Black and white portrait of a man. and a jumper. He has shoulder length hair and a beard. He wears black rimmed glasses. The man is Gordon Stokes. White matt board, blonde wood frame. 'Dignified'1/3 / Dignified / Lynne Hollisgordon stokes, portrait

Sir Reginald Alexander Dallas Brooks (1896–1966), State Governor of Victoria 1949 - 1963 was the Patron of the Mission and guest speaker at a special fundraising dinner held to commemorate the centenary of a mission to seamen in Victoria. The image depicts the State Governor flanked by Archbishop of Melbourne and E.B.Coles, Chairman of the Mission, presenting a cheque as donation, at the centenary dinner. The photograph was published in the 1956 Annual Report (page 5).The Centenary dinner held in 1956 marked a key milestone in the maintenance of services to seafarers in Victoria. The State Governor presence as special guest and speaker helped to launch a key fundraising drive that was much needed.large rectangular b/w photograph in landscape format depicting three men on the left a clergyman, centre a man with a moustache in a dark suit and on right man in a light suit and wearing spectacles seems to be presenting a cheque.mission to seafarers, donors, state governors, sir reginald alexander dallas brooks, centenary, 1956, e.b. coles, centanery appeal, g.j. coles, ship model, flag, microphone, radio, radio 3xy

Sir Reginald Alexander Dallas Brooks (1896–1966), State Governor of Victoria 1949 - 1963 was the Patron of the Mission and guest speaker at a special fundraising dinner held to commemorate the centenary of a mission to seamen in Victoria. The image depicts the State Governor flanked by Archbishop of Melbourne and E.B.Coles, Chairman of the Mission, presenting a cheque as donation, at the centenary dinner. The photograph was published in the 1956 Annual Report (page 5).The Centenary dinner held in 1956 marked a key milestone in the maintenance of services to seafarers in Victoria. The State Governor presence as special guest and speaker helped to launch a key fundraising drive that was much needed.large rectangular b/w photograph in landscape format depicting three men on the left a clergyman, centre a man with a moustache in a dark suit and on right man in a light suit and wearing spectacles seems to be presenting a cheque.mission to seafarers, donors, state governors, sir reginald alexander dallas brooks, centenary, 1956, e.b. coles, centanery appeal, g.j. coles, the hotel australia, microphone, radio 3xy

Sir Reginald Alexander Dallas Brooks (1896–1966), State Governor of Victoria 1949 - 1963 was the Patron of the Mission and guest speaker at a special fundraising dinner held to commemorate the centenary of a mission to seamen in Victoria. The image depicts the State Governor flanked by Archbishop of Melbourne and E.B.Coles, Chairman of the Mission, presenting a cheque as donation, at the centenary dinner. The photograph was published in the 1956 Annual Report (page 5).The Centenary dinner held in 1956 marked a key milestone in the maintenance of services to seafarers in Victoria. The State Governor presence as special guest and speaker helped to launch a key fundraising drive that was much needed.large rectangular b/w photograph in landscape format depicting three men on the left a clergyman, centre a man with a moustache in a dark suit and on right man in a light suit and wearing spectacles seems to be presenting a cheque.mission to seafarers, donors, state governors, sir reginald alexander dallas brooks, centenary, 1956, e.b. coles, centanery appeal, g.j. coles, microphone, radio 3xy

Sir Reginald Alexander Dallas Brooks (1896–1966), State Governor of Victoria 1949 - 1963 was the Patron of the Mission and guest speaker at a special fundraising dinner held to commemorate the centenary of a mission to seamen in Victoria. The image depicts the State Governor flanked by Archbishop of Melbourne and E.B.Coles, Chairman of the Mission, presenting a cheque as donation, at the centenary dinner. The photograph was published in the 1956 Annual Report (page 5).The Centenary dinner held in 1956 marked a key milestone in the maintenance of services to seafarers in Victoria. The State Governor presence as special guest and speaker helped to launch a key fundraising drive that was much needed.large rectangular b/w photograph in landscape format depicting three men on the left a clergyman, centre a man with a moustache in a dark suit and on right man in a light suit and wearing spectacles seems to be presenting a cheque.mission to seafarers, donors, state governors, sir reginald alexander dallas brooks, centenary, 1956, e.b. coles, centanery appeal, g.j. coles

Taken in 1944, the photograph depicts a van with two large, round satellite dishes installed on the roof stationed near Mt. Stanley, Victoria. There is a transmission tower in the background. Four unidentified young men are in the foreground on the right hand side. A secret experimental micro-wave radio station was established and tested at this site by the Army Signal Detachment Unit during World War II. It was part of an experimental Ultra High Frequency (UHF) link between Melbourne and Sydney. At the time, it was highly classified. It intended to enquire into the hitherto unexplored transmission of micro-waves; that is, a radio signal which could only be transmitted by line of sight, and thus required hill-top to hill-top location.The photograph is historically significant as it pertains to World War II; the largest global conflict in history. This significance is enhanced by Australia's prominent involvement in campaigns across the Pacific, particularly on land in New Guinea and across the Huon Peninsula. It was also the first time that the Australian mainland came under direct attack by the Axis, with Japanese forces targeting north-west Australia and Sydney Harbour. These battles became Australia's largest and most complex offensives during the war. The record is also historically significant as it relates to the Royal Australian Corps of Signals, or "RA Sigs". This significance is strengthened by Australia's unique distinction of having the first established signal unit under the British Empire. This unit provides electronic warfare. They enable commanders to implement highly dynamic battle control against opposing forces by using a number of methods including radio, fibre optic, micro-wave, information systems and satellite links. The record has strong research potential. This is due to the ongoing scholarly and public interest in war, military history, the ANZAC legend, and the continuing existence of the RA Sigs. The historic context of this record can provide insight into Australia's history, military, technological innovation and advancements, as well as national economic, defence and foreign policies after 1945.Black and white rectangular photograph printed on matte photographic paper.Reverse: BMM5095.10 / Our station set-up / in operation beside / the old Fire Watchers / Tower / 32 / It was man-handled / the last 50m. to the top /military album, army album, wwii, world war ii, army signal detachment unit, royal australia corps of signals, military, war, australian army, mt. stanley, victoria, beechworth

‘Strike anywhere’ or ‘Waterproof’ matches are still used today all around the world, including many developing countries and are widely used for camping, outdoor activities, emergency/survival /military situations, and stocking homemade survival kits. Anton Schrötter von Kristelli discovered in 1850 that heating white phosphorus at 250 °C in an inert atmosphere produced a red allotropic form, which did not fume in contact with air. It was suggested that this would make a suitable substitute in match manufacture although it was slightly more expensive. Two French chemists, Henri Savene and Emile David Cahen, proved in 1898 that the addition of phosphorus sesquisulfide meant that the substance was not poisonous, that it could be used in a "strike-anywhere" match, and that the match heads were not explosive. British company Albright and Wilson, was the first company to produce phosphorus sesquisulfide matches commercially. The company developed a safe means of making commercial quantities of phosphorus sesquisulfide in 1899 and started selling it to match manufacturers. Bryant and May was a United Kingdom (UK) company created in the mid-nineteenth century specifically to make matches. Their original Bryant and May Factory was located in Bow, London. They later opened other match factories in the United Kingdom and Australia. On 15th December 1909, Bryant & May, Australia’s first match factory at Church Street, Richmond, Victoria. was opened by The Honorable Alfred Deakin, Prime Minister of Australia, and Mrs. Deakin The Bryant & May Ltd factory in Church St Richmond is a listed building and has been converted to apartments following the closure of the Company 1980. Bryant & May's Ltd were influential in fighting against the dreadful disease known as Phossy jaw which was caused by white phosphorus used in the manufacture of the early matches. They were also the object of the 'Match Girls Strike' in London 1888, which won important improvements in working conditions and pay for the mostly female workforce working with the dangerous white phosphorus. The public were slow to purchase these red phosphorus sesquisulfide safety matches because of the higher price1 box of unused Bryant & May safety matches 'Greenlite' waterproof Greenlites / waterproof / matches / CONTENTS 47 / MADE IN AUSTRALIA BY BRYANT & MAY / E 2994 photograph of a man and woman beside a camp fire on the beachsafety matches, bryant & may pty ltd, phossy jaw disease, early settlers, moorabbin, bentleigh, cheltenham, lights, lamps, tobacco, white phosphorous, red, phosphorus sesquisulfide, swedish match pty ltd, pitt william, savens henri, cahen emile david , richmond victoria,

Australian Timber Author: James Mann Publisher: Walker May & Co Date: 1900Label on spine with typed text RA 674 Man Pastedown end page has sticker from Warrnambool Mechanics Institute and Free Librarywarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, australian timber, timber, james mann

Photographic postcard showing view of town of Bright with mountains in backgroundAt bottom of photo: "Victorian Alpine Scenery. - Birds-eye View of Bright" At bottom left: "H. Manning, Copyright" At bottom right: "F. Foxcraft"bright-victoria, victorian alps

Polish scientist explorer Dr. Lhotsky explored the Australian Alps south of Mt Kosciusko (not named at that date)as far as McKillops Bridge (unnamed then) between 1834 and 1839. His claims were largely ignored he being labelled imposter and humbug but recent research indicates his rightful place amongst Victorias early explorersBlack and white photograph of Snowy River at Suggan Buggan VictoriaApproximately where John Lhotsky the first white man known to have been in Gippsland reached the Snowy and spent three days in March 1834topography, rivers

The book was used by Peter Evans (born 1927) to record notes during classes in the Wool Classing course at Gordon Institute, 1939-1944. Mr Evans was from Hamilton, Victoria, where he continued the family business of wool and sheepskin trading. The book was a gift to Dr Grahame Abbott from the inherited estate of Peter Evans in consideration of his experience in the wool industry over 35 years at the CSIRO Wool Laboratories at Belmont.A bound cash book with a cardboard cover and maroon cotton binding. Has a paper label with a blue inscription in the centre of the front cover. Pages lined and ruled in columns. Contains handwritten notes in blue and red ink on 72 pages.Wording: CASH BOOK D.M.C.;Method: printed;Location: front covergordon institute of technology, woolclassing, evans, mr peter, geelong, victoria

For generations, Bushells Coffee has been a part of everyday Australian life. It is an iconic household brand name that generations of families have grown up enjoying. These tea and coffee tins or caddies were commonly purchased from suppliers selling the well-known products of Bushels or Robur. The empty tins would have been used for storing other foods, household or farming items.A badly damaged square, Bushells Ltd 'Barley' tea canister or tea caddy with a rusted on lid and faded mountain scenes depicted around the four sides of the tin. There is indecipherable print at the bottom of each side, however, some details can be read - No. 144 (of a series) Net 1lb. Weight and other words not clearly read. The lid has a picture of the Bushells man with a long beard. This canister is from c.1920's and is very rare. There is indecipherable print at the bottom of each side, however, some details can be read - No. 144 (of a series) Net 1lb. Weight and other words not clearly read. The lid has a picture of the Bushells man with a long beard. The pictures on each side are very worn, but are of a female tea picker in traditional clothing working on a mountainside, standing near a shed with a cow and another one of her standing near an ox driven cart. metal, tea caddies, tea accessories, containers, food containers

Stick pin with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.wool marketing, australian wool corporation, gunn, sir william

Stick pin with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.wool marketing, australian wool corporation, gunn, sir william

Stick pin with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.wool marketing, australian wool corporation, gunn, sir william

Stick pin with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.wool marketing, australian wool corporation, gunn, sir william

Donated by Mrs Robyn Adams, daughter of Victor Clyde- a wool grower in North East Victoria. Mr Clyde used this waybill booklet to record the details of wool bales which he sold through Goldsbrough Mort. The front yellow carbon paper slip indicated a sale of wool in 1946.Red paper booklet with three staples on left side spine. Front cover has an image of a rams head above decorative text reading -Goldsbrough, / Mort / & Company Limited-. Company address and services are also listed on front cover. Back cover has an image and addresses of warehouse storage locations. Inside front and back covers are instructions and tips on how to use the booklet. Several yellow lined pages are included inside, some of which have been removed. These pages are used to record bale details with carbon paper. There is a small, handwriten word on th front cover above the word MELBOURNE.wool growing, wool production, wool auctions, wool sales, wool transport, mrs robyn adams, elder smith goldsbrough mort limited

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Coats Patons and contains knitting patterns for baby clothes.Patons / KNITTING / BOOK No. 709 / JUST FOR BABIES / 8 different jackets - / a hug-me-tight / A dainty lace dress / Knit them in Patons Baby Wool, / Patons Baby Wool with Nylon, / Patonyle 3-ply, or / Patons Orlon / 2'6 / 25 CENTShandicrafts - history knitting, coats patons (australia) limited, handicrafts - history, knitting

This folder contains photographs, advertisements and a sample of a piece of blanket from the Warrnambool Woollen Mill. This mill was officially opened in South Warrnambool in 1910 following the establishment of a local public company. The first manager was John Bennett from Yorkshire, England. The operations of the mill expanded with new buildings enabling the business to double in size by 1915. In the 1940s the factory was employing 700 people. In 1968 the factory was sold to Dunlop Australia but was sold again in 1982 to Onkaparinga Woollen Company. In 1983 Mcquarie Worsteds took over the factory with the business then known as Warrnambool Textiles. In 2000 the mill closed and most of the buildings were later demolished for a housing estate. This item is an attractive and informative memento of one of Warrnambool’s most important businesses of the past. The Warrnambool Woollen Mill operated for 90 years and employed many local people. The photographs are of particular interest.This is a rectangular-shaped sheet of buff-coloured lightweight cardboard. It has been folded twice to create six pages in a folder. Three pages contain black and white photographs of the woollen mill operations and two pages contain advertising material with black and white images. One page has a cream blanket piece of material attached to the page by two staples and this has the brand name stitched onto the right hand corner This piece of blanket also has a paper guarantee card attached by staples. The Warrnambool Woollen Mill Co. Ltd. South Warrnambool The 100% Wool Warrnambool Super Blanket Made in Australia warrnambool woollen mill, history of warrnambool

United Nations beret complete with badge. The beret is woollen and is coloured UN blue.Inside beret: Hills, pure wool, made in New Zealand, United Nations property, 6 3/4"badge, united nations, cap, beret

Grey long sleeved woollen school jumper. V neck with four coloured stripes on ribbed band. 7 cm ribbed cuffs and band at bottom of jumper - all with four coloured stripes. Stripes - Royal Blue, yellow, pale blue,, royal blue ... Part of Bendigo High School Uniform.Label inside back neck. 'School and College wear 80% wool 20% nylon. By Polwarth Prahan Vic.costume, female, bendigo high scool jumper

Bottle green US Army service dress trousers with black stripe down sidesTrousers Mens polyester/wool tropical AG 344, type 1, Class 3, DSA-100-605uniform, united states. army, clothing

Part of the Running Stitch collection, possibly made in BallaratDomestic wagga, unfilled, consisting of two machine sewn layers of woollen garment pieces both knitted and woven. The front pieces are predominantly red, blue and yellow, the back is mostly brown red and blue.WAGGA/ Maker unknown 154cm long X 90cm wide/ Made of parts of wool garments, knitted and woven.....handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history

Associated documents from Mr R Lloyd provide further informationMs Elizabeth Triarico/ Curator/ National wool Museum/ Cnr Moorabool/ Brougham Streets/ Geelong VIC 3220sheep stations - management wool growing squatters, lloyd, mr robert, australia, sheep stations - management, wool growing, squatters

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'So warm, so soft, so everlasting (lambs frolicking on a pile of blankets)So warm, so soft, so everlasting/Laconia Pure Lambs Wool Blankets/Make Goodnight a Certainty blankets, blanket fever, wool, laconia, advertisement, australian women's weekly

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Treat yourself to the luxury of Australia's best blankets (blanket range): three examplesTreat yourself to the luxury of Australia's best blankets/Laconia 100% Pure Lamb's Wool/Make Goodnight a Certainty blanket, blanket fever, wool, laconia, advertisement, australian women's weekly