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Bayside Gallery - Bayside City Council Art & Heritage Collection
Plaque, Victorian Coat of Arms, 150 Years, c. 1984
A dark wooden plaque with the Victorian coat of arms in metal relief of two female figures standing on a mound of grass on either side of the Southern Cross shield. The figure on the left represents Peace and holds an olive branch, while the figure on the right personifies Prosperity and holds a cornucopia. Above the shield is a knight's helmet and a kangaroo holding an Imperial crown. The motto 'PEACE AND PROSPERITY' is on a banner below the shield and under that a banner read's 'VICTORIA'S 150th YEAR' and the dates 1834 and 1984. The plaque is numbered 59 of 1,000 on the reverse.victorian coat of arms, plaque, shield, coat of arms, peace and prosperity, victoria's 150th year, heraldry -
Federation University Art Collection
Sculpture - Artwork - Sculpture, Badger Bates, "Gitji Woman' by Badger Bates
William Brian (Badger) BATES (1947- ) Born Wilcannia Barkantji Badger Bates is a Barkantji Elder, political activist and contemporary artist. Known primarily for printmaking, wood and stone carving, his work is intrinsically linked to his lifelong fight for the safety and health of the Barka (the Darling River).'Gitji Woman' is carved from a very old piece of log found at Wittabrinna Creek near Tibooburra, Western New South Wales. The tree was dead for 60-80 years, and was hollow inside. "I could see a figure in the wood so I folowed the shapes already three. The woman has a drawn out figure with long fingers and is coming out of the log, she is an ancestral spirit. I put the pink cockatoo and emu feathers in the leg in the way people used to decorate themselves for corroborees."badger bates, paakantyi, wilcannia, timber, aboriginal, barkantji -
Warrnambool and District Historical Society Inc.
Badges, Charity, Early 20th century
These badges appear to date from the World War One period. Badges such as these were sold at this time to aid the war effort in Australia and the proceeds were mainly used to provide comforts for servicemen in Australia and abroad. These badges have no known local provenance but are retained as examples of World War One badges sold in Australia for the war effort..1 This is a circular metal badge with a painted green background with red printing and a cream-coloured image of a winged female figure. The badge has a metal clip on the back. .2 as above except that the painted material is more faded Charityworld war one, history of warrnambool, badges -
Bendigo Military Museum
Honour Board - EAGLEHAWK DISTRCT HONOUR BOARD WW1
Names are listed alphabetically with asterisks beside those who never returned.Eagle District HONOR Roll, print of original on corflute, rising sun at top with flags under, pillars down each side with a female figure at the base of each. Each pillar has battles with Victory & Freedom at the bottom.eaglehawk, roll of honor, district, -
Bendigo Military Museum
Memorabilia - MEDALLION, MEMORIAL KOREA, Post 1953
Attached to the brochure re Korean War Veterans Memorials Cape Cod, MA..1) Brown, round medallion that is imprinted on front with printing & figure of soldier. Back is imprinted with print & 2 small enamel bars, one blue/white the other white. .2) Korean War Veterans memorial brochure. Front around outside: “FREEDOM IS NOT FREE 1950” Back around outside: “KOREAN WAR VETERANS ASSOCIATION, CAPE COD & ISLANDS” Centre: “KWVA”medallions, korea, 1950.53 -
Ringwood and District Historical Society
Trophy, Norwood PS Parents Club House Competition
Presentation Cup awarded annuallyTrophy with metal winged figure on top three columns central one with eleven plaques none named. two metal covered columns on either side.Marble base with plaque with Norwood PS Parents Club House CompetitionNorwood PS Parents Club House Competition -
Flagstaff Hill Maritime Museum and Village
Print - Religious Print, ca. 1944
This framed print was part of the original furnishings of the St Nicholas Seamen's Church in Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This print is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. Framed coloured print depicting the Virgin Mary. An indoor scene of a seated female figure wearing a long dress showing a book to an unclothed infant on her lap. This print is part of the St Nicholas Seamen's Church Collection. flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, print, religious print, virgin mary -
Flagstaff Hill Maritime Museum and Village
Photograph - William Ferrier, Henna Street Picture Framers, 2005
The photograph of William Ferrier was given to Avis Quarrell by Lewis Ferrier, 3rd youngest son of William during the centenary of the wreck of the La Bella. The photograph was framed by the Henna Street Picture Framers, Warrnambool in 2005. The photograph is of William Ferrier, the 25-year-old fisherman from South Warrnambool, whose rescue of two sailors from the wrecked La Bella made him an overnight national hero. The La Bella was wrecked on 10th November 1905,and the remains of the vessel now lie on her port side in 13 metres of sheltered water inside the reef she struck. The bow section is relatively intact and part of the stern has drifted north-easterly towards the mouth of the Hopkins River. The reef the La Bella struck now bears its name. Several attempts were made by the Warrnambool lifeboat crew to rescue the stricken sailors on the La Bella, but the rough conditions made this difficult for the boat to get close enough to the ship and the lifeboat had to return to shore. A another rescue attempt was made by Ferrier who rowed a small dingy through the heavy seas and managed to rescue the Captain George Mylius, whom he landed on the breakwater. Ferrier then returned to the ship to attempt a final rescue, losing his oars and rowlocks into the high sea. Using just a spare paddle he swam towards the La Bella, reaching her stern in time to cut loose the lone surviving sailor, Payne, from the ropes and debris that held him to the ship; the terrified sailor dropped from the ship and into the dingy. Shortly after the last man was rescued, the La Bella was lifted by a huge wave and crashed back down on the reef; she broke up and sank. The survivors were taken to the nearby Bay View Hotel and gratefully received warm food and clothing, medical attention and a place to sleep. William Ferrier became a national hero as news of the daring rescue spread. In recognition of his bravery in the two daring rescues, he was awarded the Silver Medal for Bravery by the Royal Humane Society and was honoured in the letter from the Prime Minister and the Parliament of the Commonwealth, telegrams and a cheque for £20 from the Governor-General, over £150 subscribed by the public, including Warrnambool and district and readers of The Argus, and a gold medal from the Glenelg Dinghy Club of South Australia. Ferrier’s rescue efforts are one of the most heroic in Victoria’s shipwreck history.This photograph is significant at both a local and state level. Its connection to the La Bella shipwreck and the rescue of survivors highlights the dangers of Victoria’s Shipwreck Coast and demonstrates the bravery of ordinary Australians like William Ferrier who risked their lives to save victims of shipwrecks along the coast. Moreover, the photograph has an association with the sailing ship ‘La Bella’, as it is one of the only two shipwrecks discovered in Lady Bay, Warrnambool, out of the 15-17 shipwrecks known to have been wrecked in the bay.Framed sepia photograph, mounted behind glass. Portrait of a man seated on a log. He is wearing a brimmed hat, dark coloured jacket and trousers, and a light coloured collarless shirt with buttons. The figure in the photograph is William Ferrier.flagstaff hill, warrnambool, maritime museum, shipwreck coast, la bella, william ferrier, rescue, hero william ferrier -
Bendigo Historical Society Inc.
Photograph - LANEWAY, MCCRAE ST. TO HOWARD PL, approx. 1960
black and white photograph: laneway, brick building with windows with shutters, female figure walking towards photographer. Lane opposite School of Mines, running from Mc Crae St. to Howard Place, adjoining the Albert Hotel.place, laneway -
Bendigo Historical Society Inc.
Photograph - WILLIAM HONEYBONE, TOWN CLERK, BENDIGO, 1901
B+W Photo on brown board. Male Figure in hat with points at front + back Collar and gown. Inscription: 'Kalma/57 & 59/PallMall/Bendigo' RH corner. Research: William Honeybone, Town Clerk, Bendigoperson, individual, william honeybone -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: SEPIA PHOTO OF A STREET WITH DAMAGED BUILDINGS, POSTCARD, 1914-1918
Postcard, WW1, Sepia photo of a street with the remaining facade of a building at the right. At the end of the street is a clock tower and behind that is a church steeple. A figure at the right with a walking stick. Location not known. G40 and GS written in pencil on the backpostcard, ww1, damaged buildings, france -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: GUNS MOVING ALONG THE FRAMERVILLE ROAD, POSTCARD, 1914-1918
Postcard, WW1, B&W image of a line of guns being towed by a caterpiller tractor along the Framerville road. Anothe tractor behind them. A figure standing on front tractor leaning inwards. Copy G 45postcard, postcard, ww1, framerville, france, tractor, guns -
Bendigo Military Museum
Letter - LETTER, RETURNED FROM ACTIVE SERVICE, Australian Military Forces, No date
William Malcom (Bill) Forrest. Refer Cat No 7281P for the details of his two periods of engagement. The figures "Korea 19.3.53 - 31.8.54" are a different figure from what is in the DVA file.Letter, paper yellowed, "CARO A11 (E1) MP", all print in black from Central Army Records Office to Pte W.M. Forrest relating to the issue of the "Returned from Active Service Badge"Main points; "Pte W.M. Forrest - A400524", "5/1788". On rear hand written in blue pen. "Korea 19.3.53 - 31.8.1954". "Malaya 8.10.55 - 20.4.56"letter, badge, active service, korea, malaya -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Modal Interchange Huntingdale Railway Station", 1973
Set of five foolscap sheets illustrating model interchange at Huntingdale Railway station to serve Monash University and further east. .1 - Photocopy of a sketch titled "Approximate layout of possible train tram interchange at Huntingdale" - dated 15/11/1973 Shows North Road, railway line, railway station and possible tram line. .2 - P14529 - Perspective of above, coloured, has figure 2 along the bottom edge. .3 - P14531 - sketch of a schematic layout at Huntingdale showing trains at either platform face along with a tram. Dated 7-12-1973. Has figure 2 along the bottom edge. .4 - P14545 - dated 11-11-74 - showing "Typical cross section Wellington Road for scheme D (Light rail)", showing the tramway in a trench possibly passing under Dandenong Road and other major intersections. has figure 8 along the bottom edge. .5 - P14523, dated 11-12-73 - showing a proposed loop into Monash University. Shows an extension to Ferntree Gully Station - See Reg Item 3807. Has figure 9 along the bottom edge.trams, tramways, huntingdale, north rd, new tramway, railways, wellington rd, monash university -
Kew Historical Society Inc
Document - Invitation to the Opening of the Parliament of the Commonwealth by His Royal Highness the Duke of York and Cornwall, Tom Carrington, 1901
The Correspondent for The Argus on 10 May 1901 described the opening on 9 May as: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.A colour lithograph mounted on card which is an invitation to the Opening of the First Commonwealth Parliament of Australia, 9 May 1901. The invitation was sent to Mr J.M. & Mrs Campbell. John Longstaff and Norman Lindsay’s design for the invitation includes symbolic female figures and coats of arms of the British and Australian Commonwealth. The central figure represents Justice. At her feet a crown and sceptre are laid, ‘to denote that the monarch will always acquiesce in laws passed by Parliament, provided they are just.’ On the left appears a figure of Britannia, above the royal coat of arms and in front of the white cliffs of England; on the right is a female figure representing Australia, with one hand out-stretched and above the Australian Coat of Arms. Behind her is a pastoral scene; she stands beneath a gum tree. At the top is a border of waratahs; on the left is a border of oak. The six states are represented in shields at the bottom of the card.Front, printed. gold ink: "Opening of the Parliament of the Commonwealth By his Royal Highness The Duke of Cornwall and York / The Government of Victoria requests the honour of the presence of / Mr. J . M. and Mrs. Campbell (handwritten / At the Celebrations in Melbourne in connection with the Opening of the Parliament of the Commonwealth of Australia."parliament of australia -- 1901, royal exhibition building -- melbourne (vic), james maitland campbell -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Principal's House, 1919
Note from T.H. Kneen 19 November 1991, "Principal's Residence viewed from the croquet lawn. Identity of seated figure uncertain-possibly Mr. McLennan." (Principal 1917-21.)Black and white photograph. Side view of the Principal's Residence in background, with man sitting on garden seat.principal, mr. mclennan, principal's residence, croquet lawn, principal's house -
Mission to Seafarers Victoria
Manual, Crompton Atmospheric Silent Ash Hoist Installation Patents
Relates to management by engine room firemen of Ash and soot and clinker in the engine room of a steam ship. Hoists were used to discharge accumulated ash at the end of shifts. Mariner Duncan had a particular regard for the Mission to Seafarers. This plate for display on a commissioned new table at the MTSV chapel acknowledges his bequest and the material donated. Collectively the G W Duncan material includes: photographs, professional data memorabilia and written and commercially printed resources. The memorabilia relates to his career at sea and in particular the role of an engineer, including a handwritten manual of notes and references relating to the mechanical and engineering aspects and areas of responsibility for maintenance. Pale blue soft cover commercially printed manual or handbook relating to patents for Crompton Atmospheric Silent Ash Hoists. Features small diagram of figure pulling on a chain and view of ship silhouette on horizon seen through a porthole.see attached imageship engines, ship maintenance, ash hoists, coal, clinker, george winfield duncan (1922-2017), ship engineer, s.s. athenic -
Montmorency/Eltham RSL Sub Branch
Medal - Commemorative Medallion
In November 2001 Australian SAS troops joined the war in Afghanistan under the operation name "Operation Slipper." Australia's military contribution to the International Security Assistance Force mission in Afghanistan ended in 2014, making Operation Slipper Australia's longest running operation. According to the Department of Defence, "the ribbon is khaki representing the dominant ground colour of the terrain, edged with light blue and white stripes representing the sky above the mountains and the snow on the mountain peaks with central stripes of purple and red representing the ADF and the conflict in Afghanistan." This commemorative medallion features the Afghanistan Medal ribbon colours encircling the figure of an ADF member holding a weapon. The image is in relief. The reverse features a number of service personnel pictured in front of a vehicle, encircled by the motif of the Australian national flag.commemoration, operation slipper, afghanistan, australian army, middle east, international security assistance force -
Flagstaff Hill Maritime Museum and Village
Functional object - Key, circa 1866
The key is one of a collection of seven 1860s keys once belonged to the Glenample Homestead near Princetown. They are all keyed with different bits and would have opened the external panelled doors of the Georgian building. The keys would now be around 150 years old. The keys are now part of the John Chance Collection. Locksmiths became a recognised trade by the middle of the 19th century, doing work that blacksmiths and gunsmiths would have done. They were craftsmen and trained apprentices for their trade. The local community and businesses relied on them for making a wide variety of precision objects such as locks and keys, knives, ornamental and decorative latticework, fine instruments, accurate tools and hardware items. Glenample Homestead became famous after the disastrous wreck of the sailing ship Loch Ard on June 1, 1878. The owners, Hugh Hamilton Gibson and Peter McArthur, were involved in the rescue and recovery of Eva Carmichael and Tom Pearce, the only two survivors, as well as overseeing the salvage of items from the shipwreck and the burial of those who lost their lives. Eva first met Jane Shields at Glenample and they became long-time friends. The keys are significant as an example of mid-19th century locksmith hardware, and for their connection with Glenample Homestead, and for their connection to the history of the Loch Ard shipwreck’s only two survivors. The set of keys also hold significance as they were discovered by John Chance, who was also a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Glenample Homestead is of historical, social and architectural significance to the State of Victoria and is listed on the Victorian Heritage Register (VHR H0392). It is a historical example of early settlement and development of a run in the coastal land of South West Victoria, and it is constructed from locally quarried sandstone but doesn’t take away from its Georgian design. Glenample Homestead is of State significance through its unique connection with the wreck of the ship Loch Ard and the connection to its owners, Hugh and Lavinia Gibson and Peter McArthur, played a historically and socially significant role in the rescue and care of the survivors, the salvage of goods and the burial of those who lost their lives. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S417). Key; steel domestic door key. Flat open bow with 'figure 8' space, round shank that flares out slightly above the collar on the bit. The rectangular bit has internal notches and grooves. There is a rounded pin on the end.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glenample homestead, victorian heritage register vhr h0392, georgian homestead, loch ard, princetown, jane shields, eva carmichael, tom pearce, blue china tea set, antique door key, glenample photographs, john chance -
Bendigo Historical Society Inc.
Decorative object - LE TRAVAIL STATUE
Metal statue of a female figure holding sledge hammer over shoulder and symbols of medicine, mining, music & art at her feet. Title on plaque reads Le Travail (The work) on circular base with bronze look, possibly spelter.Le Travail par E Rousseau (Sculptor) signed on back Rousseauornaments, metal, statue -
Tatura Irrigation & Wartime Camps Museum
Booklet, Brennessel-No 1, 5 October 1941
Produced fortnightly by internees at camp 1, Tatura as a newspaper or periodical of camp 1 events. Contributions from internees. Title translates as "Stinging Nettle" with "Behind Barbed Wire" written below that title.No 1 5.okl.41. Booklet of loose leaves with sketch on front cover of scene at internment camp and prominent stick figure, coloured blue, in centre. Contains typed articles, advertisements, sketches written in German. 12 pages.brennessel, stinging nettle, behind barbed wire, internment camp newspapers -
Tatura Irrigation & Wartime Camps Museum
Booklet, Brennessel - No 3, 19 October 1941
Produced fortnightly by internees at camp 1, Tatura as a newspaper or periodical of camp 1 events. Contributions from internees. Title translates as "Stinging Nettle" with "Behind Barbed Wire" written below that title.No 3 19.Oct.41. Booklet of loose leaves with sketch on front cover of scene at internment camp and prominent stick figure, coloured blue, in centre. Contains typed articles, advertisements, sketches written in German. 12 pages.brennessel, stinging nettle, behind barbed wire, internment camp newspapers -
Tennis Australia
Artwork, Circa 1900
Applique on stretched felt, cotton panel printed with image of a female figure in blue & white striped skirt swinging a ca. 1900 tennis racquet. Edged with embroidered flower designs. Materials: Cotton, Ink, Felt, Wood, Threadtennis -
Beechworth RSL Sub-Branch
Target Figure 11
The rifle range, the standard Figure 11 target shows an unkempt male combatant charging towards the viewer, eyes in shadow, bayonet fixed, looking much like the dehumanized, savage enemy that recruits have been encouraged to imagine. -
Greensborough Historical Society
Book, Andrew R. Bonar, Life of Field Marshal His Grace the Duke of Wellington, by Andrew R. Bonar, 1850_
The life story of Field Marshal Arthur Wellesley, 1st Duke of Wellington, 1769 – 1852, a leading military and political figure of 19th-century Britain. He defeated Napoleon at the Battle of Waterloo in 1815.Good example of embossed book cover384 p. + advertisements, frontis. Gold and black embossed design on light brown coverWm. Chapple, Ballarat 1884 on fly leaf, bookseller's stamp "F. & A. Symons"duke of wellington, arthur wellesley -
Uniting Church Archives - Synod of Victoria
Photograph - Carte de visite, F W Lindt, C. 1880s
Rev. W. A. Quick (1820-1915) was a significant figure in Victorian Methodism. President of the Queen's College Council 1888-1908. Chairman of the Tasmanian District 1861-71. President of the Australian Conference, 1866.Carte de Visite. Sepia toned head and shoulders studio portrait of the Rev. William Abraham Quick. The Rev Quick is looking to his left.Printed on the front: "J.W.LINDT MELBOURNE" Handwritten in ink on the back "Rev. W.A.Quick"methodist, wesleyan, president queen's college council, chairman tasmanian district, william abraham quick, president wesleyan conference victoria -
Uniting Church Archives - Synod of Victoria
Print, Undated. C. 1890s
Rev. W. A. Quick (1820-1915) was a significant figure in Victorian Methodism. President of the Queen's College Council 1888-1908. Chairman of the Tasmanian District 1861-71. President of the Australian Conference, 1866.Black and white print on buff paper. Head & shoulders portrait of the Rev. William Abraham Quick."REV W.A.QUICK EX-PRESIDENT WESLEYAN CONFERENCE, VICTORIA, AUSTRALIA"methodist, wesleyan, rev w a quick, wesleyan conference, president of the wesleyan conference -
Vision Australia
Photograph - Image, Easter Bonnets at Kooyong
A group of people stand, sipping drinks most likely at Kooyong. Some are wearing Easter bonnets, including the central figure who has an AFB badge and an elegant suit matching her hat.1 coloured photograph of people wearing Easter bonnetsassociation for the blind, staff -
Bendigo Historical Society Inc.
Medal - VICTORIAN GOLD JUBILEE EXHIBITION 1901 TO 1902 GOLD MEDALLION
15 carat gold medallion with hanging loop attached at top with gold coloured link. On obverse: figure of a gold miner down on one knee panning for gold. Miner has red enamel shirt. Word "Bendigo" is engraved below the figure. Around the edge are the words 'Victorian Gold Jubilee Exhibition 1901 - 1902' Reverse side: laurel wreath around edge. Engraved in centre 'Awarded to Sir A.J. Peacock MLA' Below laurel wreath is a small rectangle with engraving '15c' Medallion donated to BHS from estate of George Harris, Axedale.personal effects -
Bendigo Military Museum
Flag - FLAG, 1 RAR, C. 1950’s
This flag is very old and possibly goes back to the early days of 1 RAR. Item in the collection relating to Frank “Dinky” Dean BEM, refer 124.2 for his service details.Flag, cotton, rectangular shape, blue back ground with the figure “1” in LH top corner, centre has depiction of the Royal Australian Regiment badge, has a kangaroo centre, crossed rifles, end has rope through for hanging.Sewn on, “Duty First, Royal Australian Regiment”flags, 1 rar,