"The Association was officially launched in November 1967 with the aim of preserving and maintaining good relations and understanding within the cattle industry and between that industry and all bodies and organisations with which the industry is associated in the spheres of Government, and land use and marketing." (ref Mountain Cattlemen's Association web-site) Since 1972, the Mountain Cattlemen’s Association of Victoria, have produced a journal, “The Voice of the Mountains”. This journal commemorates the activities and history of the previous twelve months and bygone years of cattlemen and their families. This item was used in the library of Orbost Secondary College. The journals form a part of Victoria’s history and are useful research tool.A 48 pp book covered in clear contact. On the front cover is a photograph of a view over Howitt, in the High Country with an inset of Jim Commins. It is titled :"Voice of the Mountains, Journal of the Mountain District Cattlemen's Association of Victoria, October 1988 No 11" and is priced at $4.00.journal-voice-of-the-mountains cattlle-industry cattlemen-history

"The Association was officially launched in November 1967 with the aim of preserving and maintaining good relations and understanding within the cattle industry and between that industry and all bodies and organisations with which the industry is associated in the spheres of Government, and land use and marketing." (ref Mountain Cattlemen's Association web-site) Since 1972, the Mountain Cattlemen’s Association of Victoria, have produced a journal, “The Voice of the Mountains”. This journal commemorates the activities and history of the previous twelve months and bygone years of cattlemen and their families. This item was used in the library of Orbost Secondary College. The journals form a part of Victoria’s history and are a useful research tool.A 56 pp book covered in clear contact. On the front cover is a print of an engraving of "Mustering cattle on the Bogong High Plains - a rough customer" . It is titled :"Voice of the Mountains, Journal of the Mountain District Cattlemen's Association of Victoria Inc. , October 1989 No 12" and is priced at $4.50.journal-voice-of-the-mountains cattle-industry-cattlemen-history

"The Association was officially launched in November 1967 with the aim of preserving and maintaining good relations and understanding within the cattle industry and between that industry and all bodies and organisations with which the industry is associated in the spheres of Government, and land use and marketing." (ref Mountain Cattlemen's Association web-site) Since 1972, the Mountain Cattlemen’s Association of Victoria, have produced a journal, “The Voice of the Mountains”. This journal commemorates the activities and history of the previous twelve months and bygone years of cattlemen and their families. This item was used in the library of Orbost Secondary College. The journals form a part of Victoria’s history and are a useful research tool.A 56 pp book covered in clear contact.On the front cover is a coloured photograph "moving Blair's stock down from the plains". It is titled :"Voice of the Mountains, Journal of the Mountain District Cattlemen's Association of Victoria Inc, October 1990 No 13" and is priced at $4.50.journal-voice-of-the-mountains cattle-industry cattlemen-history

"The Association was officially launched in November 1967 with the aim of preserving and maintaining good relations and understanding within the cattle industry and between that industry and all bodies and organisations with which the industry is associated in the spheres of Government, and land use and marketing." (ref Mountain Cattlemen's Association web-site) Since 1972, the Mountain Cattlemen’s Association of Victoria, have produced a journal, “The Voice of the Mountains”. This journal commemorates the activities and history of the previous twelve months and bygone years of cattlemen and their families. This item was used in the library of Orbost Secondary College. The journals form a part of Victoria’s history and are a useful research tool.A 48 pp book covered in clear contact. On the front cover is a coloured photograph of common stock in the mist on Nuniong. It is titled :"Voice of the Mountains, Journal of the Mountain District Cattlemen's Association of Victoria Inc, 1991 No 14" and is priced at $4.50.journal-voice-of-the-mountains cattle-industry cattlemen-history

"The Association was officially launched in November 1967 with the aim of preserving and maintaining good relations and understanding within the cattle industry and between that industry and all bodies and organisations with which the industry is associated in the spheres of Government, and land use and marketing." (ref Mountain Cattlemen's Association web-site) Since 1972, the Mountain Cattlemen’s Association of Victoria, have produced a journal, “The Voice of the Mountains”. This journal commemorates the activities and history of the previous twelve months and bygone years of cattlemen and their families. This item was used in the library of Orbost Secondary College. The journals form a part of Victoria’s history and are a useful research tool.A 56 pp book covered in clear contact. On the front cover is a coloured photograph of Eric Weston (Eurobin) who had a lifelong association with the High Country. It is titled :"Voice of the Mountains, Journal of the Mountain District Cattlemen's Association of Victoria Inc., 1992 No 15" and is priced at $4.50.journal-voice-of-the-mountains cattle-industry cattlemen-history

"The Association was officially launched in November 1967 with the aim of preserving and maintaining good relations and understanding within the cattle industry and between that industry and all bodies and organisations with which the industry is associated in the spheres of Government, and land use and marketing." (ref Mountain Cattlemen's Association web-site) Since 1972, the Mountain Cattlemen’s Association of Victoria, have produced a journal, “The Voice of the Mountains”. This journal commemorates the activities and history of the previous twelve months and bygone years of cattlemen and their families. This item was used in the library of Orbost Secondary College. The journals form a part of Victoria’s history and are a useful research tool.A 64 pp book covered in clear contact. On the front cover is a coloured photograph of two boys reading an unveiled plaque for Wally Ryder at Pretty Valley. It is titled :"Voice of the Mountains, Journal of the Mountain District Cattlemen's Association of Victoria Inc, 1993 No 16" and is priced at $4.50.journal-voice-of-the-mountains cattle-industry cattlemen-history

"The Association was officially launched in November 1967 with the aim of preserving and maintaining good relations and understanding within the cattle industry and between that industry and all bodies and organisations with which the industry is associated in the spheres of Government, and land use and marketing." (ref Mountain Cattlemen's Association web-site) Since 1972, the Mountain Cattlemen’s Association of Victoria, have produced a journal, “The Voice of the Mountains”. This journal commemorates the activities and history of the previous twelve months and bygone years of cattlemen and their families. This item was used in the library of Orbost Secondary College. The journals form a part of Victoria’s history and are a useful research tool.A 56 pp book covered in clear contact. On the front cover is a coloured photograph of "Cowley Fry and friend at Helicopter Flat, King Billy. It is titled :"Voice of the Mountains, Journal of the Mountain District Cattlemen's Association of Victoria Inc., 1994 17 " and is priced at $4.50.journal-voice-of-the-mountains cattle-industry cattlemen-history

This advertising material used as an ink blotter would have been given freely by salesmen, keen to sign up new buyers for their range of motorcar oils. Businesses had quickly recognized the potential for advertising on blotting paper, and began customizing sheets with company marketing. Ink blotting paper thus became a form of business card.often given away by salesman The Castrol company is headquartered in the UK. Castrol was founded by Charles “Cheers” Wakefield under the name of ‘CC Wakefield & Company’. In 1899. By 1960 it had become Castrol Ltd. This is a pictorial record of an advertising media not commonly used in the 21st century. Ink blotters remained in general use until the advent of the ball point pen, which in the period 1945 to 1960 progressively replaced the steel rib and liquid inks.A rectangular card with green and red print. It has two illustrations in red and green of plastic oil bottles with pourer tops. The underside is pink and it is designed for nse as an ink blotter. advertising-blotter castrol-motor-oils stationery

Mrs. Beeton’s Book of Household Management, published in 1912, is “a guide to cookery in all branches” with several chapters on International cooking. The large volume includes Daily Duties, Mistress and Servant, Hostess and Guest, Marketing, Trussing and Carving, Menu Making, Home Doctor, Sick Nursing, The Nursery, Home Lawyer. The book has advertisements, illustrations and photographic plates in black and white, a double page coloured illustration of a large table setting, A newspaper clipping titled “Tasty Dishes” was also found between the pages. Book, Mrs Beeton's Book of Household Management. New Edition. Revised, Enlarged, Brought up to Date, and Fully Illustrated. Large book has green fabric covered boards front and back. Spine s dark red leather with gold embossed text and decorative design around text. Published by WARD, LOCK AND CO. LIMITED. London, Melbourne and Toronto in 1912. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, mrs beeton's, mrs beeton's book of household management, ward, lock and co. limited, early 20th century cookery book, household management, cookbook, beaton

Part of yearly marketing and information material promoting the Falls Creek Ski School. This publication includes detailed information about the Falls Creek Ski School and its wide range of programs for 1994. Activities include Kids Ski Land, NASTAR Recreational racing, Ski School Race program as well as an extensive snowboarding program. Family night skiing was available for the first time. Special events included the Ski School International Ball, a TELEMARK and Powderhound Women's program as well as a Kangaroo Hoppet Preparation Clinic.This item is important because it documents seasonal activities at Falls Creek Alpine Resort across all age groups.A glossy booklet featuring images and information about programs to be offered at Falls Creek in the 1994 winter season. The front cover features a photo of two downhill skiers at Falls Creek Ski School. Coloured images are included throughout the booklet. Each page has a different coloured background and black or white text.On Cover: 1994 Falls Creek Ski School SSS FALLS CREEK SKI SCHOOL INFORMATIONfalls creek marketing, falls creek ski school, falls creek ski academy, falls creek race club

A copy of a speech by Sir John Young to launch Legacy Week in 1990 and a media release and details of the events of Legacy Week. Sir John Young was a Chief Justice of Victoria and the launch was in the Victoria Arts Centre. The events included an exhibition of Aviation Art at Legacy House. Paintings were by Frank Harding of Renmark, South Australia. See newspaper article at 01522 and photos at 01523. In 1990 the slogan was "Lest YOU forget" with an image of the statue of Simpson and his donkey rather than a personality, see items at 01250, 01520. The slogan "Lest YOU forget" was used with an image of the statue of Simpson and his donkey rather than a personality. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s, including the speech and media release. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. White A4 paper with black type x 8 pages of a speech and a media release for Legacy Week in 1990.legacy promotion, badge appeal, legacy week, speech

This is an example of Melbourne Legacy promotional material. Legacy invited the leading guitarists, Phil and Tony Emmanuel to be Personality of the Year in 1995. They helped to promote Legacy, especially during Badge Week (see 00838). They were chosen as their father had served in the Air Force in New Guinea. When he died Legacy helped support their mother and her 6 children. They were releasing a new album in 1995, 'Terra Firma' and Legacy was given a special mention at each concert in Australia. Their album also featured a song called "The Last Post" which was dedicated to the men and women who gave their lives in times of war to keep Australia free. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour A4 promotional leaflet with a photo of Phil and Tony Emmanuel, a one page press release and an article from The Answer.Press release is titled 'The Emmanuels remember Legacy'.legacy promotion, badge appeal, legacy week, answer, press release

Women's magazines developed rapidly through the 1800's reflecting marketing and social changes. Publications evolved from being journals aimed at the middle class to cheaper, chattier more domestic magazines more widely available. Alice Letitia Swan was the daughter of Edward Swan (tinsmith and plumber at Orbost) and Emma Dinah Jefferson. Alice married Herman Oswald (Ossie) Wehner (blacksmith, Orbost) on 4-4-1923. She was born in 1899 in Omeo and died 14-6-1979, aged 80 in Orbost.(info. from John Phillips)These are early 20th century examples of English women's magazines. They give practical advice on needlework and they evidence the widespread interest in contemporary fashion. In doing so they show what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests in fiction at that time.Two magazines, titled The Lady's Companion. 2424.1 was printed on 21.1.1911 and cost one penny. 2424.2 is dated 25.11.1916 and is titled Leach's Lady's Companion and has a pink cover. Both contain illustrations of the current fashions, interesting facts and selected fiction. 2424.2 : on back in red pen - Miss Alice Swan Nicholson St Orbostwomen's-magazines lady's-companion swan-alice

This publication was a major item in the Falls Creek marketing program for 2005. Promoted as Australia’s only truly ski-in ski-out village, activities included snow bikes, the purpose built snowtube park, tobogganing, touring the back country on a snowmobile or joining the Snow Shoe Shuffle. Less active pastimes were indulging in natural therapy treatments and spas, catching a movie at Glo Cinema or attending the Second Annual Falls Creek Film Festival. Corporate Partners in 2005 were Bilia Volvo, SKYY BLUE, Milo and Ten TV.This booklet is significant because it documents seasonal activities at Falls Creek in 2005.A glossy publication of 40 pages promoting Falls Creek all year round. It includes detailed information of activities at Falls Creek, images and advertising.falls creek 2005, falls creek marketing

This postcard is part of a series by Rose Stereograph and likely to be sold in the Mission to be used by seafarers.Black and white postcard depicting the inside of the chapel in the 1937 Port Melbourne Mission with pews, reed organ and altar.Written in blue ink by David Conolly: "Faded, which spoils it. Also it's bigger than in this picture."chairs, george v memorial institute, port melbourne, seamen's mission, reed organ, harry norris, st andrews chapel, altar, furnishing, marketing

Federation University Australia was established on 1 January 2014. Formerly known as the University of Ballarat, its enabling legislation was the University of Ballarat Amendment (Federation University Australia) Act 2013. Although formally created as a University in 1994, the University of Ballarat has a lineage back to 1870 with the establishment of the School of Mines Ballarat, making it the third institution of higher learning to be established in Australia and the first to be established in regional Australia. On 1 January 1994, Ballarat University College became the University of Ballarat and in 1998 the University merged with three TAFE Institutes to become a dual sector institution with multiple campuses. On 1 January 2014, the University of Ballarat amalgamated with the Monash University Gippsland Campus to form Federation University Australia. The Gippsland Campus also had a long lineage dating back to 1928 with the establishment of the Yallourn Technical School which became a predecessor institution to the Gippsland College of Advanced Education formed in 1968. In 1990, it was renamed the Monash University College and in 1993 became the Gippsland Campus of Monash University. In 2016, Federation University Australia announced plans to take possession, over a two-year period, of Monash’s Berwick Campus in the south-east corridor of Melbourne. Federation University Australia, or FedUni, is headquartered in Ballarat and offers programs in Higher Education and Vocational Education and Training to regional Victoria and beyond. The University’s commitment to educational and social equity, teaching excellence, research distinction, environmental sustainability and regional capacity building has enabled it to develop in a way that draws on its proud heritage to inform its future. Its regional character sets a framework for the University’s priorities but does not constrain it from serving wider community interests, nationally and internationally. The name Federation University Australia was chosen to convey the scope and capacity of an expanded regional university with a federated network of campuses.A double sided card with four folds, making it around the size of a business card. The card gives information on Information Technology and Mathematical Sciences Content and images.university of ballarat, school of information technology and mathematical sciences, itms, promotional, marketing, computer games, earn as you learn, business systems, mathematics, information technology

Part of a yearly marketing program promoting Falls Creek region for the summer season. The table of events runs from December 2001 until April 2002 and includes Falls Creek Multi-Sport Camps, Christmas Day Luncheon, Summer Paste Workshop, New Year's Eve Celebrations' National Distance Training Camp, Jazz & Blues, Food, WIne & Wildflower Weekend, HIgh Country Photography & Art Exhibition, Falls Creek Off-Road Triathlon, Mile High Tennis Tournament, Stanton & Killeen WInemaker Dinner, Classical Music and Easter at Falls Creek.This item is important as it documents seasonal activities at Falls Creek Alpine Resort outside the most recognised snow skiing programs.A small leaflet advertising summer program at Falls Creek for 2001-2002. Front cover features four images, the title in tan and white print and the Falls Creek logo at the bottom. The slogan printed at the foot of the front page is "Catch the buzz". falls creek summer, events at falls creek, falls creek summer programs., falls creek marketing

Part of a yearly marketing and information material promoting Falls Creek Resort for the summer season. It includes a table of events from November 1999 until April 2000. Events listed include:- Falls Creek Multi-Sports Camps, Christmas Day Luncheon and New Year's Eve celebrations, National Distance Training Camp, Cajun Blues Weekend, Food, Wine and Wildflower Weekend, Mile High Tennis Tournament, High Country Photo Exhibition, Falls Creek Off-Road Triathlon, Stanton & Killeen WInemaker Dinner, Classical Music Weekend, Adventures with Style and an Easter Egg Hunt.This item is important as it documents seasonal activities at Falls Creek Alpine ResortA brochure for summer program at Falls Creek Alpine resort for 1999 - 2000. Text is in orange and white print.falls creek marketing, falls creek events, falls creek summer, falls creek camps

White two spring clip folder with papers, titled "Hawthorn Tram Depot - Expressions of Interest Documentation", sub-titled "Turn the Past into the Future" Has a photo of Hawthorn Tram depot and an image on the front cover. Closing date 17/2/1999, prepared by the Urban Land Corporation with the assistance of VicTrack. Approx 110 pages with supplementary papers in the end covers. Contains a table of contents, checklist, EOI Process, Development Brief, Site conditions. Gives details of the heritage registration, site plans, building plans, property title and detailed room condition and use of the ground floor. Supplementary papers include the marketing brochure, letters and a detail feature and level survey by Bosco Johnson surveyors, 30-9-1998.trams, tramways, htt, hawthorn tram depot, sale of land, property

The Mission has been issuing a calendar since its early days. They were sold for fundraising. Famous artists like Daryl Lindsay in 1924 and John Shirlow in 1929 created the frontispiece for those calendars.calendar, 2019, fundraising, mission to seafarers, australia, seamens' mission, mission to seamen, kalendar, marketing, joan lindsay nee a beckett weigall, daryl lindsay

From Benjamin Wigmore blog: "Completed 5 minute flash cartoon for a charity called Mission to Seafarers. The charity helps support seafarers who bring food and other goods to our shores. MTS wanted a educational cartoon for kids to show who seafarers are and what they do. Here's the cartoon..."Issue 1 of this magazine for kids explaining the work of the Mission. It's not clear if there was any more.Digital magazine for children about the work of the Mission to Seafarersbilly the boat, cartoon, marketing, children, container ships, tug boat, tilly the tug, games, bible, education, colouring

This article is from the Swedish ski magazine "Inbjudan" in 1991. In 1977 a group of cross country skiers in Mount Beauty, decided to form a cross country ski club. Some of them had skied in Norway and taken part in the Norwegian Birkebeiner Ski Race in 1979, the Birkebeiner Nordic Ski Club was formed. In 1989, a 42km event named the Australian Birkebeiner Ski Marathon was held and the organisers also included a half distance of 21km called the Birkebeiner and a 7km event called the Birkebeiner Lite. This article outlines the work of Allan Marsland, the Birkebeiner Nordic Ski Club, the Alpine Resorts Commission, the Australian Ski Federation and Tourism Victoria to be accepted into the Worldloppet international series.This item is important as it documents seasonal activities at Falls Creek Alpine Resort A magazine cover and article about the quest to be included in the Worldloppet series, including text and black and white images.skiing, ski, falls creek, victoria, school holidays, winter, snow, winter sport, 1990s, marketing, graphic design

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing, where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool's superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.The shirt is sleeveless and in majority cream coloured. Around the hem, buttons and across the front of the shoulders is an appliqued floral design of Australian flowers and leaves inspired by the designs of artist Margaret Preston. The appliqued pattern continues around the bottom hem but not over the shoulders of the shirt.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8124.1 - The blouse is cream with an Australian floral design inspired by the work of artist Margaret Preston. The blouse has a scoop neck, cream buttons and small triangular cut outs on the sleeves. The shoulder seam runs to the points of the triangle and another across the back of the shoulders to create a rounded design. 8124.2 - Floral print fabric sample, this sample is cut in the shape of the front panel of the blouse but is unsewn. 8124.3 - Floral fabric sample. 8124.4 - Floral fabric sample. 8124.5 - Floral fabric sample.BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.A long sleeve cream coloured dress shirt with a detachable printed neck tie. The neck tie is decorated in an Australian floral design inspired by the artist Margaret Preston. The shirt has two breast pockets and double sets of cream buttons. The rear of the shirt is unadorned. 8124.4 - Floral fabric sample. 8124.5 - Floral fabric sample.BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Olive green knit vest with gold buttons. On the left breast is the Australian emblem with the Olympic rings and "Barcelona 1992" underneath it.BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Olive green knit vest with gold toned buttons. On the left breast is the Australian emblem with the Olympic rings and "Barcelona 1992" underneath it. The buttons are textured with lines.BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform