Showing 6704 items matching f-111

Ballarat Tramway Museum
Document - Letter/s, City of Ballaarat, 13/09/1971 12:00:00 AM

Letter produced by stencil or Gestetner process, dated 13/9/1971, by the City of Ballaarat, inviting Mr. L. J. Denmead to a Civic function to mark the occasion of the closure of the Ballarat Tramways on 20/9/1971. Printed onto quarto duplicator paper, with the name of the invitee written in using black ink. Has the City Crest, address, telephone number. Letter gives the details of the function, the occasion and that the newly appointed Chairman of the SEC, Mr. N. R. White will be attending, along with the Mayor, Cr. J.A. Chisholm and the Mayor of Sebastopol, Cr. N. F. Donald. Members of both council were to attend."Mr. L. J. Denmead"trams, tramways, closure, civic functions, city of ballaarat, sec
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Housing plan for tram depot site", 19/06/1972 12:00:00 AM

Newspaper clipping from The Courier, Ballarat, dated Monday, June 19, 1972 titled "Housing plan for tram depot site". Reports on the sale of the former tram depot on Saturday June 17 for $54,500. The purchaser expected to start development of housing on the site within three months. Reports on the sale, purchaser and SEC's views. Features a photo of Edgar Bartrop reading the contract. Others in the photo are Bruce Bartrop, SEC Estate officer, Mr. R. Morrison and SEC Manager Mr. I. F. Pellas. One of a large group of newspaper cuttings from John Bainbridge, 7/4/02.depot, buildings, auctions, bartrop
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "On wrong track, "Tram man replies", "Retain parklands", "Alienation of parklands", Dec. 1977

Set of four news paper cuttings (including one photocopy) of Letters to the Editor in the Courier, December 1977 regarding the BTPS proposals to extend the depot to the south. .1 - Photocopy - heat sensitive paper - 7/12/1977 - titled "Alienation of parklands", written by J.P. Rolandson of Carlton St. .2 - Cutting - 9/12/1977 - "On wrong track", written by A. Hall, Howitt St., Ballarat .3 - Cutting 10/12/1977 - "Tram man replies", written by F. D. Hanrahan - President BTPS .4 - Cutting 16/12/1977 - "Retain Parklands", written by J.H. Heinz, Wendouree Paradebtps, depot extensions, carlton st
Ballarat Tramway Museum
Document - Hansard extract, Parliament of Victoria, "Ballarat and Bendigo Tramways - Proposed Abandonment", 2/10/1968 12:00:00 AM

Extract Hansard, Legislative Council, 2/10/1968, titled "Ballarat and Bendigo Tramways - Proposed Abandonment". Sir Percy Byrnes moved that the proposed abandonment by the SEC be not made. Pages 471 to 494 reports on the speach by Sir Percy, I.A. Swinburne who seconded the motion, V.O. Dickie who opposed the motion for the Government. Others who spoke were , F. J. Granter, F.S. Grimwade, J.M. Tripovich. The Motion was supported by the Country and Labor parties who had the numbers in the upper house. Pages have been torn from Hansard and stapled together in the top left hand corner.trams, tramways, parliament, closure, sec, ballarat, bendigo
Ballarat Tramway Museum
Photograph - Digital image, 1970s

Yields information about the Bakery St Hill on the Victoria St route.Digital image, black and white, of No. 26 at Stones Corner, junction of Bridge, Victoria and Main St, Bakery Hill. No the young girl in slacks walking in front of the tram, the boy wheeling the bike down the street and the young boy standing in the front door of the tram. In the background is Eureka Dry Cleaners, an old Robur tea ad on a building, F. O'Brien Motors. The tram has the destination of Gardens via Sturt St West and a SEC Briquettes Roof advert. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 26 Victoria and Bridge"trams, tramways, stones corner, bakery hill, victoria st, bridge st, tram 26
Bendigo Historical Society Inc.
Document - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: EXAMINATION CARDS

Four white photocopy examination cards laminated upon blue cardboard and printed, SS 1189 , Golden Square, years 1941-42. Each outlines numbered marks out of ten for student named Elaine Rudd for subjects, Reading, Recitation, Spelling, Writing, Composition, English, Arithmetic A-B-C-D, History, Geography, Handwork, Art. B Rutherford and F Baggaley signatures. Written note states, 'Position; 3rd in class of 45. Excellent result. Elaine has done good work all the year. She seems to be very interested in her school work. Initialled FB.bendigo, institutions, golden square primary school
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: MUSIC 81 BENDIGO STEERING COMMITTEE DOCUMENTS

'Music '81' (Arts Victoria) - various documents relating to activities in Bendigo (Bendigo Steering Committee) . A. Handwritten book - 'Record of Receipts and Expenditure' (5 pages); b. Financial Report with attached Statement of Receipt and Expenditure; c. collection of various receipts for services, goods etc; d. Reconciliation Statement (to 12/2/1982; e. note to Val Broad re Statement of Account supplied; f. form letter to those receiving donation from Music '81 - letters dated 23/3/182 to Bendigo Chamber Choir, Community Theatre and Arts, Bendigo Symphony Orchestra, Bendigo Operatic Society
Ballarat Tramway Museum
Photograph - Black & White Photograph/s

Black & white photo ex Postcard? titled 'Where two roads meet', showing a horse tram ( Hawthorn Bridge to Auburn Road (Riversdale Road) and Prahran and Malvern No. 36 on Glenferrie Road with Deepdene destination, at the intersection of Riversdale & Glenferrie Roads, Hawthorn. Corner block (SE) behind photo has a 'For Sale' sign on it, with houses in background. Now a block of shops. Tram No. 36 is an F class car, later renumbered - see p14 of Destination City, 4th edition. See also inscriptions. Questions: How horse tram number determined and date of photograph??`` Reimaged 17/7/2017 both front and back.'T101, No. 26 horse tram of Hawthorn Tramway Trust in Riversdale Road. No. 36 toastrack (enclosed cross seat) of the Prahran & Malvern Trams in Glenferrie Road, Hawthorn 1917. Horse trams ran from Auburn Road to Hawthorn Bridge and connected with the Richmond cable trams. W.Jack.'trams, tramways, pmtt, horse trams, riversdale road, glenferrie rd , tram f 36
Tarnagulla History Archive
Photograph of Tarnagulla Junior Football Club members, Tarnagulla Junior Football Club members, circa 1905 (original image)

Murray Comrie Collection. Monochrome photograph depicting members of Tarnagulla Junior Football Club posed as a group in an unidentified interior, with a makeshift backdrop. An accompanying note identifies some of the subjects: Back row: 1. __________ 2. Bert Goltz 3. Clem Theobald 4. _H. Abbott 5. Bert Spencer 6. ________ 7. _______ 8. F. Shing Middle row: 1. _________ 2. W. Radnell 3. ___________ 4. Duggan 5. Whimpey 6. W. Cozens 7. L. Radnell 8. ___________ Front: 1. Joe Radnell 2. ___________ This fair quality copy was made from an older original photograph, probably in the late 1960s. tarnagulla, football, sport, clubs, people, radnell, duggan, theobald, goltz, abbott, spencer, whimpey, cozens
University of Melbourne, Burnley Campus Archives
Photograph - Photographs, Publicity Branch Victorian Department of Agriculture, Pruning, Grafting and Propagating Demonstration, c. 1960

Black and white photographs in an envelope marked O.H.M.S. Department of Agriculture, Burnley Gardens, E.1. All stamped,"Photograph by Publicity Branch Victorian Department of Agriculture." (1)-(2) B1687A-B Heavily pruned fruit tree. (3) B1688 Grafting tools. (4)-(8) B1689A-E Cutting techniques. (9)-(15) B1690A-G Joining graft techniques. (16)-(21)A-F Camellia graft. (22)-(26) B1692A-E Magnolia air-layering. (27)-(31) B1693A-E Plum root cuttings and scions and materials. (32)-(36) C668A-E Removing and planting rooted magnolia graft.department of agriculture, burnley gardens, pruning, fruit trees, grafting, tools, cutting, techniques, camellia, magnolia, plum, air-layering, approach grafting, whip and tongue grafting
Bendigo Historical Society Inc.
Photograph - BENDIGO BUTTER FACTORY PHOTOGRAPH

Black & white photograph 20cm x 25cm of the Bendigo Butter Factory in Mundy St., mounted on cardboard. It appears to have been part of a display, with explanatory notes attached to each photograph. See 11011.16. On the reverse of the title photograph is the date 1950-1955 and a blue registration stamp with the words 'Pure creamery, Australia, Victoria regd'. An interior photograph shows a calendar with the date March 1957. This photograph shows a number of workers in the factory who are named on the back. Left - 1. Arthur Manley 2. John Gill 3. Rocket Grist 4. Harold Speechly Door - 5. F Hippesly? 6. Alf Pilcher.bendigo, industry, bendigo butter factory, arthur manley, john gill, rocket grist, harold speechley, alf pilcher
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: TEAM MATES

BHS CollectionBendigo Advertiser ''The way we were'' from Tuesday, November 30,2004. Team mates: this picture shows team YCW, but where and when it was taken is unknown. Back row: R. Kelly, L. Janssen, J. Burke, N. Smith, R. Anderson, J. Boag, J. Barrett, R. Keating, J. McQuillan, L. Raeburn. Centre: J. Butler, J. O'Brien,, J. Mason (captain), F. Krausgill (V.C.), E. Jenkins. Front: W. Dean (prop steward), R. Flynn (trainer), A. Mason, L. O'Brien, B. O'Farrell, R. Christopher, R. Mustey, W. Dwyer (trainer).newspaper, bendigo advertiser, the way we were
Bendigo Military Museum
Photograph - PHOTOGRAPHS PRE WW2, 1937 - 1939

Photos relate to James Lyle Truscott No.1842 RAAF. Refer to Cat. No.4040.8P .1) On rear in pencil: "No.21 (City of Melbourne) Squadron Laverton 1937. SQD LDR Charles EATON DFC F/O Bobby Hitchcock." .2) On rear in pen: "21 SQD Laverton Vic 1937" .3) On rear in pen: "A Flt 21 SQD". There are also 19 names on rear out of the 21. Lyle Truscott is centre row, 2nd from right. .4) On rear in pen: "Laverton 29-6-39 No12 GP SQUADRON ADVANCE PARTY JUNE 1939 - Melbourne." The names are also listed underneath. Lyle Truscott is on the right front row. This group moved to Parap NT soon after..1) Photo, black & white. large group of airforce personnel in four rows outside a hangar. .2) Photo, black & white. large group of RAAF personnel outside a brick building. .3) Photo, black & white. group of RAAF personnel outside a brick building. .4) Photo, black & white. group of RAAF personnel in work dress. All slightly different in size.photographs, raaf, laverton
Orbost & District Historical Society
Photograph - Orbost Agricultural Society Committee, 1902

Moves to begin an Orbost Agricultural Show was started in 1891 and a Committee was formed. The Society's first Show was held on Tuesday 15 March 1892. The Orbost Agricultural Show continues to the present day (2023) as an annual event held in March. The Committee shown in this photograph are known to be President: John Johnstone; Vice Presidents: F Nixon, M Lynch, A E Rodwell; Secretary: Geo Perry Committee: S Lynn, Geo Answer, C Drevermann, J Bird, J Draffin, J Cummings, R Mosley, H James, A Saunders, P Morris, G Carter, A Pardew, Jas Nixon, J Gilbert, S Grenville, W Scharleman, G Nixon, H Richardson, J Hocking, J Fisher, J Hossack This photograph shows an early Orbost Show Committee which consists entirely of men. A badly yellowed and damaged b/w photograph onto cardboard. Both the image and the cardboard are damaged. The photograph is of a group of men, some sitting on the ground, some standing behind. Written onto the back of the photograph are these words: 1902 Orbost Agricultural Society Committeeagricultural show, orbost
Flagstaff Hill Maritime Museum and Village
Decorative object - Ship model in a bottle, c. early 20th century

The handmade model in a bottle is the work of a hobbyist, in about the mid-20th century. The word 'Cork" may indicate the location of the maker. The Pamir was a four-masted barque built for the German shipping company F. Laeisz. One of their famous Flying P-Liners, she was the last commercial sailing ship to round Cape Horn, in 1949. By 1957, she had been outmoded by modern bulk carriers and could not operate at a profit. Her shipping consortium's inability to finance much-needed repairs or to recruit sufficient sail-trained officers caused severe technical difficulties. On 21 September 1957, she was caught in Hurricane Carrie and sank off the Azores, with only six survivors rescued after an extensive search.The model represents the work of an individual as a hobby project in the early to mid-20th century.Ship in bottle. The "Pamir", a 4-masted ship, and avsmall motorized vessel the "Theodore Storm" set against a European background inside large bottle. Mounted on varnished wooden stand. "Pamir" "Theodore Storm" "Cork"pamir vessel, flagstaff hill museum, four masted vessel, ship in bottle, theodore storm, ship model, cork, handmade, 20th century handcraft, hobby ship model, hobbyist made
Glen Eira Historical Society
Document - CAULFIELD CITIZENS ADVICE BUREAU

This file contains 2 items: 1/Original copy of 17th Annual Report of city of Caulfield Citizens Advice Bureau September 1987. Report includes Agenda for the Annual General Meeting held at City Hall on Wednesday 30091987, list of office bearers, minutes of the previous AGM, election of Management Committee and presentation of Life memberships plus list of Legal Advice Service solicitors. 2/Original copy of Agenda and 25th Annual Report for Caulfield Citizens Advice Bureau Incorporated presented to the Annual General meeting on 30/08/1995 at Caulfield City Hall. Report includes financial statement F Y E 30/06/1995, details of President’s Report, minutes of previous AGM in 1994.caulfield, citizen’ advice bureau, meetings, caulfield city hall, annual report, grants, edwards mavis, hocking john, green carol, coad thelma, harry carol, hession dorothy, lambert sam, moorrees joyce, ravenscroft jean, rowland dorothy, tyrell audrey, snowball betty, telford nancy, jelleff jenny, kay yvonne, bannister jean, fooks john, allsop doris, bullivant trudy, capek irene, carr fred, cairncross gwen, gorden peg, daniels maurice, davey dulcie, gresham greta, gresham john, hicks margaret, hind lillian, jacombs ken, joseph marion, kinross jo, lukies arthur, lukies noela, mander clive, miles glad, moser ellen, popper irene, poynton ray, splatt betty, stewart may, telford nancy, wray shirley, watson beth, chapman john, felder ilse, helman anne, mccarthy marie, richardson elizabeth, steward derek, williams marcia, blacher rosa, heyman manfred, tanner ted mla, dunstan don. cr, martens veronika cr, legge mary, crossley rosemary, malvern citizens’ advice bureau, deal communication centre, child joan mp, macphee ian hon mp, shipton roger mp, mccutcheon andrew mla, campbell jack, mayor, mayoress, campbell mrs., rudzki brian cr, milne sandy, fusion, moyle gwen, westlake margaret, gild anne, herszfeld henry, lee alf, lee rae, peters leanie, pratt lillian, trumble joan, wise john, nicholls harry, grist molly, payne ruth, victorian association of citizens’ advice bureaus, emergency relief funds, community buses, sinisgalli john, aroni beni, chisholm john, erlichster george, folkers herman, jackson ross, kraus michael, lewis ray, oliver michael, romer andrew, simons adrian, smith simon, legal advice services, solicitors, budget advisory service, voluntary workers, sanders kathy, allan bill, bible richard, bilston ron, birch harry, coad laurie, durra frank, glass alf, gild ann, grew doreen, hawker harry, hollow neil, hingert lorna, jack ian, jones alf, mann gordon, mansfield joan, marks yvonne, menzies edna, ohis wil, powell dave, pate gwen, pentland dilys, simmons dianne, ward george, whitehead richard, wills anne, local government, aged people, bullen rose, culkan stephanie, dukes claire, klinger rosa, lambert douglas, sheehan jean, trodd carrie, brady vera, bristow joyce, byrne enid, cornall-reilly patience, cornall-reilly arthur, rowland alan, caulfield city council, hostels, elsternwick, caulfield festival, caulfield park, maple street, st. johns uniting church elsternwick, caulfield contract, regent community for the elderly, caulfield hospital, royal district nursing service, mence wendy, gubieski joanne, preston dennis, ross moya, hall chloe, patience geoff, o’reilly mary, wraight geoff, thompson john, britton cath, thompson laurel, ross erwin, chapman john, carnie elza, coutts fay, goodman dianne, groat shirley, mclean phyllis, may tallilah, o’neil barbara, rosauer tom, shmerling lane, wedgwood amanda, gartside sandy, bucker ille, anderson ian, bonvicin rita, bridges judy, brooks lisa, bull rita, chin simone, ethell margaret, coupe jilie, klinger rosa, hogan tamara, harcourt-king judaline, lipp jonathan, mclver ken, murphy francis, mueller britt, moray debra, pinter sarolta, mctwerrey kay, nicholas norma, rae nicolle, simmons shirley, sumner laurie, bevis phyllis, cader estelle, crerar dorothy, egan hazel, gregoric kerry, glouzman kon, johnston peter, kamer john, lalacona flora, law russ, lipovetsky sergey, moroney dawn, kieth parsonson, pierce lorna, strickland joan, hall michael, mcgregor allan, shalit barbara, symons ian, community information centre, victorian association of community information centres (vacic), st. giles presbyterian church murrumbeena, st. mary’s anglican church caulfield, st. patrick’s catholic church murrumbeena, caulfield-elsternwick ecumenical ministry network, ladies probus club of caulfield, donovan mrs., windley mrs., van der vlies mrs. p., gorden p., gorden g., city of caulfield, barrett james cr, gold nicholas cr, welsh heather cr, boyle barry, barker ann, crean simon m.h.r., oxenbould wenzel, ashton matthew, lawrence mark, holding c. m.h.r., asher l. m.l.c., brideson a. m.l.c., guest j. m.l.c., biggs e. cr, grossbard a. cr, rogers a., terry g., va.c.a.b., coburn d., rodgers j., kelly j., caulfield community care, trevorrow a., trevorrow d., gleeson j., carnegie resource centre, elsternwick library, milne d., lister i., stone marjorie, larkin mary, patience jean, volunteer aid service, monitoring and social support service, community transport service, caulfield citizen advice bureau incorporated, community organisations
Wangaratta RSL Sub Branch
Plaque - Shield, Women's Auxiliary

Women’s Auxiliaries were formed by mothers, wives, widows, sisters, daughters and aunts of men who served in the First World War. In May1918 a small band of women from the "Friendly Union" organised themselves,under the leadership of Mrs F C Purbrick, into a Women's Auxiliary of the Wangaratta Returned Soldiers Association (RSA). Their first task was to furnish club rooms for the RSA and this was achieved by seeking donations and raising money by selling jams, jellies and posies of violets by selected girls wearing special badges in the street. Over the years funds have been raised through raffles, competitions, street stalls and catering at numerous events to assist the aims of the Returned Services League. In 2018 the Wangaratta RSL Women's Auxiliary celebrated its centenary. Women have played a central role in sustaining the activities of ex-service organisations. Women's auxiliaries are dedicated to fundraising, supporting the activities of their local RSL, and caring for veterans in their wider community. Today, there are more than 1200 auxiliary members in Victoria.Red timber shield mounted on brown laminated base of particle board in a larger shield shape with metal emblem. Women's Auxillary RSL on metal logo with Crown and Australian Flag mounted on red shieldwomen's auxiliary, wangaratta rsl
Queenscliffe Maritime Museum
Painting - Water colour painting of the ketch Falie, Falie, 1934

Arthur V Gregory b.1867, d.1957 worked from studio at 326 Albert Road South Melbourne established by his father G F Gregory in 1852. FALIE operated for many years as a cargo ship, largely around South Australia where it formed a strong regional association. During World War II, FALIE was requisitioned by the Royal Australian Navy for service, and was on patrol off Sydney Heads during the mini-submarine raid on Sydney Harbour in May 1942. After the war it returned to commercial service and was retired in 1982. It was then the last working ship representing the South Australian ketch fleet, and along with NELCEBEE ( HV000419) one of the last two working sail powered cargo vessels in South Australia.Water colour painting in painted gilt frameFalie off Cape Schank A.V. Gregory 1934falie, a.v. gregory, water colour, painting
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Junction of the River Watt and Contentment Creek, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board. printed in ink on support l.c.: JUNCTION OF THE RIVER WATT AND CONTENTMENT CREEK. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 1. / JUNCTION OF THE RIVER WATT AND CONTENTMENT CREEK. / This scene is situated about two miles to the westward of Fernshawe, a small but extremely romantic township. / The river, at this juncture, is crossed by a fallen tree, as may be seen in the illustration. The track which is seen on / the opposite side of the river leads to the summit of Mt. Munda (3,500 feet high), 4 miles distant, from which place / visitors can see the Australian Alps, in all their mighty grandeur, stretching for hundreds of miles on either side, / and, as far as the eye can reach, impressing a beholder with the appropriateness of their title, being that of the Great Dividing Range. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire, views of victoria - general series, landscape photography
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Central Avenue, Fitzroy Gardens, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board.printed in ink on support l.c.: CENTRAL AVENUE, FITZROY GARDENS / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 2. / CENTRAL AVENUE, FITZROY GARDENS. / The Fitzroy Gardens have, for several years past, become one of the most popular places for public resort- / attributable, no doubt, to the great variety of picturesque scenes they contain. Shrubs and flower plants, of almost / every description, can be seen growing in rich profusion within the enclosures, studded here and there with choice / pieces of statuary. The subject of the present illustration is but one of the many to be found within their precincts. / The distance of these gardens from the Melbourne Post Office is about one mile. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Junction of the Rivers Yarra and Watt, Near Healesville, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board.printed in ink on support l.c.: JUNCTION OF THE RIVERS YARRA AND WATT, NEAR HEALESVILLE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 3. / JUNCTION OF THE RIVERS YARRA AND WATT, NEAR HEALESVILLE / The junction is situated about 3 miles from Healesville, and 35 miles from the mouth of the Yarra. The souces / of the Watt are to be found at the head of the Black Spur, and, being fed by a number of creeks and springs, its / waters gain considerable force for several miles before joining those of the Yarra. The "Old Bridge," at the junction, / is the name given to this crossing-place, which has been partly swept away by late floods. The depth of the Yarra here / is from 15 to 20 feet; that of the Watt, about 10 feet. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), yarra river, watt river, bridge, wooden bridge, healesville
Kew Historical Society Inc
Photograph, State School, Fernshawe, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph mounted on boardprinted in ink on support l.c.: STATE SCHOOL, FERNSHAWE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 5. / STATE SCHOOL, FERNSHAWE. / This educational institution occupies one of the most romantic situations of any of the State Schools in Victoria. / On either side of it runs a river and a creek, whilst immediately surrounding it are a great many large fern trees. / The background comprises many giants of the forest. In the centre of the picture stands a stump, about 60 feet / high, which has evidently been struck by lightning. The neighbourhood, not being a very populous one, furnishes / but 30 children for educational training. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the Hanging Rock, near Mount Macedon, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph on Boardprinted in ink on support l.c.: VIEW OF THE "HANGING ROCK," NEAR MOUNT MACEDON. / COPYRIGHT REGISTERED. printed in ink (vertically) on support reverse u.c.l.: J.W. FORBES, Agent, printed in ink (vertically) on support reverse c.l.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink (vertically) on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 6. / VIEW OF THE "HANGING ROCK," NEAR MOUNT MACEDON. / The Hanging Rock is situated about 5 miles in a north-easterly direction from the Railway Station at Woodend, / and is a very picturesque spot. Its formation is singularly peculiar, consisting of gigantic masses of basaltic rock / thrown up on end in a projecting or hanging position. Our illustration represents but a portion of the Rock, as it / is not possible to obtain a view of the whole of it in one picture. The height of these large boulders of rock vary / from 150 to 200 feet. printed in ink (vertically) on support reverse l.c.l.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the River Murray, near Echuca, showing the Railway Wharf with steamers unloading, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.albumen silver photograph on boardprinted in ink on support l.c.: VIEW ON THE RIVER MURRAY, NEAR ECHUCA, SHOWING THE RAILWAY WHARF WITH STEAMERS UNLOADING. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 7. / VIEW ON THE RIVER MURRAY, NEAR ECHUCA, SHOWING THE RAILWAY WHARF WITH STEAMERS UNLOADING. / The rapidly increasing traffic on the River Murray, with wool, timber, and other colonial produce, has called / into requisition no less than 400 steamers and over 1000 barges. To meet this growing emergency the Victorian / Government has expended several thousand pounds in the erection of a Railway Wharf which during the wool- / season presents a very busy scene, the crowded steamers laden with precious clip taxing to the utmost the / powers of the Railway Department in the process of unloading. The River here is about a quarter of a mile wide, / and is from 60 to 70 feet deep. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, river murray, echuca
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Giant fern trees: Splitters' Track, Black Spur, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: GIANT FERN TREES: SPLITTERS' TRACK, BLACK SPUR. / COPYRIGHT REGISTERED. printed in ink (vertically) on support reverse u.c.l.: J.W. FORBES, Agent, printed in ink (vertically) on support reverse c.l.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink (vertically) on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 8. / GIANT FERN TREES: SPLITTERS' TRACK, BLACK SPUR. / The scene which this illustration represents is situated on Morley's Creek, at the foot of the Black Spur, and is / about a mile and a half from the Township of Fernshawe. The Fern Trees in this locality are of gigantic growth, / measuring 50 feet in height, the fronds of which are from 12 to 15 feet long. This excessive growth is attributable / to the great number of springs flowing into the creek, thereby causing the surrounding soil to be in a continual / state of moisture. printed in ink (vertically) on support reverse l.c.l.: 10 Temple Court, Collins Street West.landscape photography, nicholas caire, black spur - victoria
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of Victoria Hill, Bendigo, taken from Old Chum Hill, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph on boardprinted in ink on support l.c.: VIEW OF STURT STREET, BALLARAT, TAKEN FROM THE TOWN HALL TOWER. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 13. / VIEW OF VICTORIA HILL, BENDIGO, TAKEN FROM OLD CHUM HILL. / This scene represents two of the principal Quartz-reef claims in the district of Bendigo, with their surface / excavations. The one nearest the foreground is the North Old Chum's Company's claim, which is very rich with / gold-bearing quartz. The other claim, on the hill side, is the private property of Mr. George Lansell, and is even / more valuable than the former, giving employment to over 100 men. The building on the right is the quartz-crushing / plant belonging to the new Chum and Victoria Companies. The excavations are several hundred feet in depth. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, victoria hill - bendigo - victoria
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the Township of Fernshawe, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography,An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on board. [Note: This is the second of two copies of this photograph in the collection]printed in ink on support l.c.: VIEW OF THE TOWNSHIP OF FERNSHAWE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 14. / VIEW OF THE TOWNSHIP OF FERNSHAWE. / Fernshawe may be considered the most romantic town in the Colony of Victoria. It is situated at the foot of / the Black Spur, and is surrounded by a great many high hills, such as Mounts Riddell, Juliet, Munday, and others, / which form the crossing range into Gipps Land. It has, no doubt, derived its name from the fact that it is the / greatest Fern-growing district in the Colony. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, fernshawe
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Scene on the Yarra, near Rourke's Bridge, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of BiographyAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: SCENE ON THE YARRA, NEAR ROURKE'S BRIDGE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 16. / SCENE ON THE YARRA, NEAR ROURKE'S BRIDGE. / The subject of the present illustration represents the New Bridge crossing the River Yarra on the road from / St. Huberts to the Native Station at Corranderrk, and to the township at Healesville. The river at this place abounds / with fish of a large description, which are caught by the Natives, frequently in considerable quantitities. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography - victoria
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Fern Terrace, on the River Watt, near Mount Munday, c. 1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of BiographyAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: FERN TERRACE, ON THE RIVER WATT, NEAR MOUNT MUNDAY. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 17. / FERN TERRACE, ON THE RIVER WATT, NEAR MOUNT MUNDAY. / Of the various Rivers which exist in the Colony of Victoria, the River Watt (though a small one, and to some / extent unimportant) may be said to contain the most charming as well as the greatest variety of romantic scenery. / The scene of the present issue is perhaps the most unique of its character to be found in any of the Colonies. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography - victoria
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Roadway Scene on the Black Spur, c.1876

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of BiographyAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: ROADWAY SCENE ON THE BLACK SPUR. / COPYRIGHT REGISTERED printed in ink (vertically) on support reverse u.c.l.: J.W. FORBES, Agent, printed in ink (vertically) on support reverse c.l.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink (vertically) on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 18. / ROADWAY SCENE ON THE BLACK SPUR. / The road which is represented in this illustration has lately been constructed by the Government at considerable / expense. It is three miles in length from the base to the summit, some portions of which are very steep. Mails / are conveyed by Cobb & Co.'s Coaches to Marysville and Woodspoint via this route daily. The scenery on the Black / Spur, and beyond as far as Myrtle Creek, is exceedinly picturesque. printed in ink (vertically) on support reverse l.c.l.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, black spur - victoria

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Showing 6704 items matching f-111

Document - Letter/s, City of Ballaarat, 13/09/1971 12:00:00 AM

Newspaper, The Courier Ballarat, "Housing plan for tram depot site", 19/06/1972 12:00:00 AM

Newspaper, The Courier Ballarat, "On wrong track, "Tram man replies", "Retain parklands", "Alienation of parklands", Dec. 1977

Document - Hansard extract, Parliament of Victoria, "Ballarat and Bendigo Tramways - Proposed Abandonment", 2/10/1968 12:00:00 AM

Photograph - Digital image, 1970s

Document - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: EXAMINATION CARDS

Document - MERLE HALL COLLECTION: MUSIC 81 BENDIGO STEERING COMMITTEE DOCUMENTS

Photograph - Black & White Photograph/s

Photograph of Tarnagulla Junior Football Club members, Tarnagulla Junior Football Club members, circa 1905 (original image)

Photograph - Photographs, Publicity Branch Victorian Department of Agriculture, Pruning, Grafting and Propagating Demonstration, c. 1960

Photograph - BENDIGO BUTTER FACTORY PHOTOGRAPH

Newspaper - JENNY FOLEY COLLECTION: TEAM MATES

Photograph - PHOTOGRAPHS PRE WW2, 1937 - 1939

Photograph - Orbost Agricultural Society Committee, 1902

Decorative object - Ship model in a bottle, c. early 20th century

Document - CAULFIELD CITIZENS ADVICE BUREAU

Plaque - Shield, Women's Auxiliary

Painting - Water colour painting of the ketch Falie, Falie, 1934

Photograph, Anglo-Australasian Photographic Company, Junction of the River Watt and Contentment Creek, c. 1876

Photograph, Anglo-Australasian Photographic Company, Central Avenue, Fitzroy Gardens, c. 1876

Photograph, Anglo-Australasian Photographic Company, Junction of the Rivers Yarra and Watt, Near Healesville, c. 1876

Photograph, State School, Fernshawe, c. 1876

Photograph, Anglo-Australasian Photographic Company, View of the Hanging Rock, near Mount Macedon, c. 1876

Photograph, Anglo-Australasian Photographic Company, View of the River Murray, near Echuca, showing the Railway Wharf with steamers unloading, c. 1876

Photograph, Anglo-Australasian Photographic Company, Giant fern trees: Splitters' Track, Black Spur, c. 1876

Photograph, Anglo-Australasian Photographic Company, View of Victoria Hill, Bendigo, taken from Old Chum Hill, c. 1876

Photograph, Anglo-Australasian Photographic Company, View of the Township of Fernshawe, c. 1876

Photograph, Anglo-Australasian Photographic Company, Scene on the Yarra, near Rourke's Bridge, c. 1876

Photograph, Anglo-Australasian Photographic Company, Fern Terrace, on the River Watt, near Mount Munday, c. 1876

Photograph, Anglo-Australasian Photographic Company, Roadway Scene on the Black Spur, c.1876