Book. ALEC H CHISHOLM COLLECTION. 129 page memoir about the beaches of the coast north of Wellington, New Zealand. Illustrated with 16 B & W photographs. Published in 1950 by A.H. & A. W. Reed, Wellington and printed at The Herald Printing Works, Timaru. Catalogue sticker ''2154 DEM'' on spine. Handwritten in ink on flyleaf ''With the Author's compliments Gertrude Dempsey 4.10.1950''.Gertrude Dempseybooks, collections, memoir, alec h chisholm collection, gertrude dempsey, wellington, new zealand, memoir, nature

A wooden racquet with black leather handle grip. Inscription, starting across base of head of obverse, and down the stem, reads: NARRAGANSETT/EIGHTY/NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Inscription across base of head on reverse: GOLD COAST. Company symbol features below on stem. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Guttennis

Diggers & Mining. Gold. In 1873, Chinese labour was used to break a mine strike at Clunes; and in 1878, seamen on the east-coast ships went on strike to protest against the use of cheap Chinese labour by ship owners. Working men were again fearing Chinese labour as a menace to employment and wage standards. Markings: 10 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Survivors of the German Auxiliary Cruiser Kormoran in a lifeboat, P2, after sinking HMAS Sydney of the WA coast.historicBlack and white photograph of a number of men in a life boat, with P2 on the side, with 1 oar on the left hand side.german auxiliary cruiser kormoran, kormoran, kormoran survivors, kormoran lifeboat p2

Image taken of the Geelong Coast Tennis Association - Womens B Grade Premiers for Season 1968-9.1 photograph of Premiership tennis teamStanding: J Taranto, R McCluskey, M Jinks Seated: E Dean (Capt.), D Browneleopold tennis club, geelong coast tennis association, j taranto, r mccluskey, m jinks, e dean, d browne

2007 S.L.S.A - D.H.L. Surf Life Saving Club of the Year. Awarded to the best Club on the Australian coastWoolamai won the top Award in 2007, which was also the "Year of the Lifesaver"Glass Trophy2007 Year of the Life Saver D.H.L. Club of the Year

Bendigo Advertiser ''The way we were'' from Monday, July 22, 2002. Aye, aye captain: do you know this sailor? He was an 18 or 19 year old sailor aboard the HMAS Sydney, which was sunk off the Western Australia coast in about 1941. He lived in Golden Square, and is believed to be named James. Photo supplied by E. Walsh. The clip is in a folder.newspaper, bendigo advertiser, the way we were

In Aug-2006 a group of 48 overseas Vietnamese came back to visit and pray at the VBP mass grave in Cherang Ruku and at many other cemeteries along the eastern coast of Malaysia. The trip was organized by the Archive of Vietnamese Boat People. It was the first group of the overseas Vietnamese coming to visit since the end of the wave of VBP in Malaysia in 1996. The grave was found by the Archive of Vietnamese Boat People.Praying at the VBP mass grave in Cherang Ruku

Set between the Atlantic Ocean, 12 Ben Mountains and preserved boglands, lies the town of Clifden on the Coast of Connemara.A man stands beside a donkey carry two baskets. It is possibly on the Derrygimlagh Bogchatham-holmes family collection, clifden, derrygimlagh, bog

Letters to Lt. Neil McLeod X1415 "C" Coy, 7th Bn Gold Coast Regiment, R.W.A.F.F, South East Asia. “R.W.A.F.F”. Royal West African Frontier Force. The Gold Coast regiment consisted of 9 Battalions. McLeods unit served in Burma 1944. Six of the regiments Bn’s served in Burma. There are 21 Catalogue items in the collection all referred to this Cat No.Folded in 4, letters, paper with lines and hand written in ink. (sent by air mail par avion) stamp (imprint) top, right corner with graphic of Victoria Falls and 3d (threepence) price on stamp.Hand written letters from “John and Gill McLeod”letters, cards, airmail

The Grinton Collection. Promenade along the Mediterranean coast of Nice France. Refer Cat No. 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper. Depicting - a promenade space filled with civilians seated and standing with a background of tree and buildings. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime". "D. Promenade des Anglais".framed accessories, camera on the somme, 38th bn, grinton, ww1, nice

Maritime Museums of Victoria is a network of sixteen museum sites in the State of Victoria along the Coast but also along the Murray River.The network was created in 2007. The Mission joined the network in July 2013 and the Mission hosts meetings on occasions.Three-fold A4 brochure on glossy colour papermaritime museums of victoria, network, victoria, mmv, interest group, membership

Also in album is photocopy of page from Don Loves book 'Shipwrecks on the East Gippsland Coast', of the SS Bogong 1896Black and white photograph showing boats at jetty, Eva on right and other tourist type boats, several people on jetty and boats. Broomes Federal guest house on left, Venga next, dark house on site of Robin Hood Inn, Kalimna Heights in background. Lakes Entrance Victoriaships and shipping, waterways, retail trade

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall, sea wall

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall, sea wall

This photograph was when Regional Victoria was able to travel around the state, but Melbourne was still in Covid19 lockdown. Colour photograph of a Covid19 social distancing sign on the Warnambool breakwater.warrnambool, coast, breakwater, covid19, pandemic, social distancing

Colour photograph of Covid19 Panemic Dining Rules at Red Spoon, Warrnambool, 2020. Social Distancing of 1.5 m was in force, and numbers in restaurant were greatly reduced to assist nin reducing the spread of Covid19, and diners had to sign in and wait to be seated by staff. warrnambool, horse, beach, coast, dawn, dominic brine

Colour photograph fron Killarney Beach, Victoria.coast, beach, warrnambool, life saving, surf life saving club, flags

John Ford Paterson, Ti-tree, Brighton Beach 1895, oil on canvas, 25.5 x 40.5 cm. Bayside City Council Art and Heritage Collection. Purchased 2022.brighton, beach, ti-tree, john ford paterson, bayside, coast

sandringham, beach, coast, red bluff, port phillip bay, ti-tree

beach, family, allyson dearing, beaumaris art group, dog, coast

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour depicting a coastal beach scene.art, artwork, neville bunning, beach, coast, seascape

Also 1 Black and White Photographic copy 12.5cmx17.5cm, fair condition P01154-2Black and White Photographic miniature postcard showing the southern abutment of the North Arm Bridge, town, including Club Hotel and garage, sand, hummocks and in distance, the footbridge across Cunninghame Arm. Workmens huts at bridge approach, motor car and truck parked westside of bridge approach. Boats in western boat harbour. Atlantic Ethyl sign behind Club Hotel, and tanks on tall tankstands. Lakes Entrance Victoriabridges, coast, hotels, boats and boating, fences, transport

Items of correspondence (to Miss M Bush). A. Invitation to Miss M Bush to marriage of Beverley Edith Lansell to Robert Graeme Orr on 10/11/1937. Postmarked 18/10/37; b. from Office of The Secretary for Railways (NSW) to M. Bush re enquiry about Reso train. Letter, receipts and two photographs of Reso train leaving Running Creek No 2 tunnel (North Coast Line).person, individual, bush collection - personal, bush collection, collection, wedding invitation, photograph, photo, correspondence, reso train, transportation, trains, railway line

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings

Original Ships History: Aréthuse was a French frigate, launched in 1757 during the Seven Years War between England and France. She was captured by the Royal Navy in 1759 and became the fifth-rate HMS Arethusa. She remained in Royal Navy service for twenty years until she was wrecked after being badly damaged in battle. The ship was constructed at Le Havre for privateer warfare as ”Pélerine” and soon after her launch, she was purchased by King Louis XV (1710-1774) and commissioned as Aréthuse on 21 January 1758. In June, under captain Vauquelin, she sailed through the British blockade of Louisbourg helping to defend the site before departing, again forcing the blockade. On 18 May 1759, she was in transit from Rochefort to Brest, under the command of Louis-Philippe de Rigaud, Marquis of Vaudreuil, when she was intercepted near Audierne Bay (Baie d'Audierne) by three Royal Navy ships the Thames, Venus and Chatham. She attempted to escape but after two hours, lost her topmasts and was overtaken by her pursuers. Thames and Venus engaged her with heavy fire, causing 60 casualties before the vessel surrendered. She entered service with the Royal Navy for the rest of the war, and was in service in British home waters and became responsible for the capture of several French privateer cutters. In 1777, a Scotsman James Aitken, widely known as John the Painter, was hanged from her mizzenmast for burning the Rope House at Portsmouth Royal Dockyard on 7 December 1776, to aid the struggle of American independence. The mast was struck from the ship and re-erected at the dockyard entrance so as many people as possible could watch the execution. On 17 June 1778, she fought a famous duel against the French 36-gun frigate, Belle Poule. Belle Poule was on a reconnaissance mission, along with the 26-gun Licorne, the corvette Hirondelle and the smaller Coureur when she encountered a large British squadron that included Arethusa at a point 37 km south of The Lizard. Admiral Keppel, commanding the British fleet ordered that the French ships be pursued. The captain of Belle Poule refused the order to sail back to the British fleet. The British fired a warning shot across his ship's bow, to which he responded with a full broadside. This action began a furious, two-hour battle between the two ships that resulted in the deaths of the French second captain and 30 of the crew. However, Arethusa was crippled by the loss of a mast and withdrew, allowing Belle Poule to escape. This battle was the first between British and French naval forces during the American Revolutionary War and took place around three weeks before France had made a formal declaration of war. The battle was widely celebrated in France as a victory, even inspiring a hair-style in court circles that included a model of Belle Poule. It was also viewed as a victory in Britain and became the subject of a traditional Sea shanty, The Saucy Arethusa. On 18 March 1779, under captain Charles Holmes Everitt, Arethusa engaged the French Aigrette, under Lieutenant Mortemart, sustaining considerable damage in the fight. Arethusa was wrecked the next day off Ushant, It was the fame of this Arethusa which induced the Royal Navy, during the following two centuries, to bestow the name on a further seven consecutive individual ships and two consecutive classes of cruisers. (See Provenance Sec this document for information on the makers of this model). Model ship of the 3 masted frigate the “Arethusa”, model is painted black and white with varnished deck and masts. A British flag is flown at the stern. The ship is displayed in a glass case with timber frame and 4 legged stand.Label at bottom of glass case, printed in black script on a gold strip “Model of the “Arethusa" "A famous frigate, taken from the French by the British, on the 18th of May 1759 and lost on the French coast in 1779. – Made and presented by G. Lance & P. Diggins, October 1894” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, arethusa ship model, george lance, peter diggins, len asling, warrnambool art gallery, warrnambool exhibition, message in a bottle