B&W photo, Belgrave Post Office, 1997. Internal shot showing counter area. Two female staff members are behind the counter on the left of the photo. One is serving a woman with a small child. On the wall behind the counter, various sized Postpaks are displayed.

Photo taken from Menzies Road, Menzies Creek, looking towards the railway station. On the left is the house which served as the first official post office. The station is in the centre, with what appears to be a down train in the station. On the right is the stationmaster's house in its original position.

Yields information about the use of the appearance of tram 40 in Lydiard St North and the Ballarat Post Office during the late 1950's.Black and white photograph of Ballarat tram 40 southbound in Lydiard St North, about to cross Sturt St, enroute to Sebastopol. Photos has the Ballarat Post Office in the background. Photo by Charles Craig possibly late 1950's. Two copies held. trams, tramways, lydiard st north, sturt st, post office, tram 40

Leslie John Ellison was born in Horsham in 1920. He was the son of Charles Ellifson (1892-1969) and Lilly May Rogers (1897-!966). He became a teacher and in the 1940s he dropped the "f" from his surname. In 1949 he married Aileen Beryl Ervin (6/3/1924-24/5/2004) John was interested in history and specially in Christian church history. He recorded his thoughts and research in writing. John died 25/7/1981 and is buried with his wife at the Kangaroo Flat Cemetery. Part of the Aileen and John Ellison collection.Fourteen pages handwritten essay on the crusades and an exercise book with the first chapter of the historical novel "Glorious Toil". A typewritten synopsis of the historical novel "Glorious Toil". Also, an envelope addressed to J. Ellison esq. Jacka-Jacka, Tooan posted 20/12/1946 john ellison, historical novel, history of crusades

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Graves within a cemetery, post 1914. A photograph of graves in a cemetery. The photograph, of unknown provenance, is on the lower half of a glass negative. The upper half can be seen in PIC 0053. Given that the upper half is of a grave in Brighton Cemetery, it is possible that this is also the location shown in this photograph.st kilda cemetery, graves, glass negatives

One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created.Colour positive transparency (slide) of the Queen Victoria Jubilee Fountain in the Alexandra Gardens, Cotham Road. The fountain was previously sited in front of the Kew Post Office but was relocated to the gardens in the 1920s when the Kew War Memorial was being constructed. The latter required the resting of the fountain. alexandra gardens -- kew (vic.), queen victoria jubilee fountain, queen victoria jubilee, monuments -- kew (vic.)

Soft Cover book A5 size, black & gold cover with photo of Claude Stratford, white & gold wrtiting. On the back is another photo & a blurb about the book Founder of Comvita On the inside back cover is a post script of his death in 2013 178 pages

Peter CLARKE (1969- ) Gunditjamara (Lake Condah) Born Heywood, Victoria At two months old Peter Clarke was removed from his parents and placed in a Catholic boy's orphanage in Ballarat. The orphanage was closed and Peter was moved to a public orphanage where he discovered 'manners were not a necessity and you often had to take before you were ever given in this orphanage. ... This new orphanage was not a home for me but a prison of sadness and despair.' Disconnected from his country and lore Peter Clarke chose "my own path to land, county and water". Although his childhood memories are dark and bleak, he uses vibrant colours. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mallee Wood didgeridoo with vibrant colours. A natural wood imperfections have been used to emphasise what is recognisable as a frog. This work was purchased from the "My Art, My Life, My Colours' exhibition at the Federation University Post Office Gallery, May 2008.art, artwork, aboriginal, peter clarke, didgeridoo, stolen generation, st joseph's orphanage, sebastopol, my art, my life, my colours' exhibition, federation university post office gallery

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $20. The date is approximately 2015 as it was still for sale in 2018. It is in the collection to show the modern equivalent of the older style badges. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with green and brown enamel in stripes beside around a torch with a red enamel flame. It is on a white card with blue printing showing it's value. Badge has a post and a separate butterfly clutchlegacy appeal, fundraising, badge week

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $50. The date is approximately 2015 as it was still for sale in 2018. It is in the collection to show the modern equivalent of the older style badges. This style recreates high donation value badges from the 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with dark navy blue enamel around a torch and wreath. It is a small rectangular shape. It is on a white card with blue printing showing it's value. Badge has a post and a separate butterfly clutch.legacy appeal, fundraising, badge week

From a wallet of miniature postcards produced by H D Bulmer for sale to touristsBlack and white small format post card of Esplanade, looking west. Buildings identified are the Club Hotel, Mitcheleson's Fancy Goods, Coate Bros Garage (later Crawford's), Broomes Auto Park, John's Milk Bar, Methodist Manse. Lakes Entrance VictoriaThe Esplanade Lakes Entrancetownship, roads and streets, retail trade

Black and white small format postcard showing a bend in the Princes Highway on the Kalimna Hill. The road runs between the steep road cutting and post and rail guard fence. The artificial entrance from Bass Strait to Lakes system is in view. Lakes Entrance Victoriawaterways, islands

Built 1909 for George 'Maori' Jemmeson, member of the Salmon CompanyColour photograph of a timber dwelling at 10 Orme Street. Hipped iron roof, single paned sash window each side of front door, which has fan light above. Veranda of concrete, with steel pipe veranda posts. Lakes Entrance Victoriahouses, heritage study

Believed to have been built early 1900'sColour photograph of a timber dwelling at 212 Marine Parade. Hipped roof and bull nose veranda of iron. Slim timber veranda posts with decorative brackets. Metal framed windows each side of central doorway with fan light above. Lakes Entrance Victoriafences, houses, heritage study

also copies|Two black and white 8.5 x 14|Two black and white 16 x 25Sepia photograph showing view of entrance to Gippsland Lakes from ocean- Bass Strait, looking west towards Western Pier and dunes. Foreground on left shows gable roof of rocket shed and shipwreck bell on white post on right. Lakes Entrance Victoriawaterways, sandbar, rocket shed

House was demolished May 1997 to make way for RSL car park extension. Local information says house built c1900. Internal wall lining was of wall paper covered hessian attached to rough sawn timber.|Also second Photograph taken in Spring.Colour photograph of Ivy Cottage, taken early Autumn. Previously home of Bell Family in Grey Street. Timber dwelling has hipped roof with small gable at ridge, veranda across front supported by white timber veranda posts. Lakes Entrance Victoriahouses, local history

(a) Two story Post and Telegraph Office, 146 Elgin St. Carlton. Arched windows and doors on both levels, inset balcony with women and children standing on it and 10 men standing out the front. There is a small cottage to the left of the office and on the right there's a Hardware? Business.R. Dermer Smith, Bull ST. Sandhurstbuildings, government, post and telegraph office, post and telegraph office, wooden tree guards, r. dermer smith

Photocopy of a newspaper report in the Preston Post-Times 26-8-1998 titled "Legacy tram gets a paint job", of Z3 179 getting painted for the 1998 Legacy Week at Preston Workshops. Included in the photo is painter Gregory Petroustsos and supervisor Brian Carter.trams, tramways, preston workshops, w class, advertising trams, paint

Digital image of W2 380, at the intersection of High St and Mont Albert Road Kew, Kew Junction. Kew Post Office is in the background along with a Bank of NSW building. Tram showing route 42, City. Photo by Dick Jones - reference - 380_KewPO_DickJones_6609x34Pe.11trams, tramways, w2 class, kew junction, route 42, mont albert rd, high st, tram 380

ticketDemonstrates a range of decimal currency tickets used by the Provincial Tramways of Victoria.Assorted State Electricity Commission Victoria tramway tickets post 14.2.1966. The tickets, known as "flimsies", have a decimal value of 7c and 8c. They are printed in colored inks on a cream paper background. The tickets cover either the City Section, or four sections in and out of the city. tickets, tramways, state electricity commission of victoria, esco

ticketDemonstrates a range of decimal currency tickets used by the Provincial Tramways of Victoria.Assorted State Electricity Commission Victoria tramway tickets post 14.2.1966. The tickets, known as "flimsies", have a decimal value of 4c and 5c. They are printed in colored inks on a cream paper background. The tickets cover either the City Section, or four sections in and out of the city. tickets, tramways, state electricity commission of victoria, esco

A5 size publication of the Gipps-Land Gate, December 1974. 16 pages, featuring an old picture of Dandenong on the cover. Keeping Posted The Story Of Kirkham, Dandenong Pioneer (1828-1905) Early Family Footprints The Swords Family - Over A Century Of 'Inky-wayfarers' An interesting group of Early Dandenong Personalities, Places and Eventshotel history, early education in dandenong, interesting milestones, family histories

A5 size publication of the Gipps-Land Gate, December 1974. 16 pages, featuring an old picture of Dandenong on the cover. Keeping Posted Turning Back The Pages 75 Years Local Government 1870 Roads Board Style This Was Dandenong "Laurel Lodge Recollections" An interesting group of Early Dandenong Personalities, Places and Eventshotel history, early education in dandenong, interesting milestones, family histories

Main Street Stawell looking East. Post Office on left, double story building. Note Post Office Hotel Rowland's as previously E. J. Copley . Real Photo Series M 673 1922. Six horse drawn carts along the street and people moving around the shops. Also the telegraph poles in this photo have 4 cross timber beams on the previous photo they only had 3 cross timber beams. Sepia photo of Main Street, Stawell c 1920's. The street scene show the commercial businesses of the time with horse and carts being the main form of transport.Main Street, Stawell. Victoria. Real Phot Series. M.673. Printed on the back "Published by the Valentine & Sons Publishing Co. Ltd. Melbourne Sydney & Brisbane.stawell streetscape

The photograph, Real Photo Series M 324, shows Geelong No. 2, built by Duncan and Fraser of Adelaide in 1911 in its as-built configuration in Ryrie St with the former Geelong Post Office in the view. Next door to the Post Office is the Telegraph Station. Dated on the basis of a poster next to the Telegraph station advertising a 1920 film by Irene Castle. The full name of the film cannot be read, but starts with "The..." This tram is part of the collection at the Ballarat Tramway Museum. Yields information about Geelong No.2 and Ryrie St in particular the Geelong Post Office.Digital image of Geelong tram No. 2 in Ryrie St, 1920.geelong, geelong 2, mesco, geelong town, geelong post office, ryrie st, geelong telegraph station.

non-fictionA full-colour catalogue to support the Sharing Bonegilla Stories exhibition at the Albury LibraryMuseum which was curated by Bridget Guthrie in 2009. The exhibition drew from a successful earlier Belongings partnership with the Centre. The catalogue tries to make sense of people’s different memories of, and responses to, Bonegilla.bonegilla, migrant experiences, immigration victoria

Postcard from the publisher's office, next door to the Post Office Ballarat at the intersection of Sturt and Lydiard Streets. ESCo No. 3 is eastbound, the tram has a small roof advertisement. In the view are the National Mutual building, the Post Office, and Snows. On the left is the Robbie Burns Statue. Possilby not tram No. 3 (an ex Sydney C class tram) as it does not have the centre window vertical mullion - maybe No. 13 - see item 1647 showing this.Yields information about Sturt St Ballarat and ESCo tram No. 3.Postcard black and white, divided back, unused, H J Summerscales,tramways, trams, esco, sturt st, tram 3

Statement of Significance Last updated on - January 5, 2010 REVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 What is significant? The c1950s Jelbart residence and the c1945 barn, the garden and the gate posts and the surrounding site to the extent of the title boundaries. How is it significant? The Jelbart house and barn are historically and architecturally significant to the Shire of Nillumbik. The garden and the gate posts are historically and aesthetically significant to the Shire of Nillumbik. Why is it significant? The Jelbart house and barn are historically significant because they are unusually large and because together they comprise one of the oldest groups of substantial mud brick buildings erected during the 20th century in the Shire of Eltham and foreshadow the large mud brick residences of the 1960s and 1970s for which the area is well known (Criteria A & B). The buildings are architecturally significant because their construction (using timber post framing and mud brick walling) is a characteristic feature of what became known as the 'Eltham style'- which was prevalent in the area during the mid and latter parts of the 20th century (Criteria D & A). The garden and the gate posts - The garden is historically significant because it is a remainder of a large holding of 200 acres associated with the house (Criterion A).The gate posts are historically and aesthetically significant because they were taken from a 19th-century Toorak mansion and because their removal and re-use illustrates the practice of recycling material from demolished buildings that was one of the characteristic features of 'Eltham-style' architecture (Criteria A, D & E).Roll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5arthur street, eltham, jelbart barn

From A. & D. Munro's bootmaker's shop. Archie Munro came to Orbost and started a boot shop in Cameron's barn where he was Acting Post Master.High button boots became a fashion in the 1870s when hemlines were fashionable at the ankle, rather than dusting the top of the shoe. Previous to the high button boot was the ankle bootie favored by Queen Victoria. They laced up and gave no support to the ankle. But, when the dress hemline inched up a bit, more of the ankle was exposed. So, industrious shoe designers came up with a taller shaft of the boot, fastened with buttons rather than laces. This item is an example of early fashion.Six small black boot buttons on a silver safety pin.buttons costume accesories footwear

Part of standard issue equipment to front line servicemen for first aid. Issued to Robert G. Jackson. Posted to Butterworth in 1966-69 as Flight Sergeant.Small compressed Brown packet made of paper with yellow label affixed on both sides. Label has black writing, Packet in middle has white pull strings so that package can be ripped open easily. Contents of packet is a white sterilised bandage to be used on burns. On both ends are instructions on how to open packet.Labelled - "Standard dressing B.P.C. No. 11 Medium burn dressing" followed by directions for use. Instructions on both ends - "To open packet pull tape".medical, butterworth,