the story of an Australian Soldier who survived Auschwitz - Birkenau." Author Donald Watt Soft cover mid green colour Photo of the POW camp and photo of Donald Watt Large print editionbook, military

There were two gateways at Mt Beauty. One at the West Kiewa River closing off entry to Mt Beauty township and another leading to the High Plains from Mt Beauty. These were put in by the SECV to control operations for the Kiewa Hydro Electric Scheme.Black and white photos - A. Gateway at Mt Beauty to the Bogong High Plains. B. a panorama photo of the Mt Beauty Camp Extensions 1950 taken in two shots thus spitting the middle photo.mt beauty gateway, mt beauty camp extensions

Principal Frank Lord gave an ANZAC Day address called "Live Every Day as an Anzac Day". The address started with "Our opportunity is with the children. If we failed i nthe past, lest us begin again now. You are young, and let it be your resolve to live every day as an Anzac Day, and achieve some of the things for which the men of two wars have laid down their lives. Living your days with an air of kindness and decency, you will set an example to the children, and when a country's children are made happier and finer, it will follow that the county will be a happier and finer place." Mt Lord referred to theseven and a half months' occupation of Gallipoli, and the tenacious clinging by Anzac troops to their square mile of territory. Illness, disease and death came to the confined area, but there also came a spirit of self-sacrifice and charity, and a courage whoich scorrned death and won for the Australian troops world renown. Strong men broke under the conditions, but their comrades carried them on, and the prevailing spirit among men was that the had dedicated ther lives to ensuring a decent society at home, free of tyranny. For the achievement of this, they were prepared to die. It became characteristic that when things were at their worst, men were at their best. Discipline did not come from above on Gallipoli, for the men stuck their own standards of discipline, and stuck to them. ... After the 1914-18 war, it was surprising to find head teachers who did not know children of deceased and disabled soldiers in their schools. All teachers should acquaint themselves with this knowledge, and seek assistance from children who are eligible for help from the Repatriation Department. For those pupils who do not come withing the scope of Repatriation, teachers might secure the required help from the Teachers; R.S.L. sub-branch, the Carry-on Club, for from Government Scholarships. Blue soft covered magazine. Contents include: *Principal Frank Lord's Foreward * Rupert Brooke * Hostel Jottings * Looking Back * College photograph Images include: * Queenscliff Camp * Sport * ClubsCover 'File Copy' inside front cover (possibly by Monica Miller) 'With Compliments Ballarat Teachers' College. Xmas 1946'ballarat teachers college, monica miller, m fogarty, james parkinson, beatrix basterfield, patricia rea, nola stanway, valmai sprigg, valda sharp, queenscliffe, lonsdale, thea rowe, student hostel, student residence, wf lord, g kentish, don johnson, neville bunning, henry yeo, irene handley, betty smith, heather fraser, ron schneider, alma sunderland, pauline griffin, betty redford, robert eastcott, kathleen tobin, margaret mcintyre, jean somerville, ken andrews, frank lord

Letter from the Rotary Club of Bendigo. Invitetion to luchon for the opening of the new Dining Hall at our Youth camp, Axedale on Sunday, 2nd June, 1968. Signed by the President Harold G. Ross.clubs, social, rotary club

Black and white photograph taken from poppet head Camp Hill, Bendigo, overlooking Post Office, Court House,Shamrock and Town Hall, dated on back Mon 22nd May 1939.H.Maddicks Daylesfordphotograph, streetscape, bendigo, bendigo-history-buildings

The guards who appear in the photograph were members of a garrison of guards and other support staff including nurses who were stationed outside the compounds during the Second World War.A black and white photograph depicting 17 Australian guards at the Tatura Internment and Wartime Camp. Several of the guards are smiling and portable buildings can be seen in the background. The guards in the front row are holding weapons.

Probably taken as the same time as photograph 3130.46Black and white photo mounted on card of 7 soldiers with rifles in front of tent. Dress is untidy uniform.robably taken at Broadmeadows Camp in 1915 when 8th Light Horse Regiment was being formed.On reverse blurred in the stamp of James Colquh oun of Prahran.

The Victorian Mounted Rifles was raised as the mounted arm of the Victorian Colonial defence force in 1885. It was under the command of Colonel Thomas Caradoc Rose (Tom) Price (1842-1911). Price was born in Tasmania, educated in Hobart Town and at Scotch College, Melbourne, before entering the East India Military College, Addiscombe, England. He was commissioned on 7 July 1861 in the Madras Infantry and began twenty years’ service in India with several regiments, retiring in April 1883. On his return to Victoria he was tasked with raising of a force of one thousand, to be known as the Victorian Mounted Rifles, and appointed a lieutenant-colonel in the Permanent Military Forces. Companies of the Victorian Mounted Rifles were raised in rural districts throughout Victoria. The soldiers were paid a small annual allowance and were required to provide their own horse. Many members served in contingent to the Boer War. After Federation the VMR was gathered up into the Australian Light Horse. Black and white photograph of group of Victorian Mounted Rifles soldiers posed with a gentleman and three ladies. Occasion is probably open day at a camp of training. Photograph is professionally mounted o backing card.Ink stamp on reverse: "Hewitt / Photographer / 98 Simpson Street east Melbourne / Weddings and picnics attended / Extra copies may be obtained"vmr, boer war, colonial, training, uniform

Slide. Peter Ellis & Sho (Takasuka) Camping. Campfire Billy Tea. Blue writing Kadak Ektachrome Transparency Processed by Kodak. SEP 67M4 10 Made in Australia. P.E. 11 202person, individual, peter ellis and sho takasuka

Vietnamese boat people in Air Raya, 1978. Air Raya is the name of a former refugee camp located in Jemayah Island (Anambas Islands), Riau Province, Indonesia, established for Vietnamese boat people.

Also a second black and white postcard of Mick and his pal wearing great coat slouch hats boots and gaitors 05454.1Sepia toned postcard of WW 1 AIF soldiers Mick and his pal S Searle wearing uniforms and slouch hats to sister Mary sent from Hurdcott Camp Salisbury EnglandMessage on reverse from brothermilitary, uniforms aif, correspondence

Photograph of all the original Officers and men of the 11th. Battalion 3rd Brigade AIF. The group of over 685 soldiers are spread out over the side of the Great Pyramid of Khufu Cheops near Mina Camp.Framed colourised version of Original photograph titled ANZAC with inscribed plate describing the Scene. Inscribed Plate reads - "The 11th Battalion, Australian Infantry Force was raised at Black Boy Hill in Western Australia on 17th August 1914. Following a period of training of just two weeks, the Battalion embarked at Freemantle on the HMAT Ascanius on 2nd November 1914. The Ascanius formed part of a convoy of 38 Troopships carrying approximately 35,000 Australian and New Zealand troops and reached the Port of Alexandria Egypt on 2nd December 1914. After arriving in Egypt, the Battalion camped and trained at Mena, ten miles from Cairo, at the foot of the Great Pyramid Cheops. On 10th January 1915, prior to leaving Egypt a photograph of more than 800 original Officers and Men of the Battalion was taken at the Great Pyramid of Cheops on the 28th February 1915."

Photograph taken in the Army Camp at Tatura Internment Camp.Sepia photograph of 7 men (3 standing and 4 sitting) with Army huts in the background.piece of paper attached on back: Vernon Castle Taylor V46278 served 1/9/1940 to 5/4/1946 discharge S04258 *top right hand*vernon taylor

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Advertisement for a dance, organised by the Mayor of St Kilda in aid of hospitals and charities, at the Maison de Luxe, Elwood on 12 April 1930. The Maison de Luxe Dance Palais was on the north corner of Glenhuntly Road and Broadway in Elwood and operated as a venue for dances and private parties from the late 1920s until the mid 1950s (except when occupied by the Army in 1942-1945).White paper, discoloured with age, printed in blue on one side.On reverse side, written in pencil: '500 - 8/4/30'hospital fundraising, maison de luxe, all nations fair, elwood

Francis Percival de Caux invented this endotracheal tube which was devised for use during nitrous oxide/oxygen anaesthesia. Though he wasn't the first to use a two-tube method of anaesthesia, de Caux's invention was particularly effective; in 1930 he reported having given 20,868 nitrous oxide/oxygen anaesthetics in a four year period without a fatality. A long flexible metal tube formed from tightly wound metal with a small bulbous introducer at the distal end. The tube is mostly encased in a metal and rubber sheath. The proximal end has a finger ring and screw clamp.endotracheal, de caux, airway, nitrous oxide, anaesthesia

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph taken at the Meeting of the Waters near the Cumberland Creek. The Whitehouse Creek joins the Taggerty River at the Meeting of the Waters which is near The Beeches Rainforest Walk. The ancient rainforest features groves of Myrtle Beech trees (Nothofagus cunninghamii) with many trees over 300 years old. POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. With all Good Wishes/ for a Merry Xmas & a/ Happy New Year/ From/ The Robertson & James families/ Maude James Mrs De La Rue/ Russell St/ Northcotecora lynn falls, waterfalls, cumberland valley, cumberland creek, marysville, victoria, rose series postcard, postcard, souvenir, the beeches, nothofagus cunninghamii, whitehouse creek, taggerty river, p. 4977

Made by internee camp 3 Tatura & played with by children in camp.Model of 2 horses on a base with 2 sets of wheels, painted brown; upper side of base green. Handmade.toys, toy horses, toy horses on wheels, camp 3, children, internee woodwork