This crate of bottles may have come from a wholesaler, business, stationer or school. The design of the bottles is sometimes called a ‘cottage’ or ‘boat’ shape. Each of the 70 Caldwell’s handmade glass ink bottles was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This large collection of similar ink bottles is of particular significance as the bottles have come from the same source, most have their original corks and some retain their original labels, which is rare. The method of manufacture of these bottles is also representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottles and their contents are of state significance for being produced by an early Melbourne industry and exported overseas. This case of ink bottles is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottles in a wooden crate; 70 rectangular, hand-blown clear glass ink bottles. They have side seams, uneven thickness, especially at the bases, and rough, burst-off mouths. The shoulders on the long sides have horizontal grooves used for pen rests. The bottles vary; some have labels, some contain remnants of blue-black ink, and many have their original corks. The glass has bubbles and imperfections. The remnants of printed labels are on white paper with a swirly border and black text. The bottles contained Caldwell’s blend of blue black ‘Flo-Eesi’ ink.Printed on label; “CALDWELL FLO-EESI BLUE BLACK INK” “ - - - - “ Printed script signature “F.R. Caldwell”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

Black and white photograph of Lesley Hills and Geoffrey Butterworth in garden c1942Digital copy of black and white photograph.lesley hooper, geoff butterworth

According to the shipslist.com, the Union Steam Ship Company of New Zealand had 3 ships called Koranui. Koranui (1) 1883 1885 taken over with Black Diamond Line fleet, 1889 wrecked Blind Bay. 448 Koranui (2) 1914 ex- Cleopatra (A.Kirsten, Hamburg), 1920 war reparations and renamed, 1953 to J. Hagen, Noumea, renamed Neo Hebridais II. 1,266 Koranui (3) 1956 1976 sold to Maldives, renamed South Pacific. 3,722 The buoy is most likely coming from one of the last two on te list.The lifebuoy is a essential piece of equipment on a ship; as it has the name of the ship written on it it is often a memorabilia kept after the ship has changed name or has been broken up.Ring shaped life preserver from SS Koranui divided into four sections alternating between red and white colourings.Black writing on white sections of buoy: "S.S. KORANUI/MELBOURNE"buoy, safety wheel, lifebelt, water wheely, ring buoy, lifering, lifesaver, life donut, life preserver, perry buoy, mission to seafarers, seamen's mission, ss koranui, new zeaaland, union steam ship company of new zealand, rescue, life saving equipment

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Evelyn and Duncan Black. The photo was made by Yeoman Co. of Bourke Street Melbourne which operated between 1888 and 1915.Digital copy of black and white studio photograph.shirley fraser, evelyn black, duncan black

Black and white portrait of male - possible a member of the Chatham family.Black and white portrait in light card framechatham-holmes collection, chatham family

Biography of Leonard Keysor. This is the personal story of one of Australia's 9 VC recipients at Gallipoli & the story of his family. Compiled by his great neice, Kiera Quinn Lockyer.Soft cardboard cover, black print on front, spine & back. Mottled beige background with two black & white photos on front. Larger photo is a painting of a soldier in uniform on the battlefield, smaller photo is a half portrait of a soldier in uniform. 302 pages, cut plain paper, illustrated with black & white photos of people, certificates, medals, ships & buildings.Front flyleaf signed in black ink: “Keira Quinn Lockyer”books-military, photography-photographs, keysor, vc

Photo relates to James Worland MILLS as a cadet. He would become No 3441 59th Battalion AIF. Refer Cat No 169P for his service details.Post card photo, black / white, showing a young cadet soldier standing in uniform with a background facade.On rear LHS in black pen: “To My Dear Bell”photograph, cadet, 59th

In the early nineteenth century larger Australian wool producers sent all their wool by sailing ship to London, where colonial auctions were held in November, January, February and March. Wool bales were carried from the farm on drays or wagons pulled by bullocks, horses or camels to port warehouses. In these times, wool transport could take anything from a week to six months. Ships, such as the Lightning, were then loaded and raced each other to get to London ahead of their rivals. The wooden ship 'Lightning' was destroyed by fire while loading wool at Geelong 31 Oct. 1869. Scuttled in Corio Bay and the remains later blown up. Reputed to be one of the fastest sailing ships. Famous in the Australian passenger trade.Model of a clipper ship with hull painted brown and black. Red Ensign flag attached to flag pole.On label - Lightning Black Ball Line 1854-55geelong, transport, model ship, lightning, wool transport

A black and white photograph of Murchison Street in Marysville in Victoria.A black and white photograph of Murchison Street in Marysville in Victoria. Murchison Street was named for Roderick Impey Murchison who was one of the most distinguished geologists of the 19th century. His liberality and social position plus the pride he took in his science were of immense value in furthering the cause of learning in Britain.murchison street, marysville, victoria, roderick impey murchison, geology, geologist

A black and white photograph of Murchison Street in Marysville in Victoria.A black and white photograph of Murchison Street in Marysville in Victoria.Brownie (32-317) has a little rest/ after taking us around pretty/ Marysville, Vict,. ROY LIEBIGmurchison street, marysville, victoria

A black and white photograph of Murchison Street in Marysville in Victoria.A black and white photograph of Murchison Street in Marysville in Victoria.Main St.murchison street, marysville, victoria, photograph

An early black and white photograph of the township of Marysville in Victoria.An early black and white photograph of the township of Marysville in Victoria. This photograph of Marysville was taken by Nicholas John Caire in 1883. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. nicholas john caire, marysville, victoria

A black and white photograph of Murchison Street in Marysville in Victoria.A black and white photograph of Murchison Street in Marysville in Victoria.Main Stmurchison street, marysville, victoria, photograph

A black and white photograph of Murchison Street in Marysville in Victoria.A black and white photograph of Murchison Street in Marysville in Victoria.murchison street, marysville, victoria, photograph

A black and white photograph of Murchison Street in Marysville in Victoria.A black and white photograph of Murchison Street in Marysville in Victoria.murchison street, marysville, victoria, photograph

A black and white photograph of Murchison Street in Marysville in Victoria.A black and white photograph of Murchison Street in Marysville in Victoria.murchison street, marysville, victoria, photograph

A black and white photograph of the Marysville Theatre in Marysville in Victoria.A black and white photograph of the Marysville Theatre in Marysville in Victoria. The Marysville Theatre was located in Murchison Street. The building was originally built in 1932 by local builder Harold Cuzens for Jim Wallace. The solid concrete building was used as a Theatre from 1932 to 1970. The building was then purchased by The Darmody Family and was used as an Arts and Crafts Centre for two years from 1975. The building was then purchased by Norman and Rosemary Fiske in 1977 and converted into a restaurant called The Pumpernickel. This building, along with most of the town, was destroyed in the 2009 Black Saturday bushfires. marysville theatre, marysville, victoria, harold cuzens, jim wallace, darmody family, norman fiske, rosemary fiske, the pumpernickel, 2009 black saturday bushfires

A digital copy of an advertisement for the Blacks' Spur Hotel at Narbethong.A digital copy of an advertisement for the Blacks' Spur Hotel at Narbethong.narbethong, victoria, australia, advertisement, black spur hotel, accommodation, black spur inn, blacks' spur inn, blacks' spur hotel

An information brochure regarding the Black Spur Inn in Narbethong.An information brochure regarding the Black Spur Inn in Narbethong.narbethong, victoria, australia, black spur inn, black spur hotel, blacks' spur inn, blacks' spur hotel, narbethong hotel, accommodation, information brochure

A black and white photograph of Cloverdale near Marysville in Victoria.A black and white photograph of Cloverdale near Marysville in Victoria.marysville, victoria, australia, cloverdale, photograph

A black and white photograph of The Gallery Restaurant in Marysville in Victoria.A black and white photograph of The Gallery Restaurant in Marysville in Victoria. This restaurant was housed in the former Marysville Theatre and stood on Murchison Street. This building, along with most of the town of Marysville, was destroyed in the 2009 Black Saturday bushfires. Mary Ferguson/ 70s + 80smarysville theatre, marysville, victoria, gallery restaurant, 2009 black saturday bushfires

A black and white photograph of the dairy that was located in Marysville in Victoria.A black and white photograph of the dairy that was located in Marysville in Victoria. The dairy was located on Falls Road in Marysville. The building existed from 1958 to 2009 when the building was destroyed in the 2009 Black Saturday bushfires. It was operated by a local man, Tino Gianforte.marysville, victoria, dairy, falls road, tino gianforte, 2009 black saturday bushfires

A black and white photograph of the Taggerty Butter Factory in Victoria.A black and white photograph of the Taggerty Butter Factory in Victoria taken around 1904. The Taggerty Butter factory opened in 1892 in the township on the Little River. It was run by the Kennedy family and built by J.B. Coombs of Acheron Station. Coombs was later Shire President. Milk had been previously taken daily to the steam-driven separators at Thornton. Upper Thornton. The cream was separated and the remains were taken back to the farms for the pigs and calves. Before these town separators existed butter had been made at home in a barrel, salted, and stored. The operation at Taggerty ceased in 1908 and the Alexandra Dairy Company took over production. The building no longer exists but materials from the original Taggerty Butter factory building now form part of the Williamson house off Swamp Creek Road.taggerty, victoria, taggerty butter factory, little river, kennedy family, j b coombs, acheron station, thornton, upper thornton, alexandra dairy company, williamson, swamp creek road