Book of cheque? Stubs. Printed blue pages with the heading Court King of the Forest No. 3770. Front and back covers have grey, dark grey and red/pink marbled pattern with grey/black cloth tape on the spine and 1.0 cm of front and 3.5 cm of back covers. Started April 1876 and last entry 24/1/1877. Appears to be a Receipt book for the Independent Order of Foresters - Received from Bro …Woodward the sum of ..being …days sick pay signed Bro…societies, order of .., correspondence, ancient order of foresters no. 3770 collection - cheque book stubs, court king of the forest no 3770

Childrens Books Collection. The prize for Girls and Boys. Childrens hard cover book containingtwelve issues of the "Prize for Boys and Girls, January 1898 - December 1898. (164pages). Includes a list of books for sale at the back, (24 Pages). Orange cover with Title and black patterns. Black and white and coloured illustrations. Written inside "madge. Christmas 1898" (2) " Madge Kelly Wills St Bendigo. Published for the proprietors by Wells , Gardner, Darton, & Co 3 Paternoster Buildiings.books, children's, the prize for girls and boys

Object. An elaborate item, with a light blue grosgrain ribbon background. An arched and a straight bar at the top state CORONA LODGE. A crown with fanned background, under which is a plinth and a clasp stating No 195 V.C. Below this is an inverted ^shape, highly engraved with a Greek eternity pattern, and decorative scrolling. From this shape hangs a rectangular shape 2 cms x 1.7 cms, which has a fine decorative edge, and a central motif. The underside of the ^shape is engraved as above.Front: CORONA LODGE No195 V.C. Back: Presented to Wor.Bro.W.R.WRIGHT I.P.M. by the BENDIGO CORONA LODGE No 195 V.C. 25.8.20?1organisation, masonic lodge, corona lodge medallion

Coloured slide transparency. Image is of a female standing dressed in costume. She is wearing white pants with a white jacket and a white helmet with a brown stripe. The jacket has several logos on it in a checked pattern with the word Autolite printed. Another indistinct different logo appears on her right upper arm. Another person is seated behind her partially obscured. On the lower edge of the white border the words Fancy Dress Party Lyn Wingrave have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Textiles, pink cotton fabric handkerchief bag. Front has an overlay of cream coloured tapestry fabric embroidered with cross stitch and lines of pattern. One corner is turned down to represent at purse flap to form a 17 cm opening. Bag has a 4 cm frilled lace edge (cream coloured) on three sides plus around the turned down flaps. 2 cm pink ribbon bows on three corners plus on turned down flap. Hand made.textiles, domestic, handkerchief bag

Clothing. Cream coloured silk nightie-full length. All over embossed pattern of chevrons and flowers. V neck at front and back. Sleeveless with ties at shoulders (34cm). Floral embroidery around front V neckline.9cm X 9cm heart shaped pocket on LHS front at hip line. 80cm X 1.8cm ties attached to side seams at waist level. Triangular inserts in skirt front and back to create flared skirt. Old box 573costume, female, silk nightie

Cremorne Co white dress shirt. Collarless. Long sleeves with 6.5 cm cuffs. Cuffs have buttonhole on either side of opening 1.5 cm band around neckline with button holes at centre back and on either side of front opening. Panels of marcella waffle patterned fabric attached on either side of front opening extending from neckline (33 cm X 11.5 cm) to above the waistline. Each side of front opening has three button holes.Label inside back ''Cremorne Co. Dress Wear. Coat Style.''.costume, male, dress shirt.

Wide square neckline, and square yoke of crochet extending into short crocheted sleeves. A seven cm deep peplum has a cotton casing and cotton tape drawstring. The front opening has three hand-stitched button holes, and two pearl shell buttons( third is missing). Rows of 1.5cm cotton lace run horizontally at top and bottom of yoke, with three rows - one at each edge, and one in centre of sleeves. Neckline is then edged with crochet in a scalloped pattern with provision for a ribbon insert.costume, female, cotton camisole with crochet lace trim

Clothing. Infant's white linen dress with yoke front and back. Round neckline with hem. Skirt tightly gathered onto yoke front and back. Horizontal strip of lace (2.5cm) with open diamond pattern is 7cm above hemline. Hem is edged with 5cm zig zag lace. Dress is sleeveless with arm holes edged with 5cm zig zag lace. Full length back opening fastened with twoX one cm pearl like buttons at upper and lower edges of yoke.costume, children's, infants white linen dress

This Jones sewing machine was one of the few sewing machines that accompanied the Germans who were deported from Palestine in 1941 to Australia where they were interned at Tatura. The machine was owned by Nelly Wied (nee Glenk). See notes in Item receipt form.Lid is plywood constructed with domed top. Brown handle on top and a clip each end to fasten to machine base. Machine is on a wooden base with clips on each end to fasten to lid. Right hand side of machine has a rectangular hole with wooden lid and brown wooden knob. To keep accessories in. Machine is made from metal, painted black and has fancy gold patterns on front right, "Jones" in gold and gold design around the metal base. It has a silver turning wheelJONESjones sewing machine, palestine germans, german templers, palestine internees, templer internees, nelly wied, nelly glenk, helmut glenk, tatura internment camps

This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette

Nettleton creates an image of peace and tranquility after the violence felt from the 2009 Black Saturday bush fires / At the Arthurs Creek cemetery Nettleton found the grave of Reg Evans and Angela Brunton, friends who had perished in the fires / Nettleton sat on the edge of their joint grave and photographed their view / It was only after examining the photos more closely that she realized Mount Sugarloaf had burnt almost to the valley / Sugarloaf is always in an indigo haze. This work is by a local contemporary artist and encompasses themes dealing with the 2009 Black Saturday bushfires. Mixed media (acrylic paint, acrylic ink and indian ink) on board / Landscape painting of Mount Sugarloaf and green pastures after the 2009 Black Saturday bushfires / Mount Sugarloaf is depicted in an indigo haze in the background / A line of trees bathed in light border the mountain's edge / Lines of trees parallel to each other jut out diagonally in the foreground / Framing this view of the landscape is a pattern (topographical maps of the Nillumbik area), which suggest the vast extent of the devastated area of landscape. In black marker 'LIZ NETTLETON' + artist signature '2011' on back - middle right side nettleton, respite and repose, landscape, painting, mixed media, black saturday, mount sugarloaf

Expressions 2004 Quilt PrizeWeaving consisting of four panels sewn together to form the quilt. Consists of gradations of green to blue colours containing flecks of multicoloured wool through the weft. Weaving forms raised zigzag pattern running left to right through quilt. Three woven blue panels are sewn to the front of the quilt with dyed dark blue zigzags. The quilt is hung on a cardboard roll at the top. Satin square containing the artist's name and address sewn onto the back of the quilt in the right hand corner.'Cross Currents', Jean Inglis, 13 Park Street, Geelong, 52295131weaving, inglis, jean - geelong handweavers and spinners guild inc.

Colour photo showing two children (or possibly more) playing in an open-sided shed. A girl about 6 years old stands looking at the camera, her hands clasped above her head. She is wearing a light blue patterned sleeveless dress. Behind her, a younger boy is climbing up a wooden frame. He is wearing dark trousers, a reddish jacket and a pale check shirt. There are wooden crates stacked to one side. An adult may be standing on the left.

A MacGregor Gold Crown tennis racquet, with string whipping around shoulders and shaft, hide shoulder reinforcements, fibreglass throat and shoulders, and leather handle grip with patterned perforations. MacGregor logo features on base of head. Model name, with gold crown device, features on throat. Gold crown device also features on black cloth butt cover. Materials: Wood, Enamel, Leather, Nylon, String, Ink, Glue, Lacquer, Metal, Cloth, Fibreglass, Adhesive tapetennis

An Oliver International tennis racquet, with ribbon whipping around shoulders and shaft, and leather handle grip with continuous patterned perforations. Oliver logo featurs across crown, along shaft, and across butt cap. Model name features across base of head. Illustrated decal of stylised kangaroo features on throat. Reproduced signatures of Anderson and Sedgman feature on the sides of throat. Materials: Wood, Gut, Leather, Ink, Glue, Lacquer, Metal, Ribbon, Fibreglass, Rubber, Enamel, Adhesive tapetennis

A Head 'Master' tennis racquet, featuring: twin shaft, 'I-beam', aluminium alloy frame; blue plastic bridge; 'Forten' nylon net strings; black, Babolat-brand leather handle grip, with patterned perforations; black plastic shaft casing; and, black plastic butt cap. Head logo and trademark feature across bridge. Model name along outer side of left shaft. Materials: Metal, Plastic, Nylon, Adhesive tape, Leather, Paper, Inktennis

A Regent, Alex Olmedo Driver tennis racquet. Regent logo features across the base of the head and on the butt cover. Model name, with a decal head image of Olmedo, encircled by gold wreath, features on the throat. 'R' trademark features on the shaft. Endorsement and model details feature on the sides of the shaft. Leather handle grip features lozenge-patterned perforations. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Paint, Leather, Ribbon, Cloth, Ink, Adhesive tapetennis

A Regent, Alex Olmedo Captain II, Tournament Model tennis racquet. Regent logo features across the base of the head and on the butt cover. Model name features on the throat. Decal head image of Olmedo, encircled by gold wreath, features on the shaft. Endorsement and model details feature on the left side of the shaft. Leather handle grip features patterned perforations. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Ink, Paint, Leather, Ribbon, Cloth, Adhesive tapetennis

A wooden tennis racquet with hide supports, blue and gold string whipping, and a leather handle grip with patterned perforations. Inscription along throat and shaft on obverse: SUPER/WINNER/BANCROFT. Inscription across throat, on reverse (now removed): F.J. BANCROFT/.../PAWTUCKET/R.I. U.S.A./... Original decal trademark comprises of an eagle grasping a tennis racquet, in front of the Globe, with motto: USED/THE WORLD OVER. Materials: Wood, Gut, Leather, Glue, Lacquer, Metal, Ink, String, Cloth, Hidetennis

A Bancroft Super Winner tennis racquet, with hide reinforcements, bamboo laminated shaft, ribbon whipping from shoulders to shaft, and leather handle with patterned perforations. Bancroft logo features across base of head. Throat features decal of Bancroft heraldic shield trademark. Model name features across shaft. 'B' trademark features on butt cover. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Ribbon, Adhesive tape, Paint, Hidetennis

A Bancroft Winner tennis racquet, with bamboo laminated frame, ribbon whipping around shoulders, and leather handle with triangle-patterned perforations. Bancroft logo features across base of head. Throat features model name, with wreath device. Wreathed 'B' trademark on lower shaft, and red 'B' trademark on butt cap. A furry lady bug sticker is adhered to shaft on obverse. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Ribbon, Adhesive tape, Bambootennis

A Bancroft Tear Drop tennis racquet, with egg-shaped, elliptical head, bamboo and fibreglass lamination, and leather handle grip with patterned perforations. Bancroft logo features across base of head. Throat features model name with teardrop emblem. Wreathed golden 'B' trademark features on lower shaft, and red 'B' trademark on butt cap. Materials: Wood, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Gut, Adhesive tape, Fibreglass, Nylon, Bambootennis

An unstrung Bancroft Aussie tennis racquet, with hide reinforced shouders, ribbon whipping around shoulders, and leather handle grip with patterned perforations. Bancroft logo features across base of head. Throat features model name with wreathed black 'B' trademark. Lower shaft features red and gold diamond '1882' trademark. Red 'B' trademark on butt cap. Materials: Wood, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Adhesive tape, Hide, Ribbontennis

An unstrung Bancroft Aussie tennis racquet, with hide reinforced shouders, ribbon whipping around shoulders, and leather handle grip with patterned perforations. Bancroft logo features across base of head. Throat features model name with wreathed black 'B' trademark. Lower shaft features red and gold diamond '1882' trademark. Red 'B' trademark on butt cap. Materials: Wood, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Adhesive tape, Hide, Ribbontennis

A Bancroft Aussie tennis racquet, with hide reinforced shouders, ribbon whipping around shoulders, and leather handle grip with patterned perforations. Bancroft logo features across base of head. Throat features model name with wreathed black 'B' trademark. Lower shaft features red and gold diamond '1882' trademark. Red 'B' trademark on butt cap. Materials: Wood, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Adhesive tape, Hide, Ribbon, Nylontennis

A Bancroft Bjorn Borg Autograph tennis racquet, with ribbon whipping around shoulders, and leather handle grip with patterned perforations. Bancroft logo features across base of head. Throat and shaft feature model name, including 'BJ' and 'BJORN BORG' logos. Lower shaft features Black 'B' trademark. Older red 'B' trademark on butt cap. Materials: Wood, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Adhesive tape, Ribbon, Nylontennis

Leather box case with a drawer for cigars and containing a copmplete deck of playing cards. Back of all cards features a blue geometric pattern with racquets & balls motif at centre. Owner's name printed in gold ink above button fastener: 'GEO. WILSON'. Inside case is printed: MAX SCHWARZ/MAKER OF/LA PRIMADORA/HABANA/CLEAR HAVANA CIGARS/3RD AVE & 57TH ST. N.Y./ALSO 733 BROADWAY'. Materials: Cardboard, Ink, Leather, Metaltennis

The donation records indicate that this dress was worn by Georgiana Elizabeth Moore (1899-1974), who lived for most of her life in Brighton at 38 and later 40 Cochrane Street. Since the dress is of an earlier date, It is likely that it belonged to Georgiana's mother, Elizabeth Moore (1860-1950). Georgiana was born to Richard and Elizabeth Moore in Brighton in 1899. She was named after Richard's first wife, Georgiana Leake Moore (nee Paul), who had died in 1893 aged only 38. Georgiana is recorded as having been "tall with red hair". The family moved to Diamond Creek for several years, but returned to Brighton after Richard's death in 1922. Georgiana and her mother settled in Cochrane Street, where they lived for the rest of their lives. We know very little about Georgiana herself. Newspaper records indicate that she was a talented musician, graduating from the University of Melbourne with a diploma in music in 1927. BHS holds a small collection of items belonging to the Moore family. This dress was donated by Georgiana's niece, Jeannette Fraser, along with two nightgowns: a c. 1880 night dress believed to have been worn by Elizabeth and a c. 1910 night dress believed to have been worn by Georgiana's sister Amelia Henrietta Fraser (née Moore) while boarding at Merton Hall (this nightdress does also show a laundry mark of G.E. Moore and so may have been worn by both women). Georgiana herself donated a number of items to the Society in 1972, including a 1920s black and white geometric loom-beaded handbag.A good example of a princess line dress of this period in good condition and with provenance.A one-piece princess line dress, circa 1878-1882 of deep royal blue silk featuring Chinese-inspired self pattern. The neckline features a standing collar and is secured through the centre front from neck to floor with self covered buttons. At the front knee the fabric has been gathered and drawn to the back into a tiered fish-tail swag and trimmed with a matching blue knotted fringe. The swagging is created by interior tapes. The dress is backed with cream cotton.georgiana elizabeth moore, elizabeth moore, amelia henrietta fraser, brighton