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Bendigo Historical Society Inc.
Photograph - Home of Ambrose Dunstan
This home "Crambourne" was designed by architect, Mr William Beebe and built around 1875 for Mr and Mrs Ambrose Dunstan, in Creeth Street, Long Gully.Cambourne, home of Ambrose Dunstan, who was owner of the Long Gully store. The house is named after the Cornish Mining District. Poor photocopy of Mr. Ambrose Dunstan, taken when he was mayor (not dated). Photocopies of originals, undated photographs.home and portrait of ambrose dunstan, ambrose dunstan mayor, cambourne, long gully -
Buninyong & District Historical Society
Photograph - B/W photograph, Trewhalla family of Buninyong, c 1880, 1903
Prominent Wesleyan Buninyong familky.B/W photographic copy of original, studio family portrait, Trewhalla family 1903. Clarice, daughter standing left, Annie(mother, nee Pask) seated holding son Edgar, son Roy standing centre, Father Theo seated, daughter Doris standing right, leaning on father.Trewhalla family of Buninyong 1903. Left to Right Clarice, Annie (nee Pask) holding Edgar, Roy, Theo and Doris. Roy later presented the gates of the Buninyong School.buninyong, family, trewhalla -
Buninyong & District Historical Society
Photograph - Copy of original photo, Studio Portrait of 4 female members of the Hastie Family, about 1905, 1995
Member of Rev. Hastie's Family, highly significant figure in Buninyong history.copy of original photo of 4 female members of the Hastie Family, about 1905, three seated, one standing, well dressed, three in black, lady on left in light colours.hastie, portrait, costume -
Buninyong & District Historical Society
Photograph - Copy of original photo, black & white laser copy, Reverend Thomas Hastie, August 1995
Thomas Hastie was the first Presbyterian minister of Buninyong and started the first school in Buninyong in 1848. The original photo was probably taken in 1887 on his 30th anniversary.Thomas Hastie was the first schoolmaster in Buninyong, starting his own school plus ministering to the Presbyterian church.B&W copy of photograph of Reverend Thomas Hastie, 3/4 length portrait, side view, wearing formal clerical attire, holding a religious book.Laser copy, 1995, original with W Stepnell, Scotsburnthomas hastie, presbyterian minister, buninyong -
Kew Historical Society Inc
Album, Louisa G Thomas, Victorian Era Sketchbook, 1862
Louisa Thomas married Henry Gipps (1837-91)in 1863. They had six sons and two daughters. While Louisa and Henry Gipps were to die in Sussex, two of their sons, Frederick George De Visme Gipps (1867-1953) and Richard Brook Woodthorpe Gipps (c.1872-1946) migrated to Queensland, possibly bringing with them their mother’s sketchbook.The collection of artworks that are included in the sketchbook are often of outstanding aesthetic and artistic significance. In the variety of subject matter and the geographical places represented, it is historically significant as a document recording the postings of Colonel Henry Gipps, 9th Norfolk Regiment, and his wife Louisa to locations in the Mediterranean and West Asia. The large bound sketchbook has a marbled cover with blue binding. The name Louisa Goulburn Thomas and the date 1862 are faintly inscribed in pencil on the front page. However the book contains pen and ink and pencil drawings, watercolours, and photographs, which both predate and postdate 1862. The approximately 75 works are loose-leafed items and [currently] do not form a chronological, geographical or thematic sequence. Creators identified on some drawings and watercolours include Mary Julia Wilder Thomas, JFV Wright, ELG (Edward Louis de Bondell Gipps?), L Nicholson, Bertha Isadore Thomas, and HG (Henry Gipps?). Many of the works are signed and dated, and include rural landscapes and seascapes, archaeological sites, animal studies, and portraits. While most of the works were created in the British Isles, others are scenes of Venice, the Ionian Islands, Cape Town, Hong Kong and Japan. [A number of the ‘oriental’ paintings on silk were probably purchased from local artists.] The art works in the book are at various stages of completion and represent a diverse range of artistic skills. What may be the earliest work in the sketchbook is a drawing of three uniformed soldiers. An annotation on the reverse records that the drawing is of a Group of Soldiers after [Philipp Jakob] de Southerbourg 1830. The birth of Louisa Thomas' oldest son, William Henry Houston Meyrick Gipps (1864-1903) in Corfu perhaps explains why a number of scenes and items in the album are of the Ionian Islands. Louisa is probably the creator of a number of still life and botanical studies in the album. These range from floral studies to a bird’s nest. The painting of objects was to remain a socially ‘approved’ specialty of amateur and professional women artists into the 20th century. The complete contents of the album will be uploaded to accompany this record. Some items may be published separately on Victorian Collections, but will acknowledge their origins in the sketchbook."Louisa Goulburn Thomas / 1862"victorian sketchbooks, manuscripts - kew historical society, 9th norfolk regiment, rosemary (gipps) vaughan smith, vaughan-smith collection -
Kew Historical Society Inc
Photograph, James Venn Morgan, c.1905
James Venn Morgan was known affectionately as ‘The Father of Kew’. Born in Somersetshire on February 21, 1823, he sailed to Australia in April, 1851. James V. Morgan, was a member of one of the first parties to leave for the diggings. At Chewton, near Castlemaine his party tried their luck in an abandoned shaft, and in two weeks returned to Melbourne after having won 35lb weight of gold. James Venn Morgan was content with his success, and induced his partners to invest their money with him in land. After obtaining the advice of a friend, the party negotiated with Mr Samuel Watts, of Collingwood, who had recently purchased land from the Crown, and from him they took over at £15 an acre about 32 acres of land in the district that is now known as Kew. This land extended from where the Kew Post-office now stands to the locality of the Boroondara Cemetery. Here it was that Mr Morgan decided to settle, and, after having had the land surveyed, the partners apportioned it by drawing straws for the four sections into which it had been divided. One of them sold his holding later in the year for £100 an acre, and was sorry for it afterwards. In 1853 Mr. Morgan built the first house in Kew, and this house is the one in which he still resides. Here with his wife, he settled down to market gardening and dairying. So successful was the new venture that he induced his father and other members of the family to come out to Australia to assist him. Gradually the district became settled, Mr. Morgan parted with a portion of his holding, and subdivided and built on the remainder, which he still retained. In 1884 he found himself in a position to retire from active business.He celebrated his 100th birthday in 1923. He was later to die in the same year. The Argus, 17 January 1923.Rare and historic hand-tinted framed portrait of one of the founding pioneers of the district.Hand tinted photograph in a gilt frame of the Kew pioneer James Venn Morgan (1823-1923).james venn morgan, kew - pioneer families, kew - landowners -
Kew Historical Society Inc
Photograph, Festive Gathering, 1920s
Festive gathering in an unidentified hall.Group portrait of attendees at a dance in a hall. The costumes worn by the women would indicate that the photograph was taken between 1919 and 1925.celebrations, dances, 1920s -
Kew Historical Society Inc
Photograph, Wedding Party, Nineteenth Century
One of three historically interesting photographs, without provenanceGroup portrait at an unidentified wedding. The photographers name is included on the mount: A.H. Williams, South Melbourne. The State Library of Victoria records that he was 'active' between 1899-1935.Photographer: "A.H. Williams, South Melbourne"wedding photographs -
Kew Historical Society Inc
Photograph, His Majesty King George V after a painting by John Berrie, c.1935
The original oil portrait is held by the Australian War Memorial.Large official framed colour print of King George V in military uniform. The linked article by Laura Cook, published by the AWM in 2017 gives a history of the original Berrie portrait and reproductions."His Majesty King George V"king george v, kew (vic.) — municipal collection, wwi -
Kew Historical Society Inc
Photograph, Kew Mayoral Ball, Hawthorn Town Hall, 1947, 1947
Photograph of the first Kew Mayoral Ball to be held after the Second World War. The photograph formed part of the collection of WHS Dickinson and was presented to the Kew Historical Society by his daughter in 2018. A group portrait of attendees at the 1947 Kew Mayoral Ball, held in 1947 at the Hawthorn Town Hall. In the second row, centre are the Mayor and Mayoress of Kew, Cr WHS Dickinson and Mrs Doris Dickinson. Also in the photo are the acting Town Clerk of Kew, Bill Graham (3rd row at left), two flower girls, Judith and Janet Dickinson, and debutantes with their partners. Mr Ron Dickinson, the son of the Mayor and Mayoress is standing in the back row at left. The photograph is in a beige card folder embossed with the words "Portrait by C. Stuart Tompkins, Camberwell". The internal framing mount is signed in pencil with: "C Stuart Tompkins, Camberwell". 1947cr whs dickinson - mayor of kew 1946-1947, civic events - kew (vic), mayoral balls - kew (vic) -
Kew Historical Society Inc
Photograph, Grant & Co. Vita Studios, Albert John Watson, 1895-1905
Studio portrait in Cabinet Card format of John Watson, the father of Mrs Ivory.Reverse: "Donated by Mrs Ivory / taken approx 1890s / Albert John Watson aged 12 / Hawthorn College"albert john watson -
Kew Historical Society Inc
Photograph - Portrait, 1960s
... . Photograph Portrait ...The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of an oil painting of a woman which may be of Alma Figuerola. The photo was in the personal photo album of the artist. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph, Portrait of a Man, 1960s
... photograph album. Portrait of a Man Photograph Photograph ...The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of an oil painting of a man from the Alma Figuerola photograph album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph, Mendelssohn, Family Portrait : Mother and Son, c.1905
... Figuerola photograph album. Family Portrait : Mother and Son ...The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of an unidentified mother and son from the Alma Figuerola photograph album. alma figuerola album, mendelssohn - photographer -
Kew Historical Society Inc
Photograph - Carte de Visite, Captain RJ Napier Kellett, Undated
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Rare portrait of a Kellett ancestorCarte de Visite of Captain RJ Napier Kellett, an ancestor of Sir Henry de Castres Kellett.CAPN RK NAPIER KELLETT / RIFLE BRIGADE / WATERLOO MEDAL / CAPN ROYAL 42ND HIGHLANDERS THOS NORTH PHOTOGRAPHER / 71 GRAFTON STREET DUBLIN sir henry de castres kellett, cape rj napier kellett, battle of waterloo -
Kew Historical Society Inc
Photograph - Framed Portrait, Mrs. Phyl Pullen, State President VLBA 1981-83, Life Member AHRC 1983, 1983
... 1981-83, Life Member AHRC 1983 Photograph Framed Portrait ...Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Nixon NV 1980, The History of the Kew Bowling Club 1880-1980. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Framed and glazed photographic portrait of Mrs. Phyl Pullen, State President VLBA 1981-83; a life member of Auburn Heights Recreation ClubMRS PHYL PULLEN / STATE PRESIDENT VLBA 1981-83 / LIFE MEMBER AHRC 1983kew bowling club - wellington street - kew (vic), clubs - lawn bowls - kew (vic), vlba, phyllis pullen -
Kew Historical Society Inc
Photograph, J F C Farquhar, Ratting on the Yarra, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In Farquhar’s close-up portrait of the rat catcher and his dog, the photographer excludes any extraneous data that otherwise might have provided a spatial or motivational context. The contemporary or the present day viewer is required to construct a narrative to explore or understand what is occurring. The title of the picture might incline a viewer to believe that what they see is an exercise in vermin control, and that the rat concerned might be an introduced black or brown rodent. A more likely scenario is that the rat catcher is focussed on catching ‘rakali’, a native water-rat once widely trapped for its fur. The trapping of rakali for use in the manufacture of fashionable clothing accelerated as introduced furs such as musquash became more expensive. It was not until 1938 that rakali were granted protected status.Ratting on the Yarrakew illustrated, kew where we live, photographic books, henry kellett, yarra river -
Kew Historical Society Inc
Book, From Municipality to City : Chairmen & Mayors of Kew 1861-1994, 2019
... photographic portraits of Mayors of Kew to the Kew Historical Society... photographic portraits of Mayors of Kew to the Kew Historical Society ...From Municipality to City: Chairmen & Mayors of Kew 1861-1994 is the result of a collaborative history project completed by members of the Kew Historical Society. Th text includes a contextualised series of illustrated biographical and autobiographical profiles of the former civic leaders of Kew. The profiles explore the political, social, cultural and economic history of Kew from the earliest years of European settlement to the amalgamation of Kew into the City of Boroondara in 1994.110 pages : illustrations, portraits ; 29 cm.non-fictionFrom Municipality to City: Chairmen & Mayors of Kew 1861-1994 is the result of a collaborative history project completed by members of the Kew Historical Society. Th text includes a contextualised series of illustrated biographical and autobiographical profiles of the former civic leaders of Kew. The profiles explore the political, social, cultural and economic history of Kew from the earliest years of European settlement to the amalgamation of Kew into the City of Boroondara in 1994.kew (vic.). council -- history, mayors -- victoria -- kew -- biography, kew (vic.) -- history -
Kew Historical Society Inc
Album, Opening of the Auburn Heights Recreation Club, 1904
Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Chapman J & C 1999, The history of the Auburn Heights Recreation Club, 1904 to 1908. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Elaine Pickering’s album of 24 photographs of the Auburn Heights Recreation Club taken during its opening in 1904. The album was donated to the Club in 1988. It includes images of lawn bowling and croquet. The photographs in the album can be viewed sequentially in the carousel. The photographs as a collection include a remarkable portrait of Edwardian Melbourne.clubs - lawn bowls - kew (vic), auburn heights recreation club - barkers road - kew (vic), auburn heights recreation club - minute books -
Kew Historical Society Inc
Award, Kew Fire Brigade / Best Average Time, 16 points / U.F.B.D. Sandhurst, 1886
1879 - The Argus, Friday 11 July 1879, page 4. The Kew Borough Council having decided to initiate a fire brigade, invited volunteers to send in their names. About 40 complied with the invitation and met at the Town-hall to choose 12 of their number to form the brigade. The 12 elected then chose their officers as follows :— Councillor Gray, captain ; Mr. Thomas Greenhill, foreman ; and Mr. H. Loxton, secretary. The brigade decided to apply to the council for uniforms and a bell; and after adopting rules for their guidance the meeting separated. The brigade now possesses a reel and 500ft. of hose, and a shed is being erected in Little Walpole-street for a station. The council have applied for six additional fireplugs in the Main-road, so that the brigade may now be considered fairly established. 1886 - Globe (Sydney), Tuesday 16 March 1886, page 8 The Kew Fire Brigade, which obtained the pride of place at the recent fire brigades' demonstration, at Sandhurst, was met on their return at Spencer-street Railway Station by the Mayor and Councillors of that suburb, and were subsequently entertained at the Greyhound Hotel. 1886 - South Bourke and Mornington Journal, Wednesday 17 March 1886, page 2 It may be, deemed remarkable, but nevertheless a fact, 'that the Kew Fire Brigade, comparatively a new one, has gained premier place at the recent contest of brigades held at Ballarat, winning two first prizes and two second. On returning they were met at the station and escorted to Kew, preceded by the Borough banner. Certificate awarded to the Kew Volunteer Fire Brigade as an award for winning 'the best average time' in competition at Sandhurst. Surrounding the team's photo are a series of individual oval named portraits of the team. This framed version of the certificate, (there are two in the collection) is less faded than the framed version.The photograph without the mount (2016.0097a) has been digitally enhanced. Inscription: "Kew Fire Brigade U.F.B.D. Sandhurst. Kew 1886: Best Average Time, 16 points"kew volunteer fire brigade -
Kew Historical Society Inc
Photograph, Lily Clara Wishart (nee Annear), Unknown
Cr William Wishart was Mayor of Kew in 1906-7, his wife Lily serving as Mayoress during his term of office. Locally significant portrait of Lily Wishart, mayoress of Kew in 1906-7. Photographs of past mayoresses are rare. The photograph also informs a number of other items in the collection created by or owned by Lily and William Wishart.Photographic portrait of Lily Wishart, mounted on card for a previous exhibition of items, including her dress from 1907-10.LILY CLARA WISHART / MAYORESS OF KEW 1906-7clara wishart (nee annear), stevenson street - kew (vic) -
Kew Historical Society Inc
Photograph, Mavis Mackinnon, 1930s
Mavis Mackinnon was a Kew resident who worked as dressmaker in business with Miss Tozer, a Milliner of High Street, East Kew, c1930-c.1939.Digital copy of a studio portrait of Mavis Mackinnon, dressmaker in business with Miss Tozer, Milliner of High Street, East Kew, c1930-c.1939.mavis mackinnon, dressmakers - kew (vic), miss tozer - milliner - high street - east kew (vic) -
Kew Historical Society Inc
Photograph, Mavis Mackinnon, 1930s
Mavis Mackinnon was a Kew resident who worked as dressmaker in business with Miss Tozer, a Milliner of High Street, East Kew, c1930-c.1939.Digital copy of a studio portrait of Mavis Mackinnon, dressmaker in business with Miss Tozer, Milliner of High Street, East Kew, c1930-c.1939.mavis mackinnon, dressmakers - kew (vic), miss tozer - milliner - high street - east kew (vic) -
Kew Historical Society Inc
Photograph - Cabinet Card, Mrs Merritt
The photographic firm of Morrison & Co., were active at 81 Bourke Street East during the 1880s. Like numerous other photographers in Melbourne, their business must have been severely curtailed by the Depression of the 1890s. The sitter’s identity has been established as a Mrs. Merritt. While we know that she is not the Mrs Merritt who was to be the wife of the future Mayor of Kew, there were two Mrs Merritts who were shopkeepers in High Street, Kew. Mrs Lucy Merritt operated a bootmaker’s shop, and subsequently a “boot warehouse” from 1888 until the 1920s. Miss Laura Merritt established a dressmaker’s shop in High Street in 1910. Her business also lasted until the 1920s, albeit changed to that of a bookseller and stationer. Both portraits are of the same woman.Cabinet Card by Morrison & Co. Silver albumen studio portrait of a woman later identified as Mrs Merritt of Kew. The sitter wears a dark, figured silk two-piece outfit with matching bonnet and a fur muff. Mrs Merritt, Kewmrs merritt, morrison & co -
Tennis Australia
Page from Magazine, Circa 1892
Page from unknown magazine featuring reproduced engraving portraits of four famous men, and in centre a reproduced photograph of three tennis players. Photograph caption reads: 'AMERICA'S FIRST THREE LAWN-TENNIS PLAYERS OF '92'. UV glass. Materials: Paper, Ink, Glass, Cardboard, Glue, Woodtennis -
Tennis Australia
Page from Magazine, 1892
Page 836 of Harper's Weekly (1892), featuring lithographic bust portraits of the top four players, and a photograph of the action at Newport Casino during, the 1892 U.S. Open. Materials: Paper, Inktennis -
Kew Historical Society Inc
Photograph - Richardson's Glass Manufacturers, J Ward Symons, 1927
One of a series of photographs and documents donated by Jean Woollard relating to her father, Wilfred Charles Woollard, (and to herself). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973).Black and white photograph mounted on card of workers at Richardson's Glass. The formally posed portrait of the workers was taken out of doors with buildings in the background. Wilfred Charles Woollard is seated on the far right of the second row. All the workers assembled for the photo are men. The name of the photographer is printed on the lower right of the mount.Richardsons Glass / Wilfred Woollard d 1975 1927glass manufacturers, wilfred charles woollard, woollard family, jean woollard -
Kew Historical Society Inc
Photograph, Hawthorn District Friendly Societies Competition, 1925
Rifle competitions were popular activities for men in the nineteenth and first half of the twentieth century. The Kew MUIOOF was based in Union Street, Kew and as a friendly society competed in competitions locally and in neighbouring municipalities.Monochrome print positive mounted on card. The photo shows the Kew MUIOOF rifle team which won the Kennon Challenge Shield in 1925. In the studio portrait, taken by Glen Studio (Glenferrie), the five team members are posed, two in front with rifles with the Kennon Challenge Shield positioned at front centre."Hawthorn District Friendly Societies Competition / Kew MUIOOF Rifle Team, Winners of Lennon Challenge Shield, 1925. Score 2182 / FT James PG; PG Gallop PG / JG Harle PG; Bro EA Harrison / WR Harle PG / Glen Studio, Carnegie"muioof, kew muioof, rifle competitions, friendly societies -- kew (vic.) -
Kew Historical Society Inc
Photograph - Kew Cricket Club trip to Sydney, 1930s
Arthur Henry Miers played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Group portrait of a cricket club team in Sydney, standing in front of or sitting on the steps of a monument. The individuals in the photograph are posed in three rows. It is posited by the donor that the probable photographer is Bob Galley.Back Row - ? Tilley : ? : Frank Littlefield : Jack Fox Middle Row - Arthur Miers : Jack Lauries : ? : ? Front row - ? : 'Dad' Richards : ? : Beres Galley : ? : Jack Simonton : Bill Young I assume Bob Galley may have taken the photo - A trip to Sydney comes to mind - 1930s?kew cricket club, arthurv miers, frank littlefield, jack laurie, 'dad' richards, jack simonton, bob galley, beres galley -
Kew Historical Society Inc
Photograph - John Padbury
Padbury’s Funeral Parlour in Kew was the earliest business of its kind in what is now the City of Boroondara. It was established by John Padbury in 1859. Following his death, the company was renamed A W Padbury & Co. John Padbury was involved in meetings in 1861, calling for Kew to become an independent municipality. In 1863, he argued that a lunatic asylum would bring business to shopkeepers. His company was located at 13 Cotham Road, next to the rear entrance of the Kew Police Station. The two-storey building is still [in 2023] extant. Members of the Padbury family married into a number of pioneer Kew families including the Whitmans and Morgans. Rare portrait of a significant Kew pioneerOriginal print positive 'cabinet card'. Portrait of John Padbury, first undertaker in Boroondara. Obverse: “Frisby & Mason / Photographers / 134 Bridge Road Richmond”. Reverse: “John Padbury / founder of Padbury Undertakers Cotham Rd Kew / died 90 yrs / Whitman”funeral parlours. -- kew (vic.), a w padbury, john padbury, businesses -- cotham road -- kew (vic.)