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Flagstaff Hill Maritime Museum and Village
Tool - Wood moulding Plane, Mid to late 19th century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use to produce a decorative moulding for a piece of furniture, door trims etc. or other timber items that had to be accomplished by using hand tools and in particular one of these types of planes. Profiled planes came in various shapes and sizes to achieve the required decorative finish. A significant tool from the mid to late 19th century that today is sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tongue and groove match plane with metal strip affixed with 5 screws Mc Vicar stamped on end and No 2. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Plane, James Hastie, Late 19th to Early 20th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture was done by hand using one of these types of plane. A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. Moulding Plane with metal blade attached. Made by J Hastie. Inscriptions stamped into wood. "J Hastie" "E G" "W.M" "EG" "11"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, j hastie, plane, wood working tool, hand tool -
Flagstaff Hill Maritime Museum and Village
Tool - Plane, Early to Mid 19th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. It also gives an insight into how many manufacturing companies bid for the rights to use prison labour to make their products at this time in our history. Moulding Plane T S Richards & Co. J Heath owner stamped. No 4/8 opposite endflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, moulding plane, plane, j heath, t s richards & co -
Flagstaff Hill Maritime Museum and Village
Tool - Plane, Mid to late 19th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Moulding Plane 4 screws attached to wood bottom plateJ Heath. 1/2 inch on opposite end.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, j heath -
Flagstaff Hill Maritime Museum and Village
Tool - Plane, Mid to late 19th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Circular moulding Rabbet Plane Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, circular rabbet plane, plane -
Flagstaff Hill Maritime Museum and Village
Tool - Moulding Plane, Mid to late 19th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Moulding Plane H Heathflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, plane -
Bendigo Historical Society Inc.
Document - Bendigo Chinese Presentation - Author unknown, abt 1990s
Sun Loong (simplified Chinese: traditional Chinese:) derived from the Cantonese pronunciation of "New Dragon", is an imperial parade dragon that was used in the Bendigo Easter parade from 1970 through 2019. It was believed to be the longest imperial parade dragon in the world, measuring approximately 100 metres (330 ft) long. Sun Loong was used in the traditional Chinese dragon dance and superseded Bendigo's earlier Loong in 1970; Loong is heritage listed as it is believed to be the oldest complete imperial parade dragon in the world. On 21 April 2019, a new dragon named Dai Gum Loong made its debut at the Bendigo parade and took over the title of longest dragon at 125 m (410 ft). Both Loong and Sun Loong are on permanent display at the Golden Dragon Museum in Bendigo.Bendigo Chinese Presentation - Author unknown. An A4 sheet with details of the Chinese community in Bendigo; details of the 1855 Victorian Government Chinese Restriction Act - Source: Australian Law through 200 years - Vijaya Nagarajan 1989. Also a photo clipping of the Chinese Dragon Sun Loong with the curator of the Bendigo Chinese Museum, Ralph Beh.history, bendigo, chinese, sun loong, chinese restriction act -
Bendigo Historical Society Inc.
Document - Newspaper Article 'Dragon short a few legs', abt 2000
Sun Loong (simplified Chinese: traditional Chinese:) derived from the Cantonese pronunciation of "New Dragon", is an imperial parade dragon that was used in the Bendigo Easter parade from 1970 through 2019. It was believed to be the longest imperial parade dragon in the world, measuring approximately 100 metres (330 ft) long. Sun Loong was used in the traditional Chinese dragon dance and superseded Bendigo's earlier Loong in 1970; Loong is heritage listed as it is believed to be the oldest complete imperial parade dragon in the world. On 21 April 2019, a new dragon named Dai Gum Loong made its debut at the Bendigo parade and took over the title of longest dragon at 125 m (410 ft). Both Loong and Sun Loong are on permanent display at the Golden Dragon Museum in Bendigo.Newspaper Article 'Dragon short a few legs' Request for more volunteers to carry the Dragon at the Easter Parade in Bendigo, photo of Doug Lougoon and Ralph Beh with Sun Loong.history, bendigo, chinese, sun loong -
Ballarat Tramway Museum
Functional object - Fare Tokens - 2021, 2021
Design based on the Electric Supply Co of Victoria tokens. Used by the Museum as a fare payment mechanism or system. With the use of coins or banknotes being phased out and replaced by digital means, it is not possible for the traditional fare payment system to be demonstrated by conductors or tram crews. Maintains the mechanism or practice of exchanging a "coin" for a tram ticket. Visitors pay an entry fee at the new Museum and are given a token for each person. When ready for a tram ride, each passenger gives the token to the Conductor or Driver who issues a paper ticket. Tokens are: Green - 1/- Adult, blue - 6d - Child, red - 3d - concession, purple 1d - members and guests, and orange - no value - baby or under 4. Also maintains the traditional system of conductors accounting for tokens (or cash) and the number of tickets issued.Demonstrates a fare payment system that maintains a strong interpretative link to traditional methods for visitors.Set of 5 plastic fare tokens used by the Ballarat Tramway Museum manufactured during 2021. Four of the tokens have a fare value on one side and the Museum's pictogram and name on the rear. Made by CombiCraft Bundall Qld.trams, tramways, ballarat, tokens, fares, tickets, btm -
School of Health and Biomedical Sciences, RMIT University
Book, 'Classic of Difficult Issues' by Bian Que / 《难经》
《难经》,中医古代四大经典之一,共 81 篇,作者传说为名医扁鹊。成书于公元前 4 世纪到公元 2 世纪之间,补充阐述中医理论的重要著作。 Classic of Difficult Issues One of the four classic literatures of traditional Chinese medicine, contains 81 chapters, author is said to be famous physician Bian Que. The book was published between the 4th A.D. and the 2nd century B.C., this important work supplemented to the theory of traditional. Chinese medicine. Three reproduction volumes in black in on light paper with white thread binding.chinese medicine, bian que, rmit chinese medicine collection -
Kiewa Valley Historical Society
Dance Program - Tawonga Hall
The Tawonga hall was used for community events eg. Dances, Balls and Debutante Balls. The dance Program was displayed for the Musicians and Dancers/Guests to be ready to dance when the music started. Traditional Ballroom dances include the Waltz, Foxtrot, Tango and Quickstep. Latin Ballroom dances include the Cha Cha, Rumba, JiveHandmade and used by residences of Tawonga and the Kiewa Valley. Possibly unique. Handmade, tall wooden box with opening at the front showing wooden slots for dance labels eg. waltz,. It has a knob at the top side. The knob can be turned to rotate the dances so that the current dance is at the top. The labels are on white paper and printed in large green letters. dances, balls, debutante ball, tawonga hall, entertainment -
Flagstaff Hill Maritime Museum and Village
Wood Samples, 1891
The timber display case was presented to Mr Richard Standcombe Harris of Warrnambool (1831-1923). He was a councillor (1875-1891) and predominant businessman. Mr C F Loggin had met Mr Harris while on a trip to Stratford upon Avon in the United Kingdom. Upon his return to Warrnambool, Mr Harris donated the item to the Warrnambool Museum and Art Gallery, (established 1886) where Joseph Archibald was Curator: he catalogued the case in 1894. THE LETTERS IN THE CASE The two letters contained within the display case confirm the authenticity of the oak wood sample. The first letter in the case includes the text; "[Stamped Header on banner] High Street, Stratford on Avon [Hand written] Sept. 22nd / 91. Mr. R. S. Harris, Dear Sir, Enclosed you will find [underlined next 3 words] every authentic proof of the Oak from Shakespeare's House (Birth place). I regret very much Sir, that you made a short-day at S. on A. I should have been delighted to have had the honour, & pleasure, of showing you around our Beautiful Country. You did not give [next 3 words underlined] me or yourself a fair chance. But however I hope that we may again some day have more time to go quietly around. With kind regards, and wishing you, Sir, a pleasant voyage, I remain, Dear Sir, Yours very truly, C.F. Loggin. P.S. A paper will be always acceptable to be as how you Jolly Warrnamboolites are desporting yourselves. “ The second letter includes text; “[Printed Letterhead with stamped impression] The Trustees and Guardians of Shakespeare’s Birthplace Incorporated by Act of 54 and 55, Vict. 1891 Secretary and Librarian - Richard Savage Shakespeare’s Birthplace Stratford-upon-Avon [handwritten] 22 Sept 1891 This piece of oak is a portion of what was cut away at at the restoration of Shakespeare’s Birthplace in 1857-58. C. F. Loggins Chemist 3 High Street Richard Savage Sec. – Shakespeare’s Birthplace Mr C F Loggin was connected with the Shakespeare Trust as the person who had originally donated a scion of Shakespeare's mulberry tree to the "Shakespearean Birthday Committee" in 1842. (The scion that was given to the Shakespearean Birthday Committee, from which the Mulberry sample is derived, still grows today in "New Place" garden.) Mr Richard Savage was the Secretary and Liberian of the then renamed “Trustees and Guardians of Shakespeare’s Birthplace when the display case was given to Mr Harris in 1891 by Mr Loggin. WILLIAM SHAKESPEARE Shakespeare was born in 1564 in Stratford-upon-Avon, where he also grew up. He married at 18 years and he and his wife, Anne Hathaway, had three children: They moved to London where he became successful as an actor, writer, and part-owner of a playing company. He later returned to Stratford and purchased his last home, which he called "New Place" in 1602 where he later died in 1616. For the next 150 years, it was known that there existed a black mulberry tree in the garden. At the time there was a fashion for planting mulberry trees. It was the early 17th century after King James had come to the throne, and he imported tens of thousands of saplings in an attempt to get landowners to start a silk industry in England. Unfortunately for posterity, Shakespeare's mulberry was felled around 1756, by the then owner of “New Place" the Reverend Francis Gastrell, who was apparently tired of continual visits by pilgrims asking to see the tree, so he chopped it down. Gastrell had applied for local permission to extend the garden but the application was rejected and his tax was increased. Gastrell retaliated by demolishing the house in 1759, this greatly outraged the local inhabitants. Gastrell was eventually forced to leave town having provoked the wrath of Stratford residents for committing such an act. Today only the garden remains where “New House" used to stand with a scion from the original mulberry tree still growing there. The wood from the felled mulberry tree at “New House" was purchased by an enterprising local clock-maker Thomas Sharp and he spent the next 40 years or so years making souvenirs from the wood. These became early tourist souvenirs and subsequently developed into a profitable sideline for various other makers, including George Cooper and John Marshall. These objects range from relatively small domestic wooden objects, such as snuff boxes and weight scales to large tea caddies and even tables. C. F. Loggin donated a scion or cutting from Shakespeare's mulberry tree to the Shakespeare Birthplace Trust in 1862, he was a chemist who lived and worked in Stratford. There is a note on the frame of the donation that the mulberry sample is from this scion, research shows that from Richard Savage's diary notes that there must have been a lot of wood taken from that scion over the years which was planted in the garden of “New Place” and is still growing there today. The "Trustees and Guardians of Shakespeare’s Birthplace" (1847 -1964) was formed after the house where Shakespeare is believed to have been born fell into disrepair. Subsequently in 1846 after the death of Thomas Court's widow the last owner. Interest in the house was revived when PT Barnum, the American showman, wanted to buy it and ship the house back to America. In response to this, the Shakespeare Birthday Committee was established (by a private Act of Parliament) with the help of such luminaries as Charles Dickens, the Committee of Trustees raised the necessary £3,000 and purchased the house the following year. Once the Committee had acquired the building, restoration work began. Originally the Birthplace formed part of a terrace with later houses built either side. The first stage in its conservation was their destruction. At the time it was thought necessary to avoid the risk of fire spreading to Shakespeare's birthplace. Reconstruction was carried out by the Shakespeare Trust between 1857 and 1864 that restored the outside of the building to its original 16th-century state. It is from this restoration that the donated piece of oak is derived, originally from a beam that was in the house. Communication from The Shakespeare Birthplace Trust, dated April 11th, 2019, confirms that the pieces displayed in this case have good provenance. The wood samples are significant for their association with the history of William Shakespeare. The display case and its content is significant to Warrnambool local history for its association with the establishment in 1886 of the Warrnambool Museum and Art Gallery. However, it should be noted that the letters of authentication that accompany the wood samples are only applicable to the oak sample. None the less, all the pieces have very good provenance, with Richard Savage's certificate of authenticity for the oak, and the mulberry sample with the letter to Mr Harris from Mr CF Loggin having also been the donor of the scion of mulberry in 1862 to the Shakespeare Birthplace Trust. This scion was then established at Shakespeare's garden at "New Home" that had been demolished by Rev Francis Gastrell in 1759. Two wood samples associated with William Shakespeare, presented in a hanging, timber and glass display case with metal trim around the frame. The case also contains two letters and a label printed on a card that refers to the contents, their origins and the donor. A card label with a printed number and a round adhesive label are attached on the back of the case. The left round section of wood is from a donated scion (or shoot) derived from the original mulberry tree planted by William Shakespeare at his last home "New Place", Stratford-upon-Avon. The outer section is light brown coloured while the centre is dark grain. The right wood sample in the case is a section of oak rafter from the house where Shakespeare was born in 1564. The wood is mid brown with a distinct grain. The included letters, each dated 22/9/1891, refer to only the oak sample. - The letter on the left comprises two handwritten pages from Mr CF Loggin to Mr Richard Standcombe Harris. The paper has the printed letterhead address of High Street, Stratford on Avon. - The letter on the right is a handwritten certificate of authenticity signed by Mr CF Loggin and counter signed by Mr Richard Savage, Secretary and Liberian of the Shakespeare Trust. It is on the printed letterhead of The Trustees and Guardians of Shakespeare’s Birthplace Cardboard label inside the glass case “Shakespeare Section of Mulberry Tree, traditionally said to have been planted by Shakespeare in his garden, “New Place,” Stratford-on-Avon. PORTION OF OAK RAFTER from the house in which Shakespeare was born. (Presented by R S Harris 1891.) Printed label on the back of the case “3 2 “ The handwritten adhesive label “0566” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shakespeare display case, wood samples, oak from shakespeare's birthplace, mulberry from shakespeare's home "new place", stratford-upon-avon, shakespeare's birthplace, the trustees and guardians of shakespeare's birthplace &c., shakespeare trust, shakespeare birthday committee, r.s. harris, brunswick, victoria, richard s harris, brunswick, victoria, c.f. loggins, chemist, 3 high street stratford-on-avon, richard savage, warrnambool museum and art gallery, thomas court, pt barnum, charles dickins, anne hathaway, black mulberry tree, reverend francis gastrell -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Church Bell, Before 1855
This artifact is a large brass bell. It was retrieved from the Schomberg wreck by local divers in the 1970s. Its location at the wreck site was described as "found on the west side towards the stern" the vessel remains lying on a north-south axis, with the bow pointing towards the shore as a result the bell was assessed from this position to have formed part of the cargo. The view that this was not a ship's bell belonging to the Schomberg is gained from two other 'Schomberg Bells' in the Flagstaff Hill collection, both of which have the vessel's name prominently etched into their outer surface. Additional indications indicate that this bell was not intended for maritime use due to the bell's rounded 'bell-curve' shape suggesting it was melodically tunable. Also the detailed basket-type fittings on the bell dome that would allow the bell to be suspended by ropes rather than just bolted to a yoke. The bell is currently on display at Flagstaff Hill, categorised as a church bell part of the Schomberg's cargo that was intended for use in a church within the Victorian colony. As the Colony of Victoria became more established, and its population expanded with the Gold Rush and other emigration from Britain, the demand for regular religious services and permanent church buildings also grew. We will never know if this bell was a specific order or part of an enterprising bell founder's consignment of general stock to a wholesale supplier in Melbourne. A cargo manifest for the Schomberg has unfortunately never been found. The shipwreck of the Schomberg is regarded as of significance to Victoria and is registered on the states Heritage list (S 612). The Schomberg wreck has great historical significance as a rare example of a mid 19th century large, fast clipper ship intended to transport cargo and passengers between England and Australia. The vessel that carried this bell represents the marine advances made in an attempt to break established sailing records between Europe and Australia. Flagstaff Hill holds a noteworthy collection of artefacts from the Schomberg shipwreck. The collection as a whole is primarily significant because of the relationship the objects have archaeologically, not only to highlight the story of the Schomberg ship and later it's wrecking but have an important potential to interpret the story and progression of maritime shipping in the 19th century. The church bell has a standard bell-curve shape and is dull bronze in colour. A large brass bell, plain and without visible maker marks, but with traditionally intricate basket-type cast fittings for suspension from a yoke by a number of ropes or chains. Approximately 3/8 of the bell’s outer surface bears a thin layer of marine growth and limestone accretion, and there is some minor pitting and spots of light verdigris over the remainder. The bell mouth, or lip, is slightly compressed-in in two places. It was retrieved from the wreck of the Schomberg. None warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, brass bell, church bell -
Glenelg Shire Council Cultural Collection
Print, Portland is for Everyone, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Three indigenous women stand before trees and grass trees. The fgiure on the far left is wearing traditional clothing, and the two figures on the right wear Victorian period dresses. The background depicts abstract patterning. At the top of the print are the words "Portland is for Everyone". The bottom of the image includes the words "Thanks to the Aboriginal Cultural Centre, Heywood, and the Portland Historical Society." Background is mauve and colours include green, blue, yellow, orange and tan. Mounted in dark cream matt in an ornate gold-detailed wooden frame.Front: 41/60 (lower left) Angela Gee '83 (lower right) (pencil) Back: (no inscriptions) -
Bendigo Historical Society Inc.
Postcard - WES HARRY COLLECTION: 6 POSTCARDS AND A PHOTO, 1904 - 09
Six assorted postcards depicting various themes, (a) very faded photograph of a hotel/guest house in a tropical setting (postmarked Singapore)., (b) group of seven women and two men posing on the deck of a ship., (c) Miss Doris Stocker., (d) Japanese girl in traditional dress., (e) Types of Australasian beauty - Classics., (f) photograph of an infant on her mothers knee, written to the side is ' after using hair restorer ' (see 2402.207 a )., (g) toddler with tight curly hair and wearing a white dress and shoespostcard, various themes -
Bendigo Historical Society Inc.
Postcard - WES HARRY COLLECTION: 7 POSTCARDS, Circa 1904
Seven assorted postcard with various themes, (a) Infant approx 6 months old., (b) coloured postcard depicting the Edinburgh Gardens, Fitzroy, Melbourne., (c) Head and shoulder image of a young Japanese girl in Traditional dress., (d) hand tinted photo depicting two women ( in a theatre production?)., (e) wilderness theme, with a lake and Mountains and two deer., (f) Fountain of Hibiya Park (Japanese)., (g) Card depicting a sailing ship and steam train with a horseshoe and the caption ' May good luck travel toward you ' .cottage, miners, daisy, edinburgh gardens, fitzroy, melbourne, japanese girl, actresses, highland theme, deer, fountain of hibiya park, may good luck travel toward you. -
Dutch Australian Heritage Centre Victoria
Wall Tile (Tegel)
Square off-white tile depicting a traditionally clad farmer's wife holding a basket of eggs and watching a hen running from her newly-laid egg. There appears also a proverb written In dialect: "Je kan d'eiers nie telle, vòdat je z'in 't bènnetje eit." (You can't count your eggs till they're in the basket.) A decorative border surrounds the scene and includes © with the initials R.S. The illustrations and wording are in brown. A hook for hanging has been affixed to the back.On the back the tile is inscribed MOSA HOLLAND and bears the numbers 213. -
Kew Historical Society Inc
Photograph, 1st Kew Scout Group, 1st Kew Scouts - Gembrook, Easter 1928, 1928
The 1st Kew Scouts was one of the first Scout Troops in Victoria, being formed in 1909. From 1927 they met in a magnificent Scout Hall in Disraeli Street, Kew until it was demolished in 1993. Still operating (in 2020) from their new Scout Hall on the corner of Kilby Road and Kellett Grove, Kew.1st Kew Scouts with the Governor of Victoria and Chief Scout, Lord Somers. For many years Victorian Scouts participated in a competition camp at the Gilwell Park Scout Camp at Gembrook. The Governor of Victoria has traditionally taken on the honorary role of Victorian Chief Scout and would have been visiting the camp to encourage the Scouts. The names of the Scouts featured in the photograph are inscribed on the mount and include two Rovers, who would have been acting as Scout Leaders on the camp, and two Scouts (who are peeling some spuds for dinner).Front: "Gembrook, Easter, 1928 / Rover C.H. Fraser 1st Croxton, Rover A.A. Drohan 1st Kew / His Excellency Lord Somers Chief Scout of Victoria / Scouts Whelan & Sturdy 1st Kew"scouts - kew, 1st kew scouts, lord somers - governor of victoria, scout camp -
Orbost & District Historical Society
music box, 1830-1840
Music boxes have been around at least since the end of the 18th century. The finest artisans in Europe created them and brought music into family homes when there were really no other types of music entertainment for homes. Music boxes performed the popular music of their day; songs from the opera, traditional songs, and hymns.The Nicole Freres were regarded as the best maker of cylinder music boxes during the mid 1800s. This is a fine example of a 19th century music box.Small wooden music box operated by winding a key which moves a studded cylinder against a comb of tuned teeth. A green paper label has been tacked to the underside of the lid. Cylinder music box, made by Nicole Freres, Geneva, Switzerland, c.1830-1840 Music box with an outside key wind . The cylinder length is 20cm and it plays 4 different airs. single comb, 112 teeth with exposed control levers. on label underneath the lid is "Music de Geneve" and the names of the tunes and the number 5929music-box musical-instrument nicole-freres -
Eltham District Historical Society Inc
Document - Folder, Murphy, James and descendants
James Murphy was a mining surveyor involved with the Caledonia diggings. Contents Note from Ray Blake, 26 April 2000: Ms Murphy said her people had traditionally owned all of inner Melbourne, north to the Great Divide, West to Werribee River, East to Mt Baw Baw, South to Mordialloc Creek.Newspaper clippings, A4 photocopies, etcjames murphy -
Flagstaff Hill Maritime Museum and Village
Equipment - Quoits Base?
This wooden base with inserted wooden peg is probably the base for a quoits game. Quoits is a traditional competitive game where players throw a set of horse shoes, rope or rubber rings, or discs one at a time from a particular specified distance towards the wooden base, the aim being to hook them all over the peg.Base; block of square wood with short rod in the middle; probably the base for quoits game.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, quoits game, traditional game of quoits, traditional games -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Ampoule, Camphor
Camphor has been used traditionally for many years, solely or in combination with other treatments for the relief of pain, inflammation and irritation in body and skin. Persian physicians Rhazes (860–932CE) and Avicenna (980–1037CE) used camphor extensively in the treatment of particular types of headache. Symptoms of camphor poisoning include “psychomotor agitation” and hallucinationsPale blue cardboard box with blue manufacturer's label across the face of the box and down each side. The label has black printed text. Inside the box is allocation for ten (10) ampoules. There are three (3) clear glass ampoules each with a pale blue label with black printed text. A metal blade is wrapped in tissue paper and a thin, squared off piece of metal is also wrapped in tissue paper.pain medicine, inflammation, rhazes, avicenna, camphor, headache -
Orbost & District Historical Society
dress, first half 20th century
This dress was a wedding dress. Horseshoes have always been a traditional symbol associated with good luck . . Because the horseshoe is " U " shaped, to retain the the good luck forever, it is essential that the horseshoe is hung by the ribbons which are attached to the shoulders. The horseshoe should not be turned upside down or else all the good luck of the marriage may fall out.This dress reflects the needlework skills of women in the first half of the 20th century.A hand-made white full length lace dress with a lace-covered horseshoe attached to the shoulder. It has lace cap sleeves. The dress is lined with cream coloured silk.costume-female dress-wedding needlecraft hand-made horseshoe -
Federation University Historical Collection
Photograph - Black and White, Interior of the Former Ballarat East Library, c1979
This photo was most probably taken when the Ballarat School of Mines was considering the former Ballarat East Library as a campus. In 1980 the Ballarat School of Mines Council presented a proposal to the Ballarat City Council regarding occupying and managing the Ballarat East Free Library as a School of Traditional Crafts. The proposal included maintaining the building in optimum condition.Three black and white photographs of the interior of the former Ballarat East Library. .1) Room in the former Ballarat East Library housing remnants of the Ballarat Historical Society (probably during transfer of the Ballarat Historical Society Collection to the Gold Museum) .2) Room in the former Ballarat East Library with built in show cases at one end, and modern classroom tables and chairs. Brian McLennan sits writing at a table. .3) Roofing detail in the former Ballarat East Libraryballarat east library, ballarat east free library, school of traditional crafts, brian mclennan, ballarat historical society, museum -
Rutherglen Historical Society
Image, 1970s
Rick Morris established Markwood Estate in 1971 with a philosophy for making wine of very high quality using chemical-free, traditional methods, both in the vineyard and also in the winery. The vineyard is deliberately not irrigated in order to induce more intense flavour into the fruit. The wines have a very long ageing potential if cellared under the correct conditions.Black and white photograph of a vineyard and winery buildings, with a windmill.On back of photo: "95% [upper case D in small circle] Markwood"wineries, north east victoria, wine industry, vineyards, markwood winery, rick morris, winemaker -
Kew Historical Society Inc
Functional object, Corrugated Glass & Wood Wash Board, Twentieth century
A washboard is a tool designed for hand washing clothing. The traditional washboard was usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. In the 19th-century, the ridges were often of wood; by the 20th-century, ridges of metal were more common. Later examples substituted corrugated glass of plastic for the metal.A domestic glass and wood wash board designed for use with a wash tub. Annotation: "Donated by Mrs Grove (daughter of Dorothy ( Allan) Edwards-Flint".wash boards, laundry equipment -
Kew Historical Society Inc
Equipment, Wash Board, 20th Century
A washboard is a tool designed for hand washing clothing. The traditional washboard was usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. In the 19th-century, the ridges were often of wood; by the 20th-century, ridges of metal were more common. Later examples substituted corrugated glass of plastic for the metal.A domestic glass and wood wash board designed for use with a wash tub. laundry equipment, wash boards -
Kew Historical Society Inc
Equipment, Wash Board, 20th Century
A washboard is a tool designed for hand washing clothing. The traditional washboard was usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. In the 19th-century, the ridges were often of wood; by the 20th-century, ridges of metal were more common. Later examples substituted corrugated glass of plastic for the metal.A domestic glass and wood wash board designed for use with a wash tub. laundry equipment, wash boards -
Orbost & District Historical Society
shield
Parrying shields have long been used within Aboriginal communities not only for protection, but as a symbolic implement used in rituals. Aboriginal men using very basic tools made them. They were designed to be mainly used in battle but were also used in ceremonies. Many shields have traditional designs or fluting on them whilst others are just smooth. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This is a good example of a wooden Indigenous artefact from Eastern Australia.An Aboriginal shield of roughly carved wood. Has a square shaped hollowed out hand grip. -
Cheese World Museum
Cheese press, Perfect Cheese company
Perfect Cheese Company was founded in 1930 by newly-arrived Italian migrant Natale Paquale Italiano. The company specialised in traditional Italian-style cheese but also produced Greek, Cypriot and Maltese origin cheeses. The cheeses were sold in Australia and Italy with all products being matured and non-processed. The company remained in operation until the early 2000s.This cheese press is significant as it represents the machinery used by an early cheese production company.Stainless cheese press machine with three steel supports and two threaded rods will spring tension wheels to screw down to pressurise the hoops containing cheese.J & T YOUNG AYR UKallansford, perfect cheese company, avery, cheese manufacturing, dairy industry