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Surrey Hills Historical Society Collection
Book, Eleanor Finlay et al, The days we remember
Picture history of Box Hill showing the development of the area from 1960 - 1994 with rapid population growth and major administrative changes. Photos include government, community services, industry, transport, shops, churches, sport, entertainment and arts, people, schools, houses and "Salute to Box Hill" (the end of Box Hill as a City).A4 size paperback bound booknon-fictionPicture history of Box Hill showing the development of the area from 1960 - 1994 with rapid population growth and major administrative changes. Photos include government, community services, industry, transport, shops, churches, sport, entertainment and arts, people, schools, houses and "Salute to Box Hill" (the end of Box Hill as a City).local history, local government, community services, industry, transport, shops, churches, sport, entertainment, art, schools, houses, 1960-1969, 1970-1979, 1980-1989, 1990-1999, box hill -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Fire Brigades, 1958
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)A subject archive file containing a photocopy (presented by Trinity Grammar School to the Society) of the Rules of the Kew Volunteer Fire Brigade (established 1879), a photocopy of a photo of the Kew MFB officers on a Hupmobile at the entrance to the station, and sundry newspaper articles relating to the Brigade at its later location in Belford Road.kew (vic) - history, walton street - kew (vic), fire brigades - kew (vic)kew (vic) - history, walton street - kew (vic), fire brigades - kew (vic) -
Kew Historical Society Inc
Photograph - Cousin Bert aged 12 months, Model Studios, 1920s
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Studio photograph of Bert, a cousin of the Figuerola sisters. The photo was in the family photo album of the artist. "Cousin Bert age 12 mths"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph - Boy on a bike, 1930s
The Melbourne artist Alma Agnes Marion Figuerola, the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969) was born in Carlton in 1902. Alam and her two sisters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - at 'Mount Edgecombe' 51 Studley Park Road, often with her mother, her sister Carmen, or both - from 1939 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated photograph of a boy, possibly the Figuerola sisters' cousin 'Bert', astride a tricycle in a trellised yard. The photo is from the personal photo album of the artist. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph - Portrait, 1960s
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of an oil painting of a woman which may be of Alma Figuerola. The photo was in the personal photo album of the artist. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph - Alma Figuerola, 1940s
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Cropped photo shot of Alma Figuerola at an art exhibition. The photo was in her personal photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph - Rebecca and Alma Figuerola, 1950
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola, sitting on a rustic seat in what is probably her garden at her home D'Estaville, in 1950. She is nursing her pet pekingese 'Rebecca'. The photo was included in her personal photo album. "Rebecca and Alma, 1950"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph, Rebecca and Alma, 1950
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola in the garden of what is probably her home D'Estaville, with her pet pekingese 'Rebecca'. The photo is from her personal photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph, 'D'Estaville', 7 Barry Street, c.1950
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.The east side of D'Estaville (built for Sir William Stawell). It was the home of the Figuerola sisters from the 1940s to the 1990s. The large ground floor room at centre was used by the artist as her studio. The photograph is from the Alma Figuerola photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph, The Figuerola Sisters, 1918-1925
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated and unidentified photograph of two young women, who were probably two of the Figuerola sisters. The photograph is the Alma Figuerola photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Book, Colonial Consorts: The wives of Victoria's Governors 1839-1900 / [by] Marguerite Hancock, 2001
xxii, 324 p., [10] p. of plates : ill. (some col.), ports., photos. ; 25 cm.non-fictiongovernors' spouses -- victoria -- history -- 19th century., victoria -- politics and government -- 1834-1900. -
Kew Historical Society Inc
Journal, Kewriosity : December 1991
Seasons Greetings [photo] / p1. Chief Executive's Comment [Kew's form of open government] / Malcolm Hutchinson p2&3. Mayor's Comment / Cr Daryl Oldaker p3. Community Directory / p3. 'Around the Bend in Summer' [Yarra Bend Park activities] / p4. School Centenary [Kew East Primary School] / p4. Kew Council's holiday program for children / p5. Day trippers [holiday program] / p5. Boating along the Yarra [Rotary Club of Kew; people with disabilities] / p5. Advisory body seeks new members [Inner East Regional Advisory Council (RAC) / p6. Litter control / p6. Concern for the Yarra / p6. The changing style of Kew's parks / p7. Closing dates during the Christmas vacation / p8. Rates reminder / p8. The City of Kew Councillors [pictured] wish everyone a Merry Christmas and safe New Year / p9. Household garbage collection [Types of bins; Placement of bins; Problem bins/collections] / p10. 40 Hour Famine / p10. [Home] Security measures / p11. Cinderella [Pantomime at Hartwell Uniting Church Hall / p12. Classic Australian Theatre 'Dad & Dave' [performed by the 'Fabulous Nobodys' at Kew High School Community Theatre] / p12. Assistance for AIDS [volunteers needed to support those living with AIDS in Kew, Hawthorn and Richmond] / p12.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionSeasons Greetings [photo] / p1. Chief Executive's Comment [Kew's form of open government] / Malcolm Hutchinson p2&3. Mayor's Comment / Cr Daryl Oldaker p3. Community Directory / p3. 'Around the Bend in Summer' [Yarra Bend Park activities] / p4. School Centenary [Kew East Primary School] / p4. Kew Council's holiday program for children / p5. Day trippers [holiday program] / p5. Boating along the Yarra [Rotary Club of Kew; people with disabilities] / p5. Advisory body seeks new members [Inner East Regional Advisory Council (RAC) / p6. Litter control / p6. Concern for the Yarra / p6. The changing style of Kew's parks / p7. Closing dates during the Christmas vacation / p8. Rates reminder / p8. The City of Kew Councillors [pictured] wish everyone a Merry Christmas and safe New Year / p9. Household garbage collection [Types of bins; Placement of bins; Problem bins/collections] / p10. 40 Hour Famine / p10. [Home] Security measures / p11. Cinderella [Pantomime at Hartwell Uniting Church Hall / p12. Classic Australian Theatre 'Dad & Dave' [performed by the 'Fabulous Nobodys' at Kew High School Community Theatre] / p12. Assistance for AIDS [volunteers needed to support those living with AIDS in Kew, Hawthorn and Richmond] / p12. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : April 1991
Still delivering the goods [Kew Post Office] / p1. Grand Parade [photos Kew Festival] / p1. Dates for April / p2. Heritage Advisor [Heritage Advisory Service] / p2. Council Voter's Roll / p2. Nobody does it better [The Fabulous Nobody Theatre Company present 'Joseph and His Amazing Technicolour Dream Coat'] / p2. Commentary [Commercial Area Strategy Plan] / Cr Daryl Oldaker p3. Traffic School appointment [Marion Burg] / p3. Recycling trial [120 litre mobile recycle bins] / p4. Enlarging [large print] book collection [Kew Library] / p4. Bin gardening lately [composting] / p4. Alex Jessup [death] / p4. Roads desire [road reconstruction and maintenance] / p5. No alcohol at this AGM [People Against Drink Driving (PADD)] p5. Recreation Centre investment [works] / p5. Breathe easily / p5. RSL milestone [75th anniversary] / p5. New look City Hall [re-carpeting] / p5. Kewrious to know [Council surveys] / p5. Senior Citizens' Week / p5. Senior Citizens' good deed [accessible toilets at Senior Citizens' Centre] / p5. [Level] Crossing supervisor / p5. Wizz, chief cook, and ... [Joe Wormald, 1991 Citizen of the Year] / p6. Historic buildings [12 Uvadale Grove] / p6. Spiritual offerings [Rotary Club of Kew Art Competition] / p6. History of Kew Library / p6. Cab & Co [Citizens Advice Bureau] / p6. Music in [the] Round returns [Chamber music festival] / p7. Inspect Strathcona / p7. Date of Census / p7. Brasses and basses wanted [Kew Philharmonic Society] / p7. Kinder turning 40 [J.J. McMahon Memorial Kindergarten] / p7. Plate replacement [Neighbourhood Watch plates] / p7. The Devil's Advocate [unrateable properties] / Allan Hutchinson J.P. p8. Do festivals divert attention? / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionStill delivering the goods [Kew Post Office] / p1. Grand Parade [photos Kew Festival] / p1. Dates for April / p2. Heritage Advisor [Heritage Advisory Service] / p2. Council Voter's Roll / p2. Nobody does it better [The Fabulous Nobody Theatre Company present 'Joseph and His Amazing Technicolour Dream Coat'] / p2. Commentary [Commercial Area Strategy Plan] / Cr Daryl Oldaker p3. Traffic School appointment [Marion Burg] / p3. Recycling trial [120 litre mobile recycle bins] / p4. Enlarging [large print] book collection [Kew Library] / p4. Bin gardening lately [composting] / p4. Alex Jessup [death] / p4. Roads desire [road reconstruction and maintenance] / p5. No alcohol at this AGM [People Against Drink Driving (PADD)] p5. Recreation Centre investment [works] / p5. Breathe easily / p5. RSL milestone [75th anniversary] / p5. New look City Hall [re-carpeting] / p5. Kewrious to know [Council surveys] / p5. Senior Citizens' Week / p5. Senior Citizens' good deed [accessible toilets at Senior Citizens' Centre] / p5. [Level] Crossing supervisor / p5. Wizz, chief cook, and ... [Joe Wormald, 1991 Citizen of the Year] / p6. Historic buildings [12 Uvadale Grove] / p6. Spiritual offerings [Rotary Club of Kew Art Competition] / p6. History of Kew Library / p6. Cab & Co [Citizens Advice Bureau] / p6. Music in [the] Round returns [Chamber music festival] / p7. Inspect Strathcona / p7. Date of Census / p7. Brasses and basses wanted [Kew Philharmonic Society] / p7. Kinder turning 40 [J.J. McMahon Memorial Kindergarten] / p7. Plate replacement [Neighbourhood Watch plates] / p7. The Devil's Advocate [unrateable properties] / Allan Hutchinson J.P. p8. Do festivals divert attention? / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : September 1987
Kew makes plans for the Festival / p1. [Photo - Joy Stewart with first cartoon for the Kew Bicentennial tapestries] / p1. Fines up [Dog Act] / p1. Dates for September / p2. Commentary - Mayor's column / Cr Jim Tutt p3. CAB [Citizens' Advice Bureau] keeping Kew's citizens informed / p3. Motherhood's challenge [Kew Children’s Services Consultative Committee] / p3. [Community] Notices / p3. New monitor [St George's Hospital] / p3. Wanted [ephemera] / p3. Pre-school music / p3. Scouts [1st Kew Scout Group] / p3. Willsmere moves / p4. Kew singer advises [Ian Lowe] / p4. [Volunteers] Wanted [Royal Talbot Auxiliary] / p4. Kew Community House / Judy Price p5. Action group update - Emergency Housing Group [Kew Community Action Group] / p5. Community Grants / p5. Volunteers help [Kew Community House] / p5. Library Support Group [Friends of Kew Library] / p5. New outdoors club forms [Kew Bushwalkers] / p6. Keeping you informed - Kew and your garden / p8. Footy news [ Kew Football Club] / p8. Join the Bowls [Kew Bowling Club] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionKew makes plans for the Festival / p1. [Photo - Joy Stewart with first cartoon for the Kew Bicentennial tapestries] / p1. Fines up [Dog Act] / p1. Dates for September / p2. Commentary - Mayor's column / Cr Jim Tutt p3. CAB [Citizens' Advice Bureau] keeping Kew's citizens informed / p3. Motherhood's challenge [Kew Children’s Services Consultative Committee] / p3. [Community] Notices / p3. New monitor [St George's Hospital] / p3. Wanted [ephemera] / p3. Pre-school music / p3. Scouts [1st Kew Scout Group] / p3. Willsmere moves / p4. Kew singer advises [Ian Lowe] / p4. [Volunteers] Wanted [Royal Talbot Auxiliary] / p4. Kew Community House / Judy Price p5. Action group update - Emergency Housing Group [Kew Community Action Group] / p5. Community Grants / p5. Volunteers help [Kew Community House] / p5. Library Support Group [Friends of Kew Library] / p5. New outdoors club forms [Kew Bushwalkers] / p6. Keeping you informed - Kew and your garden / p8. Footy news [ Kew Football Club] / p8. Join the Bowls [Kew Bowling Club] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Photograph - 'Otira', 73 Walpole Street, 1978
... historic houses -- kew (vic.) trinity grammar school melbourne ...Sanderson P (1988): '73 Walpole Street (Kew), 'Otira'. Built 1887. Original use - Residence. Architect - Crouch. Henry Berry, a noted philanthropist and salt merchant of Melbourne, was the original owner of this two-storey, boom-period house. Berry occupied the residence until his death in 1923 while in February the following year, the property was auctioned. Subsequently purchased by the Methodist Church for use as a training college for missionaries, a number of additions and alterations were made at that stage including a memorial chapel that was built on the property in 1957.' Otira is now a private residence. Original colour positive photograph (polaroid) of 'Otira', 73 Walpole Street, Kew, taken in 1978 by students in Form 3R at Trinity Grammar School as part of a project. The view in the photograph is of the front of the house, minus the first floor verandah that had been removed some decades before and preceding the reinstatement of the verandah sometime after 1988. Prue Sanderson, in the City of Kew Urban Conservation Study, Vol.2 (1988) stated that: 'The house originally had a fine cast iron verandah to two facades, however despite its removal, it remains as a most preposessing structure, The small cast iron perch is not original. Overall the design is in Italianate styling and the walls are clad in render, with extremely fine incised medallions in the render at both levels. The treatment of the tripartite windows with rounded upper corners is also atypical and is repeated in the joinery of the front entrance.'"Photo one / Trinity Grammar Project 1978 / Form 3R / "Otira" Walpole St"otira - 73 walpole street, henry berry, historic houses -- kew (vic.), trinity grammar school, melbourne architects -- crouch -
Kew Historical Society Inc
Photograph - 'Otira', 73 Walpole Street, 1978
Sanderson P (1988): '73 Walpole Street (Kew), 'Otira'. Built 1887. Original use - Residence. Architect - Crouch. Henry Berry, a noted philanthropist and salt merchant of Melbourne, was the original owner of this two-storey, boom-period house. Berry occupied the residence until his death in 1923 while in February the following year, the property was auctioned. Subsequently purchased by the Methodist Church for use as a training college for missionaries, a number of additions and alterations were made at that stage including a memorial chapel that was built on the property in 1957.' Otira is now a private residence. Original colour positive photograph (polaroid) of 'Otira', 73 Walpole Street, Kew, taken in 1978 by students in Form 3R at Trinity Grammar School as part of a project. The view in the photograph is of the panelled entrance hall."Photo 2 / Otira entrance / Trinity Bays Project"otira - 73 walpole street, henry berry, historic houses -- kew (vic.), trinity grammar school, melbourne architects -- crouch, interior design -- entrance halls -- 1880s -
Kew Historical Society Inc
Photograph - 'Otira', 73 Walpole Street, 1978
Sanderson P (1988): '73 Walpole Street (Kew), 'Otira'. Built 1887. Original use - Residence. Architect - Crouch. Henry Berry, a noted philanthropist and salt merchant of Melbourne, was the original owner of this two-storey, boom-period house. Berry occupied the residence until his death in 1923 while in February the following year, the property was auctioned. Subsequently purchased by the Methodist Church for use as a training college for missionaries, a number of additions and alterations were made at that stage including a memorial chapel that was built on the property in 1957.' Otira is now a private residence. Original colour positive photograph (polaroid) of 'Otira', 73 Walpole Street, Kew, taken in 1978 by students in Form 3R at Trinity Grammar School as part of a project. The view in of a fire surround and overmantel in the house."Photo 3 / Walnut mantle Otira / Trinity Form 3R"otira - 73 walpole street, henry berry, historic houses -- kew (vic.), trinity grammar school, melbourne architects -- crouch, interior design -- overmantels -- 1880s -
Kew Historical Society Inc
Photograph - 'Otira', 73 Walpole Street, 1978
Sanderson P (1988): '73 Walpole Street (Kew), 'Otira'. Built 1887. Original use - Residence. Architect - Crouch. Henry Berry, a noted philanthropist and salt merchant of Melbourne, was the original owner of this two-storey, boom-period house. Berry occupied the residence until his death in 1923 while in February the following year, the property was auctioned. Subsequently purchased by the Methodist Church for use as a training college for missionaries, a number of additions and alterations were made at that stage including a memorial chapel that was built on the property in 1957.' Otira is now a private residence. Original colour positive photograph (polaroid) of 'Otira', 73 Walpole Street, Kew, taken in 1978 by students in Form 3R at Trinity Grammar School as part of a project. The view is of the painted glass panels surrounding the main door, viewed from the hall."Photo 4 / Stained glass door panels Otira"otira - 73 walpole street, henry berry, historic houses -- kew (vic.), trinity grammar school, melbourne architects -- crouch, interior design -- front doors -- 1880s, interior design -- painted glass -- 1880s -
Kew Historical Society Inc
Clothing - Wedding dress, The House of Franke, Stuart, c.1975
At 5pm on 2 May 1975 at Christ Church, Hawthorn, the wedding took place between Kathryn Gwynn Marx of Mason Street, Hawthorn, and William Peter Reeve of Mountain Grove, Kew. The bride's dress was purchased from the 'House of Franke, Stuart', 612 Glenferrie Road, Hawthorn, a very popular place in the 1970s for brides. Kathryn was educated at Ruyton Girls' School with Margaret Franke so it was a nice connection. Margaret's family business had been in operation since 1926. I loved my wedding dress. It was soft and comfortable to wear and kept me warm on the May evening. It was elegant and I knew I would never get the chance to wear something with a long train again. Walking down the staircase at the Windsor Hotel in Melbourne felt very grand; a memory I still hold today. (Kate Reeve, 2022) [Note: Two photos and a newspaper article which are viewable in the image carousel are held in the donation file]Strong local provenance to Hawthorn, Kew and Boroondara due to owner and retailer. It is a representative example of wedding dresses sold in the 1970s. The wedding dress is made of fine soft white jersey with guipure lace around the neckline, wrists and bodice. The long train has three small discreet loops along the hemline which can be slipped onto a finger for a draped effect giving ease of movement for dancing etc. A satin trimmed veil covered the length of the train and was secured on the head with a satin coronet. White leather shoes were worn. The bouquet Phalaenopsis orchids. (Note: the veil and shoes were not part of the donation)Label: Franke Stuart / Hawthornfashion & design - 1970s, wedding dresses, kate reeve, peter reeve, franke stuart, retailers - glenferrie road - hawthorn (vic.) -
Kew Historical Society Inc
Photograph, W Edmends, Preparatory Class, Kew State [Primary School], 1925
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Class photo of the 42 children in prep class at Kew Primary School in 1925.Dorothy Rogers 1912. Child second from right. Back row. Mrs ?.E. Rogers, 29 Park Crt, Kew E.dorothy rogers, kew primary school -
Kew Historical Society Inc
Photograph, Kew Common School, c. 1863
... "Common School - Congregational Church. No.356. Photo taken... Church. No.356. Photo taken early 1860s. School 356. Peel St ...The Kew Common School, which had erected a new building in Peel Street only two years before the passing of the Education Act 1872, was retained and re-badged asState School No 1075, with numerous additions being made over the next few decades. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.School photograph - The Kew Common School, located on the west side of Peel Street, Kew."Common School - Congregational Church. No.356. Photo taken early 1860s. School 356. Peel St., Rear of Congregational Church. Photo taken in early 1860s"kew common school, peel street (kew), dorothy rogers, education, kew state school -
Kew Historical Society Inc
Photograph, Grade 1, Kew State School, 1920
Kew Primary School is the oldest school in Kew and was established on November 1, 1870. It predates the commencement of State education with its genesis lying in the year the colony was founded, namely, 1851. Nicholas Fenwick was recognized as the founder of Kew when he purchased an area of 122 acres (Lot 87) on which Kew Primary School now stands.Photograph of 35 children in Grade 1, Kew State School, 1920. Inscription on front "Year 1920"; on reverse: "KH-285. Kew S. School. Donated by Mr Heward, 1978. Grade 1 1920." This photo, unlike 1978.0019 is on a cardboard mount.schools -- kew (vic.), government schools - kew (vic.), primary schools -- kew (vic), kew state school, kew primary school -
Kew Historical Society Inc
Photograph - Kew Junction, Herald & Weekly Times, 1962
This is an aerial oblique image looking north. It shows Kew Junction before construction of VicRoads (Country Roads Board), Murphy's (Leo's) supermarket, and office towers. It also shows a building on the land now known as the Raoul Wallenberg Reserve, the Kew Municipal Offices in Walpole Street, and St Paul's School for the Blind in Fernhurst Grove, and Kew Bowling Club in Wellington Street.An aerial photograph of Kew Junction, showing the intersection of High Street South, Studley Park Road, Princess Street, High Street and Denmark Street. A number of buildings, now demolished can be identified in the photo, including Jellis’ Bakeries on the corner of Princess Street and Studley Park Road." Annotation on reverse: "Kew Historical Society from Mr L. H. Chinner".kew junction, aerial photograph (kew), oblique aerial, st paul's school for the blind, kew municipal offices, high street kew, studley park road, kew war memorial, kew post office, kew police station, kew court house, high street south, kew, wellington street kew, denmark street kew -
Kew Historical Society Inc
Postcard, Xavier College, 1907-1915
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Sepia photo postcard showing Xavier College quadrangle and side of main hall."Reg. No. KH-395 Opened 1878. Xavier College! Donated by Mr. L. Bennett, 1980". xavier college _ kew, schools - kew, postcards -
Kew Historical Society Inc
Photograph, Kew looking East to Deepdene, c.1905
Kew looking east towards Deepdene. Before 1909. The reverse of the photograph includes an analysis of the photo and the places that can be seen within it (eg Deepdene Station, first Deepdene School, Burke Road etc)deepdene, farming (kew) -
Kew Historical Society Inc
Photograph, Kew looking East to Deepdene, c.1905
Kew looking east towards Deepdene. Before 1909. The reverse of the photograph includes an analysis of the photo and the places that can be seen within it (eg Deepdene Station, first Deepdene School, Burke Road etc)farming (kew), deepdene -
Kew Historical Society Inc
Postcard, State School, Kew, 1920s
One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Sepia postcard of Kew State School and what appears to be the building of a new fence. Note the fleche towers on the roof at right. postcards -- schools -- kew (vic.), kew state school, kew primary school, christian-washfold collection -
Kew Historical Society Inc
Photograph, J E & B L Rogers, Xavier College, c.1970
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of the facade of Xavier College Senior School."Xavier College / Jim's / 35"xavier college -- kew (vic.), schools -- kew (vic) -
Kew Historical Society Inc
Photograph - 'Carronbank', Marshall Avenue, 1980s
Carronbank (demolished) in Marshall Avenue, Kew was once the home of the Rev Graham Henty Balfour. It had extensive grounds, including a tennis court at the rear of the property. It remained a private residence until c.1960. The Department of Education purchased Carronbank as a school for partially sighted children, opening in February 1961 as State School No 4483. During the period 1961 to c.1980, the building housed a number of services. From 1969 to 1974, it was the site of Carronbank State School, later renamed Carronbank School for Deaf-Blind Children. In 1973, the Department established the Visiting Teacher Service for the Visually Impaired at the site. Its aim was to support teachers working in Victorian Government, Catholic and Independent Schools. From 1983 the school operated as Statewide Resource Centre for Visiting Teachers of the Vision Impaired. In 1988, the amalgamation of Princess Elizabeth Junior School for Deaf Children, the Monnington Centre and Carronbank School for Deaf Blind Students allowed the Victorian Government to sell each of the sites. Monnington [Adeney Avenue, Kew] reverted to private ownership, while Glendonald and Carronbank in Marshall Avenue were demolished and subdivided.The donor, Mr Murray Osler, was Principal of the Monnington Special Education Centre in Adeney Avenue (Kew) from 1976. This photo, and an accompanying drawing of 'Monnington' are important primary resources for the delivery of education to and for deaf-blind children in Victoria.The photograph, framed under perspex, shows the tennis court of Carronbank which had been converted into a play area for the students of the school. The flat roofed building may have been a toilet block, added for the school. The garage brick wall belongs to No 11. Grass is growing on the original asphalt court and there is equipment and tunnels for play. When sold the property was divided into three separate building blocks.carronbank -- marshall avenue -- kew (vic.), schools -- kew (vic.), carronbank -
Kew Historical Society Inc
Print - 'Monnington', Adeney Avenue, Trompf, 1977
In the mid 1960s, the Monnington Special Education Centre was established at 15 Adeney Avenue as an offshoot to 'Glendonald' in Marshall Avenue. In 1988, the amalgamation of Princess Elizabeth Junior School for Deaf Children, the Monnington Centre and Carronbank School for Deaf Blind Students allowed the Victorian Government to sell each of the sites. Monnington [Adeney Avenue, Kew] reverted to private ownership, while Glendonald and Carronbank in Marshall Avenue were demolished and subdivided. The donor, Mr Murray Osler, was Principal of the Monnington Special Education Centre in Adeney Avenue (Kew) from 1976. This photo, and an accompanying drawing of 'Carronbank' are important primary resources for the history of the delivery of education to and for deaf-blind children in Victoria.Gift of Murray Osler, 2021This limited and numbered print [number 10/100], framed under perspex, is of Monnington in Adeney Avenue, Kew when it functioned as a Special Education Centre for deaf/blind children during the 1960s to the 1990s. . "Monnington Special Ed. Centre / 60s-90s / (Parent Guidance for Deaf/Blind Ch. / Adeney Ave, Kew / Murray Osler / Principal 76-80s"schools -- kew (vic.), mornington -- adeney avenue