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Ballarat Tramway Museum
Postcard, Steve Parish Publishing Pty Ltd, "Ballarat Australia" and "Victoria Collection", 2003
Printed full colour postcard titled "Ballarat Australia" and "Victoria Collection". Features photos of BTM No. 27, Lake Wendouree, black swan and paddle board. On rear is places for correspondence, stamp, barcode, address and publisher logo. Has the name of the publisher "Steve Parish" Steve Parish No. PC3036 and address details. trams, tramways, btm, wendouree parade, gardens, lake wendouree, swans -
Bendigo Historical Society Inc.
Document - BHS EXCURSION TO EAGLEHAWK AND THE WHIPSTICK 8/10/2006
Notes on the BHS Excursion to Eaglehawk and the Whipstick, Sunday 8 October 2006, prepared by Margaret Bourke. The excursion was conducted by Ray Wallace and organised by Kay McGregor. Notes give a detailed list of the places visited - Eaglehawk, Snob's Hill, Harvey Town, Whipstick, Woodvale, Red Flag Gully and Lightning Hill.bhs excursion to eaglehawk and the whipstick 8/10/2006, margaret bourke, ray wallace, kay mcgregor, national trust, lancashire open cut, joey midson, prince of wales mine, pioneer hotel, pavillion hotel, moon mine, new moon, moon sandhill, moon dams, new moon north, woodvale state school, clan mcleod pipe band, rothackers, james woods, baden-baden hotel -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Robe, Town Clerk Robe
Plain black knee length ceremonial robe, centre front opening with buttons and tucking/pleating on sleeves. Pleats on three quarter length sleeves; pleats kept in place by 3 sets of vertical ribbons (10cm in length) with a metal press button at each end. Pleated/gathered around back neckline.robe, ceremonial wear, town clerk, town clerk's robe, bayside, city of bayside, sandringham, brighton -
Kew Historical Society Inc
Programme - Theatre Programme, Maiden Ladies / by Guy Paxton & Edward V. Hoile, 1960
From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Maiden Ladies, a farcical comedy in 3 Acts by Guy Paxton & Edward V. Hoile. Performances took place in the Kew City Hall in March 1961. The 8-page programme includes a cast list, some profiles, a synopsis and advertisements for local businesses.maiden ladies, guy paxton, edward v. hoile, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew city hall -- cotham road -- kew (vic.), theatre memorabilia -- kew (vic.) -
Kew Historical Society Inc
Plan - Subdivision Plan, Doona Estate, Toorak, 1929
The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The Doona Estate subdivision of 1929 created 11 new allotments bordered by Glenferrie Road, Stonnington Place, Cross and Church Streets. On the right of the plan, the location of ‘State Govt. House’ is noted. Stonnington was to be maintained as Victoria’s Government House until 1931, two years after the Doona Estate subdivision was released.subdivision plans - toorak, doona estate -
Maldon Museum and Archives Association
The Apple Book, September 1949
This portfolio was created in response to a gift of apples from the Maldon district community in Central Victoria Australia to the children of Maldon Essex in the post World War II period. It was created for presentation to the Maldon Primary School by their UK counterpart, in gratitude, and as a symbol of cultural and political bonds. For some years before we received it the portfolio was kept in inappropriate storage and suffered some damage, and parts of it seem to have been removed. Nevertheless it is a fascinating and heartwarming document, which casts a light on the United Kingdom of the late 1940s. It is commonly known as "The Apple Book".The portfolio comprises 52 pages with various items affixed. These may be typed pages, photographs of places and people (including many small portraits), and artworks on paper and fabric. A cover is formed by heavy cardboard, covered with paper, with a hinge made near the left side and a heavy cord used to hold it all together.There are no inscriptions or labels, but the heraldic crest of Maldon Essex is reproduced on the front cover.maldon essex, maldon victoria, world war ii, apple -
Melbourne Tram Museum
Postcard, Murray Views, W2, possibly 377, late 1950's
Postcard photo of a W2, possibly 377, at the corner of Collins and Exhibition St Melbourne with the various buildings on the north side of the street and the many trees. Divided back with places for stamp, address, correspondence and details with makers details "Murray Views of Gympie Qld, No. 10, Collins St. Melbourne, from an Ektachrome photograph.trams, tramways, collins st, exhibition st, tram 377? -
Melbourne Tram Museum
Newspaper, The Sun, "City's charm on the line!", 29/05/1987 12:00:00 AM
Newspaper clipping from The Sun, 29 May 1987, titled "City's charm on the line!" about the place of trams in Melbourne at the time, The Met, Hong Kong tramcars, tourism, Light Rail development, Art Trams. Written by James Hutchinson, notes that it was taken from Singapore Airlines magazine "Silver Kris"trams, tramways, melbourne, restaurant tram, tourism, public transport, the met, hong kong, tram 793 -
National Wool Museum
Spanner
Steel spanner, place of use unknown. -
National Wool Museum
Spanner
Steel spanner, place of use unknown.Cylinder Alda Key -
Mont De Lancey
Textile - Doiley, Unknown
Used for placing food on or ornaments on furniture.A rectangular ornamental machine made doiley made of white cotton with a cut out pattern for use under cakes or ornaments placed on furniture.table linen, lace, cotton, cotton thread, table accessories, soft furnishings -
Mont De Lancey
Textile - Doiley
Used for placing food on or ornaments on furniture.A small square ornamental handmade doiley made of white cotton with a large lace patterned border and scalloped edging for use under cakes or ornaments placed on furniture.table linen, lace, cotton, cotton thread, table accessories, soft furnishings -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1941
List of Full Course Students' 1941, Editorial, Honour Roll, The Literary Society, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs Black, green and gold soft covered magazine of 56 pages including advertisements. Artwork Mr Allsop - By Margaret Taylor Mr Lambert - By Isabel Boustead Mr Mein - By Margaret Taylor Gaffer - By Margaret Taylor Bickarts Lino Cut Competition Section A - 1st place - By Winsome Hender Barney - By Margaret Taylor Tony - By Isabel Boustead Jack - By Margaret Taylor Lake Wendouree - By Mavis Heinz Issie - By Margaret Taylor Smoking Man - By Margaret Taylor Beryl - By Margaret Taylor Joyce - By Margaret Taylor Pat - By Isabel Boustead Bickarts Lino Cut Competition Section A - 2nd place - By John Henderson Albert - By Isabel Boustead Chick - By Isabel Boustead Leila - By Margaret Taylor Scottie - By Margaret Taylor Mary - By Margaret Taylor Margaret - By Isabel Boustead Bickarts Lino Cut Competition Section B - 1st place - By Maurice Collins Gladys - By Isabel Boustead Squizzy - By Margaret Taylor & Joyce Thompson Spence - By Margaret Taylor Pop-eye - By Margaret Taylor Haymes - By Margaret Taylor and Joyce Thompson Hucker - By Margaret Taylor Minnie - By Margaret Taylor & Joyce Thompson Ian - By Isabel Boustead Keep quiet or I'll slap you - By Isabel Boustead Joe-Joe - By Isabel Boustead Jean - By Isabel Boustead Elva - Isabel Boustead Bickarts Lino Cut Competition Section B - 2nd place - By John Henderson Blondie - By Maurice Collins Wilk - By Isabel Boustead Gladys - By Isabel Boustead Dawn - By Isabel Boustead Signed on front cover by "H. Darby" Has Receipt for Miss Darby for the amount of two shillings from activities and extraneous accounts , signed by W. Hinderballarat school of mines, magazine, r. spence, i. grant, isabel boustead, kenneth palmer, eric marshman, a. stevens, margaret dark, john r. elliott, joy martin, gilbert t. myers, marian peirce, john p.l. gibbs, winsome hender, peggy wells, geoffrey mounter, p. martin, john h. calaby, dr pound, mr mein, lorraine siemering, j. lockhead, herb christensen, max coward, ernest gribble, stan laurie, jim martin, jack nott, bill walters, adrian ward, fred badenhope, eddie gilpin, john hassell, frank jelbart, bob monteith, george lugg, dick menhennett, j. r. pound, william r. burrow, w. e. hender, mavis heinz, a. j. henderson, eric goon, donald eltringham, k. richards, leslie f. evans, ian d. mclachlan, philip c. kempe, maxwell w. lawrence, g. hale, william rowe, murray linklater, alan s. fisher, james w. mcclure, norman m. murray, william h. wray, mackay gleeson, john g. wilson, edward t. mann, keith s. waller, kenneth g. gingell, joan banes, patricia goldsmith, coralie clogan, miss rollan, mrs mcilvena, elva davies, maurice collins, betty davison, a. pilven, j. hucker, m. beaumont, k. mclachlan, r. harbour, d. browning, a. grieve, a. white, h. bantz, j. waddington, r. leigh, b. holloway, k. fletcher, l. lehmann, r. dunstone, s. wallis, e. n. thompson, mr hosie, loris hopwood, dawn austin, f.g. procter, gladstone procter -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: COLLAR AND DETACHED SLEEVES, Late 1800's
Clothing. Ladies' collar. Net fabric, entirely sewn into 'pin-tucks' .5 cm deep in the high stand-up collar, and increasing to 7.5 cm at the lower edge of the jabot front. Opening at the back, the jabot is fastened by nine metal hooks, and hand-stitched loops. Collar has a tightly gathered double frill of the tulle fabric, at neck and is held up right by five 'covered' 'bones'. The lower edge of the front and back is edged with a 1.5 cm wide silk fabric frill. Centre lower edge of back has two 59 cm long silk ribbon ties. This ribbon is also attached to the lower edge of the jabot 58 cm and 60 cm long - presumably for the wearer to tie firmly in place. Neckline seam is re-inforced and neatened by an organdie type fabric, hand-stitched in place. Two fine elastic loops (now perished) one 52 cm, one 58 cm would once have helped to hold the jabot in place, with the arms passing through the loops, to keep the jabot in place. Detached sleeves. Net fabric, entirely sewn into .5 cm tucks. Reaching from the wrist to above the elbow. A double net frill edges the wrists, where a 6.5 cm opening, fastens with metal hooks and hand-stitched loops. A cotton tape, .5 cm wide neatens and re-infrces this seam, and a row of chain stitch, in silk thread embellishes the outer side of the seam. Upper edge of the sleeve has a fine binding of silk ribbon.costume, female, cream tucked net collar and jabot -
Bendigo Military Museum
Coin - TOKEN, U.S. Army, 1962-1975
The Beach Comber was an entertainment place on the beach at Vung TAA. It was outside Australia lines, but Aussie haunted the place anyway. The Americans sold cold beer in aluminium cans, the Aussie were still using steel cans.Token is round and brass colours has the same wording on both sides.Around the edges “BEACH COMBERS VUNG TAU “ The centre 5 c in black ink 5474 is handwritten vietnam war, vung tau, beach combers -
Wangaratta RSL Sub Branch
Book - R.A.A.F. Fitters Manual II.E, c1941
Training manual issued to - WILLCOX STANLEY MERVYN : Service Number - 75552 : Date of birth - 23 Jan 1923 : Place of birth - MURWILLUMBAH NSW : Place of enlistment - BRISBANE who served with the RAAF during WW2.RAAF Fitters Manual II.A belonging to ACI S.M. Willcox 75552. Book has black binding with black cord to bind it. Cover is a dirty cream colour with black writing. On back cover is two drawings in ink.R.A.A.F. Fitters II.E Flight Mechanics, Course Notes, Engineering School. Issue 3 - 1941. This book is R.A.A.F Property and is NOT TO BE REPRODUCED without authority. Inside cover written in ink is 75552 ACI Wilcox S.M., A drawing of a cactus and a drawing of an eagle. Inside the back cover is a drawing of a horse. On the back cover is a drawing of a map of Australia with a kangaroo and an emu. Also a cartoon of a man on a bucking horse while smoking a pipe with two onlookers and a speech bubble.raaf, manual, wwii, world war 2 -
Bendigo Military Museum
Journal - JOURNALS WW1, 1914 - 1918
The journals were written by George Ross FREEMAN No 2485 - 57th Battalion AIF. .1) This journal was written from the notes in .2) & .3). .2) & .3) Were notes taken during the war. Refer Cat No's 2057P, 2058.3P..1) Black fabric covered exercise book, ruled, written in ink, beginning Aug 1914, ending Mar 1919. .2) Brown cardboard covered blue lined grid squares written in pencil beginning Jan 1918, ending Dec 1918. .3) Light green cardboard cover, ruled pages, written in pencil beginning 1 Nov 1918 ending 10 Dec 1918..1) "G R Freeman 64 Barkly Place Bendigo" .2) "Army Book 152, Correspondence Book (Field Service)" .3) "November 10th, G R Freeman , London etc Nov - Dec 1918"journals, 57th -
Australian Queer Archives
Poster, 10 : Melbourne Queer Film & Video Festival, 22 March-7 April 2000, 2000
Colour photographic image of a doll's face in partial profile; strips of yellow, orange and green across bottom; text in yellow."10th Melbourne Queer Film & Video festival 2000. Citymedia @ Treasury Theatre, 1 Macarthur Place, East Melbourne. Opening Night Gala: Astor Theatre, Cnr Chapel St & Dandenond Rd, St Kilda." -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Rose Stereograph Company, Steavensons Falls, Marysville, Vic, Pre 2009
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A colour photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson, who arrived in Victoria in the early 1860s. Rose Series Colorview postcard No. 1275.POST CARD The "Rose Series/ De Luxe Produced in Australia PLACE/ STAMP/ HERE Rose Series Colorview No. 1275. Copyright Published by the Rose Stereograph Co., Glen Waverley, Victoria Steavensons Falls, Marysville, Vic.marysville, victoria, steavenson falls, rose stereograph company, postcard, souvenir, rose series postcard, no. 1275, john steavenson -
Churchill Island Heritage Farm
Painting - Oil Painting, C. 1900
Given by Margaret Amess, youngest child of Samuel and Jane, to Mary Clay who was MA's maid until married. M.C. was aunt of donor. One of a pair (see 0344).Artist unknown, may have been Margaret Amess or her cousin Minnie Laurence, both of whom practiced art around the turn of the 20th century.Daylight scene of Churchill Island shore with sailing boat full sails heading towards shore. In large elaborate faded gold gilt frame matching 0344.On back: PREPARED MILLBOARD./(coat of arms)/WINSOR & NEWTON (Limited),/ARTISTS' COLOURMEN/To Her Majesty,/AND TO/T.R.H. THE PRINCE & PRINCESS OF WALES,/ 38, RATHBONE PLACE, W/NORTH LONDON COLOUR WORKS, KENTISH TOWN, N.W.churchill island, oil painting, margaret amess -
Churchill Island Heritage Farm
Painting - Oil Painting, C. 1900
Given by Margaret Amess, youngest child of Samuel and Jane, to Mary Clay who was MA's maid until married. M.C. was aunt of donor. One of a pair (see 0343).Artist unknown, may have been Margaret Amess or her cousin Minnie Laurence, both of whom practiced art around the turn of the 20th century.Moonlight scene of Churchill Island with rowboat on sea in foreground. Pink lower sky, moon full above. In large elaborate faded gold gilt frame matching 0343.On back: PREPARED MILLBOARD./(coat of arms)/WINSOR & NEWTON (Limited),/ARTISTS' COLOURMEN/To Her Majesty,/AND TO/T.R.H. THE PRINE & PRINCESS OF WALES,/ 38, RATHBONE PLACE, W/NORTH LONDON COLOUR WORKS, KENTISH TOWN, N.W.churchill island, margaret amess, oil painting -
Bay Steamers Maritime Museum
Book, W.C. MacGibbon, Board of Trade Orals and Marine Knowledge Steam and Motor
Red cloth hard cover book of 1166 pagesSticker on inside front cover ÄDMIRALTY CHART AGENTS / BOOKSELLERS & STATIONERS / J. DONNE & SON / 349 POST OFFICE PLACE / MELBOURNE" Handwritten in pencil on first page "A.C. DUNSMUIR / 98 BRAUND RD / PROSPECT" non-fiction, marine engineering, shipbuilding, electricity, steam engines, turbines, boilers, ships, trade -
Surrey Hills Historical Society Collection
Photograph, Geoff, Gwynne, Beryl and Isabel Mair and Bruce Kidd, c1926
David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Beryl initially lived in East Melbourne after they married. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. The children attended Mont Albert Central School. The photo was taken at the Kidd family property. The location of this has not been able to be traced. It may be in a rural area. This is part of a large donation related to the Deakin, Mair and Young families with connections to the Surrey Hills / Mont Albert area.A sepia copy photo with a cream border depicting 5 children in a back yard; the 3 girls and one boy are sitting on a rustic seat made from roughly-sawn timber; the other boy is standing behind them. All are looking away from the camera. The setting is a back yard with a high paling fence and rudimentary garden. A feature is a tree trunk turned into a seat. Behind the fence the rear of the house next door and the crown of a large eucalypt can be seen. REAR: In blue biro - "Gwen Beryl Isabel / Geoff (at back) / Bruce Kidd (2nd cousin / at his place" Handwriting is thought (at back)to that of Beryl Young (nee Mair). "39" in lead pencil on mid LH edge.children, back yards, beryl mair, geoff mair, isabel mair, gwynne mair, gwen mair, bruce kidd -
Melbourne Legacy
Photograph, Gwen Gunn
Photo of Gwen Gunn and another lady. Gwen was a very active Legacy widow and she advised on the Rosemary trays that were prepared for Anzac days. This might have been a concert or event for widows.A record that Legacy provided many social gatherings and events for widows.Colour photo of Gwen Gunn and another lady.Printed on the back " -
Bendigo Military Museum
Postcard - POSTCARD - 14TH TRAINING BATTALION BAND, c1918 - 1919
Postcards relate to R.H. Baron's role in the 14th Training Battalion Band. They document various places where the band played. Part of the "Robert H. Baron" No. 3596 and Cooper Collections. See Cat No. 1981P for details of Baron's service.Twelve black and white and coloured postcards featuring views of various English towns. Some cards have handwritten letters and anecdotes on the back.1. Lichfield Cathedral, Lady Chapel. Handwritten on back in black ink: 'Letter to R.H. Baron's mother dated 29.1.18.' 2. Bone Street, Lichfield. Handwritten on back in black ink: 'Anecdote, signed, Bob.' 3. The Green, East Knoyle: Handwritten on back in black ink: Letter to R.H. Baron's mother! 4. Wyndham Memorial, East Knoyle. Handwritten on back in black ink: 'R.H. Baron 14 T.B. Band. 5. Woking, Inkerman Barracks. Handwritten on back in black ink: 'Letter to R.H. Baron's sister Elsie.' 6. Chertsey Road and Red House Hotel, Woking. Handwritten on back in black ink: 'I spent a few days here while I was on leave, Bob.' 7. View at Old Woking from Bridge. Handwritten on back in black ink. 'No. 3596, L/Corp R.H. Baron, 14 T.B. Band, 57 Battalion, Aust Imp. Forces, Hurdcott, England.' 8. York Road, Woking. Handwritten on back in black ink: 'Letter to R.H. Baron's mother dated 11.1.19.' 9. Thinking of you at GILLINGHAM. Handwritten on back in black ink: 'This is the place of our last trip with the band, Bob.' 10. Glastonbury Abbey. Handwritten on back in black ink. Letter signed Bob.' 11. Station Rd. Gillingham. Handwritten on back in black ink: 'Letter from R.H. Baron to his friend, Doris. Dated August 2nd (1918?).' 12. Newbury, Gillingham. Handwritten on back in black ink. 'Partial letter written by R.H. Baron.'robert h. baron, cooper collection, postcards, 14th training battalion band, 57th battalion, ww1 -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Waterfall Scene on the Coliban River, near Elphinstone, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.23 / ‘Waterfall scene on the Coliban River, near Elphinstone’ / Albumen silver photograph mounted on boardOn reverse: ‘The scene this illustration presents is but one of the many that exist along the course of this shallow River, which, like its parent the Campaspe, abounds with rocky and romantic scenery. The fall of the River at this place is over one hundred feet, but is broken by a long course of rocks to the lower bed; the actual fall as seen is about forty feet. The Coliban, though only a branch of the Campaspe, derives its name from the fact that its course runs through the Coliban Park. Gold is found in considerable quantities along the banks and in the stream, but at the present time these diggings are worked only by Chinamen.’nicholas caire (1837-1918), australia - landscape photography -
Dandenong/Cranbourne RSL Sub Branch
Currency - Ceylon Bank Note, 1st February 1942
Given the inscription, it is possible this note belonged to MCNAMARA CECIL STEPHEN : Service Number - NX1416 : Date of birth - 26 Apr 1907 : Place of birth - GUNDY NSW : Place of enlistment - SCONE NSW : Next of Kin - EILEENTen cent note from the Government of Ceylon, now Sri Lanka. It is small, rectangular and paper with blue print on one side. The back is blank except for a black six-digit number. The text is mostly in English.Front: "THE GOVERNMENT OF CEYLON / THIS NOTE IS LEGAL TENDER FOR THE PAYMENT / OF A N A MOUNT NOT EXCEEDING FIVE RUPEES / TEN CENTS / TEN CENTS / 1ST FEBRUARY 1942 / COMMISSIONERS OF CURRENCY" (what is possibly an Indian language inscription beneath) "NX1416 / Cecil. S. McNamara / 26/8/42" (handwritten in ink) Back: A / 8 / 480657"ceylon currency, sri lankan currency, 1942 bank note, wwii money -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Knox Studios, New York September 1948, September 1948
This is a portrait of Allan Quinn, taken during a visit to New York, U.S.A, in September of 1948, when he was 20 years old. This is one of the few portraits of Allan, professional or otherwise, in the collection.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white portrait photograph of Allan Quinn as a young man. It is mounted on a cream cardboard frame, with a pale blue ornate border around the image. The photograph is held in place with clear and coloured tape. The top edge of the cardboard has been roughly cut, and the bottom edge has been cut with a wave design.Front, right hand bottom corner: NEW YORK / SEPTEMBER / 1948 handwritten in faded blue/black ink. On the reverse is tape printed with the Knox Studio logo.allan-quinn, photograph, portrait, new-york, 1948 -
Warrnambool and District Historical Society Inc.
Document - James Evenett Probate 1898, 1898
Tait collection: item 18 of 62 This document contains information on the Probate papers of James Evenett, a fellmonger from Warrnambool. He died in September 1898. James Evenett had a fellmongery on the Merri River, commencing business about 1869 and continuing in to the 1890s. In the 1880s his woolscouring works employed four people and this increased to ten at the busy times. He purchased sheepskins from the neighbouring farms and sent the wool to England with the skins being used in the Merri River tannery works. He left real estate property to the value of £686 and personal estate to the value of £200. The three executors were William Ponting, James Harman and his wife Mary Evenett. These probate papers relate to James Evenett, a fellmonger from Warrnambool.This is an 1898 document containing the Probate papers of James Evenett. The paper has been folded in two with handwritten material on four sides. There is a seal of the Supreme Court of the Colony of Victoria attached with a green ribbon and a red stamp of the Master in Equity of the Supreme Court. The writing in brown ink is legible but the paper is somewhat stained in places. probate papers, james evenett, tait collection, ernest chambers -
Warrnambool and District Historical Society Inc.
Tools, Miner's Pick, Early 20th century
This miner’s pick was of the type used to extract limestone at the Warrnambool limestone quarries, mainly for buildings and walls. This pick cut the sides and the top of the block and then it was levered off with a crowbar at an angle of about 30° to 40°. These blocks were then reduced to the required size using cross cut saws. There were about 12 limestone quarries operating in Warrnambool in the 19th century and limestone was extensively quarried for about 85 years to the 1930s when quarrying ceased. Today there has been a small revival in the Warrnambool area in the use of limestone blocks for building. Warrnambool also once had several bluestone quarries on the outskirts of the town. This miner’s pick has a wooden handle with rounded sides tapering to a wider end. The wood is weather-worn and split in places, especially at the top end. The pick is metal with a curved shape that tapers to a point at one end. The metal near the other end has a cavity into which is inserted the wider end of the wooden handle. limestone quarries in warrnambool, quarrying in warrnambool, warrnambool history