Showing 1261 items
matching australian aboriginal
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Federation University Historical Collection
Photograph - Black and White Photograph, A Native Sepulchre, or Aboriginal Mode of Burial
death, skeleton, aboriginal, aborigine -
Lara RSL Sub Branch
Plaques for Australian Navy 4 off, Australian Navy plaques - 1. Royal Australian Navy, 2. W.R.A.N.S.,3.HMAS Vampire, 4.HMAS Perth
Registered plaques representing R.A.N. , W.R.A.N.S. , H.M.A.S. Vampire, and H.M.A.S. Perth.Rare collection of Royal Australian Navy plaquesPine-board backing with 4 plaques mounted 1. Royal Australian Navy, 2. W.R.A.N.S.,3.HMAS Vampire, 4.HMAS Perth, The plaques are mounted on a wooden shields. 1. Royal Australian Navy plaque consists of an oval shape topped by a regal crown and bottom an anchor and chain, The center of the plaque is Black in color embossed in a ring of "Royal Australian Navy" the center of the plaque is a symbol of an anchor and chain. 2. W.R.A.N.S. Triangle shape with a Crown made-up from a sailing ship and the bottom a bow of blue ribbon. The lower half of the triangle is a wreath of leaves. the center of the triangle is painted light blue and has small stars one in each corner. In the center there is a ships anchor and chain. The bottom of the plaque is the initials "W.R.N.S." 3.HMAS Vampire A circular plaque a crown on the top a sailing ship in a crown format. Over a name of Vampire in gold on a black back ground the middle is a circle painted blue with a black Bat in the center. The bottom of the plaque is emblazoned with a boomerang, stone axe and aboriginal waddy followed by a banner "Audamus" meaning "we dare, we venture, we risk" 4.HMAS Perth, A circular plaque a crown on the top a sailing ship in a crown format. Over a name of Perth in gold on a black back ground. The middle is a circle painted gold with a black Griffen in the center. The bottom of the plaque is emblazoned with a boomerang, stone axe and aboriginal waddy followed by a banner "Fight and Flourish". motto.plaques, r.a.n., w.r.a.n., h.m.a.s. vampire -
Marysville & District Historical Society
Article (item) - Museum Victoria Australia Article, Museum Victoria Australia, Aboriginal Land, Unknown
... Australia Article Article Aboriginal Land A brief history ...A brief history of the Kulin clan in Victoria.A brief history of the Kulin clan in Victoria.kulin clan, great dividing range, yarra river, goulburn river, tonne-be-wong, toole-be-wong, donne-be-wong, mount riddell, ben cairn, donna buang, port phillip settlement, john batman, james dredge, port phillip protectorate for aborigines, duang wurrung, king parrot creek, acheron river, mitchellstown, william le souef, murchison, woi wurrung, boon wurrung, warrandyte, mordialloc, little river, william thomas, acheron station, mohican run, john green, mohican station, badger creek, healesville, coranderrk, black's spur, christmas bush, prostanthera lasianothos, geringdah -
Marysville & District Historical Society
Article (item) - Book Extract, Aboriginal History, Unknown
An extract from a book regarding a brief history of the Kulin nation of the North Central district of Victoria.An extract from a book regarding a brief history of the Kulin nation of the North Central district of Victoria. This history covered is both prior to European history and post-European history. The extract also covers current (1991) status of Aboriginal affairs and European settlement of the area.kulin nation, woiworung, taungurong, bunurong, watherong, jajowrong, wurrundjeri-willam, waring-ilam-balluk, goulburn valley, acheron valley, upper goulburn district, eildon-thornton, eildon homestead, o'rourke, thornton, assistant protector thomas, yarra valley, kilmore, mount william, jt gellibrand, william buckley, major mitchell, port phillip, murray river, yorta yorta, yowung-illam-balluk, waring-illam-balluk, ngurai-illam-wurrung, kurnai nation, protectorate system, victoria, george robinson, chief protector, willam thomas, james dredge, edward parker, charles sievewright, central board for the protection of aborigines, presbyterian mission, anglican mission, moravian mission, wonga, munnarin, beaning, murrin murrin, parugean, baruppin, koo-gurrin, acheron river, little river, acheron run, peter snodgrass, stephen jones, barak, dividing range, black spur, watts river, badger creek, healesville, coranderrk, victorian christmas bush, aboriginal and torres strait islander heritage protection act 1984, archaelological and aboriginal relics preservation act 1972, camp jungai, rubicon, warrawa college, victorian archaeological survey, hume and hovell, molesworth, broadford, william hamilton, alexandra, mansfield, avenel, tallarook, worrough, john cotton, trawool valley, seymour, pyalong, gold mining, central victoria, strath creek, reedy creek, yea, jamieson, marysville, jordan goldfields, comet mine, wandong, melbourne-albury railway, rabbit plague, narbethong, lord kitchener, puckapunyal military camp, 1944 decentralisation policy, eildon weir, hume freeway bypass, timber industry, australian paper manufacturers mill -
Federation University Historical Collection
Book, Royal Victoria Pilgrimage Committee et al, Never Forget Australia: Australia and Villers-Bretonneux 1918-1993, 1994
... marshall aboriginal diggers bill egan australian armt band ypres ...Yellow soft covered book with the cover featuring a carved timber memorial.non-fictionvillers-brettonneux, world war 1, world war one, french, amiens, charles rosenthal, keith murdoch, henry rawlinson, hobbsm pompey elliott, ferdinand foch, john monash, red baron, von richthofen, tanks, 5th australia division, harold elliott, sadlier, marshall, aboriginal diggers, bill egan, australian armt band, ypres, robinvale, robin cuttle, frederick birks, gas, 58th battalion, tom brain, dick bowman, william james -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
... Australian Aboriginals. John Lindt moved to Melbourne in 1876 where ...A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
... Australian Aboriginals. John Lindt moved to Melbourne in 1876 where ...A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
... Australian Aboriginals. John Lindt moved to Melbourne in 1876 where ...A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
... Australian Aboriginals. John Lindt moved to Melbourne in 1876 where ...A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Letter (Item) - Hand written letter, John William Lindt, 1903
... in his 1874 album Australian Aboriginals. John Lindt moved ...A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Federation University Historical Collection
Costume, Federation University, Indigenous Uni Games Polo Shirt, Approx 2019?
National Indigenous Tertiary Education Student Games (NITESG) began in 1996. Now referred to as Indigenous Nationals, the event is a week-long multisport competition for indigenous student-athletes. The annual event aims to bring together athletes from universities across Australia to compete in a variety of sports and ultimately crown one university team the champion of the games. Indigenous Nationals seeks to also acknowledge the heritage and history of the participating athletes. This new synthetic shirt (still with tags attached) has short sleeves, a collar and three white buttons set in a placket at the neckline. The colour ranges from mid blue at the top to a dark blue with spots at the bottom. On the front is printed the FedUni logo on the left breast and on the right side is printed Indigenous Uni Games and the Aboriginal and Torres Strait crossed flags at the breast and below is a design and a platypus. The same design is repeated on the left sleeve and on the right sleeve is a logo for the Central Highlands Local Aboriginal Network. The number 28 is printed on the back.Makers brand is stamped on the inside back neck.federation university, indigenous uni games, indigenous nationals, central highlands local aboriginal network, polo shirt -
Federation University Historical Collection
Booklet, Preserving Our Archaeological Heritage
Nine page booklet with a ohotograph of a buried dingo skeleton on the cover. contents include: * Legislation Relating to Aboriginal Relics * Register of Aboriginal Sites * Site protection and Preservation * Archaeological Research * Coastal midden * Lake Condah * Archaeological Relics Advisory Committee * Community Education, Training and Information * What to do when youfind a relicarchaeology, victorian archaeological survey, aboriginal sites, aboriginal statements, register of aboriginal sites, glenaire rock shelter, lake condah fish trap, st arnaud rock wells, carisbrook archaeological area -
Federation University Historical Collection
Booklet - Book, Burra Lotjpa Dunguludja: Victorian Aboriginal Justice Agreement Phase 4, 2018
Burra Lotjpa Dunguludja means 'Senior Leaders Talking Strong' in Yorta Yorta language.Sixty page book aiming to continue to address Aboriginal over-representation across the justice system, and to progress self-determination as the core policy approach. The vision was to ensure Aboriginal people have access to n equitable justice system that is shaped by self-determination, and protects and upholds their human, civil, legal and cultural rights.aboriginal, martin pakula, tont lovett, marion hansen, aboriginal justice, aboriginal justice caucus, message stick, koori justice unit -
Federation University Historical Collection
Book, Federation University Australia, Federation University Annual Report, 2019
Formerly University of Ballarat, it was renamed Federation University in 2014.Blue soft covered annual report, and a PDF digital copyfederation university australia, federation university annual report, annual report, strategic plan 2018-2022, wadawurrung, boonwurrung, wurundjeri, turrbal, jagera, gunai kurnai, mutthi mutthi, barkindji, wotjobaluk, jaadwa, jadawadjali, wergaia, jupagulk, terry moran, helen bartlett, ballarat tech school, federation college, worldskills, vocational education, federation university technology park, technology park, fatemah javidan, britt klein, micahel poulton, dayle stevens, samuel mayo, rodney beach, benjamin cole, elizabeth lewis-gray, gregory mcrae, vernon wall, bella guerin, jeanette watson, david stratton, aboriginal and torres strait islander alumni chapter, terrence moran, elisa zentveld, pauline buckland, ian nethercote, rhonda whitfield, andrew reeves, michael w. ryan, mashelle parrett, george fong, stacey grose, steven davies, anthony stone, des pearson, iqbal gondal, jane smith, erin morgan, crystal petschsk, grant meredith, lachlan grant, walter withers, health and fitness centre, aboriginal and torres straight islander alumni chapter, terence moran, statistics -
Federation University Historical Collection
Photograph - Colour Photograph, Indigenous Sculpture on Mount Helen Campus
This work was commissioned for the Mount Helen Campus.Colour photograph of a steel sculpture.aboriginal, sculpture, mount helen campus -
Federation University Historical Collection
Journal - newsletter, Aboriginal Education Newsletter, 2017
aboriginal education unit, aec, aboriginal, indigenous -
Federation University Historical Collection
Equipment - Ethnograpgic Material, Axe blanks
Axe blanks are pieces of stone that Aboriginal people chipped into a basic shape at stone quarries and sharpened by rubbing the edges over sandstone. Axe blanks were made by striking larke flakes of stone from rocky outcrops, then roughly sharpening them. The axes were often finished away fro the quarry.Three stone axe blanksaxe, tool, aboriginal -
Federation University Historical Collection
Ethnographic Material, Aboriginal knife
A stone Aboriginal knifeaboriginal, tool, knife -
Federation University Historical Collection
Tool - Ethnographic Material, Pirri Points
Six pirri points made out of stone. A pirri point is a small stone point, trimmed on one surface, generally used as a spear tip. It is a leaf shaped point.aboriginal, stone, tool, spear, pirri point -
Federation University Historical Collection
Ethnographic Material, Aboriginal Grind Stone
A grinstone and hammer which di not fit the groove of the grindstoneaboriginal, stone, tool, grind stone -
Federation University Historical Collection
Ethnographic Material, Aboriginal Knapping Tools
Knapping tools are used as for chipping away stone. Knapping is a fracture by striking the stone to be worked with or against another stone, or by use of a punch, thus purposely shaping the stone being worked or obtained desired flakes or fragmments. Aboriginal knapping tools.aboriginal, stone, tool, knapping tools -
Federation University Historical Collection
Ethnographic Material, Flat Stone
Flat stone with ochre and black markings.aboriginal, stone, ochre, sacred -
Federation University Historical Collection
Ethnographic Material, Rock
Rock held with Aboriginal toolsaboriginal, stone -
Federation University Historical Collection
Ethnographic Material, Aboriginal Scrapers
The scraper is a stone tool made from a flake with one or more working edges. Geberally fro chiselling, cutting, gouging, or planing .aboriginal, stone, tool, scraper -
Federation University Historical Collection
Report, Product Development Plan Volume 1 (Maryborough), 2008, 11/2008
A report by three students of Tourism at the University of Ballarat for the Maryborough City Council and the Central Goldfields Shire.victorian tourisim industry, tourism, maryborough, central goldfields, dja dja wurrong, aboriginal rock wells, fossicking, talbot -
Federation University Historical Collection
Report, Concept and Market Study for the Development of a Time Tunnel in Hamilton
Report compiled by six students of Tourism at University of Ballarat (later Federation University Australia)victorian tourisim industry, tourism, hamilton, time tunnel, population, agricultural history, ansett, aviation, reginald hamilton, aboriginal, mount eccles, dhauwurd wurrung, gundidjmara, lake condah, lutheran, german, tarrington, tetrapods -
Federation University Historical Collection
Correspondence, Ballarat School of Mines Koorie Support Unit Officer, 1989
In discussions on August 22nd with representatives of the Ballarat Aboriginal Education Committee, the Acting Administrator of the Ballarat and District Aboriginal Cooperative and the ASsistant Director Arts and Community Studies, and the Aboriginal Studies Teacher Coordinator at the Ballarat School of Mines, it was agreed that attempts be made to seek funding for and Aboriginal Education Support Unit, to be staffed by Aboriginal persons and to be responsible for policy, Aboriginal liaison and student support services. On September Eleven pieces of correspondence relating to the appointment of a Ballarat School of Mines Koorie Support Unit Coordinator and Support Person. Note: Some aspects of this correspondence is closed to comply with the Privacy Act.koorie support unit, aboriginal education unit, tony lovett, ian pimblett, letterhead, ballarat and district aboriginal co-operative ltd, daryl vea vea, ballarat aboriginal education committee, aboriginal education support unit, peter shiells, kerrie cross, cordell kent, bev lovett, dianne nikkleson, wayne muir, victorian aboriginal education associaiton incorporated, lionel bamblett, aboriginal education centre -
Federation University Historical Collection
Clipping, Aboriginal Programs in S.M.B., 1987
A page from the Ballarat School of Mines Annual Report on Aboriginal Programs. aboriginal programs, ballarat school of mines, brian webber, aboriginal women's course, women's research and employment initiatives program, ralph willis -
Federation University Historical Collection
Book - Booklet, University of Ballarat Reconciliation Action Plan, 2009-2010, 2009
Soft covered booklet documenting the University of Ballarat Reconciliation Action Plan. Photographs include Christine Ward, Ben Atkinson, Katrina Beer, Shirley Morganreconciliation action plan, aborigines, aboriginal education unit, ben atkinson, katrina beer, shirley morgan, christine ward, reconciliation, university of ballarat, aboriginal education centre -
Federation University Historical Collection
Photograph - Black and White, Jean Philips, Coordinator of the Ballarat School of Mines Aboriginal Education Support Unit, 1990, 02/1990
A black and white photograph of Jean Philip in the grounds of the Ballarat School of Mines.jean philips, aboriginal education unit, aboriginal education support unit, koorie education centre