Honkie & Ginny is a journey that travels from the cottagers of Port Melbourne to Gallipoli, the battle fields of the Western Front and the gold fields of Bendigo. A personal tale from a grand niece.Title: Honkie & Ginny From Black Sheep to Holy Dove, Henry Foster Midgley 1894 - 1917 At Peace in Flanders. Biography. Soft cardboard cover, black print on front, spine & back. 2 sepia portraits, smaller one of a woman superimposed over the left corner of a soldier in uniform, yellow coloured background. Below portraits is a small colour photo of At Peace in Flanders with poppies below these words Back cover has colour photos of a wreath. 220 pages, cut plain paper. Illustrated in black & white are photos, line drawings, posters & paintings.books-biography, military history

BHS CollectionBendigo Advertiser ''The way we were'' from 2002. Demure: Portrait of unknown girl standing in front of a painting depicting a castle. The clip is in a folder.newspaper, bendigo advertiser, the way we were

John Halfey (1825-89) was born in Southport, Lancashire and migrated to Victoria in 1852. After finding gold at Sandhurst, and representing the latter in the Victorian Parliament, he moved to Melbourne to engage in various commercial pursuits, including directorships of insurance, mining and banking companies. A resident of Kew from the late 1850s, he was known for the hospitality provided at his house Ordsall (later Southesk) in Cotham Road. On 14 December 1860, Halfey chaired a public meeting calling for separation from the Boroondara Roads Board, which led, four days later, to the proclamation of Kew as a separate municipality. He was elected to the Council in 1861, replacing Cr. Oswin, and subsequently served as the second Chairman of the Municipality in 1862-1863. John Halfey became a trustee of Holy Trinity Church in Bulleen Road (now High Street) in 1862. He was to resign from Council after four years in 1865. Twenty-four years later in January 1889, he died aged 63 from a seizure, at his rooms at the Herald Office. He was interred in the Boroondara General Cemetery where his monument is the tallest in the Cemetery. Donated by Eileen Grigg, 2017Small, full-length portrait of John Halfey in an original gilded frame. The artist depicts him formally dressed in a frock coat beside an open window. He is shown holding a document or perhaps a pair of gloves. The painting is badly damaged with a hole in the area of his face that has been patched and repainted.john halfey, ordsall, chairman of kew, boroondara roads board, municipality of kew

Annie Halfey (nee Marston) was the daughter of Carlington George E. Marston, a chemist of Smith Street, Collingwood. Marston had extensively speculated on land in Kew and in this way had made his money. Marston was the owner of 'Wimba' in Cotham Road, having purchased the house in 1879. Annie Marston married the eminent Victorian pioneer John Halfey, and together they made their home at Ordsall (later Southesk) in Cotham Road, Kew. She died in March 1909. (Rogers, 1973).Donated by Eileen Grigg, 2017Small, full-length portrait of Annie [Mrs. John] Halfey ( -1909) in an original gilded frame. Annie Halfey is depicted in a high necked black dress with a silver brooch at her throat. She stands in a room by an open window. The detailing of the face is highly rendered by the artist/s.annie halfey, john halfey, ordsall, marston

S. S. ROWITTA: - The 1909 steam ferry, S. S. Rowitta, was installed as an exhibit at Flagstaff Hill in 1975 and was enjoyed by many visitors for 40 years. S. S. Rowitta was a timber steam ferry built in Hobart in 1909 using planks of Huon and Karri wood. She was a favourite of sightseeing passengers along Tasmania’s Tamar and Derwent rivers for 30 years. The Rowitta was also known as Tarkarri and Sorrento and had worked as a coastal trading vessel between Devonport and Melbourne, and Melbourne Queenscliff and Sorrento. In 1974 the S. S. Rowitta was purchased by Flagstaff Hill to convert into a representation of the Speculant, a historic and locally significant sailing ship listed on the Victorian Heritage Database. (The Speculant was built in Scotland in 1895 and traded timber between the United Kingdom and Russia. Warrnambool’s P J McGennan & Co. then bought the vessel to trade pine timber from New Zealand to Victorian ports and cargo to Melbourne. She was the largest ship registered with Warrnambool as her home port, playing a key role in the early 1900s in the Port of Warrnambool. In 1911, on her way to Melbourne, she was wrecked near Cape Otway. None of the nine crew lost their lives.) The promised funds for converting the S. S. Rowitta into the Speculant were no longer available, so she was restored back to her original configuration. She represented the importance of coastal traders to transport, trade and communication in Australia times before rail and motor vehicles. Sadly, in 2015 the time had come to demolish the Rowitta due to her excessive deterioration and the high cost of on-going repairs. She had given over 100 years of service and pleasure to those who knew her. Arthur Victor Gregory (known as A. V. Gregory) was born in Melbourne in 1867. He was the son of George Frederick Gregory who was an established marine painter with a studio in South Melbourne. A. V. Gregory worked with his father and his elder half-brother (George Frederick Junior). They made numerous photographic reproductions of their ships' portraits, selling the originals to captains and owners and the photographic prints to the crews. A. V. Gregory inherited the business on the death of his father in 1890 and continued to paint until World War 2 when he stopped for wartime security reasons. Gregory worked mainly in watercolour and gouache. He kept all his working sketches so he could repeat earlier paintings and make more copies of the same ship. His carefully detailed portraits of every kind of vessels seen on Port Phillip Bay created a body of work regarded as a valuable record of the maritime traffic of that period.This print is a significant example of the work of the well-known and well-respected marine painter A. V. Gregory who created a detailed record of shipping in the Port Phillip Bay area in the years before W.W. 2. It is also significant as it connects the history of the S. S. Rowitta, which was a large exhibit on display at Flagstaff Hill Maritime Village from the museum’s early beginnings until the vessel’s end of life 40 years later. The S. S. Rowitta represents the importance of coastal traders to transport, trade and communication along the coast of Victoria, between states, and in Australia before rail and motor vehicles and is significant for its association with Tasmanian history from the early to mid-1900s. The vessel was an example of a ferry built in the early 20th century that served many different roles over its lifetime of over 100 years.This is a photograph of a watercolour painting of the S. S. Rowitta. It shows a steamer moving through the water. The ship has a blue, metal hull, a wooden lower and upper deck, a lifeboat and smoke coming out of a chimney. Flags are flying from the bow, the stern and the mast. Seven figures can be seen on the decks. A second boat can be seen in the distance in the far left of the picture. It has the signature "A. V. Gregory - 12" in the bottom left corner and the title "S. S. Rowitta - 121 tns" in the lower right corner.Signed "A. V. Gregory -12-" Titled "The S. S. Rowitta / -121 tns" Printed on the ships' bow - "ROWITTA"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, s. s. rowitta, rowitta, a. v. gregory, painting, marine painting, marine painter, steamer, steam ferry, passenger ferry, alfred gregory, tarkarri, sorrento, speculant, print, photograph

Framed portrait of John Moule who was President of the Vision Australia Foundation, from 1992-1999. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Moule is standing with his arm on a dresser, and holds a pair of glasses. He is dressed in a navy blue suit, with a blue kercheif in his breast pocket,, a white collared shirt and a blue, white and black striped tie. On his lapel is a small gold badge. The plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'.vision australia, john moule

Framed portrait of Tilly Aston who began the Association for the Advancement of the Blind, a forerunner to the Association for the Blind. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Tilly sits with one hand resting against a table, and the other in her lap. She is wearing a black collared dress with a white lace neck ruff held with an opal pin. Two medals (the Jubilee medal and Coronation medal) are pinned to the chest, each consisting of a red and white bowtie with a brass medallion. Tilly Aston was born in Carisbrook, Victoria, in 1873. When she was very young her parents noticed she was having problems with her vision. They took her to a doctor who diagnosed her with no sight in her right eye and the prognosis of loss of vision in the left eye. As a result of this she was totally blind by the age of 7. Despite this her parents endeavoured to give Tilly as many of life’s advantages that their limited means could supply. From an early age she was taught singing, music, poetry, arithmetic, encouraged to read and observe the natural world around her and be independent. At the age of 8 she was sent to the Asylum and School for the Blind (later called the Royal Victorian Institute for the Blind). She excelled in a wide range of subjects and matriculated in 1889. With the help of a public fund was able to attend Melbourne University, being the first blind Australian to do so. Unfortunately the lack of Braille text books made it impossible for Tilly to continue her studies and she left in second year. Tilly was determined that other blind people would not have the same negative experience she had had. In 1894 she organised a meeting to form the Victorian Association of Braille Writers with the aim of producing and supplying Braille to blind Victorians. Braille was produced by trained volunteers with ? recruited in the first six month. Other rights and services for blind people remained very limited. In 1895 Tilly organised a meeting, which formed the Association for the Advancement of the Blind (now Vision Australia). The Association was instrumental in obtaining many benefits for blind people including a blind pension, voting rights and transport concessions. It also established the first nursing homes for blind people, at a time when many blind people were homeless and destitute. Tilly went on to be Australia’s first blind teacher. She was also a very talented musician, author of seven books and was very gifted at arts and crafts. She knew Esperanto and corresponded with people all around the world including Helen Keller. Tilly passed away on November 1st 1947. Her legacy continues through the work Vision Australia which provides services for thousands of blind Australians. A memorial bell dedicated to her is also situated in the King Domain Gardens. 1 art original in gold frameThe plaque at the base of the painting reads 'Miss Matilda (Tilly) A. Aston / President 1904, 1910, 1943 to 1947/ Association for Advancement of the Blind'. association for the advancement of the blind, association for the blind, tilly aston

Framed portrait of Howard (Pat) M. Lightfoot (1904-1991), who was the President of the Association for the Blind in 1952-1954 and 1964-1972 respectively. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr Lightfoot is seated, with his hands clasped, and wears a gray jacket, grey collared shirt, green woolen vest and red tie. There is a name plate attached at the base of the painting with his name and dates of appointment. Signed by the artist in the lower, right-hand corner.1 art original in gold frameMr Howard (Pat) M. Lightfoot OBE President 1952-54, 1964-72 Association for the Blindassociation for the blind, h.m. lightfoot

Framed portrait of Thomas Marks who was President of the Association for the Advancement of the Blind 1900, 1935-1937. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Marks sits at a table, wearing black tails and pants, a white pleated dinner shirt and black evening dress bow-tie. One hand rests next to a cup and saucer, the other rests on his lap. Tom Marks was educated at the Royal Victorian Institute for the Blind. He was a founding member of the Association for the Advancement of the Blind (now Vision Australia) at its establishment in 1895. He went on to serve as President of organisation in 1900 and was later appointed as a part time paid secretary – an office he occupied from 1904 to 1927. He again served as President from 1935 to 1937 during which time he celebrated his 80th birthday. As the living conditions of many blind people were deplorable at this time – they were often confined to a room or shed without any social contacts – it was realized that support for blind persons was needed to serve as a refuge for the oppressed, a home for the indigent, a rest home for the sick and a convalescent home to provide both respite care and permanent accommodation. Mr Marks had a reputiation of having good contacts and being able to use people with more knowledge than himself. An able musician, Tom Marks was often employed in the homes of wealthy families. As a result he met Mr and Mrs Grimwade who were already supporters of Vision Australia. They organized a gymkhana to raise money for the nucleus of a building fund. From this time Tom Marks was involved in the finances of the centres at Brighton, Ballarat and Bendigo, which were the ultimate result of the fund. He was also part of a team that negotiated the financial agreement between the RVIB and Vision Australia over fund raising and the allocation of money, which lasted from 1930 to 1939. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr Thomas Marks / President 1900, 1935-1937/ Association for Advancement of the Blind'. association for the advancement of the blind, thomas marks

Framed portrait of George Maxwell who was President of the Association for the Advancement of the Blind 1920-1935. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr Maxwell is turned slightly away from the viewer, and wears a blue suit, white high collared shirt and a blue tie. George Maxwell was President of Vision Australia from 1920 to 1935. After an early teaching career he studied law, was admitted to the Bar and became one of Victoria’s great criminal lawyers and later a Federal Member of Parliament. He took an interest the welfare of blind people from his student days. A detached retina in 1920 led to total blindness nine years later, which gave him a great empathy for those with a similar affliction. Through his contacts he was also instrumental in obtaining the first voting rights for blind Australians. Up until 1902 blind people were unable to vote if they couldn’t write with a pen. George Maxwell was working at that time at the legal firm of Strongman and Crouch one of the partners, Mr. Crouch, was elected as a member of Parliament. When the Commonwealth Electoral Bill was being drafted, Mr. Crouch has a clause added enabling blind people to vote in Federal elections, constituting a world first. But perhaps his greatest achievement was obtaining the pension for legally blind people. Until 1910 only those who met the age and means test criteria were eligible. With the help of his legal and political friends a bill was passed which granted the pension to all persons over 16 years of age who were unable to work due to physical disability or blindness. Until this time these people had to be supported by their families or go to a benevolent institution. This was a world first and gave to blind and vision impaired people a measure of independence which increased both their self reliance and self esteem. 1 art original in gold/brown frameThe plaque at the base of the painting reads 'Honourable George A Maxwell Q.C. / President 1920-1935 / Association for Advancement of the Blind'.association for the advancement of the blind, george maxwell

Framed portrait of David Robertson who was the first President of the Association for the Advancement of the Blind, from 1895-1899. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Robertson sits with his hands resting upon a wooden cane. He is wearing dark spectacles, a gray suit and waistcoat, white shirt with starched collar and pleated front, and a red and blue striped necktie. On his left lapel is a blue and red medal. David Robertson was educated at the Royal Victorian Institute for the Blind and was trained as a basket maker. He was one of eight foundation members of the Association for the Advancement of the Blind (now Vision Australia Foundation ) which was formed in 1895 in order to encourage blind people to manage their own affairs and build their self esteem. He was appointed the inaugural president and served as such from 1895 to 1899 and again in 1913 as well as acting as vice president from 1900 to 1902 and in 1911 and 1915. Known as a level headed and wise peacemaker he was elected chairman of the first interstate conference of blind people, which took place in Melbourne in 1913. From this evolved the Federal Council of Organizations of the Blind, which undertook to consider all matters affecting blind people. 1 art original in gold frameThe plaque at the base of the painting reads 'David Robertson / Inaugural President of / Association for Advancement of the Blind'.david robertson, association for the advancement of the blind

Framed portrait of Elsie Henderson who was a tireless worker for the Association for the Blind. From 1934 until the 1960s Elsie Henderson worked at the Association for the Blind as a home visitor for women who were blind or vision impaired. Blind herself, Ms Henderson had 300 women on her visitation list and would visit three to four women daily. She wears a mid-blue jacket with a floral shirt, pearl necklace and her MBE attached to her jacket. This painting hung in the former Kooyong Day Centre until it was demolished in 1999.1 art original in frameelsie henderson, association for the blind

Framed portrait of Diana J. Jones who the first female president of the Association for the Blind since Tilly Aston. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mrs Jones sits facing the painter with both hands clasped in her lap. She is wearing a black double breasted blazer, white shirt, blue beaded necklace and earrings and a gold bracelet . A white kerchief sits in her breast pocket. Diana Jones served for 8 years on the General Committee before being elected President. During this time she was deputy chairman of the Reach Out Appeal to raise funds for the building program and President of the Honorary Services Group which co-ordinated volunteers and gave them a spokesperson on the General Committee. In her 8 years as President a great deal was accomplished. New centres were opened or extended throughout Victoria and the Metropolitan area, volunteer services expanded and the Vision Resource Centre at Kooyong was built into which 3RPH radio was relocated. A Vision Information hotline, audiology services and the National Centre for Ageing and Sensory Loss were established, the Braille and Talking Book libraries was incorporated into the Association and the Charlie Bradley Cricket Pavilion opened at Kooyong. In 1990 Diana Jones became a member of the first Board of Directors of the newly incorporated Association for the Blind Ltd which ushered in a new era, requiring strict observance of financial and accounting methods in order to ensure continued Government funding. Mrs Jones was highly regarded by clients, volunteers and staff as a capable hard-working leader. Her services to the Association and over many years to the wider community, were recognised in her appointment as a Member of the Order of Australia in the 1993 Queen's Birthday Honours. She passed away in July 2009.1 art original in gold frame The plaque at the base of the painting reads 'Dame Diana J. Jones, AM DSJ / President 1984- 1992 / Association for the Blind'. association for the blind, diana jones

Framed portrait of John Wicking who was President of the Association for the Blind 1973-1984 as well as a generous benefactor. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr. Wicking wears a navy suit, white shirt and navy blue Kiwi tie. He was Managing Director and Chairman of Kiwi International when he was introduced to the Committee in 1971. With a natural air of authority, he was known to be both strong and wise. One of the first hurdles Mr Wicking faced following his election as President in 1973 was understanding the health service system and sorting out the differing views of committee members over recommendations for projects costing hundreds of thousands of dollars with no funds to implement them. The ten years of his Presidency were a time of exceptional growth and expansion. He was instrumental in acquiring an adjacent property to those already owned in Glenferrie Road in 1974 at a cost of $120,000, on which the Low Vision Clinic was erected – the first of its type in Australia. Land was also bought in both the metropolitan and country areas for future expansion. Day care centres were opened in Ballarat and Bendigo and new metropolitan services commenced. Mr Wicking formed a committee to explore the possibility of a radio station people unable to read standard print. As a result 3RPH commenced broadcasting in 1981. After his retirement as President, Mr. Wicking continued as a committee member until 1994. In 1995 he was instrumental in the establishment of the Tilly Aston Heritage Collection, on which he served as Chairman until sadly passing away in 2002. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John O. Wicking AM / President 1973-1984 / Association for the Blind'. association for the blind, john wicking

Framed portrait of Malcolm Daubney who was President of Vision Australia Foundation 1999-2002. It is part of a series of paintings commissioned by the AFB/VAF Board to commemorate the work of past presidents of the organisation. Mr Daubney wears a navy suit, pale blue shirt and navy blue Kiwi tie. Mr Malcolm Daubney has worked closely with blind and vision impaired people for many years. In the 1980s Mr Daubney was “volunteered” by John Wicking to the Vision Australia’s Kooyong Committee. Shortly after his appointment he was posted to Singapore for business, where he served on the committee of the Singapore Association for the Blind for five years. Upon his return he rejoined the Kooyong Branch Committee. Later he was appointed to the Vision Australia Board of which he was President from 1999 to 2002, and then Chief Executive Officer from 2002-2005.1 art original in old gold frameThe plaque at the base of the painting reads 'Mr Malcolm Daubney / President 1999-2002 / Vision Australia Foundation'.vision australia, malcolm daubney

aFramed portrait of William Paterson who was President of the Association for the Advancement of the Blind, from 1948-1952. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Paterson is dressed in a 3 piece gray suit, white shirt and wearing a blue tie and black hat. He sits outside a house reading a red coloured book, whilst in the background an elderly man takes a step out on to the gravelled driveway. Two women, one with a white cane, rest on chairs under the verendah of the building. The plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'association for the advancement of the blind, william paterson

Framed portrait of William Quayle who was President of the Association for Advancement of the Blind in 1905. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Quayle sits on a wooden chair, wearing a gray three piece suit, white shirt and black bowtie. A small pink flower sits in his lapel and the chain from a fob watch is tucked into his waistcoat. Mr Quayle was born on the Isle of Mann, and the Manx Society of Victoria made a donation towards this painting, which was unveiled by his granddaughter. Coral Graham lent family portraits for the artist to construct this likeness.1 art original in brown frameThe plaque at the base of the painting reads 'Mr William Quayle / President 1905 / Association for Advancement of the Blind'.william quayle, association for the advancement of the blind

Framed portrait of Bruce Small who was President of the Association for the Blind 1955-1964. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Small stands in his Gold Coast mayoral robes, which consist of a dark blue velvet with ermine trim and a white ruffled shirt.. He wears a mayoral chain of office around his neck and glasses, with his hands clasped in front of him. Sir Bruce Small joined the Vision Australia’s General committee in 1944 and became President of the organisation in 1955. He developed an efficient team with Sir Hubert Opperman (for many years the world’s number one cyclist), whom he brought in as Vice President and Mr. Pat Lightfoot, himself president for many years. Sir Bruce had to leave school at an early age after the death of his father in order to support his family. The lessons he learned from this episode in his life created a man of quick wit, with a razor sharp mind and the skills of a gambler - attributes that enabled him to achieve his goal of “aiming for the stars”. This was put into effect when he proposed a plan for 3 new Vision Australia nursing homes in 5 years at Ballarat, Bendigo and Brighton at a cost, which at that time seemed impossible but which was finally achieved between 1957 and 1959, through astute financial management. Sir Bruce also supported the concept of organisational decentralization and made amendments to the constitution, which enabled the associated branches of the Vision Australia (then the Association for the Advancement of the Blind) to form local committees. This was in order to generate local interest in the blind people in the community and engage them in fund raising and running of the nursing homes. Although he resigned in 1964 when he moved to Queensland he still retained an interest in Vision Australia. Sir Bruce had always pushed for a symbol for Vision Australia which would be recognized by the public and serve a useful purpose. This took the form of a beacon which was erected at Brighton, overlooking the sea, having a twofold purpose – a reference point and guiding light for small craft, and symbolically for blind people a guiding light to direct them to a safe harbour. Sir Bruce switched on the guiding light at in 1969 having already donated the cost of $3000. Prior to joining Vision Australia, Sir Bruce had operated the Malvern Star bicycle business in Glenferrie Rd. He promoted and expanded the business making Malvern Star the industry leader in Australia. This was aided by his friendship with Sir Hubert Oppermen, who promoted Malvern Star bikes through his role as world’s number one cyclist. In 1967 he became Mayor of the Gold Coast and, in 1972 he was elected to the Queensland Parliament representing the seat of Surfers Paradise. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr Bruce Small / President 1955 - 1964 / Association for the Blind'.association for the blind, bruce small

The painting was on public display in the Ballarat Town Hall. Photograph of an oil painting of William Collard Smith.portrait, william collard smith

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Friends of Horsham Art Gallery, 1990

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1990

Robert Clark was a self educated man who had arrived in Australia with his step father to take up mining in 1854. He worked in several local mines and being familiar with the hardships associated with mining life, helping to establish the eight hour day for miners. Robert married Sarah Jane Kernaghan in 1862 and together they had nine children. Robert Clark was first elected in 1872 and remained a councillor until his death in 1883. He died aged 41 years. This elaborate Letter of Appreciation was hand drawn and painted by artist and photographer Frederick de Kock who was associated with Mr N Caire's photographic Studio, View Place and by 1882 was producing and teaching hand painting on ceramics. In 1883 he advertised as a photographer with his own studio on the corner of Mitchell and King Street, which was later named the Bendigo Portrait Rooms. 180.1 Donated by Jenny Taylor; 180.2 Organisational created. Illuminated Letter of Appreciation in shape of arched window. From Sandhurst Pioneer Co-Operative Co Limited to Robert Clark. Hand drawn and painted on card. Signed by eight directors.mayor city of sandhurst, councillor robert clark, mayor clark, mayor of the city of sandhurst

I am lucky enough to have Christos Tsiolkas, writer of 'The Slap' as my friend and neighbour. It was a barbecue in my backyard early in 2009, that we decided I should paint his portrait.Painting

This photographic portrait was commissioned to commemorate Dr Genevieve Goulding's term as President of ANZCA. Traditionally, ANZCA presidents have been commemorated at the end of their term with a commissioned oil painting. In 2015, the decision was made by ANZCA Council to change to photographic portraiture. This meant the existing oil paintings of College presidents became a formed collection which will not be added to and this portrait is the first to be commissioned in the new medium. It was unveiled at the ANZCA Council dinner on 22 July 2016. Framed colour photographic portrait of Dr Genevieve Goulding holding the President's medal.goulding, genevieve, anzca president, anzca council, budgeon, chris, photographic artist

This portrait is of Dr Walter Thompson, former President of ANZCA from 2006 - 2008 was commissioned by ANZCA to commemorate Dr Thompson's presidential term. The painting was unveiled on 17 April 2009. The artist Ben Joel is a Western Australian artist, well known for his commissioned portraits and contemporary artworks in most media. Joel's artworks are represented in national private and public art collections Oil on canvas portrait of Dr Walter Thompson wearing the Presidential gown and medal. The sitter's hands are clasped in front of him and he is casually seated in front of a plain background coloured in black and red imitating a second frame/window. The painting is set in a plain gold and maroon frame.[ lower right hand side] BEN JOEL '08painting, anzca president, thompson, walter, joel, ben

This is a portrait of Professor Michael Cousins in his role as Dean of the Faculty of Pain Medicine at ANZCA (1999 - 2002). The portrait was unveiled at a College ceremony/meeting on 30 July 2003. The portrait was commissioned by FPM to mark the Deanship of Prof Cousins. Gary Lee Gaston is an Australian visual artist who was born in 1938. He is a painter, teacher and sculptor. He has exhibited in Adelaide and is a fellow of the Royal South Australian Art Society.Professor Michael Cousins was instrumental in the establishment of the faculty of pain medicine and was its first Dean from 1999 - 2002.Oil on canvas painting of the Faculty of Pain Medicine Dean, Professor Michael Cousins set in a plain gold wooden frame.hand written on the reverse in black ink - 762 x 632 / VM24 OIL liNen •stamped on reverse in black ink: CENTRAL ARTISTS SUPPLIES / 45 Osmond Terrace / Norwood SA 5067 / Phone/Fax: 8364 2088 •hand written on reverse in black ink: GARY LEE-GASTON / O.A.M F.R.S.A.S.A. •hand written on reverse in balck ink: PROFESSOR COUSINS 2003 / A.M. MB BS MD (SYD.) FFPMANZCA. FANZCA. FRCA. •engraved onto brass plaque on front of frame: Professor Michael J. Cousins / Inaugural Dean / 1999 - 2002 •inscribed on lower right hand side of painting: artist's signatureprofessor michael cousins, faculty of pain medicine, gary lee gaston, royal south australian art society., commissioned portrait

This is a portrait of former ANZCA President, Associate Professor Richard Walsh. In 1996, he was elected Vice President and, in 1998 was elected President, serving a full two year term. This painting was formally presented to the College in 2006. Further information about Associate Professor Richard Walsh can be obtained on the Lives of the Fellows, http://anzca.online-exhibition.net/fellows/fellows-1992/richard-george-walsh/ The artist, Jiawei Shen is a Chinese Australian artist considered to be one of Australia's leading portrait artists. He is most famous for his 2006 winning entry of the prestigious Sir John Sulman Prize in which he painted a portrait of Pope Francis which was presented to His Holiness in 2014. Oil painting on canvas of Associate Professor Richard Walsh sitting to the side facing left on a blue chair, wearing the College gown and President's medal against a plain background. Mounted in a mottled brown coloured frame.Lower left hand corner [artist signature \ '05]painting, walsh, richard, anzca president, shen, jiawei

This is a portrait of Dr. Richard Willis, formally ANZCA President [2002-2004]. ANZCA commissioned the portrait which was unveiled to Dr. Willis on 23 February 2007. Oil painting on canvas of former ANZCA President Dr. Richard Willis seated face on with hands crossed on his lap. He is wearing surgical scrubs with the College gown on a plain hanger behind him and the President's medal hanging off the back of the chair. Plain light blue background mounted in a plain brown frame.[Lower Left Hand Side] V SERELIS SEPT 2006painting, president, willis, richard, serelis, vytas