Mr Perkins joined the police force in his early twenties and apart from an 18-month posting in Melbourne, spent the rest of his career serving communities in country Victoria. He was a keen fisherman and hunter- his first love was sitting on the banks of the Murray River with a fishing rod in his hand. Family camping trips were spent by the river where everyone slept on stretchers with several army blankets underneath and a wheat bag wagga on top. The green colour of this wagga is from "Dekkol" a preservative which Mr Perkins used to protect his cotton fishing nets from rotting.Quilt made of two standard size jute wheat bags (a bushel = 150lbs) split and hand bound along seams.It is an example of the basic type of wagga made by shearers, farmers or swagmen. The green colour results from the application of "Dekkol" a preservative used for cotton fishing nets.quilting history, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), perkins, mr percy, quilting - history

Part of the " Wagga collection" donated by the Running Stitch group. Maker unknown. c.1900. Possibly English. Was being used as packing material when found.Quilt, patchwork. Made from tiny hand worked patchwork squares reminiscent of medallion style quilts.quilting history, patchwork history, running stitch group, running stitch collection, england, quilting - history, patchwork - history

The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan

Knitted fabric is made with a single yarn or sets of yarns moving in only one direction. Whether done by hand or by machine, the process is the same. The knitting needle loops the yarn through itself to make a chain of stitches. These chains, or rows, are connected to produce the knitted cloth. There are two types of commercial knitting machine. A flat-bed has its needles, one for each loop, arranged in a straight line to produce a flat fabric. A circular machine has its needles arranged on a rotating circle. The cloth forms as a tube which can be made into seamless clothing. Personal history of Edna Harris who used the machine.knitting machine, industry, design, socks, clothing, wool

Knitted fabric is made with a single yarn or sets of yarns moving in only one direction. Whether done by hand or by machine, the process is the same. The knitting needle loops the yarn through itself to make a chain of stitches. These chains, or rows, are connected to produce the knitted cloth. There are two types of commercial knitting machine. A flat-bed has its needles, one for each loop, arranged in a straight line to produce a flat fabric. A circular machine has its needles arranged on a rotating circle. The cloth forms as a tube which can be made into seamless clothing. Dellruss Pty Ltd original owner Llyold Henry Coburg. Mock ribber fitted post World War 2. In use from c.1928 until 1978.Stibbe Maxim circular sock knitting machine.sock knitting machine, manufacturing, textiles, socks, machines, circular, clothing, industry, wool

Knitted fabric is made with a single yarn or sets of yarns moving in only one direction. Whether done by hand or by machine, the process is the same. The knitting needle loops the yarn through itself to make a chain of stitches. These chains, or rows, are connected to produce the knitted cloth. There are two types of commercial knitting machine. A flat-bed has its needles, one for each loop, arranged in a straight line to produce a flat fabric. A circular machine has its needles arranged on a rotating circle. The cloth forms as a tube which can be made into seamless clothing. Griswold bench-type sock knitting machine hand operated by turning the handle.sock knitting machine, textile industry, wool, fashion, clothing

The garment and cap were made by Peg West for Robert. Peg was a former member of the historical society who lived at 10 Wattle Valley Road, Mitcham (1931 - 2009). She knitted many garments for family and friends. The wool was purchased by Barbara Gardiner for the jumper and cap for Robert.Man's dark grey with multi-coloured fleck wool hand knitted ribbed jumper and matching cap. The rib pattern is two knit two purl stitches. The garment is long sleeved with cuffs and a polo neck collar. The matching cap (beanie shape) has a twin back edge.costume, male, handcrafts, knitting

The cosy was made as a present.Tea cosy in a half circle shape. There is a scene appliqued on the front of a tree in green cotton fabric with a machine stitched hunk on the left hand side. There is a house appliqued on the right hand side. The roof of the house is deep blue cotton fabric and the house is in red cotton fabric. The foreground is of a cotton material with a cream background with 'grass' pattern on it in shades of green. The background is in blue fabric with a small red loop on the top.domestic items, table setting, manchester, table linen

From the Betty Jones collection. Doily would have been used during the 1900's as a decorative itemSmall round white hand-crocheted doily with white damask centre. Crochet is attached to centre with feather stitchdomestic items, ornaments / decorative

From the estate of Jenny LangCream hand made silk petticoat. Silk shoulder straps with hand embroidery on panel across front, back and under arms. Drawn thread around underarm and down bodice as waist. letter 'M' embroidered on left of bodice. Skirt is gathered on both sides of waist. A Maltese lace panel stitched as hem.costume, female underwear

Purchased by member for Society CollectionWhite cotton hand embroidered designs and two pockets. Has brown binding around edges and pockets. Embroidered floral design on pockets and cross stitch Chinese lanterns at bottom of aproncostume, female working

Hand knitted cream wool shawl. Garter stitch centre. Deep fan and feather stitch border.costume, infants'

Undersleeves were a feature of dress in the late 1840s to 1870s. All day dresses had them. Also called engageants and possibly eglantesA pair of lawn sleeve covers in cream. Sleeves gathered to cuffs with hemmed slit for plackets. Cuffs have small buttons and button holes and edging of butter holes stitched loops . All hand sewn with pinch seams on sleeves.costume accessories, female

Hand embroidered by Bruce Reynold's Aunt, Emily Templeman.White linen oval table centre, hand embroidered with mauve and purple daisies, crochet edge in shell stitch.manchester, table linen, handcrafts, embroidery, crocheting or crochet work

Ecru coloured crochet doyley with 11 medallions joined with hand crochet lace. 11cm diameter linen centre. One row of feather stitch around edge of linen.handcrafts, crocheting or crochet work, manchester, table linen

School exercise book with stiff boardcovers. Centre stitched. Pale and dark green Edwardian graphic design, with hand written inscription on front and inside cover. Ink on front and pencil inside cover - all work in black ink.Front: Lizzie Pilkington, State No. 888 {school}|Inside cover in pencil: Lizzie got her bangle for getting excellent all through the book. 1902.books, school/educational

Willcox and Gibbs: Serial No. 158679.|The Willcox& Gibbs Sewing Machine Company was founded in 1857 by James E. A. Gibbs and James Willcox and opened its London Office in 1859 at 135 Regent Street . By 1871 the Company's Chief Office for Europe was at 150 Cheapside, London, this office was later moved (post 1885) to 94 - 96 Wigmore Street, then 37 & 39 Moorgate Street (by 1891 to post 1907) and later 20 Fore Street, London .Right from the initial production the manufacturing of the Company's single thread, chain stitch machine was undertaken by Brown & Sharpe, Rhode Island and this continued up until 1948.|A special hand crank mechanism was produced in England for the European market, but the general design of the Willcox& Gibbs remained essentially the same throughout its production. The only major improvement was in 1875 when the glass tension discs were replaced with an automatic tension device which ensured the machine could not get out of adjustment.|In addition to the domestic hand and treadle machines the company produced a wide range of industrial models.|The Company finally closed in 1973.|This Willcox& Gibbs came complete with its wooden carry case. The machine was made in America in the late 1860's but it has the ornate hand crank produced at Coalbrookdale near Telford, England which was, in Victorian times, renown for producing high quality ornate iron castings. This machine has the glass tension discs which were used on domestic models until 1875. The Willcox& Gibbs badge is located on the rear of the base casting and it also has a deep wooden base.|The cloth plate has various American patent dates, four dating between 1857 & 1860 relating to J. E. A. Gibbs, three dating between 1860 & 1864 relating to Chas H. Willcox (son of James Willcox), the machine was also licensed under five other patents including the infamous Elias Howe patent of 1846.|There are only two English patents one for J. E. A Gibbs and the other for James Willcox.Upright sewing machine. Machine is quite small and set on wooden table. Ornate metal sides and treadle feet. One drawer. Brass name medallion on back.Willcox & Gibb Sewing Machine co, New York.|Other inscriptions are :-|London, Paris|Measures|Thread type|Needle 12 stitches to inch|Brevettees G.D.G.|En France|Eten Delgique|Under Royal Letters|Patent|James Willcox|July 4 - 71 [1871]handcrafts, equipment

Purchased at Blackburn Op Shop.Hand crotchet doyley - a koala in a gum tree bough with sprigs of wattle top and bottom. Triangular shape stepped down corners. Tricot stitched edge.handcrafts, crocheting or crochet work

Pair of suede mid-length beige or fawn women's size 6 3/4 gloves with 3 stitched darts along back of hands. Gloves are joined near openings with length of white cotton. Labels and printed markings inside both gloves.Inside right hand glove : 'Made in France / 6 3/4 / (in cursive) Suedelav' Inside left hand glove : 'Leather / Made in France' '207' on paper label : 'V4/86L/ipx/39/6'costume accessories, female

Pair of women's beige coloured 'Sueded Calfskin' gloves size 6 1/2. Decoratively pierced and stitched with cross stitch along back of wrist, labels in both gloves inside cuff.Left hand label '6 1/2' / 'Made in Western Germany'costume accessories, female

Pair cream cotton women's gloves - wrist length with white 'French Knot' stitch detailing around fingers, wrist, and along single dart along back of each glove. Label inside left hand glove. Also plastic bag which may be original packaging.On label: '100% Cotton / Size6 1/2 / Made in Philippines'costume accessories, glove accessories

Donated by Margaret ScarlettWhite cotton pillow slip. 'Baby' embroidered in white on left hand corner with green flowers on stem. Spoke stitched and crocheted on edges.toys, dolls' accessories

Hand knitted by Frances WarrenFancy stitch (chain) Pink wool cardigan. Adult sizehandcrafts, knitting

Used by Valda ArrowsmithSmall brown leather handbag. Short handle with round buckle on front. Square in shape with stitching around all edges. Lined in light fawn chamois.MC made in Italycostume accessories, female

Given to donor's daughter by her cousinPlastic baby doll dressed in pink hand knitted dress and pants. Doll is bald but has eye lashes and open and shut eyes. The pants are knitted in stocking stitch with elastic threaded through at the waist. The dress is sleeveless with a pink button on each shoulder. The skirt is knitted in a lace pattern with a crochet tie threaded through the waist. The bodice is knitted in stocking stitch.toys, dolls, doll's clothes

Tray cloth was purchased in Assissi, Italy in August (approximately) 1958, outside a Church.Pale green tray cloth with white hand embroidery around edges and in each corner. Corner design features small birds outlined in black, within white cross stitch triangles. Triangles are outlined in black. tray cloth, embroidery

Large rectangular linen tray cloth. Drawn thread work and hem stitching. Drawn thread in two patterns, both with woven patterns at each corner. All needlework hand done.manchester, table linen

White cotton peaked cap with five panel and airholes. Padded front panel with red and black lettering and a black logo. Stitch detail on peak. Adjustable white velcro fastening. Padded headband. Inside front panel lined with interfacing. Nylon label.front of hat ; City of Nunawading.|Label 100% cotton; hand wash; cold water; drip dry; Made in China.costume, male headware, female headwear

Donated by Heather McNamara on behalf of her mother-in-law Isobel McNamara.Two matching dolieys with hand crocheted edging. Both have tiger lillies in shade of orange with green cross stitch,needle work, heather mcnamara

Example of embroidery stitches.Hand embroidered sampler Various designs worked by Embroider. Green and yellow Red and Silver threadspersonal designs, green, yellow, red and silver stitching