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Surrey Hills Historical Society Collection
Photograph, Surrey Hills Church of Christ ESPCFA A Grade Premier football team, 1938, 1938
Caption indicates that the Surrey Hills Church of Christ football team was not only A Grade Premiers in 1938, but also Premiers B Grade in 1935 and Runners-up in C Grade in 1934. Identification per caption as follows: Back row L to R: I T Robertson, K Balding, R T Hayes, M Holmyard (Hon Treasurer) Centre row L to R: M Neilson, L Weeks, F Hayes, A C Sneddon (Hon Secretary), J Andrews, K Webster, J McNiesh. Front row L to R: J F H Peers (Vice-President), R Watkins, K Turnley, E Little (Captain), F Neilson (Vice-Captain), M Neilson, R Weeks, W Nankivell (President). The inauguration of the Association took place at a meeting held at Camberwell Methodist School Office on the 19 March 1923. The following churches were represented at this meeting: Auburn Presbyterian, Kew Presbyterian, Hawthorn Presbyterian, Camberwell Methodist, Canterbury Methodist and St Marks Church of England, Burke Road and Holy Trinity Church of England, Surrey Hills. From 1923 to 1992 there were at least 160 clubs / teams that competed through the various grades with many of these combining & /or changing names, as well as those that competed irregularly.Black and white studio photo of the 1938 Surrey Hills Church of Christ football team with the ESPCFA A Grade Premiers flag in the background. The team includes 17 players and 2 club officials, seated at each end of the front row. The premiership cup is on the floor in centre position.Black and white photo measuring L 20.6 cm x H 15.4 cm mounted on its original brown mount with darker brown borders; the original mount is not glued to the standard cream mount card.72.681 in biro in top RH corner; COURTESY: ALAN SNEDDON in biro beneath the printed identification of the team members. On rear of original mount card in Jocelyn hall's writing: "Have 5 extra copies of this ORIGINAL / in our separate (ORIGINAL) COLLECTION" - PARTIALLY UNDERLINED. On back of the loose cream mount card in Jocelyn Hall's writing: "This ORIGINAL at Centre as have / 5 more ORIGINALS (same) in separate / ORIGINAL collection" in black biro; also "Football / dark card (underlined) in pencil.churches, espcfa, surrey hills church of christ, football, football clubs, sporting clubs, i t robertson, k balding, r t hayes, m holmyard, m neilson, l weeks, f hayes, a c sneddon, j andrews, k webster, j mcniesh, j f h peers, r watkins, k turnley, e little, f neilson, r weeks, w nankivell, eastern suburbs protestant churches football association, alan sneddon -
Kew Historical Society Inc
Photograph, Infant Welfare Trainees and Staff, Queen Elizabeth Hospital, 1956
Carlton Refuge/Carlton Home was established in 1857 in Madeline Street, Carlton (relocating in 1890 to Keppel Street, Carlton). The Carlton Home provided maternity care for married and unmarried mothers, and residential care for infants and toddlers unable to be at home with their mother. It also operated a day-care centre for children. Most of the residents were mothers or children on private placements. The Children's Welfare Department used the Carlton Home as a maternity home for wards, a foster home for infant wards, and for children requiring placements under the infant life protection provisions of the Children's Welfare Act. By the late 1940s, the home was in a bad state of repair and it closed in 1949. In 1951, the facility reopened as the Queen Elizabeth Maternal and Child Health Centre that also operated as an Infant Welfare and Mothercraft Training School. The Centre provided after-care for nursing mothers and babies transferring from maternity hospitals, and specialised care for babies referred by private practitioners and the Social Welfare Department – babies who were premature, frail or had feeding or similar problems. (Source: DHHS)The photograph is a valuable primary resource relating to training for maternal and infant welfare centres in Kew, Victoria. It has a strong provenance through inscriptions linking it to the Denmark Street Maternal and Child Health Centre.Photograph, mounted on card of Infant Welfare Trainees and Staff, Queen Elizabeth Hospital, 1956. The photograph lists the names of the individuals below the photograph. They include: Back Row {L-R] M Whittenbury, M Bolton, E Haebich, G Barnard, M Griffiths / Middle Row [L-R] L Stevenson, T Boucher, M Madden, J Price, A Glowrey, R Helmore, M Murfet, M Lindsay / Front Row [L-R] R Buxton, W Crick, G Stott, M Buxton Matron, J Keogh, B Longmuir, E Borgelt.Obverse: Infant Welfare Trainees and Staff, Queen Elizabeth Hospital, July School 1956 Reverse: "Presented to Kew Historical Soc by Dr Darbyshire following a 50 year birthday display at the Denmark Street Maternal and Child Health Centre [Kew] in May 1980. [Illegible]."denmark street maternal and child health centre, baby health centres --- kew (vic), queen elizabeth hospital, infant welfare -
Bendigo Military Museum
Painting - PAINTING, CENOTAPH FRAMED, 1988
Bendigo's Cenotaph by Dacre Smyth 1988. Bendigo's War Memorial in the city centre is a half size replica of the famous Cenotaph in London. Some 4-1/2 metres high, the Bendigo RSL President described it as the best country Memorial in Australia during its rededication just before ANZAC Day 1988 following its extensive refurbishment. It had first been dedicated in June 1957 and it is normally flood lit at night. It is not known for sure when the painting was donated to the Bendigo RSL but it was hanging in the Foyer years before the Soldiers Memorial Institute became a Museum in 1998. Frame - Light timber, gold trim, no glass. Original coloured oil painting of the Cenotaph, Bendigo in foreground with Charing Cross buildings & fountain in the background. Label black print on gold bottom centre: "Bendigo's Cenotaph" Rear of painting hand written in black felt pen & black ink: "History of the Cenotaph by Dacre Smyth, 1988" cenotaph, bendigo, painting, brsl, smirsl -
Bendigo Military Museum
Uniform - BELT BUCKLES
Belonged to Capt Warick Rosenthal No TX6321 AAMC. Refer 622.3, 775..1) Belt Buckle, Brass, Rectangular in shape with centre pin with two prongs, stamped on rear. .2) Belt Buckle, Brass, Blackened, Rectangular in shape with centre pin with two prongs..1) "DoD K.G.Luke Melb Vic"buckles, uniforms - army, metalcraft-steel, brassware -
Phillip Island and District Historical Society Inc.
Photograph, 1968
Part of an album compiled and donated by Mrs Helen Jansson. Construction of second Phillip Island Bridge to San Remo. 1968/69.Sea level close up of placing of centre span with crane at left and men on left on centre span at right. Looking into Western Port Bay. Second Bridge under construction 1968Descriptive caption underneath "92'"local history, photography, photographs, slides, film, civil engineering, bridges, phillip island bridge 1968, black & white photograph, mrs helen jansson, second phillip island bridge 1968/69 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Henry House Daycare Centre Portland, Henry House Portland, n.d
Colour photograph of Henry House Day Care Centre. Front of building, garden and paving, from Glenelg Street. Plaque on front wall of building 'Henry House Day Care Centre'. -
Port Melbourne Historical & Preservation Society
Photograph - GMH Social Centre, Fishermen's Bend, David Thompson, 1997
David THOMPSON photographed the cafeteria in 1997 by arrangement with member Wendy MORRIS archivist for GMH.From a series of black and white photos of GMH Cafeteria ('Social Centre') by David Thompson:(Entrance foyer labelled 'Social Centre' is a late addition.) Facade from across Salmon Streetindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Port Melbourne Historical & Preservation Society
Photograph - GMH Social Centre, Fishermen's Bend, David Thompson, 1997
David Thompson photographed the cafeteria in 1997 by arrangement with member Wendy Morris archivist for GMH.From a series of black and white photos of GMH Cafeteria ('Social Centre') by David Thompson:(Entrance foyer labelled 'Social Centre' is a late addition.) Upper facade from entrance walkwayindustry - manufacturing, built environment, david thompson, general motors-holden, gmh -
Coal Creek Community Park & Museum
Tool - Gloves Stretcher, c. 1920s
Wooden glove stretchers were used in the early 1900s in the production and manufacturing of leather gloves to stretch the finger inserts in gloves and gauntlets. Long wooden object, comprising two shafts joined at centre with metal ball and hinge. Both wooden shafts have decorative linework engraved at centre point. Approximately 25cm in length.glove stretcher, haberdashery, manufacturing, clothing accessory, tool, glovemaking, early 20th century -
Tatura Irrigation & Wartime Camps Museum
Photograph, 1942
Internee children with Wally WagnerBlack and white photograph of a group of 12 teenage girls, 7 standing and in the centre Wally Wagner. 4 seated with a back drop of trees and Army huts with the number 823 front centre.the number 823internee children, wally wagner, camp 3, templer society -
Friends of Kurth Kiln
Axle
Small Trolley Axle with centre pivot, 32cm long, 4cm wide and 1cm thick. Axle bearings are formed 1.5cm diameter. Captive centre pin 14cm long, 1.5cm diameter. -
Whitehorse Historical Society Inc.
Article, New laws will ban gun used in siege, 1996
The shotgun allegedly used by the man at the centre of yesterday's siege in Mitcham's Wainwright Ryan solicitor's office in Mitcham Shopping Centre will be banned under soon-to-be-introduced gun laws police said.The shotgun allegedly used by the man at the centre of yesterday's siege in Mitcham's Wainwright Ryan solicitor's office in Mitcham Shopping Centre will be banned under soon-to-be-introduced gun laws police said.The shotgun allegedly used by the man at the centre of yesterday's siege in Mitcham's Wainwright Ryan solicitor's office in Mitcham Shopping Centre will be banned under soon-to-be-introduced gun laws police said.firearms, mitcham shopping centre, wainwright ryan solicitors -
Whitehorse Historical Society Inc.
Article, Green dream for shops
The Burwood brickworks site in Middleborough Road may become the world's first retail centre with a living building accreditation. There are plans for a 10,500 sq. m. shopping centre and 750 townhouses and apartments.brickworks, retail trade, middleborough road, environment -
Bendigo Historical Society Inc.
Photograph - VICTORIA GARDENS BENDIGO
Photo of postcard. Written on bottom in white : Queen Victoria Gardens Bendigo. RSL building in centre, Pall Mall on right. Baby Health Centre in foreground. No 10. Hand coloured photo.bendigo, parks and gardens, queen victoria gardens -
Bendigo Historical Society Inc.
Document - AULSEBROOK COLLECTION: BENDIGO PSYCHIATRIC CENTRE REEL AND ARTICLE
Aulsebrook Collection Bendigo Psychiatric centre reel and article -large fools gap typed page with a staple note -Reel for the psychiatric centre and article explaining its development and concerns of development -
Mont De Lancey
Foot Stools, Circa 1890
2 x Foot stools in walnut timber and beaded tops. 1. Burgundy tapestry with floral beading edges and centre. 2. Burgundy and brown tapestry with floral beading edges and centre.footstools -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: 3 TRAMS AT CHARRING CROSS
BHS CollectionBendigo, 3 trams at Charing Cross, view looking up Mitchell St. City Club Hotel (centre right), Alexandra Fountain (right), Emery and Gibson Corner (centre left).person, individual, basil miller -
Orbost & District Historical Society
document, Pulp Mill Women's Awareness Group, 1989
This document was produced in 1989 by the Pulp Mill Women's awareness Group to inform the community and raise awareness of the pulp mill proposed for Orbost. Chair of the group was Heather Richardson and secretary was Beryl FearnleyThis document is a useful reference on the pulp and paper mill issue which caused much concern in the community and resulted in the formation of several new community groups.A 4 pp document with plastic binding. Document contains research on the proposed Orbost pulp mill.In top left corner -PULP AND PAPER MILL RESOURCE CENTREpulp-mill-orbost -
Ringwood and District Historical Society
Photograph, Maroondah Highway East, Ringwood- 1969. Looking north from Braeside Ave towards Loughnan's Hill
Black and white photographWritten on back of photograph: "From Civic Centre, Nov 1969. -
Ringwood and District Historical Society
Documents, Ringwood & District Cricket Association - Registation lists of players of clubs in the Association for seasons 1927/28, 1928/29, 1929/30, 1930/31
Hand written pages of player registrations and transfers. (62 pages)"Covering typed letter adressed to The Librarian - Ringwood Archival Centre" -
Bendigo Military Museum
Domestic object - TRAY, WOODEN
This tray was sent home by a soldier called Ern Goodridge. Believed to be WX34399 Hughie Ernest Goodridge. Serving tray made out of 11 strips of different timbers. All edges are curved. At the ends are metal handles that have been chromed.In the centre of the tray inscribed on a metal plaque "NEW GUINEA 1943"new guinea, trench art, souvenirs, wwii -
Lara RSL Sub Branch
tankard, Aviation SGT Mess, 1989
Artistic.Tankard Aviation SGT MessAviation Centre SGT Mess......VIGILANCE......1989. BEER. FESTIVAL. -
Bendigo Military Museum
Map - MAP, MOUNTED VIETNAM, C. Late 1960’s
Australian area of Operations.Map of Phuoc Tuy Province showing civilian access areas in colour. Laminated surface on board backing with black border &mall hanging strap on back.Top centre: “UNCLASSIFIED. LATE SPECIAL OVERPRINT (SHEET 1)map, vietnam -
Bendigo Military Museum
Banner - BANNERS EAGLEHAWK RSL, pre 2004
.1) & .2) Two Banners, dark & light blue, small rod at top for hanging, tassels at bottom.“Greetings from Eaglehawk” Centre is depiction of the RSL Badge logo. civic mementos - presentations, flags - banners, eaglehawk, rsl -
Glenelg Shire Council Cultural Collection
Painting, C Dell, The Francis Henty Homeward Bound, 1856
Art Collection Previously located in History HouseThe painting depicts a large sailing ship with orange masts and is almost in full sail. To the left of the ship are two other sailing ships. To the right are several sailing ships and white cliffs with a port. In the foreground is a rough green ocean with several seagulls in midflight. The background is a blue sky with numerous dark clouds. The work has a heavy gilded ornate frame and exposed canvas.Front: C DELL 1856 Back: Sticker of the Conservation Centre -
Greensborough Historical Society
Shopping Bag - Digital Image, The Bra Shop, 1980s, 1980s
Digital image of plastic shopping bag for The Bra Shop, circa 1980, used for advertising. The Bra Shop is a franchise with a store located in Greensborough Plaza.Part of a collection of miscellaneous historical images with a connection to the local area.Digital image of plastic shopping bag"The Bra Shop … [various locations including Greensborough Shopping Centre]" greensborough plaza, the bra shop -
Glenelg Shire Council Cultural Collection
Postcard, Looking to Whalers Point, Portland, 1930s
Formerly owned by James and Ada Brimblecombe, Heywood, then by Merle Lewis, Mt. GambierBlack and white photographic image printed on card, depicting a beach and grassy dunes with people in foreground, and cliffs and a lighthouse in background.Front: LOOKING TO WHALER'S POINT, PORTLAND (printed, lower centre)landscape photography, coastal scene, whalers point -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Governor General visiting Port, November 1988, 1985
Port of Portland Authority archivesFront: (no inscriptions) Back: Nov/ 1988 (pencil, centre right)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Governor General visiting Port, November 1988, 1985
Port of Portland Authority archivesFront: (no inscriptions) Back: Governor General (blue pen, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Painting, Robert Ulmann, Goat, c. 1974
Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)