 people, males suited, with collars and ties, ladies all in long skirts, jackets and hats.Post Office with group of people standing and seated in front of buildingP.O.Cowes (written on back of photograph)local history, photographs, post office, cowes, black & white photograph, ann brown collection, bruce bennett

An Anderson Family gathering. Mother and Father with six children. Two men holding rifles, standing with two women in back row. Four girls seated in front row, girl on right holding black and white dog. A rural background.Gathering of Anderson Familylocal history, photography, photographs, slides, film, family group, andersons, sepia photograph, mrs emma anderson jacobs

The console was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926. In the same style as the other oak sideboard, we can assume it was made by the same maker, H.F. Fischer around the same time.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. manse, dining suit, sideboard, arts and crafts, english, h.f. fischer

Photograph taken in the Celia Little Room at Mission to Seafarers Melbourne. The Celia Little Room was named in honour of the aunt of one of the serving (and resident) chaplains. The room is a multi-function room, being used at times for banquets or, as the photograph shows, for relaxation, by visiting seafarers.The age of the photograph consolidates the history of the Mission to seafarers. The people in the photograph are drinking hot beverages, sitting and chatting in a relaxed environment which is significant to the services provided by the Mission.Black and white photograph of two men and one woman seated in the Celia Little Room at the Mission to Seafarers.The man on the far left is wearing a light coloured sports coat and trousers, holding a cup and saucer. The man in the middle is wearing a dark suit, holding a cup and saucer. The woman is on the right and also seated, wearing a dress. Pin holes have been placed in the top corners of the photograph. Dated between late 1950s and early 1960s."8940" faded stamp on back of photograph.dress, suit, 1950s, 1960s, victorian-seamens-mission, cup-and-saucer, sports-coat, armchairs, seamen's mission, mission to seafarers, seamen, seafarers, sailors, lhlg, flying angel, celia little room, flinders street, melbourne, men, woman, social

Medhurst children, Amy Christina Medhurst born1888 and Eunice Sarah Medhurst born 1891.Early 20th century portrait of children from the Medhurst family, a prominent Greensborough pioneer familyStudio photograph of two young women, one standing and one seated. Sepia. Name of studio on front matt. Front: Allan Studios 318 Smith Street Collingwood. Back: Amy Christina Medhurst 1888, Eunice Sarah Medhurst 1891.amy christina medhurst, eunice sarah medhurst, medhurst family

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black.Front: Portland Commemorative Print 5/20. The Groom. Signature of John Cain Premier of Victoria. Back: 14

Illustration. Taken and cut from a book. L Shaped. Two people on rocks at foot of cliffs, one is seated the other is standing looking out to sea. Sea is foamed white as it meets the rocks. Steamer in background with large plume of steam drifting in the sky to the right of the image. Printed on the bottom left. THE COAST AT CAPE BRIDGEWATER.Front: 'The Coast at Cape Bridgewater' - printed, lower frame. portland, cape bridgewater

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black. No Matt. Wooden and gold frame with glass glazing.Front: Portland Commemorative Print (lower left) (stamp) 1/20. A Gee The Groom (Lower centre) (pencil) John Cain (signature, brown ink) Premier of Victoria (black in stamp) (lower right) Back: (no inscriptions)

Displayed in History House.Black and white ambrotype image of a seated woman holding a small book in her left hand. She is wearing a high-necked black dress with small white collar. At her throat is a broach and at her waist are two button closing the front of her jacket. Both have been tinted gold. Framed in gold mount with a leather-bound hinged case with cream velvet lining.ambrotype, studio portrait, portrait photography

In the 1852 Josiah Holloway, a developer, purchased 625 acres from the squatters Richard and John King and sectioned '2 acre allotments' south of Henry Dendy's Brighton Survey along the Arthur's Seat Road ( later Nepean Highway) for sale @ £10 It became known as The Two Acre Village as settlers took up the allotments and established market gardens, general stores, butchers, blacksmiths, post office and 2 hotels. Charles Whorral opened The Cheltenham Inn and it became so popular as a meeting place that the area was called Cheltenham. The early settlers, who were predominantly English and Scottish immigrants initially leased their allotments and, because the sandy soil was so fertile, they were soon able to purchase the land and increase their acreage. Cheltenham became a very important part of the large Moorabbin Shire1871 and City of Moorabbin 1934 In the 1994 Amalgamation of Councils, when the large City of Moorabbin was divided between the newly formed Glen Eira, Kingston and Bayside Councils, the Cheltenham area was assigned to the City of Kingston A photocopy of the Plan for the 2 Acre Village in Moorabbin Parish c1852. A3 laminatedmoorabbin, brighton, cheltenham, market gardeners, pioneers, early settlers, , king. john, holloway josiah, whorral charles, arthur’s seat road, nepean highway , cheltenham inn hotel, henry dendy special survey 1841

The people in the photo are: Mr & Mrs Gus Knight and Ray Knight (on the right). The names of the other three people are not known. The site of the house is where a later monument would stand (see inscription).Photo shows six people; three seated on a large log, two standing and one leaning on a tree stump; in front of a house."Mr & Mrs Gus Knight, Ray on right. -Where Monument will go. Ray just cut down tree - so it would not fall on house." written in biro on rear of photo. "Wannon" written in pencil on rear of photo.people, knight, buildings, tea rooms

This is a photo of the indigenous art at Bunjil's Cave.The photo shows rock art in a small cave. The art consists of a large human like figure which seems to be seated cross legged, and two small animals to the right.painting, rock art

This is a photo of the Zumsteins camping area, which was popular with families.The photo shows a group of six people, two standing near, and four seated at, a picnic table. There is a large canvas tent/structure with boxes and tins at the entrance to the left and behind it there is a corrugated iron building. The area is surrounded by bush.recreation, camping, scenery, zumsteins

The photo shows two men and nine women seated at the base of of a waterfall. Another man is standing on rocks to the left of the falls.scenery, waterfalls

This is a photo of the Comfort Station in the reserve in central Halls Gap. The reserve was used by campers and picnickers.The photograph shows a building, constructed from logs and stone. Steps lead up to the door and the building has small, paned windows. There is a large tree in front of the building and bush behind it. To the right are a some swings and in the right foreground there is a wooden seat and a hanging sign mounted on a stone base. There are two posts in the centre foreground.natural history, flora

This is a photo of Beth and Ida Johnson (now Ida Stanton).The photo shows two women posed for a photo. The woman on the right is standing; she is wearing what appears to be frilly, full length under-garments, a rough cloth jacket and a lace cap. She is wearing glasses, has blond wavy hair and is holding an open, folding fan. The woman on the left is seated; she is wearing a dark coloured dress or tunic with a frilly petticoat showing from the knees down. She also has a frilly cap on and is wearing glasses. She has long hair tied in two ponytails or plaits and she has a book on her knee. Behind them is a corrugated iron wall and a tree fern.people, johnson

The photo shows two men, a boy and a dog on top of a rocky area. One man is seated and is holding a gun."Scene in the Grampians" hand written on top of mount board. "Schroder" inscribed in purple on upper, left of mount board. "Photo, Murtoa"(?) inscribed in purple on lower left of mount board.scenery, grampians ranges, recreation, hunting