Unknown Newspaper clip '' Talented Bendigonian. Miss Sadie E. Russell Free place at University. The article includes a photo and states that Miss Russell came from California Gully and was a grand-daughter of Mr. and Mrs. WH Wallis of Smalley Street. She completed her high school course in 1935 and began teaching at Elmore, at the time the article was written was to leave Bendigo to take up a place at the University of Melbourne to complete a BA and MA, Dip Ed. Her father is a direct descendant of Sir Henry Russell first baronet of Swallowfield, Berkshire.newspaper, bendigo

This program was created to accompany the school production of Smithy, held at Altona Civic Theatre, August 14 -16, 2003. The production was directed by Michael Waugh. Assistant director - Lyn Renwood. Stage Manager - Annie Rodoni. "Smithy" logo designed and created by Ben Moore, front cover artwork and design by Ben Moore, Michael Waugh, Lyn Redwood and Andrew Cohn. "Graffiti wall" graphic designed and created by Lyn Redwood.An A4 stapled publication. Front and back covers are colour. 8 p. : ill.williamstown high school, michael waugh, ben moore, lyn renwood, andrew cohn, school production, smithy, program

A 1972 calendar from an old Bendigo butcher store called R.F. Gearon that has a uncommon Frances Tipton Hutner photo of a crying young boy holding a King Charles Cavaliar dog in his arms while attempting to go to a dog exhibition but is being directed away by the old man at the entrance. Below the picture has the Calendar itself and the name and location of the butcher, 11 Lowndes Street, Kennington. "NOT ELIGIBLE" With Compliments from R.F. Gearon QUALITY BUTCHER 11 LOWNDES STREET, BENDIGO, VIC, 3550 PHONE: 3-3507 FOR FREE DELIVERY PHONE: 3-3507bendigo, business

Set of two colour prints from a scanned slide image, loaned by donor and some black and white prints 3246.1 - No. 34 and three other bogie trams parked in the City Loop. No. 34 showing "Special". Has Big W and Bridge St. in the background. A small family group standing by the front of No. 34. 3246.2 - ditto but without the family group. Colour Prints made by commercial machine printer direct from images on Kodak Xtralife Paper. Taken 23/8/1971 - the last Sunday of full operations? For high resolution image see btm3246i1h and 3246i2h. sturt st, city loop, bridge st, tram 34

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in San Toy OR The Emperor's Own. San Toy was a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899. The book was written by Edward Morton, and the musical score was written by Sidney Jones with lyrics by Harry Greenbank and Adrian Ross. Additional songs were written by Lionel Monckton. The photograph of the cast on stage includes 'Betty', far right. This may have been Betty Eames, Betty Wilson or Betty Crowe. The scenery was by Alexander and Day and the production directed by Lance Nicholls in the Kew Recreation Hall.Arrow and name 'Betty' beside right of photo.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members in The Kew Light Opera Company's Australian premiere of Goodnight Vienna!, performed during the 1957 Moomba Festival in the Alexandra Gardens and also in the Kew Recreation Hall. Goodnight Vienna! was composed by George Posford with additional lyrics by H. V. Purcell. The lyrics were by Holt Marvell who had written the book on which the musical was based. Goodnight Vienna! was produced and directed for The Kew Light Opera Company by Lance Nicholls with musical direction by John Trotter. The scenery and lighting was designed by James L. Alexander, while the costumes were by Ada Colton.Marion Tilley has written underneath the photograph: "In Alexandra Gardens. Moomba Festival"performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria, alexandra gardens - melbourne

This book is a direct result of an incident on 16 March 2000 when Australian surfing champion Nat Young was physically assaulted at Angourie Beach after an altercation in the water. The book contains a series of eleven articles exploring the issue of aggression (rage) in the surfing community. The book features a forward by Drew Kampion and articles by a number of surfers including Nat Young, Derek Reilly, Nick Carroll, Fred Pawle and Torquay local, Gordon Stammers. This book is significant in that it was the first Australian publication to formally address the issue of surf rage on Australian beaches.SURF RAGE by Nat Young (a surfers guide to turning negatives into positives). Full colour, soft colour book with a photo of a tubing wave on the coverISBN 0-9585750-1-0surfing, nat young, surf rage, nick carroll, gordon stammers, tribal law, surfers, violence, anger

Anzac commemorative medallion issued to the next of kin of Private Thomas Emanuel Rollings - 1983 - 24th Battalion, Wangaratta. See also 213. The Anzac Commemorative Medallion was instituted 1967. It was awarded to surviving members of the Australian forces who served on the Gallipoli Peninsula, or in direct support of the operations from close off shore, at any time during the period from the first Anzac Day in April 1915 to the date of final evacuation in January 1916.Bronze commemorative medallion depicting Simpson and his donkey on the front and Australia, New Zealand and the southern cross on the back.Medallion is set inside a plastic hinged lid box with a deep purple velvet lining. Original white cardboard box with two sections. Top section has brown paper label with handwritten address and white/blue stamp on outside. The medallion is cast in bronze and is approximately 75 millimetres high and 50 millimetres wide. The obverse of the medallion depicts Simpson and his donkey carrying a wounded soldier to safety. It is bordered on the lower half by a laurel wreath above the word ANZAC. The reverse shows a map in relief of Australia and New Zealand superimposed by the Southern Cross. The lower half is bordered by New Zealand fern leaves. The name and initials of the recipient is engraved on the reverse. The medallion is issued in a presentation box.Medallion - Front: "1915" "ANZAC" Back: "T. E. ROLLINGS" hand engraving Cardboard box - Top section: "St Kilda Rail., S.2 / Victoria / No. 8248"printed "Mrs A E Rollings / Eldorado / Victoria" handwritten "If not claimed in seven days return to :- Central Army Records Office, Albert Park Barracks, Melb" anzac, medallion, commemorative medallion, bronze, eldorado, 24th battalion, wangaratta, gallipoli, ww1

Female student directing plough being drawn by draught horse. (1) Note by T.H. Kneen 5 February 1992, "Handwriting on reverse of photo is that of A.W. Jessep Principal (1926-41). Student is J.M. (Pixie) Scott 1941. (2) Note by T.H. Kneen 26 February 1992, (J.M.) Pixie Scott (1941) ploughing in orchard with one of the 3 draught horses probably Donald (or Donnie). The others were Freck and Flora."On reverse, "Student ploughing in the orchard School of Horticulture Burnley June 1940."students working outside, ploughing, draught horse, orchard, pear block, donald (donnie), j m (pixie) scott, donnie, freck, flora

A copy of speech given by President Bill Rogers when he was explaining to a meeting of Melbourne Legacy branches and groups about changes to the fundraising methods being used by Melbourne Legacy. He mentions hiring a firm DVA Navion to help with direct marketing. This was a new concept for Melbourne Legacy. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).An insight into Legacy taking a professional approach to fundraising in 2006.Print out x 5 pages of a speech given by President Bill Rogers to the Legacy Club Conference in 2006.fundraising, marketing, public relations

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Ten works were undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. All paintings are of various flowers painted in watercolour. .1 is incomplete with the vase sketched in pencil; .3 has pencil sketches on the reverse side .6 .7 and .8 are still life paintings.1 urs embossed stamp " RWS Pall Mall East Guaranteed Pure Paper " with the letters "RS" in pencil; .2 lrs "A. WATSON 3rd TERM 1931 .4 upper top verso "Pass. Good tones values in red flower. Also color, one not overworked.Yellow flower rather faulty tone, but direct work. Very promising."ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, lettering, flora, flowers, alumni

Government notice of entitlement to compensation for war damage, under the National Security (War Damage to Property) Regulations, from 1 January 1942, and an instruction not to seek compensation until instructed. The War Damage Commission was established under Commonwealth national security legislation to pay compensation for direct war damage. It collected money from local councils through a levy based on property values. Payments were not generally to be made until after the war ended.White paper, discoloured with age, printed in blackwar damage commission

Miniature Doll Hygeia - The ancient Greeks, Egyptians, Romans believed gods directed physical welfare. Temples were built for priests - physicians. In Greece temples remains of "Asklepios" provided hostels, hospital wards, bath houses, gymnasia. Hygeia symbolized health and panacea. Hippocrates born in 460BC was a great physician and held ideals of ethical conduct and practice. Todays medical students still adhere to this oath when graduation and also laid the foundations of scientific medicine.Miniature Doll - Dressed in Blue Dress with Silver Trim 30 cm tall with name tag. Name Tag Hygeianursing history, nursing education equipment, miniature doll

Rose Series postcard No. P 586, titled "Flinders Street Railway Station, Melbourne" looking at the station entrance from St Paul's cathedral steps. Has two cable tram sets on the Richmond line. One trailer is possibly No. 16. it's clearly one of the original fully imported trailers. In the view is also a policeman directing traffic and an MTOCo employee in the middle of the intersection - a signalman? The driver of the open-top vehicle is signaling a right-hand turn.Yields information about Flinders St station 1910s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.On rear in pencil "KM-M-081"trams, tramways, swanston st, flinders st station, flinders st, cable trams

The Germans bought some guns during World War I, but used them as infantry guns in direct support of the infantry where their light weight would allow them to move with the infantry. They complained that the guns were too fragile and didn't have a high enough muzzle velocity to act as an anti-tank gun. Considering that the guns were designed to be disassembled it's not too surprising that they couldn't stand the abuse moving through the shell-pocketed front lines on the Western Front.This particular Gun was captured by Australian Soldiers at the Battle of ST Martins Wood near Ypres in the 3rd Battle for the Somme. The German crew were all killed as were a number of AustraliansThe Skoda 7.5 cm Gebirgskanone M. 15 was a mountain gun used by Austria-Hungary in World War I. In German service it was known as the 7.5 cm GebK 15. Its development was quite prolonged as the Austrians couldn't decide on the specifications that they wanted. Initially they wanted a gun that could be broken-down into no more than 5 pack-animal loads to replace the various 7 cm mountain guns in service, but prolonged trials proved that the 7.5 cm M. 12 prototype to be the best gun. The guns were delivered beginning in April 1915 instead of the planned date of April 1914. For transport, the gun could be dismantled into 6 parts, generally carried in 4 loads. In addition, there was a gun shield fitted on some (perhaps many) such guns. ypres st martins wood skoda gun

This item relates to methods of reproducing photos on all forms of material in an era of physical offset printing.The offset method is being replaced by digital transfer direct to the final product,(paper or other porous and non porous surfaces). Newspapers and other "paper" information publications are still producing "hard copies" but these are slowly being phased out. This item was used Circa 1920s in the peek period of paper based media. From the 1940s radio and then television stepped into the mass media revolution.This book was produced when all printing, Government and private enterprise, was using the "off set" method. This method was used to a great degree in all schools within the Kiewa Valley. It was in an era before "photo-copying machines" were available. This was a period when printing inks for larger printing machines had to be purchased from specialised outlets and printing presses required to be washed after each "run" of printing before the next plate(aluminium) could be fastened onto the "off sett" machinery. Heat infusion now used in large machines and domestic printers has superseded this task. Faded green cloth covered book with green papered front and back sleeve pages.Photos and sketches are throughout the book. Gloss paper used from page 1 one to page 400. Pages 401 to page 432 are not gloss paper. The type of paper varies throughout the book until final advertisement and index pages, from page 833 to page 846, are on gloss paperThe spine cover is badly worn and wording is faded. Front cover has"Commercial Engraving And Printing" Author and publisher details written by Charles W. Hackleman. Published by Commercial Engraving Publishing Company, "A Manual of Practical Instruction and Reference Covering" Commercial Illustrating and Printing by all Processes.technical book, reference for engraving and printing

Over time, apron design and function diversified, and many trades and professions developed their own versions. Aprons were practical for protecting the wearer’s clothing as well as signifying their trade or craft. Wool dyeing was an industrialised profession to aid in the mass production of synthetic dyed clothing. This dyer’s apron would have protected the wearer from the chemicals of the dyer’s trade. There are several ways that fabrics would have been dyed including direct application, exhaust methods, continuous methods and waterless dyeing methods. As seen folded in archive box.dying, wool, apron, wool dying

Letter to Strongman & Crouch Solicitors regarding the formation of an auxiliary to work for additions or improvements to the clubhouse, despite the inability to register the clubhouse and recreation ground as a charity. The Association had been advised it could authorise such an auxiliary, but as the clubhouse operates under a Deed of Trust, was unsure if this was possible. In reply, the advice was to register the auxiliary as one of the Association, thereby all monies paid direct to the Association which could then ear-mark some for expenditure on the club house and recreation ground, or hand to the Trust to do so.2 typed letters on blue and white paperassociation for the advancement of the blind, auxiliaries, kooyong club house

Series of documents recording the second progress payment to W.B. Russell for writing 'There Goes a Man', his signed receipt, outline of progress and the way in which the first progress payment was used. He notes four main fields of activity - sifting and arranging Savige's own records, interviewing friends and relatives, background reading (newspapers etc.), and making notes from interviews and source material. Most of the first progress payment was directed to reimbursement of salary lost whilst working full time on the book.Part of the story of how the book 'There goes a Man' came to be created.Typed documents, black on white. Stamp Duty stamp fixed to 00903.2.00903.2 Signed and dated in blue ink 'W.B.Russell 9-8-57' 00903.3 Signed 'W.B. Russell' in blue ink, pencilled annotations: "Wilf, Thank you. Just like (illegible)! 13.viii.57' 'Read to J.G. Gillespie 14/8/57'savige book, w b russell

An insert made to go with promotional material in the 2021 Anzac Day direct mail appeal. The recipes include a rosemary damper, a lemon and rosemary cake, traditional Anzac biscuits and a cocktail called rosemary fizz. The use of rosemary promotes the idea of remembrance. During the Covid pandemic in 2020 and 2021 there was an increase in time people spent at home, both during enforced lockdowns and with increased working from home, so these recipes were something different for people to try and make.A record that Legacy was promoting remembrance using recipes that included rosemary.Colour printed brochure with perforations that could be torn into four recipes.recipes, rosemary

Hexagonal clear amber glass bottle, 3/4 full of dark coloured liquid with bakelite screw top, paper label adhered to bottle. Bottle has 3 plain sides, 2 sides with 'x' stipple pattern either side of a panel with embossed text. Base of bottle with embossed monogram, letters and numerals.Embossed on side of bottle 'NOT TO BE TAKEN'. On base of bottle '7' then AGM monogram, then 'M' over 'F1072'. White paper label with red printed text 'CAUTION - NOT TO BE TAKEN', below in black typewritten text 'THE PAINT 28-8-62, Use as directed. Mr. Williams', below in red printed text 'CHELTENHAM & DISTRICT U.F.S. DISPENSARY. 272 CHARMAN ROAD. TELEPHONE XF2352'.topical medication, friendly societies, amber glass, bakelite, dispensary

The glass phial contained liquid ethyl chloride, little pressure being required to liquefy the gas at room temperature. By directing the nozzle downwards at the skin or mucous membrane to be analgesed, a stream of liquid squirts out, vaporising on contact, thus producing transient local temperatures of approximately -10 qc. Ether's unpleasant smell agitated patients. Ethyl chloride's pleasant odour reduced agitation. It could be used for induction and worked quickly without irritating respiratory passages. Ethyl chloride spray could also be used as a local anaesthetic. Faded rectangular burgundy box containing a glass phial with metal and rubber lid that forms a spray nozzle. The lid of the box had a mustard coloured manufacturer's label wtih burgundy writing. The phial has a discoloured white label with red writing and a blue label with white writing.Printed in white ink on blue label: IMPORTANT / NOT DESTROY THIS TUBE, IT CAN / BE REFILLED FOR / 2/10bengue & co. ltd., london, ethyl chloride, 1900, local anaesthesia

Annual report of the St Kilda Patriotic Society 1942-43. Summarises the funds raised to date and the source including by house to house collections, raffles, balls, community singing, Sunday concerts, St Kilda carnivals, sale of Australian Comforts Fund badges etc. It also sets out where the money raised had been directed. The St Kilda Patriotic Society was first formed during the First World War and was reconvened during the Second World War to organise all patriotic activities in St Kilda.Cream coloured paper, printed in blue and red on both sides and folded into threest kilda patriotic society, wwii fund-raising

Annual report of the St Kilda Patriotic Society 1944-45. Summarises the funds raised to date and the source including by house to house collections, raffles, balls, community singing, Sunday concerts, St Kilda carnivals, sale of Australian Comforts Fund badges etc. It also sets out where the money raised had been directed. The St Kilda Patriotic Society was first formed during the First World War and was reconvened during the Second World War to organise all patriotic activities in St Kilda.Cream coloured paper, printed in blue and red on both sides and folded into threest kilda patriotic society, wwii fund-raising

George Sydenham was appointed as Colac Shire Valuer and rate collector in 1890 which threw him into direct contact with the Otway people at a time when the first selectors were suffering badly. He would have heard their frustrations and grievances in great detail. When Secretary to the Colac Committee for the Railway Extension to Beech Forest he used his magic lantern slide shows from 1896 to support his case for a railway, by lauding the place and its potential, both for settlement and for timber production.The Otways through the magic lantern: commentary and glass slides of George Sydenham - lecture held in 1896. George Francis Sydenham. 1st ed. Colac (Vic); Colac and District Historical Society; 2013. iv, 118 p.; illus., map. ISBN 9780 6469 122 02 Soft cover.colac: otway ranges; history; coasts;

Series of documents recording the third progress payment to W.B. Russell for writing 'There Goes a Man', his signed receipt, outline of progress and the way in which the payments wasere used. He notes four main fields of activity - sifting and arranging Savige's own records, research and interviews in Canberra and Sydney, background reading (newspapers etc.), and the writing of the first two chapters. Most of the first progress payment was directed to reimbursement of salary lost whilst working full time on the book, as well as travel and accommodation expenses.Part of the story of how the book 'There goes a Man' came to be created.Typed documents, black on white. Stamp Duty stamp fixed to 00904.2.00904.1 'Copy to J.G.Gillespie' in blue ink. 00904.2 Signed and dated in blue ink 'W.B.Russell 9-8-57' 00904.3 Signed 'W.B. Russell' in blue ink, pencilled annotations: "Read by H. Brains 13.9.57' 'Read to J.G. Gillespie 28/9/57'savige book, archive

This photograph was taken on Friday the 27th of August 2004 as part of an event called 'Direct Seeding Expo'. This event was one of many held by the Wooragee Landcare Group in the early 2000s which aimed to educate the local community on certain agricultural and biodiversity conservative techniques. This particular event took place at the property of Lisa and Marcus O'Connor in Wooragee. This photograph shows a demonstration being given on a Hamilton Tree Seeder (a soil ripper). This machine is used to loosen tough, compact soil in order to prepare it for the planting of seedlings.This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group in the early 2000s to educate members of the public on alternative and potentially more efficient methods of planting seedlings. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Portrait coloured photograph printed on gloss paperReverse: WAN NA EONA2N2. ANN+ 2 4240 /

Gas lamps worked by heating something called a 'mantle' with a gas flame. The mantle then glowed brightly, lighting up the room. Lamps had either two chains, for a ceiling-mounted lamp or a tap for a wall-mounted burner to turn off the gas. These chains or taps could also adjust the flow of the gas and hence the brightness of the mantle. Before Carl Auer von Welsbach invented the gas mantle in the 1890s, all gas lights in homes and street lights had simple gas jets that pointed upwards. In the home, these lights were covered with glass globes and had an overall ornate look making the lamp ascetically pleasing and protecting the flame from being blown out. However, this arrangement was extremely inefficient: To get as much light as possible, the gas had to be turned fully up, resulting in large sheets of flame rising towards a ceiling. Also, because the lamp had to be point upwards, the illumination was directed upwards, i.e. at the ceiling rather than where it was needed. So the usable light for a given amount of gas was minimal but the invention of the gas mantle eventually changed this. It enabled gas lights to have a small flame and to direct their light downwards. The item is significant as it is part of a very ornate gas lamp wall bracket from the late 19th to early 20th century. Its provenance is currently unknown and at this time cannot be associated with a historical event, person or place and the item is assessed as a collective asset.Gas lamp wall bracket; part of a gas lamp. A single burner fancy wall mounted bracket, brass, ornate and decorative, featuring a Lamassu - figure with the body of a lion , wings of an eagle and human head. It was recovered from the wreck of the Loch ArdNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gas lamp, brass lamp, gas burner bracket, domestic artifact, gas lighting, gas lamp bracket