RAILWAYS COLLECTION - STATE ELECTRICITY COMMISSION OF VICTORIA. Electric Tramways By-law No1 small light brown book H.E.Daw, Government printer, Melbourne light brown cover - back missing.H.E.Daw , Government printertramways

Cream - coloured Document. W.D.Mason Collection, Receipt from Commonwealth of Australia - War Damage Commission for W.D.Mason, the amount of 6:8:- ( 6 pounds 8 shillings) was contributed is hereby acknowledged.A.H.Pettifer, Acting Govt. Printer, Sydney.business, retail, w d mason

Winlaton was established in Springvale Rd., Nunawading in 1956 as the main state-run institution for adolescent girls. Previously (1951-1953) Winlaton was a home run by the Mission of St James and St John for women with venereal diseases. Re-opened in 1956, female offenders were committed to Winlaton by the courts, but there were also many girls and young women in danger who had not committed a crime. Winlaton closed in 1993 and the land is now occupied by the Candlebark Estate.5 black and white photographs (a-e) showing tattoos being removed at the Winlaton Youth Training Centre. This activity was funded by the Australian Schools Commission Innovations Grants. See also 6229winlaton youth training centre

Noel COUNIHAN (04 Oct 1913 - 05 Jul 1986) This lino cut is the second largest version of Counihan's Laughing Christ series of linocuts from the 1970s. Janet McKenzie in her book 'Noel Counihan' (1986, p. 25) uses Counihan's quote in his description of the Laughing Christ series of art works: "Once again the armies of the Western world were moving against people behind the image of Christ: they were Christian armies. The American and Australian armies in Vietnam had their chaplains with them and were slaughtering Buddhists, as well ironically enough, as Vietnamese Catholics". Counihan's fury at the blood shed and massacre of war behind the image of Jesus is evident in his ironic portrayal of a Laughing Christ. Was this what Jesus was about? Not likely! This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Description by Dr Susan Paterson Framed linocut, the second large version of the Laughing Christ series. The linocut was commissioned by the Print Council of Australia for members' annual subscription and printed on Japanese paper by William Caulfield & Sons, Melbourne.art, artwork, noel counihan, counihan, printmaking, available, christ, linocut printmaking, print council of australia, workers art guild, social realist, social realism, expressionist artist

Yields information about depot activities of the BTPS in commissioning No. 40 on the access track Sept. / Oct 1974.Set of 13 AGFA blue and white plastic mount 35mm slides of the first day that 40 operated on the access track - late September early October 1974. Fares Please! for Sept. 1974 says that the first tram under power was 27 on 19/9/1974. Slides in order number noted on the slide. .1 - 40 on the access track. .2 - crossing the level crossing towards the depot .3 - on the access track .4 - ditto .5 - celebrations - Richard Gilbert, Rolf Jinks, Graeme Jordan, Lindsay Bounds .6 - celebrations .7 at the depot .8 - celebrations - with Peter Rees as well. .9 - On the depot fan .10 - crossing the level crossing .11 - at the depot .12 - on the access track - note the white stop block behind the tram. .13 - at the depot.Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, commissioning, depot, tram 40

Black & White photo of M&MTB tram No, 988, just after testing a crossover in either Smith St. Fitzroy or High St. Preston, has "Dan Robinson Furniture" building in background. Tram does not have destination roll. Two people leaning out of front cabin. Taken 19/6/1955. Negative on file and scanned as 492i1 - print has been cropped. Negative scanned hi res and imaged updated 21/5/2020.On rear, in typed paper, "988 testing a crossover on the Bourke St. Route, 19 June 1955" and "Geoff Grant" stamp in btm rh corner.trams, tramways, melbourne, bourke st, commissioning , tram 988

Black & white photo of side view of M&MTB tram No. 988, testing overhead in Clifton Hill area on 19 June 1955. Part of bus 564 visible behind tram. Tram has both doors open, with M&MTB crest and number on saloon ends of the car rather than the centre panel.On typed paper on rear "988 side view at Clifton Hill 19 June 1955" and in btm rh corner "Geoff Grant" stamp.trams, tramways, melbourne, bourke st., commissioning , tram 988

Black & white photo out of rear cabin of M&MTB tram No. 988, running "bang road" or wrong line in Bourke St. on Sunday, 19 June 1955 while testing overhead. Good view of Bourke St. buildings looking towards GPO. Some motor cars in the street. Negative No. 315 on file. Scanned image of negative btm497i1 shows a wider image than the print. Geoff Grant's notes on the envelope that contained the negative - says that this was the first tram to run on the Bourke St. route. Negative scanned at hi res 21/5/2020.On typed paper on rear "View out of the rear cabin of 988 as it came up Bourke St. on Sunday the 19 June 1955" and "Geoff Grant" stamp in btm rh corner.trams, tramways, melbourne, bourke st., commissioning , tram 988

DVD, with blue cover in a clear plastic case, titled "Myki - Melbourne's New Ticketing Solution - Operator DVD", looking at the MYKI ticketing system planning and how it was to operate at the time of the initial roll out timetable of Jan. 2009. DVD contents looks at Myki itself, products available, purchasing, registering, staff information and a chapter called "getting it right". Included short term tickets.trams, tramways, myki, metcard, commissioning, tickets

DVD, with plastic cover and white paper insert, DVD printed white cover, titled "Myki - Its Your Key", with information about the planned rollout of the ticketing system in 2007. Made Oct. 2006. Describes in simple terms how it would from the passenger's viewpoint.trams, tramways, myki, metcard, commissioning, tickets

Artist Leonard French said of this work:- "The centre panel suggests a tree of knowledge growing out of a jewelled fish (a spiritual accompaniment is intended), and from the tree birds rise, spreading out through the cloud shapes of the other panels. Hands and figures rise from the earth, reaching for the birds. The left hand panel depicts the journey of figures in a boat, the seeking after or journeying to the source of knowledge. The far right hand panel is the garden, figures in a primitive state, a sort of evolution of figures from a primitive garden (the first garden). Visualization, verbalization, music and dance are tools we have to express a concept. The analysis of an art work is a delicate and sensitive task and great harm can be done in an attempt to become verbal about a form which relies upon elements peculiar to itself for intrinsic meaning." Leonard FRENCH (OBE) (08 October 1928 - 10 January 2017) Born Brunswick, Victoria Died Heathcote, Victoria Known for his enormous dalle de verre (concrete and slab glass) ceiling in the Great Hall of the National Gallery of Victoria Leonard French produced a large body of work throughout his lifetime. French won the Sulman Prize in 1960, and the Blake Prize for Religious Art in 1963 and in 1980. He was also awarded a Harkness Fellowship in 1965. In the Queen's Birthday Honours of June 1968 he was appointed an Officer of the Order of the British Empire. In early 1959 Leonard French was commissioned by the Ballarat Teachers' College students to paint a mural. The students were responsible for the payment of the work. When unveiled artist George Bush remarked: "the 1959 students have left something not just to 'oooh' and 'ah' at, but something that is thought provoking, arresting and interesting. This work of art keeps something in reserve and draws you to search for deeper meaning behind the splendour of colour. This mural is not one which will not fade the interest of its beholders, but one which will provide intrigue for generations to come." Originally French intended the mural to be five panels, each entitled (left to right) 'the Journey', 'Man', 'The Tree', 'The Earth', 'The Garden'. The finished mural was reduced to four panels with the central tree incorporated into the panels 'Earth' and 'Man'. Ballarat Teachers' College Art lecturer Arch Cuthbertson explained that the artist:- "Aims at evoking emotional flashed, opening doors to simultaneous thinking and feeling. To accomplish this he juxtaposes the threads of conscious and unconscious images, thus effecting a tapestry that allows many points of reference to converge upon his singular images. Whether the colours offer metaphysical sensations or convey a literal meaning will depend upon the breadth and depth of the viewer's experience. Similarly with the bird - we might well ask is it a defiance of gravity, a metaphysical ascension or the elusive winged knowledge? Again the answer could well be that these three associations have a singular purpose. " This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A four panel mural by Leonard French, commissioned and gifted by the Ballarat Teachers' College Student in 1959. Art lecturer Arch Cuthbertson was highly involved in this commission. Artist Charles Bush unveiled the mural at the Ballarat Teachers' College in Gillies Street, Ballarat. At that time he said:- "You have left behind you on object which will be full of interest to a lot of people. A work of art, so long as it is in existence, is constantly under review. Most of the good things that keep on going are usually to the uninitiated a little worrying. Many of you will be worried by this, because it does not make its message immediately clear. But come back and assess it again and again." art, leonard french, french, artwork, mural, ballarat teachers' college, class of 1959

W.D.Chapman had a keen interest in botany and was particularly interested in Eucalyptus species. He was first to discover the tree which now bears his name on his numerous visits to the Kiewa power station which is situated near the Bogong High Plains. He was a Commissioner and later the Chairman of the State Electricity Commission of Victoria, the organisation in charge of building the Kiewa Hydro Scheme. The tree is a cross between two eucalypts. The trees are unique as they cannot procreate. There were two 'Bogong Gum' trees. One at Cranky Charlies and one on the way up to the High Plains passed by the Ryder family on their way up.This plaque was beside the Falls Creek Road and indicated the location of the 'Bogong Gum' tree. The tree was burnt in the 2003 bush fires but survived only to be killed in the 2006 bush fires. There were two 'Bogong Gum' trees. One at Cranky Charlies and one on the way up to the High Plains passed by the Ryder family on their way up. Heavy bronze plaque embossed with inscription. On the back is a large rectangular steel piece bent at the bottom to form a 'U' shape. One end of the 'u' is attached to the plaque and the other end has two holes for bolts enabling the plaque to be attached near the tree. One bolt is in a hole."Type tree from which was first described the species / Bogong Gum / (Eucalyptus Chapmaniana, Cameron) / The species was identified by the / late Brigadier W. D. Chapman M.C.E., / D. Eng., M.I.E. Aust., M.I.C.E. Lond. Commissioner / of the State Electricity Commission / of Victoria from May 1944 to May 1955, / in his honour it was named."plaque; state electricity commission of victoria; w.d.chapman; eucalyptus; bogong gum tree; falls creek road

Seven invoices from the State Rivers and Water Supply Commission from 1960 to 1962 plus 2 receipt for payments. The invoices are in the name of Lilian M. Prout, 24 Quick Street, Bendigoorganization, public utility, water

Blue ticket, black print. On front : 'Eaglehawk to Bendigo Started 1890 Ended 1972' Picture of tram in centre. On bottom ' Souvenir Tram Ticket' On back : 'State Electricity Commission of Victoria' 5c.bendigo, tramways, souvenir ticket

On the 2nd April 1948 the SECV noted the Eucalypts in the area of the Kiewa Hydro Electric Scheme. The Forestry Officer was an employee of the SECV and would have given advice in his area of expertise. This chart may have been used with regard to logging and enabling those involved in the identification of the trees.The last row has the heading "Localities and Remarks" and includes those found around the KHES eg. "Tawonga Gap. West Kiewa. Bogong Creek & up to 5 mile peg on Kiewa Valley Road. 7-12 Mile on Mt Buffalo Rd." Also significant to compare these eucalypts with current locations and numbersLarge chart with black print and pictures on yellowing thick paper. The chart has 18 headings across the top and 24 eucalypts listed under the headings.Printed in the bottom right hand corner "Compiled by W.G. Chandler / Forestry Officer / State Electricity Commission of Victoria / 2-4-48"forestry, w.g.chandler, eucalypts in bogong area

HM Queen Elizabeth 11 and Mr C K Atkins,/ Chairman Geelong Regional Commission,/ National Wool Centre, April 1988royal visits, geelong regional commission, hrh queen elizabeth 11 atkins, mr colin k. - geelong regional commission

Lifeboat crew on-board the lifeboat QueenscliffeBlack & white photo of two Queenscliffe Lifeboat Crew at seaReverse - " Sam Culliver & Lewis Ferrier on lifeboat 2 years before out of commission - Queenscliffe lifeboat - started 1926 & finished 1976 "historical references

This sign warned people not to go near electric wires. Consequences are explained. Public Health & Safety has changed over the years as have the consequences. Historic: Used by the S.E.C. on the Kiewa Hydro Electric Scheme. White metal sign with black and red writing warning people to keep away from electrical wires.(In black unless stated differently) "State Electricity Commission / of Victoria / Danger (red) / Contact with electric wires will cause Death (last word in red) / 10 pound reward paid for information leading to / Conviction for damaging commission's property / Maximum penalty Imprisonment for / 10 years. By order L G Morrison / Secretary"state electricity commission of victoria; warning sign; public health and safety; kiewa hydro electric scheme

Three different size account pages for the sale of livestock by J. W. & E. M. Davies, Auctioneer. Two have space to take Yard Dues, Freight, Droving, Commission and Cattle Compensation from the selling price of the livestock. The third has space to take Commission, Droving, Cattle Comp., Swine Comp and Freight from the selling price. One has a yellow backing paper. Two have a date line ending in 193- and the other it ends 19- -.business, printers, cambridge press, cambridge press collection, commonwealth wool and produce co ltd, j w & e m davies, shamrock buildings

Mary MODEEN (1953- ) Born United States of America Lives Scotland Mary Modeen is an artist/printmaker and interdisciplinary academic who also works in artist books, installations, and recently, in video and sound. She is also an academic of nearly 30 years full-time experience in higher education, residing in Scotland where she convenes the Art, Philosophy and Contemporary Practices at the Duncan of Jordanstone College of Art and Design, University of Dundee. Modeen’s research has several threads: perception as a cognitive and interpretive process, and place-based research, which tends to connect cultural values, history and embodied experience. In 2000, while a Visiting Research Fellow at the University of Ballarat (later Federation University Australia), Mary Modeen was commissioned to create a sculpture in a Public Art context for the campus. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.An external sculpture commissioned in a Public Art context for the Mt Helen campus Business Building (B Building) by Scottish Artist and Visiting Research Fellow, Mary Modeen. Mary Modeen's three dimensional sculptures and installations draw on her interest in "light" relating to artworks and conceptual art. The 'plugs' in the sculpture represent students, while the blue acrylic disk represents alumni, and the spread and impact of our students throughout the community. art, artwork, sculpture, mary modeen, business school art collection