Enlarged photo of a coloured postcard of Pall Mall, Bendigo. The photo shows a tree lined Pall Mall with some horse drawn vehicles and pedestrians. Myers have their name on the veranda and there is a sign with Abbott next to it. On the right side is the Post Office clock tower and behind is the poppet legs of a mine. The photo has a purple and gold border. In the bottom right corner beside a rolled corner is an emu and in the top left corner is a scroll and part of a head of wheat.bendigo, history, long gully history group, the long gully history group - pall mall bendigo, morley johnson's, myers, abbott

Bendigo Advertiser ''The way we were'' from 2000. Imposing: Henry Jackson's store, View Point, Bendigo, circa 1860s. Initially a canvas store, selling drapery, grocery and ironmongery and buying gold. The drapery business was disposed of in 1861 and the ground floor of the existing building erected. The remaining two storeys were added in 1872. The part of the store facing Charing Cross was added in a complementary style, with a veranda and balcony spanning the whole frontage. The clip is in a folder.newspaper, bendigo advertiser, the way we were

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 6 Haros Ave., Nunawading, Although the inscription reads '6 Heros Ave., Nunawading' This property is listed as having sold for $269,000 in 2000 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a veranda extending into a connected carport in front of the house. A driveway runs along the righthand side and curves into the carport. In the left side foreground is a lush garden bed. The artwork has been titled: 6 Heros Ave., Nunawading, However the actual address is 6 Haros Ave., Nunawading. It can reasonably be presumed that this is a typo.6 Heros Ave., Nunawading Margaret Picken © 2000 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

This is the home of Ernest Lance Young and Beryl Mair and the childhood home of their children Barbara, Ken and Laurie. Lance was born 24 March 1915 in Surrey Hills, the son of Ernest Augustus Young and Ruby Nichell Whitby. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Electoral rolls list him as a manufacturer. His address after marriage was 11 York Street, Mont Albert. He is buried in Box Hill Cemetery (M-*-0867) along with his father. He served in WW2 (Service Number - VX104733 enlisting at St Kilda) and after returning took over his father's business. The Mair family were resident in Barton Street for several generations. Beryl's father Dave Mair was a keen sportsman and founder of the Kangaroo Social Club of cricketers. This is part of a large collection relating to the Mair, Deakin and Young families. Black & white photo of the street view of 11 York Street, Mont Albert. Although the house is heavily screened by a mature garden with several large trees or shrubs, part of the front can be seen. It is Californian bungalow in style with typical features including a terracotta tiled roof, simple roof finials, simple chimneys, shingle detail to the gable and brick and rounded pillar supports to the veranda. The front fence is low and constructed from roughly dressed stone.In black texta colour and black biro on rear: "1962 / 11 YORK ST/ MONT ALBERT" ken young, barbara young, laurie young, laurie newton, beryl mair, ernest lance young, lance young, york street, mont albert

In July of 1880, Ann Jones' successful hotel in Glenrowan burnt to the ground during the Kelly siege. She had opened her business in the year prior having been unsuccessful in her attempt to run a tea-room business in Wangaratta. The first building on this particular site was the home Ann Jones had built for herself and her family. Two years later she converted the home and added the hotel to the rear of the structure. One year later it was burnt to the ground. This image depicts the streetscape of Glenrowan in 1883, three years after the siege. Importantly, it reveals the appearance of several buildings which can reveal information for how Glenrowan (as a small town) might have stood during the siege. These buildings are of typical Australian colonial "miner's cottage" style. On what would have been the site of Ann Jones' hotel, to the far left of the photograph, a police station stands. This police station was built before April 1883. This Carte-de-viste (CdV) taken by renowned Wangaratta based photographer William Edward Barnes previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Wangaratta based photographer William Edward Barnes and to the Glenrowan Siege and Ann Jones' Hotel which burnt down during the siege in June 1880. Taken in 1883, this photograph has the opportunity to provide information about the townscape of Glenrowan shortly after the siege. It also provides important insight into the architecture and layout of the town. To the far right of the image, the photograph depicts the police station which was built on the site of Ann Jones' Hotel which can provide important information for the Kelly story and how the town evolved following 1880. It is also interesting to emphasise that the police station was built on the site of Ned Kelly and the Kelly gang's last stand.This photograph is a sepia image mounted on yellow card which depicts the newly built police station (in 1882) which stands on the far right of the image on the site of the former Ann Jones Hotel. A fence appears through the lower front of the image and an open paddock is to the left. In the rear centre of the image, there is a mountain. In front of the mountain are many trees, most of them gum. The police station is a one storey structure with a veranda and there are three doorways visible in the image. The image depicts four windows on the front of the station.W.E.Barnes / photographer / Wangaratta / ...1882 / BMM8087kelly album, william barnes, wangaratta photographer, carte-de-viste, glenrowan, 1882, police station, ann jones inn, ann jones hotel, kelly siege, glenrowan siege, colonial australia

Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.A prepossessing, large home constructed in the Arts and Crafts style. Located on the banks of the Yarra at 2 Young Street, Kew overlooking the factories of Richmond, the design of the house takes account of the gradient with the addition of a level below the front entrance. The elegant roof includes a number of projecting gables and dormers. The gables are typically half-timbered and rendered. In addition to the asymmetrically placed portico, there are at least two open verandas, supported by timber pillars and with roofs that reflect the overall pitch of the roof of the housereal estate photographs, 2 young street - kew

‘Casallenroc’, 4-8 Lorne Parade Built in 1904 and occupied from that date by Mr Frank & Mrs Blanche Cornell. Photo is of Mr Cornell with 2 of his children on the veranda. He was a keen gardener, usually doing 2 hours’ work before going to work. He was a director of Buckley & Nunn, having worked up from a position as shipping clerk. He died in 1917 at the age of 47 years from a stroke. Mrs Cornell had a large orchard. Children were Frank (who accidentally drowned at Frankston beach), Lorna, Patience (Mrs Brewer) and Ruth (wife of dentist, Dr David Ellis). A lemon scented gum in the garden was planted by the Cornells having had its trunk bent by the baby. It grew with a bent trunk. A black and white photograph of a man standing on the verandah with two children sitting on the railing. The verandah has some decorative fretwork around the verandah and decorative posts.house names, lorne parade, surrey hills, (mr) frank cornell, (miss) ruth cornell, (miss) pat cornell, 'casallenroc'

Bendigo Advertiser ''The way we were'' from 2000. Style: Bishopcourt, Forest Street Bendigo, was built for resident surgeon Paul Howard McGillivray in 1876. His consulting rooms were located on the ground floor. His private entry was from Forest Street, originally enclosed with a veranda and balcony. The building was later acquired by the Anglican Church as the Bishop's Palace, hence the name ''Bishopcourt''. Dr.McGillivray was one time president of the Victorian Medical Society and a fellow of the Linnaean Society for his works on natural history. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Hand coloured postcard: view of Mitchell Street, looking towards Pall Mall. "General View of Mitchell Street, Bendigo printed across top. Image shows tram in foreground, poles and line down centre of road. 'Sandhurst Coffee Palace' on banner outside two storey building with verandas and ornate pediments, on right hand side, 'The Living Centre' printed on the side of a shop on left side. Possibly late 1890's ? On rear of card: Post Card (W.T.P in ornate diamond shape) .W.T. Pater

Small photograph of a weatherboard house with a tiled roof. The house has an unequal gable, a veranda at the front and part way down one side which is made into a room. It has the same roof material as the house. At the back is a large chimney just above gable height. There are some short shrubs at the side of the house and a picket fence with a girl standing in front of it. In front of the house is the horse and buggy with the family sitting in it. In the foreground is the driveway and some shrubs. Photo mounted on white card with a gold border and photographer's name faintly on the back in pink.? Baume, 5 Collins St., Melbournebuildings, house, homes, house & horse & buggy, ? baume

A white envelope with the words ' Sandhurst Hostel 1945 - 1959. ' The number 27 is at the top on the left hand corner and the number is written on the back also. The envelope contains one large photo of Sandhurst Hostel, three proofs and two negatives of the hostel. This is a two storey building with verandas and ornate pediments. At the top of the building are two pediments each with the sign ' Heywood's Sandhurst House ' on them. There are six people standing on the balcony and below one person and a bicycle parked at the front of the building. St. Paul's Cathedral can be seen in the background.bendigo, buildings, hostel, la trobe university bendigo collection, collection, bendigo, education, bendigo teachers' college, hostel, hostels, sandhurst coffee palace, accommodation, place, buildings, negative, negatives, proof, proofs, coffee palace, tertiary education, teacher training, students

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of a Bendigo No. 3 standing at the Eaglehawk terminus with the Town Hall in the background. Tram reflected in shop windows and shows some of the verandas of High St. Eaglehawk. The film strip notes (Reg. Item 2560), provided the following caption details: "Bogie car No. 3 stands at "EAGLEHAWK" in the hot midday sun. = Dec. '71 (Harry Jackson) See image btm2597p.tif for high level scan of image. Stamped on base of slide "11807" and written in ink on top edge "No. 3 Eaglehawk"tramways, trams, are, film strip, high st, eaglehawk, tram 3

Diggers & Mining. Diggers and miners. Like this quartz mine on the Black Hill, Ballarat (1855) with its crushing machine at the base of the hill - - - Slide: Shows dwellings one made from timber with chimney, one made from canvas, with a veranda and what appears to be a round metal chimney. 2 men in the for ground have some timber and could be contemplating a timber dwelling. There are a couple of other dwellings in the background. Not many trees left on the hill. Markings: 26 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

The North Kew Centre was the third established at North Kew. It followed a lease of a house at 50 Willsmere Road. The Peel Street building was designed by Mr Chipperfield. Messrs McIntosh and Taylor were the successful tenderers, the price being 1,240 pounds. The North Kew Baby Health Centre was finally opened on 18 June 1930 in the presence of the mayor, councillors and citizens of Kew, and representatives of the Infant Welfare Council. A report in The Age of 19 June described the opening in detail as well as the features of the new Centre. These included: "The rooms ... filled with flowers, pink and mauve hydrangeas and native heath, and the walls are adorned, with a charming frieze, representing windmills, flocks and a fairy tale goose girl. On the walls are hygiene editions of the funniest of Belloc's "Cautionary Tales" revised as posters, Outside there is promise of a gay garden, and a lovely view of green fields sloping to a shining bend of the river." Early photographic record of the opening of an early baby health centre in Kew.[Badly damaged] black and white photograph of the opening of the North Kew Baby Health Centre in Peel Street. The photo is mounted on card, and shows mothers and their children on the veranda, and officials at right. The latter includes the Mayoress and probably Vera Scantlebury. All mothers wear hats as do most of the children. [When the photograph was presented to the Society in 1979, it was described in the first Acquisitions Register as framed. Some time after that it was removed from its frame and badly broken. A separate photocopy of the original photograph is also held in the collection.]Earliest inscription: "Peel Street Health Centre / Official Opening 1930 / donated by Sr Costello and Sr Bewish [sic] 1979 / Copy purchased by ..... for Centre". Old Accession number in Texta: "KH-133 Kew Historical Society". Separate later label: "Opening North Kew Baby Health centre 1930". north kew baby health centre, peel street (kew), baby health centres - kew (vic)

This photograph shows a Melbourne District Nursing Society (MDNS) Sister visiting a patient in his home. The photograph shows her taking his temperature and pulse and carrying out basic nursing observations. The Sister kept a record of this information in the man's Nursing History at MDNS Headquarters and conveyed it to the patient's Doctor as required.The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.This black and white photograph shows a Melbourne District Nursing Society (MDNS) Trained nurse (Sister) standing on the left of a man who is in his bed on the veranda of his home. She is wearing a white gown over her uniform and her grey uniform hat, which has a hatband showing a Maltese cross in the centre; she has her left hand on the man's right wrist and is looking down at a watch she is holding in her right hand. The man, who has short dark hair, is holding a thermometer in his mouth. He is partly propped up with his head resting on a white covered pillow; part of the iron frame of the bed is seen to its left. Most of his body is covered with light coloured bedclothes; part of his pyjamas can be seen. Part of a vase of flowers is seen just behind the Sister's left arm. In the left of the photograph, part of the weatherboards of the house can be seen with a window, partly obscured with a blind. To the right of the man is a veranda post and some pickets of a wooden fence; behind him part of a brick wall is seen.melbourne district nursing society, mdns, mdns uniforms, rdns, royal district nursing service

"Jones purchased a quiet little weekend retreat in the hill', published in 1928. Black and white drawing from a Bird’s eye perspective showing a house with veranda surrounded by shrubbery and a large gum tree. It features numerous people in the garden with a road full of various automobiles at the top of the picture. The image is reminiscent of the artists “Wiregrass” series of a mythical country town which were published in the Weekly “Table Talk” magazine from 1926 to 1937. Percy Leason (1889 - 1959) was a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. He lived in Eltham from about 1924 to 1938 when he moved to the USA. Published by Thomas Nelson, Carlton date unknown. Published in "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall" (1971) Chapter 16 Eltham in Modern Times, page 97.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, percy leason, drawing, illustration

Albert and Hazel Crump at their home ‘Hazeldene’, 1 Leopold Crescent in 1916. ‘Hazeldene’ was opposite the end of Albert Crescent. Albert and Hazel lived here from the time of their marriage in 1913 until 1918 when they moved back to Dandenong. This Federation house is of rather unusual design with verandas on the front corners and the centre room projecting. It was demolished in the 1960s and replaced by units. From 1913-1918 Albert was proprietor of the grocery store in Canterbury Road (next to the present Surrey Lodge). This was owned by Alfred Geer and had opened in 1885 by George Sim. Pictured with their daughters Thelma and Joyce Joyce Kathleen Crump - BIRTH 1916, Surrey Hills; DEATH 16 MAY 1990, Pakenham [Married Thelma Osborne Crump - BIRTH 5 June, 'Hazeldene', Surrey Hills; DEATH 25 JULY 1943, Richmond [Married Reginald Thomas Elvish] Not pictured: Betty Nevill Crump.A sepia coloured photograph of a family group seated outside a house. The baby is seated on the ladies lap.(mrs) hazel crump, (mr) albert crump, (miss) thelma crump, (miss) joyce crump, house names, hazeldene, leopold crescent, surrey hills, federation style, grocer, clothing and dress, 1916, albert henry crump, hazel may crump, hazel may ordish

Black and white photo (copy). Metropolitan Hotel, Cnr. Bull Street and Hargreaves St., Bendigo. Also signed Metropolian Family Hotel. Two storey brick building with balcony around corner of building. Gentlemen in top hats and ladies standing on balcony. Unmade road in foreground. Boardwalk visible in front of photo. On LH side of building on ground floor : 'Bailes Tobacconist' sign on veranda over doorway (no roofing on verandah) Batchelder cart on RH side of photo. Photo taken in 1861. See Research field for further information.Batchelderbuildings, hotel, metropolitan hotel, metropolitan hotel. hargreaves street. bull street. batchelder, benjamin pierce. hotels.

This is the home of Ernest Augustus Young (1891-1985) and Ruby Nichell Whitby (1892-1984) and their son Ernest Lance Young. Lance was born 24 March 1915 in Surrey Hills; after he married Beryl Mair. Electoral roll for 1937 gives the house name as 'Whitby Lodge'. Ernest and Ruby also had twins Clive and James who died in infancy. Buried at Box Hill Cemetery - M-*-0867 (family plot) This is part of a large collection relating to the Mair, Deakin and Young families. REF: Memoir of Laurie Newton (nee Young) - Her grandfather bought the land and had the house built. She remembers it as having pressed ceilings in some rooms and ornate fireplaces and tiles and leadlight windows in some rooms and doors with leadlight panels. Her grandfather was a keen gardener with an ornamental front garden and many vegetables and fruit trees in the back yard. Her grandfather sold the adjoining block (No 3 York Street), which had been used for growing flowers and vegetables, to John and Edna Jean. Reid. She also remembered that he extended the house and divided it into 2 flats, renting out the northern side for 20 years. Sold by Jellis Craig on 24 December 2010 - With formal living, dining, 3 bedrooms, 2 bathrooms, garage/ample OSP. Land: 18.2m x 40.8m (60' x 134') approx. Large 2 storey house replaced the house.Colour photo of the street view of 5 York Street, Mont Albert. The house is Edwardian in style, constructed from weatherboard painted white with a red corrugated iron roof with simple finials. There is a small veranda with simple fretwork, lead-light feature windows to one, possibly two front rooms, one of which has a bay window. There is a garage set back at the side of the house with a concrete driveway on the south side of the house towards Mont Albert Road. The fence is low and constructed from roughly faced stone. The garden contains mature shrubs.In blue biro on rear: "1985 / POP'S" ; "5 YORK ST / E.A. YOUNG". Red photographic processing stamp "PROCESSED BY / KODAK / MAY 85M"ernest augustus young, ruby nichell whitby, ruby nichell young, ernest lance young, box hill cemetery, whitby lodge, house names, mont albert

Bendigo Advertiser ''The way we were'' from 2000. Watering hole: the Queen's Arms Hotel was built by James Hamilton in Russell Street, Quarry Hill, in 1872 when Quarry Hill was sparsely populated. Within a year there was a regular omnibus service from this hotel to the centre of Sandhurst. A veranda was added later. The hotel architects were a mining engineer Robert Moffat, who spent three years in partnership with Joseph Brady in the early 1870s, meeting the needs of the mining industry. Extensive additions and alterations were made to the hotel in 1986. This picture was taken in about 1970. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Thomas Crouch Watts was born on March 7th. 1865, to Joseph and Susan Watts. Before the real estate business commenced, Thomas and his brother were in partnership as booksellers and stationers in a shop at View Point. Thomas lived in a fine house in Rowan Street, which was called 'Ottawa' Thomas started his real estate business in the early 1900s in a shop in View Street. His daughter Edna was the book keeper and typist, Stewart Watson was the salesman and Stanley Phipps (Edith Lunn's father) was the property manager and valuer. When Thomas Watts died in 1914, his daughter took over the running of the business. She married Stewart Watson in 1918. Eventually the name of the business was changed to Bishop and Earl. From a letter from Edith Lunn re T.C. Watts & Son. 'The firm of T.C. Watts & Son later became Bishop and Earl. When the firm of Bishop and Earl ceased to operate after the death of Edith Lunn's father, S.P. Bishop, Miss. June Parry, Secretary of the BHS was a member of staff. June rescued all the photos of properties listed for sale from the office and placed them into the custody of the BHS.' Black and white original photographs (2) mounted on grey board house, weatherboard, bull nose veranda, picket fence, cast iron lace on verandah, three chimneys, central door, one window each side of door. Front of house, top section, painted white. Written on back of photo board (a) ' Mr. B. Murdoch, 320 Barnard Street Bendigo, £900 sewered' On back of (b) L. Simmonds, 239 Barnard St. £620' ( Address does not match with photo (a)) Date stamp 9 Dec 1927' 2012 photo of house attached to record. Faint printing in white in lower right corner ''Frank A. Jeffree Photo Bendigo'' Handprinted top R ''MP8''place, building, residential

Thomas Crouch Watts was born on March 7th. 1865, to Joseph and Susan Watts. Before the real estate business commenced, Thomas and his brother were in partnership as booksellers and stationers in a shop at View Point. Thomas lived in a fine house in Rowan Street, which was called 'Ottawa' Thomas started his real estate business in the early 1900s in a shop in View Street. His daughter Edna was the book keeper and typist, Stewart Watson was the salesman and Stanley Phipps (Edith Lunn's father) was the property manager and valuer. When Thomas Watts died in 1914, his daughter took over the running of the business. She married Stewart Watson in 1918. Eventually the name of the business was changed to Bishop and Earl. From a letter from Edith Lunn re T.C. Watts & Son. 'The firm of T.C. Watts & Son later became Bishop and Earl. When the firm of Bishop and Earl ceased to operate after the death of Edith Lunn's father, S.P. Bishop, Miss. June Parry, Secretary of the BHS was a member of staff. June rescued all the photos of properties listed for sale from the office and placed them into the custody of the BHS.' Black and white photograph mounted on rectangular grey board. House, weatherboard, corrugated iron roof. Bull nose veranda painted with stripes, picket fence, two wrought iron gates, one chimney, central door, one window each side of door. Three boards painted white, half way up front wall. Pergola on RH side of house. Tank stand LH side middle distance, name of house to left of door. 'Phillips, Plumridge Street, White Hills' written on back of photo board. 2012 photo of house attached to record.Frank A. Jeffree, Bendigoplace, building, residential

Dr Carl von Brandenstein was born in 1909 in Hanover, Germany. He studied oriental languages and the history of religion at Berlin University (1928-1934) and Leipzig (1938-1939). His doctoral thesis was a dissertation on the iconography of Hittite gods. He was arrested in Persia in 1941 and sent to Australia where he was interned at Loveday Camp South Australia and in Camp 1 Tatura from January 1945 until his release in August 1946.Four artworks in a dark wood frame with terracotta coloured matte. Item 1: Hospital Waranga. Tall gum trees in foreground, blue sky . Staff standing under the veranda and a red cross vehicle parked in front. A barbed wire fence surrounds the hospital. Item 2: Inside the Library. Item 3: Camp Barracks. Four huts in a row . A tree and garden in front. Item 4: Reading Room. A table in centre of the room with a single chair. Books and stationery items on the table. A lamp hangs from the ceiling. Bookshelves along the walls and paintings on the wall. Item 2: "am letzten Tage deiner Internierung dem lieben Hans Wulff fur Errinnerung an gemeinsam gebautes" (English Translation: On the last day of your internment to dear Hans Wiulff for remembrance of what we built together. camp 1, tatura, carl von brandenstein, internment camp loveday, waranga hospital, library, hans wulff

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Beryl initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A sepia photo of a woman and 2 girls standing behind about 30 fowls. The woman is holding a dish. In the background is an Edwardian (?) timber house with 2 brick chimneys and a corrugated iron roof, the ridge of which has a narrow peak with simple finials and ridge tiles. There is a centrally positioned (?) rear door with windows either side. There is a tank to the left of the house and a veranda to the RHS. The house is enclosed within a post and wire fence with a wire gate in line with the door. The fence appears to be lined with large rocks and behind the fence is garden plants of which cannot be identified. A few cows are to the right off-side.On the rear in black ink: "Feeding the fowls at / Derrinallum / Beryl Mair / 20 Barton Street / Surrey Hills / E10." Writing may be that of Lily Mair. In blue biro: " Gwen Beryl Mrs Jarman / Beauty (Jersey cow)" Thought to be Beryl Mair's handwriting. "KODAK PRINT" in black. beryl mair, gwen mair, farms, derrinallum, mrs jarman

BHS CollectionPhotocopy of a photo of J Semmens General Store, Long Gully, Bendigo. Under the photo is printed on white paper Cnr Creeth & Eaglehawk Road near present Fish Shop. The photo shows the store with the name J Semmens Draper, Grocer, Imperial Cash Store, Hay & Corn Store, Lead & Oils, Boot & Shoe Warehouse. In front of the store is a cart with the name on it with an employee standing at the horse's shoulder, three other employees in front of the store and a horse and buggy with someone sitting in the buggy. Various items are hanging from the edge of the veranda. There is a printed border around three sides of the page.bendigo, history, long gully history group, the long gully history group - j semmens general store

This set of glossy black and white photographs is a set of images of Glenample Homestead circa late 1960s to early 1970s. They were taken by John Chance and are part of the John Chance Collection. The Colonial Georgian style Glenample Homestead was built from 1866 to 1869 from locally quarried sandstone. In is built on the top of a hill amongst trees. There are paddocks below and around the building. The building is basically a rectangular shape with a recessed room on the right side of the front. The pitched roof is covered in corrugated iron. The veranda, added in 1886, also has a corrugated iron room and is supported by square posts with decorative tops. It shelters three sides of the building. The edge of the veranda is decorated with scalloped shapes along the front and left side of the building. On the right is a brick wall incorporating a chimney. Another chimney on the left is contained within the building. The four-panelled outside doors are visible in some of the photos, as are the 12-paned glass windows, which are framed in contrasting stone. The veranda is trimmed with scalloped metal work on two sides and had some enclosed corners. There appears to be a cubical water tank on the roof line. Out-buildings include a toilet built against the house's brick wall. Another building appears to have two rooms with outside doors, perhaps for workers. There is the remains of a two-wheeled cart under a shelter. GLENAMPLE & the LOCH ARD Glenample Homestead became famous after the disastrous wreck of the sailing ship Loch Ard on June 1, 1878. The owners, Hugh Hamilton Gibson and Peter McArthur, were involved in the rescue and recovery of the only two survivors, as well as overseeing the salvage of items from the shipwreck and the burial of those who lost their lives. Glenample Homestead is on the Great Ocean Road at Princetown. Originally the land was part of Kennan’s Station lease, one of the district’s early settlements, circa 1847. James Murray bought Kerman’s land in 1856-57, combined it with nearby land, and named it Glenample Homestead. The ruins of huts Murray built on the property were still there until recently. Glenample was sold in 1866 to the partnership of Gibson and McArthur, who built a Georgian style house there using local sandstone, completing it by 1869. On 1st June 1878 the Loch Ard was wrecked at what is now called Loch Ard Gorge. Apprentice crewman Tom Pearce and eighteen year old passenger Eva Carmichael were the only survivors. Pearce had brought Eva ashore and sheltered her in a cave, reviving her with whiskey found amongst items washed up from the wreck. He climbed the cliffs and came across two riders from Glenample. No other survivors were found and sadly, Eva’s family members were amongst those who drowned. Hugh and Lavinia Gibson cared for Pearce and Eva at Glenample and extended their hospitality to Eva, who stayed on for about six weeks as she recovered from the ordeal physically and emotionally. Mrs Gibson introduced Eva to Jane Shields and the young ladies became lifelong friends. Years after Eva had returned to England, Jane’s daughter visited her. Eva handed her a blue china tea set to pass onto her mother as a gift. A descendant of Jane’s donated part of the tea set to Flagstaff Hill Maritime Village while another descendant donated her inherited share of the tea set to the Warrnambool and District Historical Society. In 1886 Glenample Homestead was updated to include a veranda on three sides. In 1887 Gibson sold his share to partner Peter McArthur. McArthur’s son Ernest inherited the property in 1897. Ernest established the Glenample Cheese Factory in around 1911. It was closed due to the World War and reopened in 1929 by McArthur’s sons, Robert and Colin, when they took control. In 1945 they sold Glenample and several owners followed but it was left unoccupied and became dilapidated. It was during this time that John Chance visited the property and photographed the buildings. In the 1980s the National Parks Service acquired the Glenample Homestead and began a restoration program. Work began in 1989 by Cathedral Stone, which was established in 1989 by James Charlwood, a specialist stonemason and son of maritime author Don Charlwood. This set of photographs are significant as a record of Glenample Homestead as it was from around the late 1860s to the late 1960s. The photographs are also significant as they were taken by John Chance, a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The photographs are significant as a link between Glenample, the vessel Loch Ard, and the only survivors of the Loch Ard. Glenample Homestead is of historical, social and architectural significance to the State of Victoria and is listed on the Victorian Heritage Register (VHR H0392). It is a historical example of early settlement and development of a run in the coastal land of South West Victoria, and it is constructed from locally quarried sandstone but doesn’t take away from its Georgian design. Glenample Homestead is of State significance through its unique connection with the wreck of the ship Loch Ard and the connection to its owners, Hugh and Lavinia Gibson and Peter McArthur, played a historically and socially significant role in the rescue and care of the survivors, the salvage of goods and the burial of those who lost their lives. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S417). The set of ten rectangular black and white photographs of the Glenample Homestead, taken in the late 1960s or early 1970s, give san overview of the Glenample property. The views include the front, back and one side of the building, three outbuildings, and the situation of the homestead on the property. The details on the photographs show the materials used and the Colonial Georgian style. The photographs are also a record of the deterioration of the property over the years it was unoccupied.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, kennans station, glenample homestead, georgian homestead, loch ard, princetown, victoria, james murray, hugh hamilton gibson, lavinia gibson, jane shields, eva carmichael, tom pearce, blue china tea set, peter mcarthur, ernest mcarthur, robert mcarthur, colin mcarthur, glenample cheese factory, cathedral stone, don charlwood, james charlwood, antique door key, glenample photographs, john chance, victorian heritage database 392