This book was written by Kornelia Freeman & Ulo Pukk and published by Melbourne Books in 2014. The book is intended as a pictorial/display book with some historical information to entice readers to visit the tourist areas of the Dandenongs and is a new and expanded edition of a previous book which was published in 2011. This book is retained as a reference book for visitors to the Museum wanting to know more about tourist destinations in the Dandenong Ranges and some related history. Hard-cover pictorial book of towns and tourist areas in the Dandenong Ranges. Color photographs. 181 pagesthe dandenong ranges, kornelia freeman, ulo pukk, 2014

P. S. Adelaide was stationed in the Hopwood Gardens, Echuca as a static display of paddle steamers until it's refurbishment and re-floating in 1983.Coloured, close-up photograph of P. S. Adelaide being restored in the Hopwood Gardens, with orange tape fence around it.Written in pen on the back : Adelaide in Hopwood gardens. Printed in red : it's Kodak for color. Made by Kodak M. Aug 80.paddle steamers, p. s. adelaide, p.s. adelaide re-floating, hopwood gardens, echuca

The P. S. Adelaide was positioned in the Hopwood Gardens, Echuca as a static display whilst it was waiting to be fully repairedColour photograph of back port side of the P. S. Adelaide being restored on the western side of the Hopwood Garedens, Echuca, with orange fence around it and the side of a green wooden building at its right. The park sound shell is partially visible behind the boat to the right.On reserve in pen : Adelaide in Hopwood Gardens. In red pink : Print made by Kodak M. It's Kodak for color. Aug.80. Kodakp. s. adelaide, hopwood gardens, echuca, p. s. adelaide restoration

The P.S Adelaide had been displayed in the Hopwood Gardens from 1960. In 1984 The City of Echuca decided to put the paddle steamer back in the river. This happened over several weeks and involved digging a boat ramp into the bank in front of the Hopwood Gardens. This involved a lot of skill and people. It also attracted a lot of attention. Crowds gathered every day to watch the task. In this photograph the P.S Pevensey in the foreground still has the name P.S Philadelphia writing on its name plate. The P.S Pevensey was used in the TV Series 'All The Rivers Run', as the P.S Philadelphia. Relates to a series of images Reg. nos. P000059.3, P000061.3, P000062.2, P000063.3, P000070.2, P000071.The re-floating of the P.S Adelaide is significant because it occurred at a time when the Tourist Industry was gathering momentum in Echuca. The City of Echuca made the decision to add another paddle steamer to its fleet to carry passengers on the Murray River. The P.S Adelaide is one of the oldest, still operative wooden hulled paddle steamers in the world. It celebrated it's 150th birthday in July 2016. The re-floating of the P.S Adelaide created a lot of attention locally and regionally.A rectangular coloured photograph, and enlargement photograph, of the P.S. Adelaide being re-launched into the Murray River , on the 3rd April, 1984. The photograph is taken from the N.S.W bank with the P.S Pevensey in the foreground right corner of the photograph. The word Philadelphia can be seen faintly on the P.S Pevensey. There is a large crowd of people on the Victorian bank watching. There is a floating pontoon on the river immediately in front of the P.S Adelaide.On near boat obscured are the words Philadelphia.p.s adelaide, p.s pevensey, all the rivers run, p.s philadelphia, hopwood gardens, re-floating of the p.s adelaide.

Adelaide had been displayed in the Hopwood Gardens from 1960. In 1984 The City of Echuca decided to put the paddle steamer back in the river. This happened over several weeks and involved digging a boat ramp into the bank in front of the Hopwood Gardens. This involved a lot of skill and people. It also attracted a lot of attention. Crowds gathered every day to watch the task. In this photograph the P.S Pevensey in the foreground still has the name P.S Philadelphia writing on its name plate. The P.S Pevensey was used in the TV Series 'All The Rivers Run', as the P.S Philadelphia. Relates to a series of images Reg. nos. P000059.3, P000061.3, P000062.2, P000063.3, P000070.2, P000071. Statement of Significance The re-floating of the P.S Adelaide is significant because it occurred at a time when the Tourist Industry was gathering momentum in Echuca. The City of Echuca made the decision to add another paddle steamer to its fleet to carry passengers on the Murray River. The P.S Adelaide is one of the oldest, still operative wooden hulled paddle steamers in the world. It celebrated it's 150th birthday in July 2016. The re-floating of the P.S Adelaide created a lot of attention locally and regionally.A colour negative, photograph and enlargement of the re-launching of the P.S Adelaide in 1984. In the photograph the P.S Adelaide is situated in the river after just being launched down the slipway from Hopwood Gardens. There is a crowd of people standing on the bank behind the paddle steamer, bathed in late afternoon sunlight.The paddle steamer has the word Adelaide written across the wheelhouse, and on the front port side of it's hull.p.s adelaide, p.s pevensey, all the rivers run, p.s philadelphia, hopwood gardens, re-launch of the p.s adelaide

The P.S Adelaide was re-launched back into the Murray River from the Hopwood Gardens where it had been on display from 1960 in April 1984. The re-launch attracted a lot of attention and took several weeks to achieve. A slipway had to be dug into the bank near Paddlewheel Park. Crowds attended each day. The P.S Pevensy was still bearing the name P.S Philadelphia from it's role in the TV Mini series "All The Rivers Run". In this photo the P.S Philadelphia is welcoming the P.S Adelaide back into the river.This photograph is significant because it shows the re-launch of the P.S Adelaide back into the Murray river. The P.S Adelaide is the second oldest wooden hulled paddle steamer still operating I the world. It also shows the role that P.S Pevensy played in the TV mini series, 'All The Rivers Run." This photograph and negative are related to images P000059.3, P000060.3, P000061.3, P000062.2, P000063.3, P000070.2, P000071.Colour photograph and negative of the P.S Adelaide re-floating in the river, obscured by the P.S Pevensey (with the name Philadelphia written across the wheel house). P.S Pevensy played the part of P.S Philadelphia in the TV mini series 'All The Rivers Run' in 1984. There is a crowd of spectators on the bank. A spectator boat and possibly a pontoon flank the boats.The names of the boats; Adelaide and Philadelphia can be seen written on the boats.p.s philadelphia, p.s pevensey, hopwood gardens, p.s adelaide, all the rivers run

These photographs and negative show the P. S. Adelaide travelling from Paddlewheel Park up to the Echcua wharf, immediately after being re-launched into the Murray River on 03/04/1984. The P.S.Adelaide had been displayed in the Hopwood Gardens, as a static display since 1960. The P.S Adelaide is the second oldest wooden hulled paddle steamer, still operative, in the world. The P.S Pevensey is leading the way up to the wharf, and an unknown smaller paddle steamer follows behind. This photograph is significant because it shows the P.S Adelaide back in the Murray River after 24 years as a static display in the Hopwood Gardens. The P.S Adelaide is the second oldest wooden hulled paddle steamer, still operative in the world. In July 2016 it celebrated its 150th birthday. These images relate to P000059.3, P000060.3, P000061.3, P000062.2, P000063.3, P000070.2, P000071.Colour negative and two different sized photographs showing three paddle steamers travelling upstream towards the Echcua Wharf. There is a small unidentifiable paddle steamer in the foreground. The P.S Adelaide is sailing between the other two paddle steamers. The P.S Pevensey is in the background. The P.S Murray Queen is in the foreground. All three boats are heading towards the wharf, immediately after the re-launch of the P.S Adelaide from the Hopwood Gardens, back into the Murray River on 03/04/1984.p.s pevensey, p.s adelaide, p.s philadelphia, echcua wharf, p.s murray queen

These paddle steamers were accompanying the P.S Adelaide back to the Echuca Wharf after being re-launched on 03/04/1984. The P.S Adelaide had been displayed in the Hopwood Gardens since 1960, and the City of Echuca Mande a decision to launch the paddle steamer back into the river to be used as a working tourist attraction. This photograph relates to P000059.3, P000060.3, P000061.3, P000062.2, P000063.3, P000071.This photograph is significant as it shows the state of the Echuca Wharf in 1984. It also shows the state of the P.S Adealide after sitting idle for so many years. In 1984, the Tourism Industry was still developing in the Echuca region.Colour photograph and negative showing the P.S Adelaide heading upstream towards the Echuca Wharf, after being re-launched on 03/04/1984. The P.S Pevensey, the P.S Emmylou and P.S Etona can also be seen.On boat Pevensy, is obscured.p.s adelaide, hopwood gardens, p.s emmylou, echuca wharf

The P. S. Edwards was built in May 1875 by J. M. Webb, Echuca. Official number 73287, made of wood, with paddle wheels at the side. 78 gross tons, 27 nett tons. It was altered in 1916 , after cabin removed 48 gross ton. It had 7 different owners before being purchased by R. J. Evans, of Evans Bros. Saw Mill, Echuca, in 1919. The P. S. Edwards was sunk at Echuca in the spring of 1958 and then raised in January 1981 and then was being restored by Geoff Evans in 1985 (Parsons, Ronald. Ships of the Island Rivers. 3rd ed. 1996. p.67) The barge Ada was built in 1899 at Echuca by the Permewan Wright Company. The Ada hull was built of part wood and part steel, to protect the wool from becoming wet on the voyage down the Darling River to the Echuca Wharf. The Ada was used as a logging insider barge as well as a wool barge with the Pevensey on the Darling River.The P. S. Edwards has historical and social significance being a paddle boat built in Echuca. The P. S. Edwards was built in May 1875 by J. M. Webb, Echuca. It had 7 different owners before being purchased by R. J. Evans, of Evans Bros. Saw Mill, Echuca, in 1919. The P. S. Edwards was sunk at Echuca in the spring of 1958 "and as the mill was burnt in 1959 salvage was not attempted. She was raised in January 1981 and in 1985 was restored by Geoff Evans. While owned by Evans Bros, was used to bring red gum from the Barmah Forest to the sawmill in the barge Clyde." (Parsons, Ronald. Ships of the Island Rivers. 3rd ed. 1996. p.67) The barge Ada was significant because of the construction of the hull, being part wood and part steel. The Ada was used as an inside looking barge as well as a wool barge with the P.S Pevensey on the Darling River. The barge Ada is still on display at the slipway at the Port of Echuca. A black & white photograph of the P. S. Edwards towing the barge "Ada". A large tree is in the foreground and frames the boats. The boats are on a bend in the river. The barge appears to be laden with timber.In blue pen on reverse of photograph are written the words ? Adelaide (crossed out) Edwards & Ada barge ID4. Geoff Evans ? ( also crossed out). port of echuca, p. s. edwards, evans bros saw mills, ada barge, wool industry, p.s pevensey, darling river

This picture frame was hung in the Bridge Hotel in the upstairs display that was assembled in the 1970s and can be seen in some of the photographs taken upstairs over the decades in the Port Collection. A round wooden photo frame decorated with carved circles with a sepia circular photo of young woman with voluminous hairstyle inside it. She has a triple strand of pearls around her neck. At the bottom of the photo if written Talma & Co, Swanston St, Melbourne. A brown string like a shoe lace is threaded through 2 hooks to hang it from.'Part of her mother's effects, K Robertson, born 1886 carved this frame as a girl probably around 1903. Subject not known, a friend perhaps.' written on the back of the photo. bridge hotel, k robertson, talma & co, picture frame

Group outing to Mt. Hope in Northern Victoria, context not known. Photograph was important to owner as it has pin marks both top and bottom suggesting that it was on constant displaySepia photograph on cream board in modern folderInscription: Group taken At Mount Hope at the turn of the centurythompson collection, nightingale

Carl Axel Nobelius (1851-1921) was born in Finland of Swedish parents. He migrated to Australia in 1870 and became a paramount plant nursery proprietor, operating extensive nurseries in Emerald,. Victoria and in Tasmania. His property in Emerald now constitutes Emerald Park. The bust was on display in Emerald Museum but is now lost.The bust provides a clear likeness of one of Emerald's most significant personages. As the bust is now lost, this photograph preserves that likeness.Colour photograph of bust of C A Nobelius (1851-1921) made by Jenny Sulwick Museum display card: "Jenny Sulwick Cast Concrete ?1960 Carl Axel Nobelius"nobelius, emerald museum

Displayed as War Medal 1939-45, should be Australian Service Medal. Displayed as Australian Service Medal, should be War Medal 1939-45. Items relate to Kenneth Edwin Beckmann V64354, enlisted in the CMF on 19.2.1942 in the 7th Australian Infantry Battalion, discharged on 25.10.1945.Patterned wooden frame surrounding a collection of medals, colour patches, photograph & silver cigarette box. Articles all on maroon background with salmon coloured border. Glass fronted. On rear: V64354 K F BECKMANnumismatics-military-medals, photography-photographs, personal effects - smoking accessories, glass technology

W.F.R.Budge VX48105. Refer Cat No 2721 for his service details.Black & white photo with basic details of the military service of Major William Frank Rouden BUDGE. White cardboard, black printing. Red velvet cardboard backing display board.Top: “William Frank Rouden Budge” Centre: “Major” Left: “Enlistment 1940, Centre: Photo of Major BUDGE, Right: Discharged 1947” Centre: “2/24th Australian Infantry Battalion 9th Division AIF”document, service, passchendaele barracks trust, 2/24th, tobruk

The wounded soldier is Bill Jeffers VX52782, 2/24th Batt 9 th Div. The soldier carrying Bill is Joe Battilana VX47314, the German soldier carrying the equipment had given himself up with the comment "I've had enough". Refer Ct No 147 for Bills service details.Photo B & W in frame copy of original for display. Set on a white background shows a German Soldier carrying equipment while an Australian soldier carries a wounded Australian. Frame is wood, gold coloured.photographs, military

Thomas Alan Broadbent No 15887 46th Batt. Refer 2322.2 for service history also 2568.2.Photo, portrait, sepia tone, copy for display re T.A.Broadbent."Thomas Alan Broadbent KIA 20.9.1918"photography, military, history

See also 2606, 2607, 2608.3. .1) Medals awarded to ARTHUR EBDON. .2) Photograph of a painting of ARTHUR EBDON who enlisted in the AIF in July 1915. He was a Lance Corporal Signaller in 57th Battalion, 5th Division before transferring to 15th Field Company of Engineers, 5th Division. Portrait was painted by Mary Wheeler and entered in the Archibald Prize..1) Photograph attached to maroon card displaying 3 medals. French Legion of Honour, British War Medal, Victory Medal. .2) Photograph of a painting of a seated man who is the recipient of the medals.photography-photographs, military history - army, passchendaele barracks trust

"The Great War profoundly touched the lives of Australian teachers, school children and local communities, and with lasting consequences." Cover - soft cover, cardboard, red and white print on front, spine and back on black and white, cover image. "The Rally Round the Flag" and "A School interior" Back cover image "School Physical Training Display" map of Australia. Pages - 364 pages, cut, plain, off white. Illustrated black and white photographs. Handwritten inscription on Title page. Title page - handwritten inscription - black ink. "For the Soldiers Memorial / Institute Military Museum,/ with all best wishes/ Rosalie Triolo/ March 2018." books, schools, teachers and students, ww1

Photos relate to CAPTAIN R EMOND's WWII service in the Middle East & North Africa. 2782.7 - 2782.9 relate to Queen Elizabeth's visit to Bendigo in March 1954. 2782.11 & 2782.12 depict soldiers marching through Charing Cross, Bendigo. 2782.13 shows CAPTAIN EMOND & Gov Dallas Brooks inspecting the 38th Battalion.Collection of black & white photos & documents related to CAPTAIN RUSS EMOND. Copied photos & captions have been glued to A4 pages. x 13 pages in blue plastic display folder..13) "14 Mar 55. The Gov of Vic Sir Dallas Brookes inspecting guard of honour from 38 Inf Bn. Guard Commander - Capt Russ Emond"documents - copies, photography-photographs-copies, military history, passchendaele barracks trust

James Joseph Kirkham Regt No 685. The “A” on the Colour patch denotes he was an “Anzac”. The Rosette was called the “Anzac leave Rosette” Issued in September 1918 for 1914 enlistee’s who were sent home for 6 months leave. Worn on the arm it was to show they were not “Shirking” their duty. The War ended so after. Refer 1281 for his service history also 1283P.Coloured portrait, enhanced painted portrait of WW1 Soldier displaying on left arm a coloured A Patch above a red, white & blue rosette. Large, light timber frame with moulded decorations, brown boarded, with glass front.Rear of frame: "Family Tree, Wife & Children. James Joseph Kirkham. 8th Battalion. 1st Pioneers. 1st AIF ANZAC" "Married Elizabeth Cornelia Blackley, Wonthaggi Elsie Edith Kirlkham - Connell Olive Winifred Kirkham - Rothberger - Jenner Francis James Kirkham" Myrtle Florence Kirkham - McGillvray Alma Gwenth Kirkham - Baker George Thomas Philip Kirkhamphotography, framed, portrait, ww1

HMAS LATROBE was one of the corvettes manufactured during WW2 and was named after a town in Tasmania. Part of William (Bill) Thomason Collection. Refer Cat No. 4136P.Faded black and white photo of HMAS LATROBE with crewmen standing on board with ship displaying the No. "J234". Ship appears to be moving slowly in very calm water.On bottom of photo "HMAS LATROBE".collection of william (bill) thomason, hmas latrobe, photograph

This historical family photograph spans three generations of the Cooper Family, a pioneer family, still residing in the Kiewa Valley. The large axe held by Pat was a handy tool for pioneer families to chop down trees for land clearing, building sheds and fences, outhouses and fire wood. This photograph was taken during a time where both male and females did some heavy lifting and processing. The rural sector at this point in time was physically a hard location for both sexes. The segregation of the sexes into specific job categories was some times non existent although household "chores" was in the main a woman's domain. The rural sector was in this point of time one which women were highly respected and the unwritten law of providing "assistance" and "reverence" by men in such actions as, socially opening doors, tipping the cap, offering a sturdy arm for support and refraining from doing or saying anything "uncouth" in a woman's presence. It was in a time when women's liberation was just starting to grow strength. Rural areas, on the hole, took longer to interfuse "city" hatched norms of behaviour. This photograph of a pioneer family still residing in the Kiewa Valley demonstrates not only the close protective environment that the valley has on all its inhabitants but also the close bonding that neighbors have towards each other. The term "God's gifted country" fits warmly with all the settlements in the valley. The relatively isolated (physically, visually and communications wise) has since post World War II been whittled away by faster and vastly improved communications with "the outside" world. The strength of commitment to the rural life can be seen in the faces of the family members in this photograph. The proud heritage is displayed without any external pressure. This large black and white family photograph is a reproduction on Fujicolor Crystal Archive Paper manufactured by Fujifilm. It is 200gsm matt finished paper with no borders. On the reverse side, written in pencil "Ted Cooper sitting aged 24-25, Pat Amery (Ted's youngest sister) holding Ted's eldest son Doug and Ted's father John Franklin Cooper(22-8-1892)"john cooper, ted cooper, pat amery, doug cooper, pioneer family kiewa valley

This book was produced in a period of time when Australians, especially those in rural areas referred to Britain as "the mother" country. It was a time when the transition from a colonial dominion of Britain to the status of an individual State through the Australian Constitution was quite apparent, except for the affection and respect of the majority of the population towards "their" Queen. It was a time when the Governor General (Queen's representative) were British born and picked. Australia had grown from a colonial status to an individual state. The feeling towards the monarchy is aptly demonstrated by the words from the High Commissioner for Australia, Sir Thomas White K.B.E., proposal for Australia to adopt the royal title "Elizabeth the Second by the grace of God of the United Kingdom, Australia and her realms and territories Queen, Head of the Commonwealth, defender of the Faith" Here faith implies the christian (Church of England) religion. In rural Australia the respect and admiration for the Queen was very high and all public offices, clubs and halls displayed a well positioned, large photograph of the Queen. The respect for British royalty was quite pronounced by the royal toast, offered before "official" proceedings commenced, and in the military flying the royal "blessed" colours.This book was donated by one of the founding families residing in the Kiewa Valley and is typical of the general feeling of respect and admiration felt by the rural communities towards the British Royal Family, especially towards Queen Elizabeth II. The rural slant towards any form of patriotism was along the lines of "Queen and Country", in that order. After World War II the social texture through multi-culturalism (especially in the Cities)moved away from this "motherland" bondage but it had taken a longer period to penetrate those rural sectors within the Kiewa valley and high plains areas. The great post World War II immigration of European refugees started a shift of numbers of Australian families whose parents were not born in Australia or had British family ties. The book represents a period in time where ties to Britain where a lot strong and entrenched in the social fabric of the Australian rural sector. The growing push for a republic is becoming stronger and stronger as the level of rural royalists deminishes.This item is a hard covered book of 200 pages including 8 pages in full colour and over 250 photographs covering the British royal family and in particular Queen Elizabeth II and her coronation. The external protective paper dust-jacket is in colour. Specific references to Australia appear on pages 9,36 to 41 and 97. The hard cover has a "off" white cloth textured (glued reinforced) cover over thick cardboard . The front and back pages depict the Royal investiture carriage with guards and footmen. Little cherubs are portrayed around the sheath holding the Royal Crown. Crowned lion and stallion sit at attention on either side of the carriage, with the Royal shield supporting their front legs.,The dust jacket is in full colour with the wording "The CORONATION BOOK of QUEEN ELIZABETH II" With a Pictorial Record of the Ceremony" The spin of the jacket (in gold print on a regal red background) "THE CORONATION BOOK OF QUEEN ELIZABETH II" on the bottom "ODHAMS" The cover has a pressed oval shaped double lined border enclosing a crown and the words Elizabeth R, below which is pressed 1953. The spine has the following words in gold coloured print "THE CORONATION BOOK OF QUEEN ELIZABETH II. The front, inside flap, of the dust jacket details the significance of what is contained within the book and the back inside flap has the contents and those personages who contributed. The back of the dust jacket has a brief review of three other books covering other aspects of British royalty and they are titled "THE DUKE OF EDINBURGH" ( a pictorial biography), "QUEEN MARY" (her life and times) and "ROYAL HOMES ILLUSTRATED" (with an essay on the royal palaces by A.L. Rowse.modern australian history, british royalty, queen elizabeth ii, coronation of queen elizabeth ii, australia's "mother country"

In late 1919, the Country Roads Board approved an amendment of the Belgrave-Emerald Road between Gembrook Road (likely now Old Gembrook Road) in Emerald and Paradise (now Clematis) Station. This image shows part of those works, where they intersected with Ogilvy Road. Public works projects such as road constructions were popular in the immediate aftermath of the First World War, when many men returned home without work and were eager to earn a living by participating in government projects.This image represents an infrastructure project from the 1920s that helped to build the Emerald of today. It displays the tools and technology available for public works projects in the early 20th century, and the manner in which road construction occurred.A sepia photograph on card backing depicting a road construction project. The workers are relying on horses and manual labour to build a road amongst trees and hills. The lower-left corner of the photograph is damaged and faded, with some damage and the photo peeling away from the backing along the left side as a whole. The rear has some handwritten text, with some illegible.Rear: "Mr O'Connor / 12 / date / Clematis / Making the Road to Clematis / 1920?"emerald, clematis, 1920s, transport

Ruby Nobelius, who is also known as Ethel Ruby Nobelius Hayes, was born in 1887, dating the photograph to 1908. She is wearing an Edwardian style dress with a rounded, soft updo popularised by the 'Gibson Girl' aesthetic of the 1910s. Four years prior, Ruby was a bridesmaid in the wedding of her brother, Carl Oscar Nobelius, to Florence Prescott in 1904 at the age of 17. This image captures the fashion style of lifestyle of wealthier Australian women in the 1910s. It also displays the social significance placed on 21st birthdays in the 1900s. As she is dressed in a gown and photographed in a studio, it indicates a momentous occasion deemed important enough to commemorate and document. A black and white photograph taken in a studio setting of Ruby Nobelius on her 21st Birthday. The contrast in the photograph is low and the quality is grain, resulting in a low resolution image with limited distinguishable detail.Reverse, top left: " Ruby Nobelius on her 21st Birthday"nobelius family, 1900s

In late 1919, the Country Roads Board approved an amendment of the Belgrave-Emerald Road between Gembrook Road (likely now Old Gembrook Road) in Emerald and Paradise (now Clematis) Station. This image shows part of those works, where they intersected with Ogilvy Road. Public works projects such as road constructions were popular in the immediate aftermath of the First World War, when many men returned home without work and were eager to earn a living by participating in government projects. This image is a black-and-white copy of the original sepia photograph (VEMUP0996).This image represents an infrastructure project from the 1920s that helped to build the Emerald of today. It displays the tools and technology available for public works projects in the early 20th century, and the manner in which road construction occurred.A black and white photograph on paper depicting a road construction project. The workers are relying on horses and manual labour to build a road amongst trees and hills. The lower-left corner of the photograph is faded - an artefact from the original that this is a copy of, though this copy was made when more of the original was intact.N/Aemerald, clematis, 1920s, transport

Softcover - 96 pages consisting of text and black and white photographs. Two copies. One copy (1/2) has a pale blue background on the front and the other (2/2) a khaki green background on the front.non-fictionA photographic history of the first 100 years of European settlement in the Emerald district.emerald, history

The handwritten names on the reverse of this postcard - Kevin Hogan, Gwen Asling, Kevin Teasdale, and Chris Britton - are all individuals associated with the museum (to varying degrees), seemingly confirming their assessment that this postcard is mistitled and its image is not in fact of Emerald. They were likely correct, indicating that Rose Stereography may have made a mistake. It is difficult to determine how unusual this was; Rose made more than ten thousand postcards, so it is entirely possible some were not checked sufficiently. The reference number P. 1629 was reused at least two more times.While the image on this postcard may not actually be of Emerald, the fact that it is mislabeled as such still tells us about the perception of Emerald at the time of publication - that of a growing rural town amidst hills and trees.This postcard displays a sepia photograph with agricultural space - a field, fences, and trees - in the foreground, and a collection of buildings on a road rising on a hill in the background. Printed text below the image introduce the series and location, while the reverse features a medium-sized rose (a midpoint in the evolution of Rose postcards) and printed text but no message written.Obverse: Bottom Left: "THE ROSE SERIES, P. 1629 / Copyright" Bottom Center: "THE TOWNSHIP OF EMERALD, VICTORIA" Reverse: Printed, Top: "REAL PHOTO POST CARD / THE "ROSE" SERIES DE LUXE PRODUCED IN AUSTRALIA" Printed, Left Side: "PUBLISHED BY 'THE ROSE STEREOGRAPHS' / Armadale, Victoria" Handwritten, Center-Left: "NOT EMERALD / - KEVIN HOGAN / - GWEN ASLING / - KEVIN TEASDALE / - CHRIS BRITTON" Handwritten, Stamp Box: "$12"rose series, emerald

The interior of a wireless patrol vehicle displaying the technical set-up. Unidentified man in uniform. Circa 1959police vehicles; wireless patrol; motor transport branch

Honda CB900 on display in the police stand at the Royal Melbourne Show. There are two display boards in the background featuring other photographs of police on motorbikes. Circa 1980police vehicles; wireless patrol; motor transport branch; motor transport section; police motorcycles; honda motorcycle; royal melbourne show