This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting featuring horses.art, artwork, neville bunning, horses, animals

GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Travelled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC Framed limited edition print of two running horses being ridden by numerous people. Donated through the Australian Goverment's Cultural Gifts Prorgram by Katherine Littlewood. geoffrey ricardo, available, horses, animals, horse racing

A slim square hardcover book with text by Allen Keast and a record of Australian Bush Sounds. The cover has a photograph of a Black Swan nesting in open wetlands. Inside the left front cover is a pocket with an EP record by Carl and Lise Weismann. The book has explanations of the sounds recorded as well as black and white photographs of the creatures featured. p.20.non-fictionA book and recording of Australian Bush Sounds from the Victorian border to Cape York. It is a follow-up to the previously very successful record of Australian Bird songs by Carl and Lise Weismann in 1957 - 58. All were recorded in their natural surroundings but for the Dingoes which they had to insert the howls of a group in a faunal reserve. The lyrebird was drawn from and excellent sequence by Harold Pollock. The book describes the Sound and Communication in Animals and Insect Sounds.animals, insects, mammals, australian birds, australian animals

Also copy black and white 12.5 x 17.5 cm, original archivedBlack and white photograph mounted on heavy card, showing Barkes Store. The Lake Tyers mail wagon is in front of the store, drawn by four horses, with four men and one woman passengers, two men dressed in suits behind the wagon, two men in shirt sleeves near the store, horse and jinker to left of picture, glimpse of Victoria House. Lakes Entrance Victoriaretail trade, transport, animals, people, postal services

On back of postcard 'Postage one penny without any communication with communication ordinary letters'|This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display|The after paired photograph number is 01147.1|Also one 12 x 16 framed photograph used in room display.|Cooper based in Paynesville 1908-1909Sepia giant post card dirt road leading to the first North Arm bridge. Horse facing two bovines on bridge, mud flat with a small jetty, Club Hotel, sand dunes facing Bass Strait. Post and Rail fence on side of road. Shaggy dog in road. Dieback of melaleuca and reeds on mudflats. Lakes Entrance VictoriaCunninghame from the Cutting A.Cooper photo- right hand cornerroads and streets, bridges, fences, animals, room display

An illustrated book on Australian wild life - animals, birds, reptiles - published in 1950. This volume belonged to the Fort family.Hardback, 240 p. illus. (some col.). Signed Melinda & Dale Fort on title page; Faye Fort on fly-leafaustralian fauna, fort family

This glue pot would have been used in woodwork projects. The glue used was probably an animal based glue.This item is an example of an accessory used by a trades person before the widespread availability of the modern liquid adhesivesA cast iron glue pot consisting of two separate pots - the larger of the two is designed to hold water and be hung over a fire. The smaller pot is placed inside so the glue can melt. each pot has a metal hanging / lifting hook / bail handle.glue-pot trades carpentry cast-iron container

Central Park activities group of people with animals 1912. Young boy leading goat cart is Claude Raitt.stawell

Postcard - cartoon image of a Melbourne W class tram with Australian animals on the tram, driven by a koala. Tram No. 902Demonstrates a cartoon image combining iconic image of Melbourne trams and Australian animals. Postcard colour - Cartoon postcard image W class tram - 902 - Card Number CTM 135Ktrams, tramways, w class tram, cartoon

An antique green hardcover Edwin Landseer and Animal Painting in England book - Vere Foster Series with the title printed in gold lettering at the top right hand corner with a large head of a stag with black and brown lines in the bottom left hand corner.There is a thin black line surrounding the edge of front cover. The spine and back cover are plain green. There is gilt on the edges of the pages. Inside are guidelines for drawing and painting animals as suggested by Landseer and other well known English artists of the time with several reproductions of coloured plates as well as black and white engravings. Stephen T. Dadd gives practical hints. At the back are lists of Vere Foster's water-colour books and Blackie Publications.Pp 84.non-fictionA useful book for artists wishing to learn the techniques of drawing and painting animals by Edwin Landseer and other notable English artists in the early 1890's. The reproduced coloured plates and engravings support the text and advice.painting, art, art books, artists, artworks, etchings

Issues in language study: origin of language, animals & human language, writing, phonetics, phonology, words & word-formation processes, morphology, grammar, syntax, semantics, pragmatics, discourse analysis, language and the brain, language acquisition, gestures and sign languages, languages and regional variation, language and social variation, language and culture.B&w illustrations, b&w photographs, mapslinguistics, sociolinguistics, history and language

Five page copy of a broadcast titled 'Hydroculture Part III' dated October 15, 1937 broadcast over Station WAAB. Heading - Chemistry of Today. Mentioned is the relationship between animals and plants, nitrogen and bacteria, nitrate of soda, potassium nitrate and the growing of plants. Broadcast (4) written at the top of page.sciences, bill ashman collection - correspondence, chemistry of today, hydroculture part iii, john a seaverns

Believed to have been made 1939/43. In 1904 the British Army adopted a new General Service (GS) pack saddle with an adjustable tree, known as the Mark V pack saddle. The main innovation was the adjustable tree created by having the front and back steel arches jointed to the wooden sidebars, which allowed them to turn to adjust to the size of the back of whatever animal carried the saddle, from the largest horse to the smallest donkey, and eliminated the need to manufacture saddles in different sizes. The saddle could be adapted, by the addition of hanging bars, or universal slats, to carry a wide variety of stores, tools and equipment, and also wounded men. The GS pack saddle was used in both world wars by both the British and Australian armies. The use of pack saddles was especially important in the campaign in Palestine during the First World War where wheeled transport was often not an option. Each machine gun carried by light horse units was transported on a pack saddle, and was accompanied by a second pack animal carrying spare ammunition. During the Second World War pack animals were routinely used by patrols, and larger units such as Norforce, in remote areas of northern Australia. The saddle shown here has two separate girths, which crossed under the animal's belly. Most later versions of the saddle used a shorter single girth buckled to a 'V' attachment, which was in turn buckled to the sidebars. Use of the 'V' attachment gave greater strength and stability to the saddle, and decreased 'rocking' of the load.

A pack saddle is designed to be secured on the back of a horse so it can carry heavy loads. It would rest on a saddle blanket or pad to spead the the weight of the saddle. The underside of the saddle is curved to fit the shape of the animal's back. It would be symmetrically divided by a gap at the top to ensure it does not rest on the animals' backbone and to provide ventilation. This saddle was possible owned by the Forestry Department for use by fire spotters.Horses played a vital role in the agricultural and transport history of Orbost. This item is connected to that role.A large brown leather pack saddle. The underside is curved to conform to the shape of the horse's back. It is divided into two parts for weight distribution. The upper side is like a rack for the load to rest on and for it to be tied down.saddle pack-saddle equestrian

Mairin Ni Shiochain Máirín Ní Shíocháin’s practice reflects a lifelong affinity with non-human animals. Her observation of animals and birds in natural habitats in and around Ballarat and district was the foundation for this research. She won a Ballarat Art Foundation Award in 2012. This item is part of the Federation University Art Collection. The Art Collection features over r000 works and was listed as a 'Ballarat Treasure' in 2007.Blue headed bird perched on a wooden stand. Individual feathers are made from paper, coloured with watercolour. art, artwork, mairin ni shiochain, bird, sculpture

Neutron scans from ANSTO reveal that only portion of the animal, probably a cat, was wrapped in the mummy. Preliminary reports of C14 dating indicates that it dates from about 600BCE. It was discovered in the 1850s in Egypt. Many animals in ancient Egypt were deemed to represent a specific deity. Egyptologists have suggested that in the first millennium B.C. an act of popular piety was to place a mummified animal as a votive offering in a catacomb established at a cult center of that deity. Such an act may be expected to afford protection and bring good fortune. More recently, a close connection between the veneration of sacred animals and the worship of the king has been proposed, with the suggestion that these offerings were obligatory for religious officials and soldiers connected with certain royal cults. Interment of sacred animals was quite common in the Ptolemaic period (304-30 BCE) and continued well into the first half of the Roman period, or the second century CE. Cat cemeteries have been found throughout Egypt, and it is probably the Goddess, Bastet's association with her divine sisters in the wild, the malevolent Sakhmet and other lion-headed goddesses, that accounts for the presence of very large cat catacombs at Saqqara, Thebes, and Beni Hasan, where these leonine deities were particularly revered. There were several ways in which the cats were prepared for deposition; in the simplest cases the bodies were mummified and wrapped in linen strips, which were sometimes dyed different brown tones and woven to form geometric patterns. Usually the limbs were positioned close to the body, making a compact bundle but some mummies held lifelike poses. Egyptians considered certain individual animals to be living manifestations of a god, such as, the Apis bull. Individuals were mummified when they died and buried for eternal life, then replaced by another single living manifestation. Research on animal mummies shows that the majority of mummies found at the large animal cemetery sites are pre-adults who were purposely killed for use, sometimes by breaking the neck. Some mummies are 'substitutes' containing only a few bones or feathers or possibly sticks or sand. Mummified cat remains.

The meat industry and animal by-product works of Melbourne's West, in the series "Interpreting the Cultural Landscape", with the assistance of the Department of Planning and Development, VictoriaThe Australian Meat Preserving Company was established on the banks of the Maribyrnong River in 1870 on the site of boiling works dating from the 1840s.32 page booklet, A5, Cover illustration of Raleigh's boiling down works on the Maribyrnong River, from water-colour by Greeves C. 1850s Title: Meat and By-Products Author: Gary Vines Melbourne's Living Museum of the West Inc.western suburbs, meat industry

Auction catalogue with bright yellow front page with brown tape binding. Sale is due to the completion of works on the Australian National Animal Health Laboratory (A.N.A.H.L.), John Holland (Constructions) Pty. Ltd. They sold surplus Construction Equipment and Site Buildings. Auctioneers were J. H. Curnow & Son Pty. Ltd.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue, john holland (const) pty ltd, australian national animal health laboratory, j h curnow & son pty ltd

Ear tags are used for identification of domestic livestock and other animals to assist in stock management. They can be marked individually with letters, numbers or symbols.Four aluminium sheep identification ear tags, featuring imprinted numbers and letters with two holes for fastening.753.1: A.M.C.G / 86 753.2: A.M.C.G / 97 753.3: A.M.C.G / 99 753.4: A.M.C.G / 100sheep identification, sheep - identification, ear tags, stock management, wool industry

Shire of Ripon ledger used to record payments for animals released or purchased from the pound. It records fees and/or prices along with people's names. Foolscap half bound tan calf bound ledger. Marbled end papers. Label Arnold & Jackson glued to inside front cover.B10084 10/8/10cash balance accounts book, pound, ledgers, handwriting, family history beaufort, shire of ripon

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Colour postcard, blue / green colour scheme. Map of Australia in central frame surrounded by native Australian animals in a bush setting: kangaroo, emu, currawong / magpie, kookaburra. Above them is a rising sun. The central frame is actually a flap but whatever it may have concealed beneath is now lost. Handwritten message on back.album, photo album, newspaper clippings, postcard, wwi, magpie, currawong, kookaburra, emu, kangaroo, australia

A wide flat green painted wooden triangular shaped swingletree with a steel bar attached under the wooden section. There are two oval rings joined at each end and there is a wider steel bar in the middle with two chain rings joined to it. It was used to balance the pull of a draught horse or other draught animals when pulling a vehicle.horse accessories, swingletree, horses, horse tack

Gracia Haby and Louise Jennison have been creative collaborators since 1999, working together to make artist books, zines, collages, drawings, prints and stories. In this artwork, the animals have the upper hand. They are turning the tables on French acrobat, circus owner, and animal trainer, Alfred Court (1883-1977). In 1925, Court's menagerie boasted a collection of 25 lions, 8 tigers, 9 hyenas, 7 wolves, 3 cougars, 12 polar bears, 16 panthers and leopards, 5 jaguars, 2 cheetahs, and an extensive assemblage of exotic animals, including antelopes, llamas, and camels, alongside several monkeys, porcupines, and mongooses. Haby and Jennison’s collaboration explores their mutual fascination with the adaptable possibilities of paper and found images.

38 Bn was raised 1 Mar 1916 in Bendigo during WW1. it was initially about 500 men.This photo album has a light gray surface resembling animal fur. The word photographs is embossed in gold on the front. It is bound with a cord (broken) thru 2 holes. Under each photo is a tag showing deceased soldier's name. The album has about 20 pages. The B & W photos are size 7.2 x 5.0 cms.passchendaele barracks trust, ww1, 38th bn

"THE TIGER MAN OF VIETNAM/ THE HILL TRIBES MADE HIM A DEMI-GOD/ THE CIA WANTED TO KILL HIM/ THE REMARKABLE TRUE STORY OF/ AUSTRALIAN WAR HERO BARRY PETERSEN"Soft cover book. Soft cover - cardboard, gold and black print on front, spine and back. Illustrated, front montage photo of sepia toned soldier with jungle scene behind. Back - sepia toned photograph - portrait of a man with an animal skin. 356 pages, paper, cut, plain, white. Illustrated - black and white photographs.books, history, biography, vietnam conflict

Bendigo Advertiser ''The way we were'' from 2000. Powerful: steam-driven winding machinery which lowered and raised the cages in the main mine shaft. Cages were used to transport miners to and from their shifts at various levels and to transport buckets of ore, timber and even animals from the different working levels of the mine. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Document. Norman Penrose collection: faded light blue Education Department folder with brown spine. Contains various notes on art, colour schemes, drawings of animals, various emblems and symbols, lesson notes and some exam papers. Also some small pen & ink drawings pasted onto cardboard. 1946 exam paper.Norman Penrosecottage, miners, norman penrose collection, notes on art, drawings of animals, 1946 exam paper, lesson notes