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Melbourne Legacy
Book - Book, History, Legacy Club Melbourne, History for the Years 1932-1944 Part 1, "Legacy Develops", by Legatee C.B.W. Smith
For those interested in the history of Melbourne Legacy this book is a must read. Filled full of larger than life characters and the good will of many volunteers and benefactors of Legacy. The book should be read in conjunction with Part Two (item 00365). These type written sheets were set in order and put together by some members of The Advisory, History And Tradition Committee (Melbourne Legacy).Significant in that this is a scholarly attempt at recording the early history (1932-1944) of Melbourne Legacy. These were the years of the Great Depression and World War 2, hence shortages of all manner of things. Rectangular in shape, navy blue hardback cover, title printed in gold lettering on front cover and spine. Cover, thick cardboard, pages paper. Envelope adhered to flyleaf containing two typed letters (pinned together) and a report. Letter 1; written 15/2/1940 by C.B.W.Smith, Esq., to A.N. Kemsley, Esq. Letter 2; reply written 27/2/1940, a reply by A.N. Kemsley Esq to C.B.W.Smith Esq. Report, re History of Melbourne Legacy Club, written /11/1937 to J.H.B. Armstrong. Chapters numbered in handwritten ink in Roman numerals, chapters also divided by thin yellow cardboard. Various notations, handwritten in pencil and ink throughout the book.Title on cover and spine printed in gold lettering. Report(3/11/1937) initialled by Cyril Smith. Letter 1, signed Cyril (Cyril Smith). Letter 2, not signed.history, founding legatee -
Melbourne Legacy
Book - Book, History, Legacy Club Melbourne, History For The Years 1932-1944, Part 2, Legacy Develops, General Notes by Legatee C.B.W. Smith
For those interested in the history of Melbourne Legacy this book is a must read. Filled full of larger than life characters and the good will of many volunteers and benefactors of Legacy. The book should be read in conjunction with Part One (item 00363). These type written sheets were set in order and put together by some members of The Advisory, History And Tradition Committee (Melbourne Legacy).Significant in that this is a scholarly attempt at recording the early history (1932-1944) of Melbourne Legacy. These were the years of the Great Depression and World War 2, hence shortages of all manner of things.Navy blue hardback book, title printed in gold lettering on front cover and spine.Title on cover and spine printed in gold letteringhistory, founding legatee, committee -
Tarnagulla History Archive
Photocopies: Historical Tarnagulla letters, 1859-1874
Murray Comrie Collection. Photocopies of seven historical handwritten letters associated with Tarnagulla. Original letters are all 19th Century. Whereabouts of originals unknown. Copies probably made by Murray Comrie in the 1960s. 1. Character reference for David Renshaw written by Thomson & Comrie (1874?) - 1 copy 2. Letter to Melbourne Postmaster from William ______ about an advertisement (1860) - 3 copies 3. Two page letter from John Papineau of Sandy Creek to the Surveyor General regarding gazetting of land for a racecourse 3 miles from Newbridge next to the Loddon, and further gazetting to protect cemetery area at Tarnagulla from gold miners. (August 1859) Original may be in Lands Dept - 2 copies 4. Letter from the Postmaster Sandy Creek to same at Melbourne regarding daily mail despatch times (March 1860) - 3 copies 5. Letter to the Mayor and Councillors of the Borough of Tarnagulla from Prince Alfred? thanking them for welcoming him during his visit (1867). Original may be in Hall. - 3 copies 6. Letter to the Dept of Lands and Survey, Melbourne from John Papineau of Sandy Creek. States that he has enclosed a copy of his August 2nd letter. (1859) - 4 copies 7. Letter to David Renshaw from Parliament House. Appears to be a character reference. Dated 3rd October 1874 - 2 copies of page 1 only, no second page. tarnagulla, residents, renshaw, papineau, post office, newbridge, racecourse, cemetery, thomson, comrie -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Bend of the River Watt, c.1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.26 / 'Bend of the River Watt' / Albumen silver photograph mounted on boardOn Reverse: 'The present illustration represents a scene on the River Watt, and is situated in the valley between Mount Juliet and Mount Monda. The immediate neighbourhood abounds with scenery of the wildest and most romantic character. The River here is as clear as crystal, owing, no doubt, to its bed being composed of rock and pebbles. The banks on either side are studded with foliage so dense as to render access to the neighbourhood almost impracticable.’nicholas caire (1837-1918), australia - landscape photography -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Why I love Melbourne, 1969
Boyd muses over Melbourne and its "schizophrenic or split-urbanity", exploring the contrasts that make its character. Poses question "Why don't I live in Sydney?", weighing the "humility" of Melbourne versus the arrogance of Sydney. Every creative movement of importance in Australia in the twentieth century had its origins in Melbourne, therefore Melbourne, Boyd argues, is the moral capital of Australia.Original manuscript of an article published in "The Australian", 04.03.1969. This is the first of a series of three articles about Melbourne published on consecutive days (see D023 and D024).Typewritten carbon copy, quarto, 8 pagesPencil annotationsmelbourne, collins street, alexandra avenue, george miles, boomerang, robin boyd, manuscript -
Bendigo Historical Society Inc.
Banner - MERLE BUSH COLLECTION: MERLE BUSH TREFOIL GUILD BANNER
Grreen cloth banner. The words Merle Bush Trefoil Guild at the top. Taking most of the centre a gold triangle, at top right a poppethead and top right a bottle of wine and grapes. At the centre of the triangle Bendigo flower emblem and at the bottom Suu Loong and the word Bendigo. At the back. Green for the local gum leaves and reefs of gold. Bendigo's position marked in the golden triangle by its floral emblem, the waxflower. Poppet head for Bendigo's wealthy foundations. Sun Loong for the heritage and many nationalities that contributed to Bendigo's character. Lettering the colour of our summer land and grass. Grapes for the vineyards and wines in the area. By Gwen Berby 1997. The banner is in a green carry bag. -
Victorian Aboriginal Corporation for Languages
Book, Robert Brough Smyth, The Aborigines of Victoria : with notes relating to the habits of the natives of other parts of Australia and Tasmania : compiled from various sources for the Government of Victoria by R. Brough Smyth : vol. 1, 1878
Produced in two large volumes, Robert Brough Smyth has collected information on various tribes and their customs, as well as their physical and mental character; birth and education of children; marriage; death and burial of the dead; daily lives of the natives; food; diseases; dress and personal ornaments; weapons; implements and manufacturers; nets and fish hooks; methods of producing fire; canoes and myths. Smyth also devotes about two hundred pages to Aboriginal languages, as well as including details and customs of the aborigines in Tasmania. Complete with hundreds of sketches, the work is still a valuable resource not only for those with in an interest in aboriginal culture, but also those wanting to know the early history of Australia.maps, b&w illustrations, word listsrobert brough smyth, anthropology, aboriginal social life and customs, children, behaviour, death and burial customs, daily life, food, diseases, weapons, shields, boomerang, vessels, baskets, message sticks, stone tool technology, fire, canoes, myths, stories -
Victorian Aboriginal Corporation for Languages
Book, Robert Brough Smyth, The Aborigines of Victoria : with notes relating to the habits of the natives of other parts of Australia and Tasmania : compiled from various sources for the Government of Victoria by R. Brough Smyth : vol. 2, 1878
Produced in two large volumes, Robert Brough Smyth has collected information on various tribes and their customs, as well as their physical and mental character; birth and education of children; marriage; death and burial of the dead; daily lives of the natives; food; diseases; dress and personal ornaments; weapons; implements and manufacturers; nets and fish hooks; methods of producing fire; canoes and myths. Smyth also devotes about two hundred pages to Aboriginal languages, as well as including details and customs of the aborigines in Tasmania. Complete with hundreds of sketches, the work is still a valuable resource not only for those with in an interest in aboriginal culture, but also those wanting to know the early history of Australia.b&w illustrations, word listsrobert brough smyth, philip chauncy, william ridley, albert le souef, a. w. howitt, john moore davis, william locke, a. f. a. greeves, language comparisons, phrenology, aboriginal social life and customs, death and burial customs, weapons, tasmania, lake tyers, lake wellington, gippsland, ballarat, brabrolong, lake hindmarsh, kotoopna -
Bendigo Historical Society Inc.
Newspaper - PETER ELLIS COLLECTION: AUSTRALASIAN SKETCHER 1877, 1st September, 1877
Copy of the front page of the Australasian Sketcher No. 58 - Vol. V, dated Saturday, September 1, 1877. The top third of the page has the name and decorative artwork. The bottom two thirds has two sketch drawings of fancy ball characters. On the left are two ladies, dressed in long dresses and hats and a man dressed in very early dress and a hat. The right hand side shows a man with very long hair sitting on a box with old time clothing with long leggings, bows on his shoes and a wide brimmed hat. He also has a sword and broad carry strap. On the right of the picture is a camera. There is also a vase and a pot plant in the picture.By Courtesy Ern Williams, Bendigo. Argusnewspaper, argus, news items, peter ellis collection, australasian sketcher melbourne saturday september 1- 1877, ern williams. the australasian sketcher with pen and pencil was a monthly magazine published in melbourne by the argus between 1873 and 1889. the sketcher appeared once a month, starting april 1873. the proprietors were named as edward wilson, lachlan mackinnon and others. -
National Wool Museum
Functional object - Typewriter, Remington Typewriter Company, c.1925
This Remington No.12 typewriter is of the typebar, front-strike class. It was made by the Remington Typewriter Company of Ilion, New York, U.S.A. in about 1925. The Model No. 12 was introduced in 1922 and was one of the first 'visible writer' machines, in which the typed characters were visible to the operator. Previous models were of the upstrike class in which the characters were typed on the underside of the platen. To see what had been typed the operator had to raise the platen, meaning the typist was typing blind much of the time. This machine was used by Margaret Ganly née Burn in the 1930s. It was purchased for her by one of the sons of William Pride, a famous saddle maker in Geelong, William was Margaret’s grandfather. The typewriter was donated with original sales receipt and servicing tools. Margaret worked at Dennys for 7 years during the 1930s. The typewriter is accompanied with a story written by Margaret about her time working at the company. Margret married Jack Ganly, a fellow employee of Dennys. The Ganly name was well known within Dennys, with three generations of the Ganly family working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22.The typewriter has a black painted metal frame. The top section of the typewriter consists of a cylindrical platen on a carriage featuring plated metal fittings. A curved folding paper guide sits behind the platen and moves on the horizontal axis when the user types on the keyboard. A horizontal semicircular type basket with typebar links the top section to the lower keyboard. The ink ribbon is carried between two spools on a horizontal axis, one on each side of the type-basket. At the rear, a paper tray features gold lettering which reads ‘Remington’. At the front, a four-row QWERTY keyboard is found with 42-character keys total. 'SHIFT LOCK' and 'SHIFT KEY' are to the left of the keyboard, 'BACK SPACER' and 'SHIFT KEY' to the right. All keys are circular, white with black lettering. At the top of the keyboard are five circular red keys with the numbers 1-5 displayed behind their respective keys. A Spacebar is found along the front of the keyboard. The typewriter is accompanied by a cardboard box. This box contains the original sales receipt, on blue paper with grey lead handwriting. It also contains spare parts, a spare ribbon stretched between two spools, and cleaning tools such as brushes of differing sizes. Serial Number. Engraved. "LX45395" Gold lettering. Paper tray. “Remington” Gold Lettering. Behind keyboard. “Made in Ilion, New York, U.S.A. Gold Lettering. Mirrored both sides of type-basket. “12”remington, dennys lascelles ltd, worker conditions 1930s -
Coal Creek Community Park & Museum
Bottle, glass, 1918 - c. 1925
TROVE : The Age (Melbourne, Vic. : 1854 - 1954) Thursday 22 August 1918 p 6 Article 'Doctors and Lodges. Malvern Medical Association. The friendly societies of Malvern have formed a medical association in connection with the Malvern and District U.F.S. Dispensary. This has been registered as the Malvern and District U.F.S. Medical Association and Dispensary. Practically all the societies have joined it. The committee has appointed as medical officer Dr. J Weir, who is now carrying on the work of the institution. Another doctor is to be appointed shortly to assist him. The committee lately purchased a property in Valetta-street, formerly used by the Church of Christ. Structural alterations have been made, and the business will be transferred from High-street to the new building early in September'. TROVE : The Prahran Telegraph (Vic. : 1889 - 1930) Friday 23 January 1925 p 6 Article 'Malvern Dispensary. ANNUAL REPORT AND BALANCE SHEET. The 16th report and balance sheet for the year ending December 31st last of the Malvern and District U.F.S. Medical Association and Dispensary signed by the president (Mr.Chas. A. W. Smith) has been issued. It is the first annual report since the erection of the new hall and dispensary in Valetta street, and discloses a satisfactory state of affairs. Mr. Smith, who is now a past president of the Dispensary, has been commended on. all sides for the active interest He at all times took in the work of the dispensary, and he has every reason to feel pleased and gratified that the erection of the new building was put in hand and completed during his tenure of office. The enterprise is a credit to the district, and shows that, those associated with friendly societies work in Malvern are imbued with a true progressive spirit. The dispensary is assured of a successful and useful future.........................................'. TROVE : Digitised newspaper articles.- The Dispensary Hall in Valetta Street, Malvern was used as a meeting place and dance hall after 1925.Hexagonal clear amber glass bottle, 1/4 full of yellow / brown liquid with cork stopper secured by string. White paper label with red printed text and hand writing. Bottle has 3 plain sides, 2 sides with 'x' stipple pattern either side of a panel with embossed text.Embossed on side of bottle 'NOT TO BE TAKEN', '8'. Embossed on base of bottle '8', followed by an AGM monogram, over one indistinct character and '422M'. On the white paper label printed in red 'POISON' NOT TO BE TAKEN', followed by hand written script in blue ink 'Use on pad as directed. Mr. Williams' , then printed in red, double red lines followed by MALVERN & DISTRICT U.F.S., M.A. & DISPENSARY, VALETTA STREET, MALVERN.poison, friendly societies, amber glass, pharmacist, dispensary, topical medications. -
Federation University Historical Collection
Document - Document - Letter, Ballarat Junior Technical School: Reference letter for Brian William Tozer written by Mr Garner, 1956
Character reference for Brian William Tozer written by Mr Garner. Outlines his academic abilities at Ballarat Junior Technical School and then at the School of Mines doing a Diploma Course in Metallurgy. Mentions his excellent relationship with staff, time as a Prefect and his keenness and initiative. He was a non-commissioned officer and later as cadet officer in the School Cadet Corps. He represented the school in cricket, football, swimming and athletics. Cream sheet of paper, typed ballarat junior technical school, headmaster, l garner, school of mines, reference, brian william tozer, intermediate technical certificate, diploma entrance level, senior technical scholarship, diploma of metallergy, school prefect, non-commissioned officer, cadet officer, school cadet corps, cricket, football, swimming, athletics -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Black Square
Draft of a brief screenplay. Sequence of vignettes involving seven sets and several characters. Story about an artist who paints black square paintings, including mystery, fight, theft of painting and death of the artist. After artist James A dies, H puts on A's strange sunglasses to discover that through the sunglasses, the black square paintings appear like conventional images eg landscapes. Value of paintings increases.Handwritten (pencil), quarto, 2 pagesscreenplay, contemporary art, drama, kazimir malevich, robin boyd, manuscript -
Bendigo Historical Society Inc.
Document - MARKS COLLECTION: PLAN RELATING TO UNDERGROUND AND SURFACE WORKINGS VICTORIA HILL
Plan on paper: on top of plan 'plan showing the position of the underground & surface workings in the claim of Mr. Ballerstedt Victoria Hill' Signed by Thomas Forbes, Mining Surveyor, 22nd. April 1868' Attached to plan is a letter report accompanying plans on the underground workings in (illegible) Ballerstedt & Sons, Victoria Hill (ink blot covering writing RH side) Text of letter begins : the underground level southwards from the shaft is 4ft 6' x 6 ft wide as shown on the plan; and is at a depth of (illegible) from the surface; along the (illegible) of which the timbering both upright and cap-pieces; are now in as good condition as when the work was being proceed with; with the exception of the uprights and one cap-piece which are slightly crushed from the general settlement of the mullock. The timbering of the drives are still standing in the same position though upwards of 12 months has elapsed after the slip in the open cutting had taken place, showing very clearly in my mind that the slip could not be attributable to the insufficient timbering of the underground workings; but rather to the action of the weather in this particular part of the cutting. The probably quantity of mullock that was detached or slipped from the west side of the cutting; would be (from careful enquiry and observation ) about 1500 loads at least; enough to crush the whole of the timber in the levels, if it had not been of the most substantial character and I think yours to prove that the fall was not caused by any defective timbering but from the cause already stated. I may state that I have inspected the underground workings generally in the mine, and the timbering is of the most substantial characterbendigo, mining, victoria hill -
Federation University Historical Collection
Document - Document - Letter, Ballarat Junior Technical School: Letters relating to change of school - Peter Schoutens, 1958
.1: Letter written by L Garner to the Head Master of the school Peter Schoutens would be attending after moving from Ballarat to Brisbane, Queensland. It is a reference and states the level of education Peter has attained. It also gives a character reference. .2: Hand written letter from Peter stating his new school and requesting the syllabus for some of the technical subjects. He is finding it hard to catch up due to the different styles in teaching..1: page, typed. .2: lined, hand written in blue penballarat junior technical school, head master, l garner, peter schoutens, character reference, scholastic abilities, standard completed in ballarat, mitchelton state high school, brisbane, syllabus -
Federation University Historical Collection
Equipment - Computer, MicroBee Word Processor, c1983
The Australian designed Microbee computer ran at a clock speed of 2 MHz, with a video clock of 12 MHz (displaying 64x16 characters of 512 x 256 pixels) on a modified television of composite monitor. The standard machines were supplied with 16 rt 32 KB of static RAM, and stored programs on a cassette. It was released in June 1982, and could be purchased for AUS$399 in kit form. The Microbee operating system was micro World BASIC.White computer monitor, keyboard, two instruction books and a MicroBee manual. It was the first computer designed and built in Australia. The Ballarat School of Mines was an early user of the MicroBee and had computer labs set up with MicroBee technology. It includes an eight page MicroBee Word Processor Instruction Manual compiled by Pam Baldock,17 July 1984.microbee, computer, pam baldock -
Parks Victoria - Gabo Island Lightstation
Jar
The glazed stoneware pot is an oyster jar made by Powell potteries, Bristol, probably between 1860 and 1880. Pickled oysters were a regular food of the poor in England in the 19thc. Sam Weller, Charles Dickens’ character in Pickwick Papers (1836-37) commented that ‘Poverty and oysters always seen to go together’. In England, pickling oysters for transport to inland towns and long voyages became an industry. The jar was found in sand near the jetty in 1999.Whatever their provenance, they have an association with an event or activity on Gabo Island and for this reason have second level contributory significance for their potential to yield information relating to the cultural history of the lightstation.Ceramic jar. Squat shape, body of jar is cream coloured. Spots of mildew on side. The jar has a pronounced lip, short neck, sloping shoulders and rounded body. Just below the shoulder, the glaze colour changes from brown to stone."POWEL &DB Stol" -
Melbourne Water
I'm not a Wally with Water badge, 1980s
Following the 1983 Victorian drought The Board of Works (MMBW) ran a television, radio and print campaign to encourage water conservation called ‘Don’t Be a Wally with Water’. The campaign followed Wally, a bumbling, habitual water waster, and is an early example of educating the public on water sustainability both environmentally and financially. Wally was both a cartoon character and played on television by the comedian Peter Moon. The campaign ran for several years and was designed to change attitudes towards water wastage. This MMBW branded item is associated with ‘Don’t Be a Wally with Water’ campaign, and demonstrates an early water sustainability education program. These badges would have been given out as promotional merchandise and at public events. Round metal badge with printed cartoon image and text. -
Melbourne Water
I'm not a Wally with Water badge, 1980s
Following the 1983 Victorian drought The Board of Works (MMBW) ran a television, radio and print campaign to encourage water conservation called "Don't Be a Wally with Water". The campaign followed Wally, a bumbling, habitual water waster, and is an early example of educating the public on water sustainability both environmentally and financially. Wally was both a cartoon character and played on television by the comedian Peter Moon. The campaign ran for several years and was designed to change attitudes towards water wastage.This MMBW branded item is associated with "Don't Be a Wally with Water" campaign, and demonstrates an early water sustainability education program. These badges would have been given out as promotional merchandise and at public events.Round metal badge with printed cartoon image and text. -
Robin Boyd Foundation
Film, Robin Boyd, The Flying Dogtor, Episode 1, 1962
The Flying Dogtor is a black and white cartoon series, consisting of line drawings, devised and written by Robin Boyd. He also created the initial drawings for all the characters. The Flying Dogtor series, consisting of 52 episodes, was devised and written by Robin Boyd between 1962-1964 (items D194-D241). They were produced by Crawford Productions and broadcast on Australian Television Network, which later became the Seven Network. Hector Crawford and Robin Boyd were friends.16mm black and white film with sound. Inside a circular metal canister with lid. Duration-5:31 Minutes the flying dogtor, hector crawford, crawfords, robin boyd -
Robin Boyd Foundation
Film, Robin Boyd, The Flying Dogtor, Episode 2, 1962
The Flying Dogtor is a black and white cartoon series, consisting of line drawings, devised and written by Robin Boyd. He also created the initial drawings for all the characters. The Flying Dogtor series, consisting of 52 episodes, was devised and written by Robin Boyd between 1962-1964 (items D194-D241). They were produced by Crawford Productions and broadcast on Australian Television Network, which later became the Seven Network. Hector Crawford and Robin Boyd were friends.16mm black and white film with sound. Inside a circular metal canister with lid. Duration-5:12 Minutes the flying dogtor, hector crawford, crawfords, robin boyd, ohm2022, ohm2022_5 -
Robin Boyd Foundation
Film, Robin Boyd, The Flying Dogtor, Episode 1, 1963
The Flying Dogtor is a black and white cartoon series, consisting of line drawings, devised and written by Robin Boyd. He also created the initial drawings for all the characters. The Flying Dogtor series, consisting of 52 episodes, was devised and written by Robin Boyd between 1962-1964 (items D194-D241). They were produced by Crawford Productions and broadcast on Australian Television Network, which later became the Seven Network. Hector Crawford and Robin Boyd were friends. 16mm black and white film with sound. Inside a circular metal canister with lid. Duration-5:31 Minutes the flying dogtor, hector crawford, crawfords, robin boyd -
Warrnambool and District Historical Society Inc.
Book, New Testament, Late 19th century
This is a New Testament in Chinese given to Thomas Wong Cheong on the occasion of his baptism in August 1886. Thomas Wong Cheong (also written Thomas Wong Tong) was a Christian Catechist appointed by the Foreign Missions Committee of the General Assembly of the Presbyterian Church in Victoria. He worked in Warrnambool, ministering to the local Chinese Christian community for 31 years. He died in 1923. A Chinese Church, under the auspices of the Presbyterian Church, was erected in Ryot Street, Warrnambool in 1892. By the 1930s the Chinese community in the Warrnambool area had dwindled to a very few in number and the Ryot Street building was demolished in 1979. This is a significant book because of its association with the Chinese community in Warrnambool and the catechist Thomas Wong Cheong. The Chinese Church and the work of Thomas Wong Cheong are of importance in Warrnambool’s history from the end of the 19th century to the early years of the 20th century and this book would have been well-used during this time. This is a hard cover book with a black cover and the words, ‘New Testament’ printed in gold lettering on the back page (probably the front page when being read in Chinese). The text is entirely in the Chinese language with the Chinese characters in columns ruled longways. The signature of Thomas Wong Cheong (Tong) is written four times in blue and red ink. There is an inscription on the back page (front of book) and a page with a yellow background and black printing. Some of the pages have been torn (silverfish damage) and the edges of some pages have been stained. Most of the pages have four or five holes on the inside edges, suggesting that the book has been re-bound from a previous binding. There is a pink sticker of the Castlemaine bookbinder on the inside front cover.‘Presented to Thomas Wong Tong on the occasion of his Baptism, Creswick, Victoria, August 1st 1886, T. Angwin, Wesleyan Minister.’ chinese in warrnambool, warrnambool, history of warrnambool -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, New Life For Our Cities, 1965
Boyd asks "What sort of cities do we want?" Various alternatives were discussed at the 14th Royal Institute of Architects convention 1965. The theme of the convention was Civic Development, accompanied by a public exhibition "Man in the Street". A fairly clear definition of the ideal shape for our urban character emerged. It was accepted that congestion, dullness and ugliness would become even more of a problem. Boyd offers a bird's eye view of the nature of our cities as we move progressively outwards.Original manuscript of an article published as ‘New life for Cities. The choice – metropolitan excitement or Canberra order?' in The Australian, 10.4.1965.Typewritten (c copy), quarto, 6 pagesroyal institute of architects convention 1965, australian cities, arthur odell, john overall, robin boyd, manuscript -
Federation University Art Collection
Painting - Artwork - watercolour by Robert Hannaford, Portrait of Dr Tom Kennedy by Robert Hannaford, 1990
Robert HANNAFORD (9 November 1944- ) Born Gilbert Valley, Riverton, South Australia From In 1967 to 1968 Robert Hannaford studied in Ballarat. Primarily known as a portrait artist he is also known for his landscapes, still lifes, nudes, and sculptures. Robert Hannaford has commented: "Portraiture is an exploration of character that goes beyond photography. It is an ongoing thing over a long period of time. You get elements of various emotions that can be sensed in the painting." Framed academic portrait of Dr Tom Kennedy who was the Director of the Gippsland Institute of Advanced Education (GIAE) from 1984 to 1989, and the inaugural Chief Executive Officer and Pro Vice-Chancellor of Monash University College Gippsland (MUCG) from 1990 to 1992. (In 2014 the Churchill Campus became part of Federation University Australia). Prior to moving to Gippsland, Professor Kennedy was the Deputy Director of the Chisholm Institute of Technology. He was an Associate Fellow of the Australian Institute of Management and a Fellow of the Royal Institute of Chemistry, Professor Kennedy held a degree in Science, a PhD in Chemistry (Glasgow) and a Diploma of Education. Rom Kennedy died on 04 May 2011. Signed lower right "Hannaford 90"artwork, artist, tom kennedy, gippsland campus, hannaford, robert hannaford -
Melbourne Legacy
Photograph, Annual Demonstration
A photo of a junior legatees in elaborate ballgowns and old fashioned outfits, and wigs dancing on stage at the Annual Demonstration. Central characters appear to be a queen and a girl in a tutu as part of a dramatic dance routine. Legacy clubs ran classes for junior legatees for many years such as gymnastics, swimming or dancing classes. It was part of providing for the children of their deceased comrades. The skills they learned were show cased in an annual demonstration usually at the Melbourne Town Hall. It appears to be photo taken professionally of the Annual Demonstration. Year unknown.A record of a way Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of junior legatees in ball gowns dancing on stage at Melbourne Town Hall.Stamped "Leslie Thomspon / 8 Keystone Cres / East Kew WL 3078" in purple ink. Handwritten 'Legacy P2' in blue pen.junior legatee, annual demonstration -
Eltham District Historical Society Inc
Document - Folder, Marshall, Marguerite
Marguerite Marshall, Eltham resident, worked as a journalist in the Diamond Valley from around 1980. In 2002, she published "Nillumbik Now and Then", about the shire's landmarks and characters (an update of "Eltham Shire, Historic Buildings, People and Places" 1983). It had photographs b Alan King and covered the Wurundjeri people, the Batman Tree legend, farmers, bushranger, gold mining, soldiers, artists, environmentalists and sportspeople. She was an environmental activist who created a comic character to show there can be a humorous side to the environmental challenge (Eartha Waters, a green tragic) for Nillumbik Climate Action Now event at Eltham Library. Contents Newspaper article: "New book on shire's past", Diamond Valley Leader, 6 February 2002, announcing publication of "Nillumbik Now and Then" by Marguerite Marshall, photographed with photographer Ron Grant and Eltham District Historical Society secretary Russell Yeoman. Newspaper article: "Humorous side on warming", Diamond Valley Leader, 4 June 2008, listing events for Nillumbik Climate Action Now marking World Environment Day, including Marguerite Marshall's character Eartha Waters. Newspaper article: "Green wedge a goldmine of history", Heidelberg and Diamond Valley Weekly, 25 November 2008, Announcing publication of Marguerite Marshall's book "Nillumbik Now and Then". Newspaper letter: "Worst, so we should lead", Diamond Valley Leader, 13 January 2010, Marguerite Marshall argued for climate action. Newspaper article: "Truths to be revealed in talk", Diamond Valley Leader, 23 July 2014, announcing talk by Marguerite Marshall on climate change at Montmorency Probus Club on 21 August and on renewable energy at Nillumbik Probus Club on 10 September 2014. Newspaper article: "Turning back the pages", Diamond Valley Leader, 19 November 2008, Announcing publication of Marguerite Marshall's book "Nillumbik Now and Then". Newspaper clippings, A4 photocopies, etcmarguerite marshall, nillumbik - now and then, eltham shire historic buildings people and places, ron grant, russell yeoman, eltham district historical society, eartha waters greenie tragic, nillumbik climate action now, alan king, montmorency probus club, nillumbik probus club -
Bendigo Military Museum
Postcard - CARDS, POW, c.1939 - 1945
The cards relate to Cyril John Johnson VX36298 died as a POW. Refer 3144 for his service history..1) Imperial Japanese Army POW card to Next of Kin. Plain cardboard. Address side has From/Sender Park-Camp at Moulmein, Burma. .2) Imperial Japanese Army POW card to Next of Kin. Plain cardboard. Address side has From/Sender Park-Camp at Moulmein, Burma. .3) Imperial Japanese Army POW card to Next of Kin. Plain cardboard. States he is interned in POW Camp Moulmein, Burma. .1) - .3) Red stamped Japanese characters & stamped passed by censor. .1) Handwritten address side: To Mrs J Johnson Laanecourie Victoria Australia Signed: C J Johnson Handwritten bottom address side: 2nd Card .2) Handwritten address side: To Mrs J Johnson Laanecourie Victoria Australia Signed: Cyril John Johnson POW No 2954 .3) Handwritten address side: To Mrs J Johnson Laanecourie via Maldonpost cards, japanese -
Bendigo Military Museum
Document - PASSPORT, AUSTRALIAN, Aust Government, 1967
Refers to the service of Tony Cornelius No. 3176333 South Vietnam. See Cat 1874.21. Australian Passport 1960's version NR G741361. Blue cardboard cover. Printing in gold. Crown at the top. Aust Crest in centre. It has 32 pages. 2. Black & red vinyl cover. It has openings at the front. An inner sleeve show's British Crest. At the bottom is Asian letter characters. 3. Cardboard C of A notice. It is about reporting any diseases on arrival in Australia. It has a rectangular stamp from the Commonwealth Dept of Health Dated 21 Nov 1972 - Airport W.A. 4. Paper receipt from Commonwealth of Aust for Passport fee. Receipt no. C597062 - stamped Sydney Cust $4.00. 5. Hand written recipe on how to make Sata meal. Blue ink on lined paper (looks interesting).passport, vietnam -
The Cyril Kett Optometry Museum
Cartoon Drawing, John Nathan, Final Year Optometrical Science Students 1944, 1944 (exact)
The cartoon was drawn by John Nathan, one of the final year students in the first class to graduate with the diploma of Licentiate of Optometric Science from the Australian College of Optometry. His father was Bertram Nathan who played important roles in obtaining registration of optometrists in 1934 and on the Council of the College. John was to become Director of Studies from 1950 to 1964 and President of the College from 1969 to 1978. He also paints in oils.This cartoon is significant to the Australian College of Optometry as a piece of memorabilia from the class of 1944. It is one of only two drawings of optometrists in the Kett collection.Framed ink on paper cartoon drawing of final year Optometrical Science students of 1944 in Melbourne. The characters are depicted playing in an optometric consulting room. It is headed 'Final Year Optometrical Science 1944' and at the lower edge are the names of the students 'John Nathan, Tony "Craniclaw" Douglas, Vans Ovenden and Doug Allen'. Signed by the artist 'John Nathan'.This cartoon drawing depicts final year Optometry students in a contemporary consulting room of 1944. They are shown in typical optometrists' attire of dark trousers, side-buttoning short white coats and PD ruler in the breast pocket. The room has an electric instrument stand, hydraulic patient chair and internally illuminated test chart. The drawing shows the artist's name 'John Nathan' and is mounted in a black frame.Signed by the artist 'John Nathan'students, optometry, optometrical science, cartoon, drawing