Showing 543 items
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Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland, Victoria, n.d
Contemporary postcard of Portland. Full colour, 9 images of Portland 'Portland Victoria, Australia" in white, bottom edge, left. 'Traveller's notes logo - right. Reverse has descriptions of 9 images, outline map of Australia showing Melbourne and rectangle of Portland area. -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Albion Hotel Casterton, Victoria, n.d
Photographic postcard, view of Albion Hotel Motel Casterton, reverse has mailing details, brief description of Albion. -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Casterton, Victoria, n.d
Photo/postcard, view of Casterton Post Office. Reverse has mailing details and brief description of Casterton. -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Casterton, Victoria, n.d
Photo/postcard, view of Scots Uniting Church, Casterton. Reverse has mailing details, brief details of Scotch (sic) Uniting Church. -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland, Victoria, Neil Tonkin, n.d
Coloured postcard, photo of oil rig moored in Portland Bay at sunset; white bottom border 'The Ocean Patriot-Oil Rig Portland. Victoria' in black print in border. Reverse has brief description of photo. Southern Edge Images Photographer: Neil Tonkinportland, oil rig, tourism, souvenir -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Illustration of Municipal Offices and old Town Hall Portland Victoria, Dec-83
Relocation of the Portland Town Council, Portland waterworks Trust and Portland Sewerage Authority in 1983Black and white postcard. Illustration of Municipal Offices and old Town Hall on front, plus, 'WE ARE MOVING'. On reverse advice that from Monday 12 Dec. 1983, Portland Town Council, Portland waterworks Trust and Portland Sewerage Authority would be operating from the new municipal offices. -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland baths and ocean pier, Portland Victoria, Rose Stereograph Co. Glen Waverley, Victoria, n.d
Black and white photo postcard. Rose series, Portland baths and ocean pier. Reverse has space for message and address. 'Rose' series logoFront: 'THE ROSE SERIES, P1095 copyright 'THE BATHS AND THE NEW PIER, PORTLAND, VICTORIA' -bottom border, printed -
Glenelg Shire Council Cultural Collection
Postcard, Merino "Better Still!", n.d
Greenish and white postcard. View of Merino Hotel and cinema c1857. Reverse has details of photo and publican.merino, tourism, glenelg shire, postcard -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Casterton Railway Station, n.d
Postcard showing railway station Casterton. Reverse has mailing details, brief description of railway station.advertising, casterton, kelpie, victorian railways, glenelg shire -
Glenelg Shire Council Cultural Collection
Souvenir - Postcard, c. 2000
Contemporary postcard of Portland. 4 full colour views of Portland. 'Portland Victoria, Australia' in white on blue bottle margin, left. Traveller's Notes logo on right. Reverse has line map of Australia. Melbourne indicated, plus rectangular area Portland district. Valued $ 30.15 for 9 items -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Upwelling Festival 2010, Portland Upwelling Festival 2010, 2010
2 Postcards advertising Upwelling Festival 2010. White background, illustrations blue, green. Sponsors logos on reverse. Identification numbers 5867 a, b, -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland Beach, 1905-1915
Black and white postcard. Showing band reserve and beach at Portland. Looking towards sea. railway pier and ocean pier visible, in background. Two ladies sitting on bench, right 3 men lying in grass, right. Cypress in tree guard, beach shelter, numerous people sitting/walking on beach. Reverse, address and message in pen, penny stamp.Front: 'Band Reserve and Beach, Portland'- printed bottom left. Back- Message and address in pen.photography, postcard, portland seafront, beach, recreation -
Stawell Historical Society Inc
Postcard, Pleasant Creek Hospital built 1861
Pleasant Creek Hospital with garden nurses standing in garden and at top of steps. Built 1861B/W photgraph of a brick building with wings either side, pine tree on the right. surrounding the picture is a fdrawn wooden frame.Front, Lower Left: Stawell Hospital On reverse: Post Card. This Space used for communication. Address Only On the Left Side: Semco Series. Box 545 G.P.O. Melbourne ( Turn 90 Degrees Clockwise to read)stawell -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, 1940-1950
... with printed postcard division on reverse.... into a postcard, complete with printed postcard division on reverse ...This photograph of Lillie and Olive Duncan is one of a number featuring the sisters. They were active members of the Ladies' Harbour Lights Guild during the 1920s and 1930s and the objects we have relating to the women highlight the relationships forged between seafarers and those who offered their time and energy to the Mission.The Ladies' Harbour Lights Guild was instrumental in raising the necessary funds for the construction of the current Mission to Seafarers building. They also worked to provide the tangible elements of seafarers' welfare, such as procuring donations of goods and money. However, their most important work, in many ways, was to provide company, conversation and support to seafarers. Lillie, Olive and their entire family were involved with the Mission over an extended period of time.Black and white photograph of Lillie Romana Duncan and Olive Harriet Duncan. Olive is on the left wearing a dark coloured dress with a 'V' neck, little coloured coat and gloves, carrying a clutch under her arm and wearing a dark hat. Olive (on the right) is wearing a ladies' suit and gloves, carrying a clutch under her arm, wearing a dark coloured hat and a brooch at her neck. The photograph has been turned into a postcard, complete with printed postcard division on reverse.In pencil on reverse: Lillie Morgan/Olive Hall/RHS/(DUNCAN) Printed: POST CARD/CORRESPONDENCE/ADDRESS -
Mission to Seafarers Victoria
Postcard - Postcard, Sepia, Valentines Real Photo Series, The Missions to Seamen Institute, Melbourne Victoria, c. 1922
This postcard depicts the urban setting of the Mission to Seafarers a few years after its construction. (the Dome, the last part erected, was opened on 21 October 1921). It demonstrates a lack of urban surrounds or buildings as well as a paved road and a horse-drawn wagon. The figure in the photo is also a record of the dress style of the era. The lady is most likely a member of the Ladies' Harbour Lights Guild.This postcard demonstrates that the building was deemed important enough to be photographed for a postcard. It is a record of what the Mission to Seafarers looked like two years after its construction, and its urban surrounding.Sepia postcard of the Mission to Seafarers building complex and surrounding streets. The postcard depicts a wagon and a woman walking by the complex wearing a black dress and coat and black hat and holding an umbrella. Front: THE MISSIONS TO SEAMEN INSTITUTE, MELBOURNE VICTORIA REAL PHOTO SERIES.M.1696 Reverse: PUBLISHED BY THE VALENTINE & SONS PUBLISHING CO.LTD / MELBOURNE SYDNEY & BRISBANE. Contains logo of VALENTINES REAL PHOTO SERIES POSTCARD. Stamp logo lists: BRANCHES / SYDNEY / LONDON / DUNDEE / DUBLIN / CAPETOWN / MONTREAL / TORONTO Handwritten in blue: 1919mission to seafarers, melbourne, mission to seamen, seamen's mission, norla dome, flag, flying angel, lady, horse cart, umbrella, flinders street extension, ships, australian wharf, valentine's postcards, real photo series postcards, st peter chapel, lhlg, architecture, walter richmond butler -
Mission to Seafarers Victoria
Postcard, c.1918
The postcard shows how the Mission to Seafarers, then known as the Seamens Institute, looked early in its operation - probably circa 1920. It also documents the types of activities were offered to visitors, and how the visitors used the facilities.The postcard records the fittings and furnishings of the Mission to Seafarers, then known as the Seamens' Institute: tables, chairs but also the paintings which were often donated. The largest one on the main wall above the stage is "Start Point Light, Devonshire" (see item 0230), painted and donated by Miss Madeline R. Lewellin (1854-1944) in 1918. A sepia-toned postcard, of the main hall/club room of the "Seamens Institute" Mission to Seafarers. The image shows the arrangement of tables, pool table and bar in the club room, as well as the decorations and fitting of the room.On front: INTERIOR OF SEAMENS INSTITUTE, FLINDERS STREET MELBOURNE VALENTINES SERIES M. 4968 printed in black. On reverse: VALENTINES / REAL PHOTO SERIES logo in the middle of the top of the postcard. Along the left-hand edge: PUBLISHED BY THE VALENTINE PUBLISHING CO. PTY. LTD / QUEEN ST., MELB. printed in black.postcard, seamens-institute, club-room, bar -
Mission to Seafarers Victoria
Postcard - Postcard, Colour, Mission to Seafarers Victoria, The Mission To Seafarers Melbourne 717 Flinders St: Caring for Seafarers in Victorian Ports since 1857, 2011
During the Open House Melbourne 2011 artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. The original large print was on display and smaller prints were also sold to raised funds for the Mission. The postcard was printed as a marketing to raise awareness of the work of the Mission.The postcard llustrates the typical early 21st services such as money exchange, modems, sim cards et al and facilities such as a free bus service and collection available through the Mission. Also documents the continuity of services offered to Seafarers over 100 years in the current building at 717 Flinders St (1917-2017).Full colour promotional and information postcard featuring artwork collage print ( MTSV 0650) on one side and black on white information about the Flying Angel Club on the reverse.flying angel club, flinders street, mission to seafarers, seamen's mission, artist 586, open house, fundraising, marketing -
Bendigo Military Museum
Postcard - TRAINING ATTENDANCE 1915, Commonwealth Military forces, Posted 3.7.1915
The card relates to commencement of Training for Senior cadets in Area 67B Bendigo. 67 stands for the 67th Battalion local area Training battalion for Militia and Cadets.Post card, OHMS, double sided, yellowish colour, front has green stamp and two P.O stamps, addressed to is in black ink, reverse has details of Training commencement in black print, date stamp in purple and time in black pencilOn front, “To J.P Guiney, Sternberg St Bendigo”. On rear,stamped, “10 JUL 1915”, in pencil, “2.30pm”training 67b, cadets -
Ballarat Tramway Museum
Postcard, Electric Supply Co. of Vic (ESCo), Souvenir ESCo Ticket, 1905
Demonstrates a souvenir item for the opening of the electric tramways in Ballarat in the form of a postcard, one of which has actually been used to send a message. Has a strong association with the people who sent and received the card.608 - Postcard size Souvenir Tram ticket, printed using blue ink on one side with fare, photos of power station, engine room, boiler room and a tram & No.11162 stamped on edge. On reverse side is space for stamp, address etc., - with line & "postcard' etc., printed in red ink. Letter/note to Mino Loveday Hutchins c/o P.O> Queenscliff. No date. Fares given on card are : Mount Pleasant and Orphanage and Grenville St. 3d, or Grenville St. and Tram sheds 3d. Printed in a blue/grey ink of various shades onto a white card. Souvenir 608.1 - as above, numbered 11308, has been punched on lower edge near right hand corner. Has been used as post card to a person in Alexandria?, but rear has been eaten by silverfish or similar. Did have a date stamp of "28-8-0?" See also Reg Item 2488, page 28 for ticket number 1595. (On page 29) - image btm608i2 608.2 - added 18.07.2006 - Ticket No. 3934 608.3 - added 3.11.2011, Ticket No. 9030 Note re donation of 608i3 added 11-12-2016 and original donation 27-2-2017. See also Reg Item 7071 for a version that has actually been used with a message written onto the rear of the card and 7083. On lower edge card has been punched with a circular hole. stamp has been in position, but since removed.Letter on reartrams, tramways, esco, opening, ballarat, tickets, tram 26 -
Ballarat Tramway Museum
Ephemera - Ticket, Electric Supply Co. of Vic (ESCo), ESCO opening Souvenir Ticket, 1905
Demonstrates a souvenir item for the opening of the electric tramways in Ballarat in the form of a postcard which has actually been used to send a message. Has a strong association with the people who sent and received the card.Postcard size Souvenir Tram ticket, printed using blue ink on one side with fare, photos of power station, engine room, boiler room and a tram & No.10344 stamped on edge. On reverse side is space for stamp, address etc., - with line & "postcard' etc., printed in red ink. Letter/note to Ethel Hodgson of Lethbridge, stamped in Ballarat on 26-8-1905. Fares given on card are : Mount Pleasant and Orphanage and Grenville St. 3d, or Grenville St. and Tram sheds 3d. Printed in a blue/grey ink of various shades onto a white card. Acted as a souvenir card. One Penny stamp, with Ballarat Cancellation stamp and - "5" stamped on the top of the postage stamp. See also Reg Item 608 and 7084 for further versions of this object.Letter on rear and Has I.R. Kellett in ink in the top right hand corner.trams, tramways, esco, opening, ballarat, tickets, letters -
Ringwood and District Historical Society
Photograph, L. F. East, Maroondah Highway Ringwood showing old Mechanics Institute and Methodist Church - 1910 (2 photographs/postcards), c1910
2 small postcards of the same scene, one with a circular vignette. (Also two larger blown up reprints).Typed on original backing sheet (not kept) "Looking over Maroondah Highway at old Mechanics Institute and Methodist Church - 1910". On Reverse of 864-1 (See image): "Methodist Church in Ringwood opposite Railway Station and Mechanics Institute where Town Hall now stands c 1910. Photo by L.F.East" On Reverse of 864-2: (see image): "Ringwood 1910 from Railway Station looking across Whitehorse Roade. Photo L.F.East. Neg 21/29912" -
Whitehorse Historical Society Inc.
Postcard - Black and white postcard, Harold Millane, Whitehorse Road, Mitcham
Postcard: Black and white photograph of Whitehorse Road, Mitcham looking east from Station Street corner shops on eastern side and white heading 'Whitehorse Rd Mitcham, Vic.'Message written on reverse: see Media image.whitehorse road, mitcham, roads and streets, markham -
Federation University Historical Collection
Postcard - Promotional postcard, Wes Prendergast, Diverse, c2000
... Multimedia Bachelor Degree Two-sided promotional postcard ...Two-sided promotional postcard for University of Ballarat, Bachelor of Visual Arts (Graphic Design/Multimedia). Full colour + varnish front, mono greyscale reverse. university of ballarat, federation university, graphic design, multimedia, bachelor, degree -
Melbourne Legacy
Photograph - Portrait, Legatee George Knocks, 1914
A photo of Legatee George Knocks from his time in the Royal Navy. George Knocks was born in the UK and joined the Royal Navy in World War 1. He later migrated to Australia and joined Legacy in 1929 until his death in 1945, he left a significant bequest to Melbourne Legacy which was used to help many people. Information from a press release in 1975 relates the story of George Knocks who joined Legacy and left a bequest that made a difference. The information was intended to be used by press and magazines etc. A longer version of the story is in the Weekly Bulletin - 29 Sept 1964 and a document prepared by Legatee Armstrong in 1965 called One Man's Legacy. Summary: George was described as a lonely ex-seaman who migrated to Australia after the first world war. He learnt about Legacy and the work with widows and children. 'He joined up as a Legatee and from that day, the pattern of life changed greatly for George. He became absorbed in his new environment and spent most of his time with the children. The mothers found in him a rugged, but completely trustworthy friend.' When George died on 14 April 1945 he was mourned by many Legacy friends. His left his property to four comrades, as trustees to use in continuing Legacy's work, this bequest became the George Knocks Fund. As a result, a great many people in Legacy's care were helped, in all sorts of ways.A record of the life of a legatee.Sepia portrait of George Knocks in Royal Navy uniform plus an envelope initialled by Legatee Brian Armstrong.Reverse of photo is printed as postcard and has handwritten 'Legatee George Knocks' in blue pen and '4/4/46' and '5193' in pencil. Envelope has handwritten 'Legatee George Knocks / On Active Service 1914-1918' in blue pen and initialled 'JHBA' which is Legatee Brian Armstrong.george knocks, fund, bequests -
Ballarat Tramway Museum
Postcard, Rose Stereograph Co, "The Gardens and City Hall. Ballarat Vic.", mid 1960's
Has a strong association with the Rose Stereograph Co, demonstrates the gardens displays in Ballarat c1960's and yields information about the streetscape at the time.Colour postcard print of the central median gardens, Sturt St, with the Town Hall in the background and bogie tram No. 37 on the South Side. Has festoon lighting and other street decorations (Begonia Festival?) in the view. In the background are Myers, the Town Hall and Fletcher Jones store. No. 37 has the destination of Sebastopol and a "Switch to Electric Cooking" roof advertisement. Title "The Gardens and City Hall. Ballarat Vic." Postcard - Rose Series Colorview No. 509. On rear is the rose of Rose Stereograph Co and information. Duplicate of Reg Item - 1025On reverse side - black ink stamp "E.G.Butland"trams, tramways, town hall, gardens, sturt st, begonia festival, tram 11, tram 15, tram 30, tram 302, tram 27, tram 28 -
Ballarat Tramway Museum
Postcard - Souvenir ESCo opening Ticket, Electric Supply Co. of Vic (ESCo), August 1905
Used as a souvenir ticket and postcard on the opening day of the Electric Supply Co. of Victoria (ESCo), Ballarat tramways on 18 August 1905, Has been punched for the Mount Pleasant and Orphanage - Grenville St section. Collected by David Budge - 1879 - 1974, son of William and Mary Budge of Trevor St Ballarat, who worked for the Victorian Railways as a blacksmith residing in Walnut St Carnegie. Demonstrates a souvenir item for the opening of the electric tramways in Ballarat in the form of a postcard, which could be sent to others as a souvenir of the new tram system in Ballarat. Has a strong association with the collector.Postcard - size Souvenir Tram ticket, printed using blue ink on one side with fare, photos of power station, engine room, boiler room and a tram & No.2341 stamped on edge. On reverse side is space for stamp, address etc., - with line & "postcard' etc., printed in red ink. See item 608 for other examples.esco, opening, tramways, ballarat, tickets, postcards, david budge -
Buninyong & District Historical Society
Postcard - Original Photograph, New Imperial Mine, Hiscock's, Postcard, 1909
historic New Imperial Mine, Hiscock's, Postcardon reverse; 17/2/09 Dear Mr. Thomas Many thanks for the papers. Kind regards from all, your's sincerely R Kerr Mr. Thomas Government Battery Rutherglenmining, new imperial gold mine, hiscocks -
Flagstaff Hill Maritime Museum and Village
Postcard - Picture Postcard, Louis Wain (illustrator / artist), 1880s to 1930s
The picture postcard is illustrated in a simple, child-like manner. It has a personal message on the back, perhaps sent by an adult called Lily to a young relative or friend. Its rough edges indicate that it may have been torn out of a book or from a sheet of cards. It is one of the hundreds of illustrations by artist Louis Wain, quoted as being "one of the most popular commercial illustrators in the history of England" (IllustrationChronicles.com). English artist Louis Wain (1860-1939) was famous for his illustrations of cats, many of which he gave human characteristics and personalities. Wain married Emily. They owned a cat called Peter who was a great comfort to Emily through her cancer illness and consequent death after only a few years of marriage. At 22 years old Wain gave up his job as a teacher to work full time as an illustrator. He was able to produce hundreds of drawing a year for journals, books, postcards and advertisements. Later he wrote and illustrated children's books. However he didn't benefit much from copyrighting his work as he sold his work to publishers together with the copyright, so reproductions of his works didn't earn him money. Wain said that he owned his career as a cat artist to Peter. Wain spent over a decade in mental asylums before his death in 1939.This picture postcard is an example of the work of Louis Wain, English artist of the 19th and early 20th century. He is famous for his drawings of cats, which he continued producing throughout his life. He is also known for producing the world's first screen cartoon cat, called "Pussyfoot". In 1972 Wain's work was presented at an exhibition in the Victorian and Albert Museum.Rectangular picture postcard printed on think cream card. Picture on postcard is outlined in black and coloured in roughly painted watercolours. The drawing has two cats dressed in armour standing and fighting in front of a turreted castle. The picture is a black framed outline. The artist's printed signature is in the bottom left corner. The artist is Louis Wain. The reverse has a vertical dividing line and a square outline for a postage stamp's location. It also has printed headings. There is a handwritten Pencil inscription. The postcard's left side and lower edge have rough uneven edges.Signature: "Louis Wain." Printed headings: "POST CARD" "THIS SPACE MAY BE USED FOR COMMUNICATION" "THE ADDRESS TO BE WRITTEN HERE" Handwritten on back: "To Dr R - - - - - - / with love / from Lilly"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, postcard, picture postcard, louis wain, fighting cats, child's postcard, cat artist, animal portraits, national cat club, fencing, illustrator, children's books, children's author, children's illustrator, watercolour, cats dressed as humans, cats dressed as knights, popular art, victorian art -
Eltham District Historical Society Inc
Photograph - Postcard, Geisha Sakae looking into a mirror applying makeup, c.1905 to c.1920s
The text on reverse translates Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard -
Eltham District Historical Society Inc
Photograph - Postcard, Geisha Sakae holding an Ichimatsu Doll, c.1905 to c.1920s
The text on reverse translates to Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard