Showing 539 items
matching singers
-
Flagstaff Hill Maritime Museum and Village
Photograph - Portrait, late 19th century
This photograph is of Tom Pearce, one of only 2 survivors from the shipwreck LOCH ARD. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Coleman Jacobs composed the music “The Young Hero Schottische” and dedicated it, by permission, to Mr. Thomas R. (Tom) Pearce. The sheet music was published in 1878 by the Messieurs Roberts, professors of dancing etc. Melbourne. It was on sale for 3/- (3 shillings) and in aid of the “LOCH ARD” fund. [This is Coleman Jacobs’ only surviving musical work Coleman Jacobs, accomplished pianist, musical performer, singer, composer, professor of music and music teacher, was born in 1827 and died on 4 July 1885, aged 58 years. Coleman Jacobs was buried in the Melbourne Cemetery (grave 461, Church of England section).] The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Mr Tom Pearce dressed in a uniform with a medal pinned on it. Standing with his arm resting on a masonry pillar. Reverse has piece of tape centre top and bottom. Also has printed maker’s information. Printed by the Photographic Society of Victoria, Melbourne.Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, loch ard shipwreck, tom pearce, thomas r pearce, eva carmichael, mutton bird island, loch ard survivor, loch ard hero, coleman jacobs, the young hero schottische, photograph of tom pearce -
Flagstaff Hill Maritime Museum and Village
Photograph - Portrait, late 19th century
This photograph is of Tom Pearce, one of only 2 survivors from the shipwreck LOCH ARD. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Coleman Jacobs composed the music “The Young Hero Schottische” and dedicated it, by permission, to Mr. Thomas R. (Tom) Pearce. The sheet music was published in 1878 by the Messieurs Roberts, professors of dancing etc. Melbourne. It was on sale for 3/- (3 shillings) and in aid of the “LOCH ARD” fund. [This is Coleman Jacobs’ only surviving musical work Coleman Jacobs, accomplished pianist, musical performer, singer, composer, professor of music and music teacher, was born in 1827 and died on 4 July 1885, aged 58 years. Coleman Jacobs was buried in the Melbourne Cemetery (grave 461, Church of England section).] The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Mr Tom Pearce dressed in a uniform with a medal pinned on it. Standing with his arm resting on a masonry pillar.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, loch ard shipwreck, tom pearce, thomas r pearce, eva carmichael, mutton bird island, loch ard survivor, loch ard hero, coleman jacobs, the young hero schottische, photograph of tom pearce -
Stawell Historical Society Inc
Archive - Book, Motor Spirit Ration Book 1938-1951, 1938
A Recent donation received by the Historical Society was an emergency Petrol sales book that was rescued from the demolition of the old RJ McClure Garage in Main Street. The Garage was located next door to the Town Hall and the book was rescued by a member of council Staff at the time of demolition. The book records; "the Sales of petrol, benzine or other motor spirits or of motor oil or motor accessories to travellers outside the hours prescribed by the factories and shop acts." The First Entry in the book is 14.12.1938, and the final one being 03.03.1951. A Motorist requiring to purchase fuel or motor accessories ha to record their name, address, vehicle registration number, make of vehicle, owner of vehicle, driver of vehicle, number of gallons purchased, the reason for the purcqahse and destination, Some of the reasons stated for the purchase of fuel outside hours were, Funeral arrangements, urgent Sickness, insufficent tank capacity, floodwaters, mechanical breakdown, return of soldier to camp and Urgent Military call. It is interesting to note the registration numbers. early on in the late 1930's, the rego. Numbers were all Numbers like 177301, 43973, 10790, 154900 and 49817. By the early 1040's Letters were being now being used. GC 733, HK 273, BW 450, FJ 668, and LC 612. Some of the vehicle names were recorded were: Willys, Essex, Buik, Morris, Singer, Hudoson, Whippet, Packard, Studbaker, Oldsmobile, La Fayette and Riley.Found at R.J. McClure Garage Main Street Stawell, by John Kindred and Given to SocietyFactories and Shops Act Emergency Bookautomotive, rationing, transport, vehicles, ww2 -
Federation University Art Collection
Work on paper - Artwork - printmaking, Lytlewode Press, A suite of limited edition prints by Paddy Fordham Wainburranga, 2003
Paddy Fordham Wainburranga (1932-2006) Area: Arnhem Land Country: Bamdibu (Bumdubu) near Bulman Station As a child, Paddy grew up in Maningrida an Aboriginal community on the top end of the Northern Territory. He started working as a boy around cattle yards, which finally led him to working as a stockman for 20 years. Before this, he spent much of his time hunting and learning culture and customs from his father and uncles. He could remember being taken to a sacred location where he was told many Dreamtime stories of how customs came to be and why Aboriginal people practice them. Paddy was part of the movement for equal rights for all Aborigines, actively involved in claiming Bumdibu as his traditional land for his clan. He resided over this land as Jungai (caretaker, policeman). Paddy was taught to paint by his father but did not begin to paint seriously until the early 1970s. He was also recognized as a story teller, bark painter, sculpture, dancer, singer and musician. He was familiar with Central Arnhem Land rock and bark painting traditions; however he developed an idiosyncratic style which fused the figurative schema of western Arnhem Land with the narrative capacities of the north-east producing dense pictorial paintings divided into sequential segments. A suite of seven limited edition prints using the sugar lift aquatint technique. .1) Yalk Yalk Woman Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .2) Walga Walga Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .3) Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .3) Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .4) Mun Gruk Gruk Woman Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .5 Mun Gruk Gruk Man Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .6) Mun Gruk Gruk Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .7) Lightning Man Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, paddy fordham wainburranga, paddy fordham, wainburranga, printmaking, aboriginal, indigenous, churchill, dreaming -
Bendigo Historical Society Inc.
Document - TOWN HALL, THE BENDIGO CHORAL SOCIETY, 25 August, 1931
Town Hall, The Bendigo Choral Society, TUESDAY, August 25, 1931. Programme. Conductor: Mr W C Frazier, ARCO. Pianist: Roy Shepherd. Assisting Artists: Mrs Darvall. Mrs P Simonsen, miss May McGaughie, Mr E H Collett, Mr R Hardy. Patron Mayor of Bendigo. President: Mr P A McNair, Pianist: Miss Eileen Hains ATCL. Treasurer: Mr R J Parker. Hon. Secretary: Robt. Batchelder, 20 View Street, Bendigo. Programme: Price 3d. Part 1. In these Delightful Pleasant Groves. I'll Sing Thee Songs of Araby. An Analogy. Twilight Night. Nachstucke. Sonata G Minor. The Erl King's Daughter. Part 2. Like Apple Blossoms, White and Red. Come Shepherds, Follow Me. Polonaise in A Flat. The Ships of Arcady. The Singers. Rhapsodie. A Song of the Sea. Program includes ads for: Allans The Music People, Pall Mall, Bendgio, Branch member Oscar Flight. W Gordon Hampton, Bookseller and News Agent, Bendigo.Cambridge Press, Bendigoprogram, music, the bendigo choral society, town hall, the bendigo choral society, tuesday, august 25, 1931. programme. conductor: mr w c frazier, arco. pianist: roy shepherd. assisting artists: mrs darvall. mrs p simonsen, miss may mcgaughie, mr e h collett, mr r hardy. patron mayor of bendigo. president: mr p a mcnair, pianist: miss eileen hains atcl. treasurer: mr r j parker. hon. secretary: robt. batchelder, 20 view street, bendigo. programme: price 3d. part 1. in these delightful pleasant groves. i'll sing thee songs of araby. an analogy. twilight night. nachstucke. sonata g minor. the erl king's daughter. part 2. like apple blossoms, white and red. come shepherds, follow me. polonaise in a flat. the ships of arcady. the singers. rhapsodie. a song of the sea. program includes ads for: allans the music people, pall mall, bendgio, branch member oscar flight. w gordon hampton, bookseller and news agent, bendigo. -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: DOCUMENTS RELATING TO VARIOUS ARTS ORGANIZATIONS (BENDIGO BASED)
Documents relating to various arts organizations (Bendigo based) - a. Sheet for program of a concert (no date) with performances by Main Street Singers, Bendigo Youth Choir and Bendigo Senior Secondary College Stage Band; b. (internal) listing of Arts Associated Groups in Bendigo as at Jan 1985 - 21 organizations with names/addresses; c. Phyllis Palmer Gallery exhibition calendar 2002; d. ''Arts on Fire", Vol 2, No. 5, July 1988 pub. By Old Fire Station Arts Co-Op Ltd; e. Syllabus of the Bendigo Photographic Society, 1977 (Half-Year); f. invitation to opening of exhibition of sculpture, Artizen Gallery, Bendigo Nov 2001; g. Letter for the Bendigo Shakespeare Reading and Literary Society re approach to Arts Council re awarding of a book prize, Sept 1981; h. Letter from Education Officer, Bendigo Art Gallery to All Art Teachers in relation to exhibition of ''Tribal & Traditional Textiles'', dated Feb 1979; i. Bendigo Film Group programme and News, Feb. 1979. -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: GOLDEN SQUARE PRIMARY SCHOOL GRADE 4/5 1996
Laminated colour photograph of the Golden Square Primary School No. 1189 Grade 4/5 1996 classes. The photo is taken at a playground. Some of the children are in front of the timber structure and some are standing on it. The children are wearing a mixture of uniforms and everyday clothes. Under the photo is printed:- Golden Square Primary School No. 1189 Grade 4/5 1996. Their names are:- Back Row, L to R: Penny Gloster, Rebecca Hosking, Raphaella Walker, Kenneth Swinnerton, Bradley O'Connor, Leigh Barker, Bowen Diss, Elizabeth Lobley, Michelle Noulton, Kara Braddy, Julia Holt, Emma Singe, Jessica Middleton. Middle Row, L to R: Haydn Donaldson, Bethany Thomson, Emma Tremain, Nathan Scott, Mark Peters, Mr. Tony Gundry (Teacher), Ben Allen, Cameron Grant, Naomi Doolan, Alex Lockwood. Front Row, L to R: Clinton Lawson, Megan Bourke, Hayley Smith, Joanne Preece, Rebecca Kalms, Jarrad Hunt. On the right beside the names is an oval picture of the school.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school no. 1189 grade 4/5 1996, penny gloster, rebecca hosking, raphaella walker, kenneth swinnerton, bradley o'connor, leigh barker, bowen diss, elizabeth lobley, michelle noulton, kara braddy, julia holt, emma singe, jessica middleton, haydn donaldson, bethany thomson, emma tremain, nathan scott, mark peters, mr tony gundry (teacher), ben allen, cameron grant, naomi doolan, alex lockwood, clinton lawson, megan bourke, hayley smith, joanne preece, rebecca kalms, jarrad hunt -
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''RIO RITA''
Bendigo Operatic Society ''Rio Rita'' Capital theatre Bendigo Commencing 8th July 1964 for four Nights. Producer: Reginald Newson - Musical Director: Max O'Loghlen - Society Pianist: Mrs. Gwen Grose - Asst. Producer & Ballet Mistress: Miss M Welch. Cast in nOrder of Appearance: Peter Ivarsen as Corporal McGinn of the Texas Rangers - Reg. Boromeo as Ranger Wilkins - Jack Werry as Posadero (Landlord of the Mesa Francesca) - Pat Lyon as Carmen (Cabaret Girl) - Wendy Bertam as Lolita (Cabaret Girl) - Fred Trewarne as Ed Lovett (An American Lawyer) - Victor White as Davalos (A local Bad Man) - Graham Filcock as Roberto Ferguson (Brother of Rio Rita) - Peter Houston as General Romero Esteban (Governor of the District) - Pat. McCracken as Rio Rita (A Cabaret Singer) - Annette Beckwith as Dolly(An American Cabaret Girl) - Ferd Lorenz as Chick Bean (An American) - Brian Thomas as Jim Stewart (Captain of the Texas Rangers) - George Steele as Captain Gonzales (Aide to General Esteban) - Joan Crane as Katie Bean (Chick's First Wife).program, theatre, bendigo operatic society -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: SNIPPETS OF BENDIGO
Bendigo Weekly from Friday, June 28, 2002 - Snippets of Bendigo history, the Pall Mall story, part two - by Edith Lunn. Close to the jeweller's shop, we came to Chancery Lane. Many early legal firms had their offices there. Among them were: Quick&Rymer, Luke Murphy&Don and Macoboy&Taylor. A branch of the Bendigo united Friendly Society's Dispensary opened on the corner. Other small business in the walk included a florist, men's hairdresser and a boot and shoes repairer. Moving on there was Betteridge's Agency for the Singer sewing machine company, Wilkinson's photographic studio, Sutton's music shop and Favaloro's cake shop and café the ''Savoy'' was opened in the 1920's. Whitelock and Carter had their men outfitters business in the building, Cocking's was a very popular drapery store. After Cocking's closed down, Stoneman's supermarket opened in the premises. Alongside there was a passageway that led upstairs to the office of Phillip Secher and Son, Accountants and the Bendigo jockey club. Mrs Allan's baby wear business and Lenten's the tobacconist came after and last but not least the Shamrock Hotel enhances Pall Mall. The clip is in a folder.newspaper, bendigo, bendigo weekly -
Bendigo Historical Society Inc.
Document - SOCIETA CORELLI, CITY HALL, BENDIGO, c1960
a/ Societa Corelli, City Hall, Bendigo. The Music Advancement Society of Bendigo presents the Third Concert 1960 series by arrangement with Musica Viva Society presenting Societa Corelli. Personnel: Violinists: Aldo Redditi, Luigi Gamberini, Scala Anna Maronna, Lando Cianchi, Will Eisma, Anita Rizzo, Gilberto Crepaldi. Viola: Wilhemina Eester, Giocondo Girotto. Cello: Silcano Zuccarini, Italo Gomez. Double bass: Giovanni Zanardi. Harpsichord/Piano: Mirella Zuccarini. Thursday, 25th August, 1960 at 9.15pm. Hon. Sec. Mary Stanistreet. Members may move forward to unoccupied seats after interval. Programme. Advetisments: Allan's, Allan's Walk, Bendigo. Edgars', 293 Hargreaves St., Bendigo. Telephone3-4738. Coming Concerts, Saturday, 17th September, Celeste Trio and Miss Ann Levin. Saturday, 22nd October, Oriana Choir and Dorian Singers with Soloists and Orchestra. C1960. b/ Leaflet inside - 120 minutes of Drama and Suspense at Bendigo Repertory Society's production ''The Desperate Hours'' at Girton College Hall. Wednesday Thurs. Friday Sat. Aug. 31st Sept. 1st 2nd 3rd. Bookings at Allans.c1960.Boltons Print., Bendigoprogram, music, music advancement society bendigo, a/ societa corelli, city hall, bendigo. the music advancement society of bendigo presents the third concert 1960 series musica viva society societa corelli. personnel: violinists: aldo redditi, luigi gamberini, scala anna maronna, lando cianchi, will eisma, anita rizzo, gilberto crepaldi. viola: wilhemina eester, giocondo girotto. cello: silcano zuccarini, italo gomez. double bass: giovanni zanardi. harpsichord/piano: mirella zuccarini. 25th august, 1960 at 9.15pm. hon. sec. mary stanistreet. programme. advetisments: allan's, allan's walk, bendigo. edgars', 17th september, celeste trio and miss ann levin. 22nd october, oriana choir and dorian singers with soloists and orchestra. c1960. b/ leaflet inside - 120 minutes of drama and suspense at bendigo repertory society's production ''the desperate hours'' at girton college hall. aug. 31st sept. 1st 2nd 3rd. bookings at allans.c1960. -
Port Melbourne Historical & Preservation Society
Photograph - Various photos related to John James Gilcrist, John Gilcrist, 1940s - 1950s
From John Gilcrist via Janet Bolitho13 photos from John Gilcrist showing his father, John James Gilcrist, at Station Pier and Princes Pier, a view from the Shrine of Remembrance, Centenary Bridge, and his father and mother, Eileen Mary Gilcrist at their home at 16 McCormack Street Port Melbourne .01 - Princes Pier, Taroona, Port Hobart .02 - View from Shrine overlooking Albert Park Lake .03 - Between piers .04 - Princes Pier at night .05 - From Station Pier West finger pier .06 - House at 16 McCormack Street. (No. 12 McCormack Street also shown) .07 - Centenary Bridge1949-50 .08 - Outside 16 McCormack Street, showing Singer car. (Nos. 22, 24 & 26 McCormack Street also shown) .09 - John and Eileen Gilcrist in backyard .10 - South side of house at 16 McCormack Street .11 - South side of house at 16 McCormack Street .12 - Photo of Edwards Park .13 - East side of house at 16 McCormack Street Refer also to hand drawn plan of house and outbuildings at catalogue no. 2763piers and wharves - station pier, piers and wharves - princes pier, built environment, transport - roads, john gilcrist, john james gilcrist, mary eileen gilcrist, mccormack street -
Bendigo Historical Society Inc.
Document - GOLDEN AND CORINTHIAN LODGE, 1919
Golden and Corinthian Lodge No.7 Social Evening. Masonic Hall, Bendigo. June 4th 1919. Wor. Bro. Geo. Pethard, WM. Wor. Bro. G S Bisset, PSGD, Secretary. Reception by The Worshipful Master, Wor. Bro. Geo. Pethard and Mrs Pethard. Programme: The Martyrs of the Arena, My Love for Thee, Route Marchin', Ah fors-e-lui, Rose of Picardy, I Trust You Still, Tired Hands, O Star of Eve, In the Spring Time, Simple Simon, Come Where My Love Lies Dreaming, The Two Grenadiers, The King's Heroes, The Sailor's Grave, The Mulligan Musketeers. Singers: Golden Corinthian Choir, Bro. A E Ash, Bro. Thos. Prichard, Miss Irene Tinkler, Bro. J Carter, Bro. R H Payne, Miss Lyra Bain, Bro. W Brown, Bro. A Hamilton, A Armstrong. Musical Director: Wor. Bro. W Tinkler, P.J.G.D. Pianist: Bro. J H Whitford. Director of Ceremonies: R Wor. Bro. G S Rule, P.J.G.W. Programme is embossed across the top with pattern which includes what may be the symbol of the Lodge.Cambridge Press, Print, Bendigo.program, music, golden and corinthian lodge -
Bendigo Historical Society Inc.
Document - R.S.L. BENDIGO COLLECTION: ANNUAL VICTORY BALL 1953
Two copies of the Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on July 28th, 1953. Guests of Honour were Air Vice-Marshall F M Bladin, C.B., C.B.E., and Mrs Bladin. Card is cream with gold print on the front and a gold RLS badge. Other printing is blue. The inside of the tri-fold card has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Marion Wiegard, Florence Henderson, Nancy Pickering, Lois Wilkie, Betty Conroy, Marjorie Purchase, Edith Smith, Dorothy Purchase, Heather McGhee, Marjorie Pilcher, Kathleen Neyland and Daphne Garside. Trained by Mr & Mrs J Singe. Matron of Honor: Mrs W Waters. Partners: Gerald Matheson, Neil Buckland, John Kelly, Don Wilkie, Peter Flood, Frank McDonald, Bill Bassett, Bill Wales, Gordon McKenzie, Robert Garside, Ken McKay, Brian Owins and Royce Read. President Bendigo Branch R.S.L. Mr V Palmer. Chairman Ball Committee: Mr J W Swatton. Printed by Cambridge Press, Bendigo.Cambridge Press Bendigor.s.l. bendigo collection - annual victory ball 1953, marion wiegard, florence henderson, nancy pickering, lois wilkie, betty conroy, marjorie purchase, edith smith, dorothy purchase, heather mcghee, marjorie pilcher, kathleen neyland, daphne garside, mr & mrs j singe, mrs w waters, gerald matheson, neil buckland, john kelly, don wilkie, peter flood, frank mcdonald, bill bassett, bill wales, gordon mckenzie, robert garside, ken mckay, brian owins, royce read, mr v palmer, mr j w swatton, cambridge press -
Federation University Historical Collection
Photograph - Photograph - sepia, Wright Family of Smeaton, Victoria
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Alex was an accomplished opera and musical comedy singer. Maurice won the Tenor Championship in New Zealand. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia photograph of a group of four men, three of which are seated. They are all dressed in 3-piece suits. The men are Frank Wright, William Wright (the father), Alex Wright (behind) and another brother (possibly Maurice).frank wright, william wright, alex wright, cornet, ballarat, conductor, "wendouree", smeaton -
Wodonga & District Historical Society Inc
Photograph - Wodonga Plant Farm
Stan and Mary Parker commenced the Plant Farm in Smythe Street Wodonga in February 1949. The nursery consisted of two blocks, on one of which their house was built. They started off with approximately £70 and a 1939 Singer mini-Ute. In the early days most customers came from the farming community. In late 1951 the Parkers purchased to a new site on the corner of High and Osburne Streets. Business went well and in 1957 they purchased the adjoining block. They later demolished the old house on the corner of High Street and Osburne Street, building a new home lower on the same block. As the nursery prospered Stan and Mary built a shop and showrooms with glassed-in portion for the indoor plants and a large shaded area for the display of shrubs. In 1978 they sold the nursery to Mr. & Mrs. John Gale. In 1981 the Wodonga Plant farm was purchased Geoff and Kay Pollard and they moved to its current location at the corner of Beechworth Road and Huon Creek Road. Initially they brought it as an investment but it soon got into their blood and chose to not only continue but expand the nursery and its offerings. This included a large showroom, a water shop which specialises in pool equipment, chemicals and water testing, a children's playground and an outdoor blind centre. Further expansions led to the addition of a Tuscan-style cafe on the site which has become a meeting place. The business was nominated the Yates Victorian Best Garden Centre in Australia for many years and won the award in 1997. In 2024, the Wodonga Plant Farm is still a vibrant and popular business being operated by the Pollard Family.These items are significant because they document the story of respected Wodonga Business which has served the community for over 60 years.A selection of photographs and article documenting the story of the Wodonga Plant Farmearly wodonga businesses, wodonga plant farm, pollard family, geoff and kay pollard -
Bendigo Historical Society Inc.
Document - BMTA COLLECTION: PROGRAMS AND FLYERS, 1984 - 2002
Bendigo Music Teachers Association Concert Programs and Flyers 1984 - 2002 onwards A4 white papers in plastic sleeve Bendigo Symphony Orchestra Concer 1 - 2 December 1984 Bendigo Symphony Orchestra Bendigo Town Hall 20th April 1986 Bendigo Symphony Orchestra Inglewood, Bendigo Town Hall and Maryborough, 9th, 10th and 24th August 1986 Bendigo Symphony Orchestra, Faure's Requiem 22nd November 1987 Bendigo Easter Festival 1988, 9th April 1988 Winter Concert 30th July, 1989 Bendigo Symphony Orchestra Palm Sunday Concert, 19th March 1989 Bendigo Symphony Orchestra Family Concert, 4th November 1990 Bendigo Symphony Orchestra Mozart's Requiem, 7th September 1991 Bendigo Symphony Orchestra, Bendigo Easter Fair Palm Sunday Concert 12th April, 1992 Bendigo Symphony Orchestra, 4th April, 1993 Bendigo Symphony Orchestra, 14th November 1993 Bendigo Symphony Orchestra, An evening of Fine Music, 2nd September 1995 Benola Singers and Bendigo Symphony Orchestra, Handel's Messiah, 31st March 1996 Bendigo Symphony Orchestra, 1996 winter Concerto Concert, 20th July, 1996 Combined Choir Concert, Bendigo Festival, 25th October 1997 Benola Singers and Bendigo Symphony Orchestra, Handel's Messiah, 5th April, 1998 Oratorio, The Creation, Palm Sunday, 16th April 2000 Bendigo Symphony Orchestra, Beethoven at Sacred Heart, 10th November 2002 Piano Duo, Kharitonova and Mashlak, Bendigo Symphony Orchestra, Young Soloist in Concert, 24th July Bendigo Symphony Orchestra, Summer Concert, 8th, 14th, 15th December, Bendigo Symphony Orchestra Programme, Conductor: David Lord Bendigo Symphony Orchestra with Bendigo Youth Orchestra, 14th August Bendigo Easter Fair, Easter Festival Concert, 28th March Masterpieces of Opera and Instrument, 25th October Moscow! Moscow! 18th July, Bendigo Symphony Orchestra and Bendigo Youth Choir Spring Concert, 10th September Bendigo Symphony Orchestra Concert, 30th July, Sacred Heart Cathedral, Toccata and Fugue, 26th October, Bendigo Symphony Ochestra, Winter Concert, 26th July, Mozart's, The Magic Flute, 4th July, -
Federation University Historical Collection
Photograph, Alexander Wright (Navarre)
Alexander Wright was born on 25 August, 1898 in Smeaton He was the brother of musician Frank Wright. Alex Wright was killed whilst performing at the Birmingham Empire as the result of a German air Attack in October 1940. The theatre had a direct hit. According to Frank Wright Alex was a great impersonator with a unique range Bass - tenor with many accents (not unlike Peter Dawson) "AUSTRALIAN CARUSO Smeaton Boy's Fame Andre Navarre, who left Australia about three years ago to study opera in Europe, bids fair to take a place among the world's great tenors. A few months ago Navarre sang for Melba for the first time, and she immediately acclaimed him to be a finished artist, describing his voice as the nearest approach to the immortal Caruso she had ever heard, writes the Ballarat "Courier." Andre Navarre is, however, only a stage name adopted by Alexander Wright, a son of Mr. and Mrs. William. Wright, of Armstrong street North, Ballarat, and brother of Mr. Frank Wright and Mrs. William Ritchie, of that city. Born at smeaton 31 years ago, in what may be termed a musical atmosphere; Alex. Wright showed a definite desire to sing at a very early age, and in his boyhood figured as soloist at school concerts, etc. His youth was spent around Smeaton, working at home and at various farms in the district until he was about 19 years of age, when he secured a position at the Dunlop rubber works, Melbourne. Up to this period Wright had no vocal training whatever, but being the possessor of a good resonant baritone voice, was persuaded by some of his friends to "have a go at the stage.'' Securing a position in the chorus of "Maid of the Mountains," which was at that time showing at the Theatre Royal, he soon made his voice heard to advantage, and also commenced to take lessons from Signor Robottaro. It was about this time that Wright was invited by a fellow musician to a musical evening at which a member of Rigo's grand opera company, then performing at " The Playhouse," was also present. Hearing Wright sing, the musician immediately said : ' You're a fool to waste your time in a chorus with that voice. Rigo is looking for a singer like you for the role of 'Figaro' in 'Barber of Seville'." Alex, however, did not take the remark seriously, and it was only after the numerous persuasions of friends who obviously knew the real value of his voice that the modest young man was eventually induced to meet Rigo. The Italian maestro was so delighted with the voice that without hesitation he was given the principle role of "The Barber" to study. Many singers having previously been tried and rejected for the part, Wright was astonished at his success in being chosen, and awakened suddenly to the fact by the maestro that a world voice, if properly trained, would surely develop in the young artist, Alex at once settled down to study, and all day long in his boarding house at St. Kilda could be heard rehearsing his new role. In less than a month he had completely mastered the part, and on the opening night, in the exacting role of "The Barber," he was an outstanding success. Later, he toured Australia with many leading artists, including Elsa Stralia and Harry Lauder, and spent his last two years in Sydney, where he was engaged as soloist in the biggest picture house. Realising that a training in Italy and on the Continent was essential for a successful operatic singer, the young artist decided to go overseas to continue his studies. He did not leave Australia, however, before he gratuitously gave a concert in his little home town to the obvious delight of all his old friends, who flocked from all parts of the district to hear him. The hall was packed to overflowing , and so pleased was Alex with the tumultuous reception he received that he sang fewer than 20 songs. Once in Italy, he lost no time in placing himself under the tuition of Cottone, and it was at the studio of this maestro that he met Toti dal Monte, a former protege of the same master. Two years were spent in Italy, when "Navarre" learned to speak the Italian language fluently, and acquired a wide knowledge of the operas. He sang in Milan about a year ago, and was paid some glowing tributes by the Italian Press critics, who likened his voice to that of Caruso. From Italy he went to Paris, where he met John Brownlee and many other famous singers. The critics on the Continent are unanimous that Andre Navarre-the unassuming Smeaton boy, whom his schoolmates still affectionately call "Hock"--is destined to become one of the luminaries in music history. It is interesting to recall some facts concerning the remarkable family from which this artist springs. Four other members have won championship honors in the musical world. Mr. Frank Wright has the Australasian cornet championship to his credit ; Mr. Norman Wright, of Sydney, has won a tenor championship of New Zealand, and has recorded for the Columbia Gramophone Company ; Mrs. Wm. Ritchie ( formerly Miss Laura Wright) won the A.N.A. contralto championship in Melbourne; whilst the oldest member, Lydia (Mrs. C. Cane, now in N.Z.) won the violin championship at South Street when 17 years of age. Last year Mrs. and Mr. Wright celebrated their golden wedding. Both of the old folk are intensely musical, and it has been said that the voice of the mother, although entirely untrained, showed in her earlier days glimpses of the beautiful quality which made Melba famous. Andre Navarre does not propose leaving the Continent for some time. Recently he was offered a 12 months' contract to sing in London for £2500 but on the advice of Melba and his coach, it was refused on the grounds that yet another 12 months' French study was necessary to ensure absolute perfection. That "Alex " has lost none of his school-boy wit is evinced by his own jocular remark that he has "a top C sharp that will crack every window in the Sydney Town Hall!" (Horsham Times, 20 February 1931) "AUSTRALIAN KILLED An Australian, Alexander Wright, radio variety star, who toured Europe and Australia under the pseudonym of Navarre, was killed during a recent air raid in a Midland . town. His broth-er, Frank Wright, is musical director for the London County council."(Border Morning Mail, 22 Oct 1940) Black and white image of Smeaton born Alexander Wright whose professional name was Navarre "Prince of Mimics". alexander wright, alec wright, navarre -
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''LILAC TIME''
Bendigo Operatic Society ''Lilac Time'' At the Capital Theatre, View Street Bendigo. For a Five Night Season Commencing Friday, 20th November,1970.. Producer: Cyril Holden - Assistant Producer, Ballet & Wardrobe Mistress: Madge Welch - Society Pianist: Ruth Gorman - Musical Director: Gwen Grose - Cast in Order of Attearance: Ann Ball as Mrs.Grimm (A Caretaker) - Dorothy Field as Mrs. Weber (A Lodger) - Cheryl Marshall as Rosi (Marini's Maid) - Graeme Daws as Novotny (A Detective) - John Tonkin as Ferdinand Binder (A Postmaster) - Harry Brewer as Andreas Baur (A Saddler) - Shane Brennan as Schani (A Page) - Ruth Iredale as Tilli (Mr.Veit's Daughter) - Peggy Green as Willi (Mr. Veit'Daughter) - Patricia McCraken as Lili (Mr.Veit's Daughter) - Brian Thomas Johannes Vogi (An opera Singer) - Douglas Sayle as Moritz Von Schwind (A Painter) - John McCormack as Kappel (A Draughsman) - John boquest as Baron Franz Von Schober - Neil Roxburgh as Franz Schubert - Fred Trewarne as Christian Veit - Ferd lorenz as Count Scharntoff (Danish Ambassador) - Michael Filippini as Stingl (A Confectioner) - Patricia Lyon as Mrs. Veit - Christine Cavanaugh as Sally (Servant to Veit) - Bartina Daws as Demoiselle Fiametta Marini (Prima Ballerina at the Opera).program, theatre, bendigo operatic society -
Glen Eira Historical Society
Ephemera - CAULFIELD YOUTH COUNCIL
... Singers ...This file contains two items: 1/A poster for the Caulfield Youth Council’s Caulfield Youth Cabaret at the Caulfield Town Hall 2/A program for Caulfield Youth Council’s presentation of the Caulfield Youth Cabaret on 27/11/1988 at the Caulfield Council Auditorium. It lists the acts for the evening.caulfield youth cabaret, caulfield council auditorium, caulfield secondary college, sefra bursten school of dance, hosking david, teenagers, elitzer, youth, fusion, caulfield festival, caulfield arts centre, caulfield town hall, hawthorn road, glen eira road, gelberg vicki, caulfield, caulfield youth council, theatre restaurants, young adults, cultural structures and establishments, festivals and celebrations, dance studios, schools, entertainers, theatrical productions, drama, colleges, singers, secondary schools, poetry -
Sunshine and District Historical Society Incorporated
Photograph (1926), J. W. Symons, QUEEN CARNIVAL, 1926
The Queen Carnival was conducted by the Melbourne and Metropolitan Council under the patronage of the Loyal Orange Institution. Minnie Pouliot became the Queen of Victory in Sunshine, and later (2 October 1926) she was crowned Queen of Queens in the district coronation ceremony at Footscray, competing with Footscray, Yarraville, and Williamstown districts. Miss Pouliot was again crowned Queen of Queens at the final coronation (6 October 1926) which was held at the Temperance Hall in Melbourne. The other women in the photograph are: Misses E. Thompson and J. Milne (Maids of Honour), Misses Marie Pritchard and Joyce Dedrick (train-bearers), and the flower girl is Jean Percy. Minnie Pouliot was born in 1900 and lived at 169 Morris St, Sunshine from 1910 until her passing in 1983. She married John Caithness on 16 April 1939, and had one son Max Caithness. Minnie Pouliot was an active member of the Sunshine Choral Society, and she also served on the Sunshine Hospital Auxiliary. Miss Pouliot was employed as Secretary at H. V. McKay until 1939, and she was also generally involved in community activities. Details sourced from the Trove web site indicate that she was involved in the Sunshine Tennis Club (1925), the Sunshine Flower Show (1925), as the Treasurer of the Playground Committee (1927), and as Secretary and exercise participant of the Sunshine Presbyterian Girls' Club (1937). Minnie Pouliot was the singer at a wedding (1938), and in 1925 Pouliot and Caithness are recorded as being members of the Loyal Sunshine Lodge. The above details have been compiled from information on the Trove web site including the Sunshine Advocate of 9 October 1926, and also from information supplied by Mr Max Caithness.This item is of historical significance because it indicates that an event such as the Queen Carnival used to be held 90 years ago, and It also reminds us that in the past membership of a Lodge was a normal part of the life of many citizens.Photographic image held within a glass faced brown wooden frame.No. 230 SUNSHINE LODGES No. 90 / PRESENTED TO SISTER M. POULIOT By the Sunshine Queen Carnival Committee 30-9-26 J. W. Symons Hopkins St Footscraym.pouliot, minnie pouliot, queen carnival, sunshine queen carnival, queen of queens, 30 september 1926, caithness, sunshine lodges 230 and 90, e. thompson, j. milne, marie pritchard, joyce dedrick, jean percy, 169 morris st sunshine, loyal orange institution, j. w. symons -
Vision Australia
Photograph (item) - Image, Ballarat plaques
Kelaston (Ballarat Day Centre) was furnished with donations from Ballarat and surrounding districts. To acknowledge this generosity, plaques were created and placed in various locations around the centre. The inscriptions read as follows: This room was refurbished through the assistance of the Ballarat Police and Patrons Golf Club -1989- Generous gifts donated in memory of Cecil H. Jeffrey and George R. Rose furnished this area This room was furnished by Buningyong Auxiliary -1957- These facilities were made possible through the support of Mr Z. Nelsons This room was furnished by Lismore Auxiliary 1957 This room was sponsored by Wendouree Younger Set for the Aged Blind This room was furnished by Snake Valley/Carngham Auxiliary This room was furnished by Mrs Philip Russell Carngham 1959 This room was furnished by Hamilton Auxiliary 1957 Presented by Lorraine Bennett -1951- This room was furnished by the Bungaree Auxiliary Sponsored by Brown Hill Auxiliary 1963 This room was furnished by the Ballarat Bowling Club This lounge room was furnished by the late Miss J.A. Wright through her bequest to the Ballarat Ladies Auxiliary This room was furnished by Snake Valley/Carngham Auxiliary 1959 This room was furnished by Penhurst Auxiliary 1957 This room was furnished by Wendouree Auxiliary 1958 The generous gift of Wendouree Mills furnished this room This room was furnished by Wendouree Auxiliary This room was furnished by Lismore Auxiliary 1957 This room was furnished by Mortlake Auxiliary 1957 This room was furnished by Lake Bolac Auxiliary 1958 This room was furnished by Camperdown Auxiliary 1957 This room was furnished by Staff of Allied Bruce Small 1958 This room was furnished by Buninyong Auxiliary 1957 This room was furnished by the ladies of the Ballarat Philharmonic Singers This room was furnished by Waubra AuxiliaryVariouskelaston, auxiliaries, fundraising, plaques -
Glen Eira Historical Society
Document - Organs
... Singers ...This file contains two items relating to musical programs or pamphlets featuring church organs: 1/A photocopied program from the ‘Dedication of Rebuilt Organ’ service at St. John’s Presbyterian Church, Elsternwick, 18/02/1962. The program describes the order of service for the ‘Sunday Afternoon Musicale’. 2/A photocopied pamphlet from St. Mary’s Church, Caulfield, advertising and detailing the fundraising effort for the prospective grand organ for the church.elsternwick, st. john’s presbyterian church elsternwick, religious ceremonies, farrell e. j., steele w. f. c., roberts w. leopold, gillespie david, laurie s. j. mr., brain h. g. mr., mcarthur mary, birrell elizabeth, birrell margaret, musical events and activities, concerts, organs, organists, music, musicians, singers, blake milton, eggington john, raymond glenda, kennedy john, st. mary's church caulfield, caulfield, employment, fundraising events, langley h.t. vicar, lotta g.a., george fincham & sons pty ltd, davis & laurie pty ltd -
Kew Historical Society Inc
Photograph, Greg Desmond, Publicity Photograph, Robin Vanser, Sydney, 1965
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Black and white publicity photograph of Robin Vanser (aka Robin Kelly nee Vandersluys) taken while performing in Sydney in 1965 by the photographer Greg Desmond, Ray Leighton Associates."1965, SYDNEY"robin vanser, perfoming arts - australia - 1960s, greg desmond (photographer), ray leighton associates - sydney - new south wales - australia (photographers) -
Kew Historical Society Inc
Photograph, Greg Desmond, Publicity Photograph, Robin Vanser, Sydney, 1965
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Black and white publicity photograph of Robin Vanser (aka Robin Kelly nee Vandersluys) taken while performing in Sydney in 1965 by the photographer Greg Desmond, Ray Leighton Associates.PHOTOGRAPHED BY GREG DESMOND RAY LEIGHTON ASSOCIATES 278294-272231robin vanser, perfoming arts - australia - 1960s, greg desmond (photographer), ray leighton associates - sydney - new south wales - australia (photographers) -
Kew Historical Society Inc
Photograph, Greg Desmond, Publicity Photograph, Robin Vanser, Sydney, 1965
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Colour publicity photograph of Robin Vanser (aka Robin Kelly nee Vandersluys) taken while performing in Sydney in 1965 by the photographer Greg Desmond, Ray Leighton Associates.robin vanser, perfoming arts - australia - 1960s, greg desmond (photographer), ray leighton associates - sydney - new south wales - australia (photographers) -
Kew Historical Society Inc
Photograph, Robin Vanser and Six-Piece Band, Hawthorn Town Hall, 1995
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Colour photograph of Robin Vanser (aka Robin Kelly nee Vandersluys) taken while performing at Hawthorn Town Hall in 1995."6 PCE. 1995. HTC HAW. T. HALL / 1995"robin vanser, performing arts - australia - 1990s, hawthorn town hall -
Kew Historical Society Inc
Photograph, Robin Vanser, Lee Gallagher Show Band, Essendon Airport, 1960s
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Colour photograph of Robin Vanser performing with the Lee Gallagher Show Band in "The Cockpit", Essendon Airport, September 1964"Lee Gallagher Show Band / Essendon Airport / "Cockpit" Sept '64"robin vanser, lee gallagher show band, "the cockpit" - essendon airport, performing arts - australia - 1960s -
Kew Historical Society Inc
Photograph, Peter Jones, Chequers, Sydney, 1966
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Black and white photograph of the pianist Peter Jones, husband of Robin Vanser (Kelly nee Vandersluys), at Chequers, Sydney in April 1966.robin vanser, chequers - sydney - 1960s, performing arts - australia - 1960s -
Kew Historical Society Inc
Photograph, Robin Vanser, Hampton Hotel, Xmas 1969, 1969
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Black and white photograph of Robin Vanser in performance at the Hampton Hotel, Xmas 1969robin vanser, performing arts - australia - 1960s, performances - hampton hotel - 1960s -
Kew Historical Society Inc
Photograph, Robin Vanser, with Fellow Artists, 1965
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Black and white photograph of Robin Vanser with fellow performers in Sydney, 1965. The other performers are identified as Johnny Rae, Alan Turnbull, Dinah Lee, and Ray Gallagher."Johnny Rae, Alan Turnbull, Dinah Lee, Ray Gallagher (Band leader)performing arts - australia - 1960s, robin vanser, johnny rae, alan turnbull, dinah lee, ray gallagher