Showing 643 items
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Kew Historical Society Inc
Clothing - Purple Silk Ball Gown, 1898-1904
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Shot silk purple ball gown, featuring a fitted silk bodice with puff sleeves and a wide full-length skirt. The dress has coloured guipure lace at the neck and the cuffs, which has been identified as being of the period. The brush braid on the hem has probably been replaced at a later date. Dated to 1899-1900. ball gowns - 1900s, australian fashion - 1900s, costume -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1912
White cotton Child's Nightgown. Long sleeves wrist tucks and cotton edge. A yoke opened at back, trim on front. Some missing on right side. Long simple skirt with a tuck and Hem. Belonged to Irene Crowley who passed away c1914 aged 3 or 4. Kept by her mother and found by family on has death.stawell clothing material -
Flagstaff Hill Maritime Museum and Village
Leisure object - Doll's dress, Gladys Angus, wife of Dr. W.R. Angus, 1930s
This doll's dress was skillfully handmade by Gladys Angus, wife of Dr Angus, in a similar design to the silk lingerie she made and wore. Gladys made this dress for her daughter’s doll, which was also donated along with its pram and blanket. It is part of the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. He and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the early planning stages of the new Flagstaff Hill, where they contributed to the layout of the gardens. Dr Angus passed away in March 1970.This silk doll's dress is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys. It is part of the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1939 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Additional items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army. The doll's dress is also significant as an example of handcrafting in the early 20th century and represents toys made for and used by children in the Warrnambool community.The doll’s dress is handmade using cream silk fabric. It has floral embroidery on the bodice, a gathered waist, crochet trim at the neck, wrists and hem, which also has a scalloped edge. It has a press stud closure at the back. The doll’s dress was made by Gladys Angus for her daughter’s doll. It is part of the W.R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, mira hospital nhill, toy, nhill hospital, doll, doll's dress, silk doll's dress, handmade doll's dress, gladys angus, embroidery, w.r. angus collection -
Whitehorse Historical Society Inc.
Clothing - Apron, approx 1940's
not knownCalico hand embroidered apron with two patch pockets. Blue bias binding neck loop, ties and edging on apron and pockets. Embroidery - young woman in full length blue gown with red trim at neckline, hem and cuffs of short sleeves. 1940's hair style. Flowers in hair and at waistline. Standing on a flower decorated balcony.costume, female working, handcrafts, embroidery -
Glenelg Shire Council Cultural Collection
Clothing - Dress - Infant dress, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.White fine cotton dress. Elbow/full length sleeves, gathered at wrists. Lace at wrist and neck. Large bib. 4 sets of 4 vertical rows of pintucks on bodice. Embroidered insert at waist. Gathered waist, scalloped lace on hem, 15 rows of pintucking at bottom. Necktie at back, long ties, sewn in at waist side. -
Whitehorse Historical Society Inc.
Clothing - Nightdress
White cotton Nightdress with round neckline and long sleeves. 4 buttoned front concealed in placket. Pink ribbon threaded through eyelets. White lace on front neckline and hem of sleeves. Pink ribbon bows on sleeves. White cotton embroidery of bow and circlet of flowers on front of sleeves. Pink ribbon threaded through eyelets at waist.costume, female nightwear -
Flagstaff Hill Maritime Museum and Village
Textile - Altar Cloth, 1986
This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is decorated with the Mariner's Cross symbol, connecting it to the history of the early Christian church. The cover for the cloth shows the respect the maker had for the cloth and what it stands for. The Mariner's Cross symbol also makes it appropriate as an altar cloth for the St Nicholas Seamen's Church at Flagstaff Hill Maritime Village. Mariner’s Cross symbol and what it symbolises The symbol of an anchor that also looks like a cross is called the Mariner’s Cross (also called the Anchored Cross or Cross of Hope). It looks like a ‘plus’ sign with anchor flukes at the base and a ring at the top. The anchor is one of the earliest symbols used in Christianity and represents faith, hope and salvation in times of trial. The Mariner’s Cross is linked to the scripture in Hebrews 6:19, which says “Which hope we have as an anchor of the soul, both sure and steadfast, and which entereth into that within the veil”. This particular Mariner’s Cross also has the letter ‘X’ under the post of the anchor. In Greek, the language of the New Testament, the word for Christ is ‘Christos’, which begins with the Greek letter ‘X’ or ‘Chi’. Together, the elements on this Mariner’s Cross - anchor, cross and ‘X’ - symbolise to the Christian that Jesus Christ the Saviour gives security and safety, hope and salvation. Many church organisations still use various forms of the Mariner’s Cross. This design is also known as the Anchored Cross or Cross of Hope. The Missions to Seamen organisation The Missions to Seamen is an Anglican (Church of England) charity that has been serving the world's seafarers since 1856. It was inspired by the work of Rev. John Ashley who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired because of ill health, others determined that the work should continue, and they founded the Missions to Seamen. It adopted as its symbol a Flying Angel, inspired by a verse from Revelation 14 in the Bible. Today there are over 200 ports worldwide where the Missions to Seamen has centres and chaplains. A Missions to Seamen’s Club offers a warm welcome to sailors of all colours, creeds and races. A sailor can watch television, have a drink and a chat, change money or buy goods from the club shop or worship in the Chapel. In Victoria, the Missions to Seamen still has clubs in Melbourne, Portland and Geelong. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. The Mariner's Cross embroidered onto the altar cloth gives it a connection with the early Christian church and with the Missions to Seamen. The fine hand stitching and embroidery is an example of traditional handcraft skills used over the centuries and still continuing in use today.Altar cloth, white linen, with custom made white cotton cover. The long rectangular cloth has the symbol of a Mariner's Cross (anchor and cross) embroidered with white silk thread on each short end. The wide hems are hand stitched. The cover has two white tape ties and embroidered text in blue silk thread. On cloth: symbol of (anchor with an 'X' stitched behind the centre of it). On cover, text "FLAGSTAFF/ HILL" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen, mariner’s cross, anchor cross, cross of hope, symbol of christianity, anchored cross -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small full length portrait of a lady standing beside a chair reading a book which is resting on the back of the chair. She is wearing a long high neck dress with frills at the sleeve tops and dark bands across the bodice. The dark material is also repeated at the hem in a V shape. Photographer's name and address printed on the front and back.Mayall, 224 Regent Street, London. 90 King's Road, Brightonphotograph, portrait, female, portrait of a lady, mayall -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A COUPLE
Small portrait of a couple. The man is seated on a chair and the lady is standing beside him. She is wearing a long dress which has decorative pleats and white edge at the hem and bodice. The man is wearing a three piece suit with a watch chain. The jacket has a single button at the neckline. Photographer's name and address printed in pink on the back.Bent at Batchelder's, Centre of Pall Mall, Sandhurstphotograph, portrait, couple, portrait of a couple, bent at batchelder's -
Bendigo Historical Society Inc.
Clothing - SHORT SQUARE NECK CAMISOLE, Late 19th C
Clothing. Camisole. Short camisole, square neck, crochet lace top with yoke, cap sleeves front and back of crocheted lace. Gathered cotton section attached to crocheted yoke. Tie at back. Casing at hem with 1 cm cotton tape tie. Crocheted lace yoke made up of eight pieces stitched together. .costume, female, underwear -
Bendigo Historical Society Inc.
Textile - Silk food covers
Three square light silk table/food covers with floral flower motifs embroidered in each corner. Main colours are pink, yellow, aqua, purple. Each piece has a slightly different colour combination: the flower pattern is constant in the three cloths. A 5cm border is hemmed along the edges of each cloth. Favaloro collection.silk food covers, favaloro -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: LADIES SCARF, 1950's
Dark brown nylon scarf with dark tan and brown all over printed pattern of flowers and leaves. Printed pattern forms a border around four sides with three full length printed panels. Straight side edges with 3 mm hems 10 mm fringing at both ends secured with two rows of stitching.costume accessories, female, ladies brown nylon scarf -
Bendigo Historical Society Inc.
Clothing - CHILD'S CREAM COLOURED SLEEVELESS LINEN PETTICOAT
Clothing. Child's cream coloured sleeveless linen petticoat. Round neckline with casing. Arm holes edged with embroidered stitches. Hem trimmed with two rows of 2.5 cm lace with scalloped edge. Centre back opening (20 cm) fastened at neck with cotton tape tie through casing. Garment matches 11408.56 (Underpants).costume, children's, child's cream sleeveless petticoat -
Montmorency/Eltham RSL Sub Branch
Uniform - Blouse, Khaki, Patt.'49 Battle Dress, 1950
Standard issue battle jacket for the Royal Australian Artillery, issued by defense department. Pattern 1949 Khaki Battle Dress Blouse. Two deep button breast pockets, Four buttons on right side concealed by right side jacket. Belt hem located at the bottom with buckle. Hemmed arm cuffs with one button on left and right sleeves. Two internal pockets on right and left side. Cord lanyard hanging from left sleeve. Patch with words 'Royal Australian Artillery' embroidered in red on navy on both left and right shoulders. Separate embroidered crown placed above both embroidered text patches. Material with embroidered crown attached with button at the top on right and left shoulder. Crown is made up of red, purple, cream and brown string. Material loop attached inside top of jacket at the neck.Sewn patch with inscription R. J. Hatch & Co. 1950 Size......... MADE IN AUSTRALIA Regimental No. ...................... Name Stamp on inner lower jacket - '170' with arrow point up to the number.military uniforms, army, battle jacket -
Bendigo Historical Society Inc.
Clothing - MCGOWAN COLLECTION: INFANT'S CHRISTENING GOWN, Late 19 th Century
Clothing, white cotton christening gown. Low rounded neckline with casing and cotton tape ties. Bodice at back and sides. Casing and cotton ties on sides and back to centre back opening (25 cm). Full length centre front panel of embroidered lace fabric with two panels of horizontal pintucks. Lower edge of centre panel ends with two layers of broiderie lace ( 9cm and 17 cm). vertical edges of centre panel trimmed with 5 cm strip of lace. Centre lace panel widens from 8 cm at waist to 54 cm at hem. Hem of back and sides is trimmed with one layer of 9 cm broiderie lace below a 2.5 cm tuck. Double layer lace to form short cap sleeves. Old box 524.costume, children's, christening long gown -
Bendigo Historical Society Inc.
Clothing - WEDDING DRESS
Wedding dress cream coloured full length satin with long sleeves and a train. Sleeves gathered at the shoulder with lily pointed at the wrist. Sleeves have six fabric covered decorative buttons with three metal press studs underneath. Bodice has curved midriff panel with four pintucks defining the panel. Bodice tightly gathered at top of midriff panel. Side opening with plackett with five press studs. Two flounces at LHS from a single piece of fabric folded in half, stitched to side seam just below the sleeve(34cms). A single tie on LHS stitched to side seam at waistline (29cm). Back of the bodice has an opening from the top(10cm) fastened at neckline by two covered buttons and a hand stitched loop. Nine covered decorative buttons at centre back.Peaked collar front and back in two parts (10cm at front peaks).Front and back have centre panel with two panels shaped at the hipline. Back centre panel extends to form a long train. Length waist to centre front hem 102 cms.Length waist to centre back hem 187 cms to form train. Handkerchief hem at lower hemline. Internal seams have ragged edges.costume, female, wedding dress -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's underwear chemise and drawers, c1900
This lady’s underwear set of chemise and drawers is an example of the dressmaking and lacework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families This silk lawn hand sewn 2 piece underwear set of a chemise and drawers may have been maternity wear. The Chemise has a gathered waist and a front opening with enclosed buttons, hand made lacework on front and back and the cuffs of the short sleeves. The short Drawers with a large dropped waistline have hand made lacework around the hemdressmaking, craftwork, lacework, pioneers, market gardeners, early settlers, moorabbin, bentleigh ormond -
Warrnambool and District Historical Society Inc.
Clothing - Girl's Dress, c. 1890
This is a dress for a young girl aged about twelve. It seems to date from the late 19th century and would have been worn at a wedding or a family celebration. This dress is a fine example of vintage clothing and is a valued display item.The dress is made of fine muslin. It has a round neck with lace edging, the gathered skirt has pin tucks with a spoke stitched wide hem. There is lace insertion at the waist and on each shoulder. On the three quarter sleeves there is lace edging at the cuffs. The bodice has machine made embroidery, spoke stitching and tucks. The back has press studs and hooks and eyes .vintage clothing, warrnambool and district historical society collection -
Kew Historical Society Inc
Clothing - Silk Georgette, Floral Chiffon & Velvet Dress, c. 1926-28
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Cocktail dress of an overall muted pink colour, with an outer layer of multi-coloured pink silk georgette patterned all over with small flowers. Below the waist the georgette is formed into separate hemmed floating panels. Pink velvet is used on the square neckline and on the cuffs of the sleeves. The same velvet fabric is used in the separate pink velvet headband with feathers. edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, fashion -- 1920s -
Bendigo Military Museum
Equipment - LINER, PONCHO, Gibraltar Fabrics Inc, c1962 - 1972
These were issued to US Troops in South Vietnam. They are designed to be fitted under their poncho. These were much sought after items by Australian soldiers obtained by swapping, purchasing etc.This is a nylon type lightweight blanket for a soldier in jungle warfare. It is camouflaged with curved patterns of black, brown and two ton green. The outer material is of a "Ripstop" material. It is hemmed with with an olive nylon material. On the corners and centre border are the straps 200 mm long x width 6 mm. It has internal insulating material similar to hollow Dacron fibres.vietnam war, us army kit. -
Mont De Lancey
Tablecloth and doily
Were used by Mr and Mrs Chapple Snr.Square white, fine cotton tablecloth with embroidered flowers and butterflies in the central square. This has a border of drawn thread work, creating a floral pattern all the way around. There are embroidered flowers in the subsequent section of the cloth, edged by a 9.5 cm. hemmed border. Square white or cream-coloured, fine cotton doily with an embroidered, appliqued and crocheted corners and edges.table linen., tablecloths -
Whitehorse Historical Society Inc.
Clothing - Jacket, c 1905
c 1905 Black grossgrain jacket fitted to waist. Heavily boned and lined in stripped cotton. Black jet beading at high neck finished with edging of small white beads. Wide piece at shoulders edged with jet beads as is front and edging. Wide sleeves narrow to hem and double border of jet beads. Pintucking at front and top of sleeves.costume, female -
Glenelg Shire Council Cultural Collection
Clothing - Childs Cape, 1900-1910
Cream silk child's cape. Hand-crocheted lace edging around side and bottom edges. Hand-crocheted lace insert between two sections of pintucking, edged with embroidery. Main body of cape gathered onto plain yoke. Silk binding around neck. Garment Measures: Width at yoke: 30, Width at hem: 215, H: 50 -
Bendigo Military Museum
Award - BELT, BOXING CHAMPIONSHIP 1st AIF, Bendigo Independent Newspaper 1916, 1916
Refer to Cat 6631P J.A. Fleming for his service history. Pte Condic. This would be Pte James Andrew Condick No 15, enlisted 26.2.1916 age 30 years 7 months in D Coy 38th Bn, embark for England 20.6.1916, hospital in England he rejoins 38th Bn in the field on 15.1.1917, transfers to 3rd Div Salvage Coy 21.1.1917, WIA 30.4.1918 Gassed, he returns to Australia late 1919.This is a broad leather belt, made in 2 pieces, hemmed at top and bottom edge. It has a large rectangular buckle which is engraved. The belt has three tarnished silver shields which are engraved. Between the shields are diamond shaped "holes", red, white and blue alternatively. The buckle is engraved. There are blank spaces of 5 missing winner's or other shields.The buckle is engraved: - "Presented to Champion Boxer of 38th Regiment A.I.F. by the Bendigo Independent Pty Ltd. Victoria Australia." On three shields:- 1.”Won by Pte Condic, June 1916, Bendigo” 2. “Won by WO Fleming J.A. HMAT Ronic August 1916” (“Ronic” This should be "Runic"'). 3. “Won by 2 LT Fleming J.A. Salisbury November 1916”boxing belt, aif, passchendaele barracks trust, 38th -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: BLACK FLARED TROUSERS BY SIMON GEE, 1960's
Black men's trousers with flared legs-31 cms at hem with 7 cm cuffs. belt keepers. Side pockets and one back pocket on RHS. 14 cm metal zip at front opening with 1 cm metal hook and eye at waist. 4.7 cm waistband with seven belt keepers. Side pockets and one back pocket on RHS.Label on back pocket RHS. ''Simon Gee London'' Tag 'Polyester Viscose Tag 33. Written in pen underneath .35.costume, male, black flared trousers -
Bendigo Historical Society Inc.
Textile - HANDKERCHIEF BAG
Textiles, pink cotton fabric handkerchief bag. Front has an overlay of cream coloured tapestry fabric embroidered with cross stitch and lines of pattern. Bag has a 4 cm cream coloured frilled lace edge on all sides. One side is hemmed and open. Decorative 2 cm pink ribbon bow in one corner. Hand made.textiles, domestic, pink handkerchief bag -
Bendigo Historical Society Inc.
Clothing - WOMAN'S NAVY CHECK WOOL COAT
Clothing. Woman's navy check wool coat with rounded lapels. Single breasted coat fastened with four X 2.7 cm navy plastic buttons decorative comb pattern. Internal pockets at hip level with vertical slit openings. Long straight sleeves. Coat is fully lined with satin fabric. A shaped coat widens to hem. Padded shoulders.costume, female, woman's navy check wool coat -
Bendigo Historical Society Inc.
Clothing - WOMAN'S NAVY STRIPED WOOL CREPE COAT
Clothing. Woman's navy striped wool crepe coat. V neckline with fabric panels to waist with appliqué piping free form pattern. Coat fastened at waist with four X 1.5 cm fabric covered buttons and fabric loops. Long straight sleeves with fold back cuffs (4 cm). A-shaped coat widens to hem. Padded shoulders.costume, female, woman 's navy striped wool crepe coat. -
Bendigo Historical Society Inc.
Clothing - WOMAN'S BLACK LIGHT WEIGHT WOOL CREPE COAT
Clothing. Woman's black light weight wool crepe coat. Sweetheart neckline with appliquéd piping flowers on either side. Front opening fastened at waist with four X 1.5 cm fabric covered buttons and fabric loops. Long straight sleeves with appliqué piping flowers at wrist. A-shaped coat widens to hem. Unlined. Padded shoulders.costume, female, woman's black light weight coat -
Federation University Historical Collection
Book, University of Ballarat Annual Report, 2012, 2013
White and red soft coveted book. The contents include: Caledonian Tartan, Paul Hemming, David Battersby, childrens centre and early child, Chancellor installation, Clare Gervasoni, Honor book, Robert Smith, Geoffrey Lord, Ballarat Golden Ale, university of Ballarat Foundation Full report a available at: http://www.ballarat.edu.au/__data/assets/pdf_file/0004/106969/UB_AnnualReport_2012_web_LR.pdfannual report, university of ballarat, caledonian tarton, university of ballarat pipe band, paul hemming, david battersby, clare gervasoni, ballarat school of mines honour roll, lisa marshall, keith caldwell, andrew dalgleish