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Bendigo Military Museum
Accessory - HELMET COVER, CAMOUFLAGED
Items in collection of K W Peatling. Refer Cat 5140.2, Box 173, for his service details.Cotton cover, Green Camouflage, octopus shape. Under side is brown camouflage. Fabric has slits to secure ends inside the helmet."The Big D'. WWVa, X 13 Dec 69, X January 70, X February, X March, X April, X May, X June, July, Auguest, September, October, November, December 12" written in black ink (August spelt wrongly). Stamped on brown side COVER HELMET CAMOUGLAGE CONTRACT NO 9005, 8415 - 261 - 6833. Written in black ink COWARD DO NOT DELAY NHA TRANG PLEIKU BIEN HOAuniform, vietnam -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Grave of William and Ann Brown, St Helena Cemetery, 07/05/1916
The Grave of William Brown (died 07/05/1916) and Ann Brown (died 15/06/1918), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photographst helena cemetery, william brown, ann brown -
Stawell Historical Society Inc
Photograph, Stawell Shire Hall -- Before and After trees were removed 2011 -- 3 Photos -- Coloured
Three photos showing Stawell Shire Hall after trees removed in 2011. The building is painted a brown colour and in all 3 photos the Australian flag is flying on the flag post out the front. The three photos show different views of the building. One of the photos on page 29 Album 14 shows a deciduous tree also planted on the right side of the building. Three colour photos of Stawell Shire Hall taken in 2011 showing the building without the Norfolk Island Hibiscus trees. The Shire Hall is painted a brown colour and show the brick veneer addition on the left. The three photos are in Album 14 pages 26 & 29 showing the new deciduous tree planted out the front and the brick veneer addition on the left of the Shire Hall. stawell -
Flagstaff Hill Maritime Museum and Village
Book - Literary Work, John Scott, A Visit to Paris in 1814, 1815
This book was written by John Scott (1784-1821) a Scottish journalist, editor and publisher. He was editor of the Champion, a weekly political and literary journal. It is part of Flagstaff Hill’s Pattison Collection of books which originated from the Warrnambool Mechanics’ Institute. It was published by Longmans, Green & Co. The publisher firm, Longmans, Green & Co, was originally founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, including Longman, Hurst, Rees, Orme and Brown from 1811 to 1823, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The book is significant for its review of early 19th century Paris by John Scott journalist and political editor. It is also important for its connection to the London publisher Longman, Hurst, Rees, Orme and Brown who were an extension of the Longmans, Green & Co, operating under this name from 1811 to 1823. The firm has been established for over two centuries, is renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.A Visit to Paris in 1814 FULL TITLE A Visit to Paris in 1814; being a review of the moral, political, intellectual and social condition of the French capital. Author: John Scott Publisher: Longman, Hurst, Rees, Orme, and Brown Date: 1815, Third Edition (first published in 1815) Brown textured hardcover book with inscriptions, stamps and handwritten pencil. The book is part of the Pattison Collection.Label: "PAT 944.06 SCO" Sticker: "Warrnambool Mechanics Institute and Free Library" covered by a sticker "Corangamite Regional Library Service" Printed on Fly page: "Third edition, corrected, and with a new preface referring to late events." Stemp on Fly page: "CORANGAMITE REGIONAL LIBRARY SERVICE / WARRNAMBOOL CITY LIBRARY" and "WARRNAMBOOL MECHANICS' INSTITUTE" Handwritten in pencil on Fly: "444"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, longman hurst rees orme and brown of london, 1811 – 1823, france, paris, paris social life, paris custom, france travel, 19th century, review of paris -
Eltham District Historical Society Inc
Photograph, James and Edna Brown and family, c.1950
Family – James Donald Brown | Edna Lily Brown (nee Cockcroft) Children – Gwenneth Edna and Donald Charles The Brown family lived in Dudley Street, Eltham during and after World War 2. Photo taken about 1950 The car is a 1928 Erskine, Victorian registration AF-174 Edna Lily Brown was the daughter of Charles Cockcroft, Grocer, cnr of Main Road and York Street, ElthamBlack and white print also negative copy of print (roll of 35mm black and white negative film, 3 strips Ilford FP4)Details inscribed in blue ink on back of photo1928 erskine, af-174, car, donald charles brown, edna lily brown (nee cockcroft), gwenneth edna brown, james donald brown, vehicles, victorian registration -
Federation University Historical Collection
Poster, O. Gilpin: Drapery and Ironmongery, 1895-1932, 1932
Poster gives a brief outline of the history and growth of Gilpin organization.Light Brown paper with dark brown writing and images.gilpin, drapery, ironmongery, chain stores, advertising -
Geoffrey Kaye Museum of Anaesthetic History
Bottle, chloroform
Chloroform was a popular anaesthetic agent in the early period of medical anaesthesia.Empty brown bottle of chloroform, with brown glass stopper.Printed on manufacturer's label: CHLOROFORM / B.P. / ANAESTHETIC / POISON / CHLOROFORM SHOULD BE KEPT IN A COOL / AND DARK PLACE. / W. J. BUSH & CO., LIMITED / MANUFACTURING CHEMISTS / ASH GROVE, HACKNEY, LONDON / MADE IN ENGLANDchloroform, anaesthesia, w.j bush & co., london -
Clunes Museum
Container - BOTTLE
A BROWN CONICAL GLASS BOTTLE WITH BROWN GLASS TOPlocal history, medicine, surgery, medical -
Vision Australia
Machine - Object, Epson, Epson portable computer, 1980-1989
The Epson HX-20 (also known as the HC-20) is generally regarded as the first laptop computer, announced in November 1981, although first sold widely in 1983. Hailed by Business Week magazine as the fourth revolution in personal computing, it is generally considered both the first notebook and handheld computer. The typist could hear the message and check that it was correct. Used by visually impaired people who could not read Braille. Talking typewriter with brown keys in brown plastic case'Keynote" on left hand side.audio equipment, assistive devices -
The Beechworth Burke Museum
Animal specimen - Tawny Frogmouth, Trustees of the Australian Museum, 1860-1880
The Tawny Frogmouth, although often mistaken for an owl, is a nocturnal Australian bird of the Podargidae family that is more closely related to the nightjars. They are widespread in terms of distribution and can be found all across mainland Australia and Tasmania in a diverse variety of habitats from woodlands, forests and urban areas. Masters of camouflage, the Tawny Frogmouth sleeps during the day on tree branches in a stiff upward facing position (as with this specimen) to mimic broken tree branches, their feathers assist in this deception as the mottled grey and brown colours blend into the environment seamlessly. This specimen differs in colours from the usual appearance of a Tawny Frogmouth, as the beak is usually a olive-grey to blackish tone and the plumage is generally more dominantly grey all over the bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Tawny Frogmouth has a broad head and a creamy beige coloured wide triangular beak with a hooked tip. The plumage on the head and back of the bird is a combination of darker and rufous browns, mottled with streaks of cream and grey. The underside of the bird from the bottom of the beak to the tail tip is a lighter cream colour with streaks of rufous-brown. The feet are an orange-brown colour. This specimen is adopting the skyward looking pose associated with the species, mimicking dead tree branches.1a. / More-Park / See Catalogue, page 7 /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, tawny frogmouth, frogmouth -
Bendigo Military Museum
Document - CERTIFICATE, FRAMED, Bethany Gallery, c.WWI
Pte HARRY THOMPSON No 69437 New Zealand Expeditionary Force WW1. Refer 2027 for his service details. Illustrated certificate, brown & black ink printed on cream paper, mount in brown & green cardboard & brown frame.The Great War 1914 - 1918 Certificate of Service in the NZEF for Pte Harry Thompson 69437 Stamp on back: Bethany Gallery 116 Bridge St Bendigodocuments - certificates, military history-service records -
Coal Creek Community Park & Museum
Ceramic ink wells
8072.1 - Brown ink well 8072.2 - Brown ink well with no flat bottom 8072.3 - Brown ink well -
Learmonth and District Historical Society Inc.
Photo-Nicholson, Unknown, Alexander Nicholson,President 1864-65 (part),1865-66, "Circa 1866"
Councilor Alexander Nicholson was elected to council in1863 serving until1868. He was appointed President in1864-65 of which he only served part,(Conucilor J.Laidlaw serving the remainder) and 1865-66.Original Historic Photo.Photo of Alexander Nicholson is sepia in colour and is in a dark brown moulded frame, inner edge is a lighter brown and mount is dark brown with lightefr brown surounding the oval photo.Councilor Alexander Nicholson,Shire President, Shire of Ballarat.1864-65 (part),1865-66.ballarat shire council, nicholson alexander 1863 1868 -
Linton Mechanics Institute and Free Library Collection
Book, Wetherell, Elizabeth [Susan Bogert Warner], Melbourne House, [c.1920?]
255 p. : frontispiece illustrationchildren's fiction -
Tatura Irrigation & Wartime Camps Museum
Functional object - Wallet, 1943
Made for children of Camp 3 by German Officers.Dark brown, light brown and red leather, brown star. Red diagonal strip across front fixed to wallet with buttonhole stitch. Brown tab fastener, edge laced with brown leather. 1 pocket inside. Cream lining.wallet, leather, griffin h, camp 3, ww2 camp 3, accessory, helga girschik -
National Wool Museum
Folder, sample
Weaving sample folder: "K. NILA" contains "WOOLLEN RANGE" pattern sheet and 4 cloth samples (blue, brown, green and light brown).K. NILA (ink) WOOLLEN RANGE (ink)textile production weaving, textile production, weaving -
Stawell Historical Society Inc
Photograph, Stawell Lawn Bowling Club Opening 1929
Stawell Bowling Club 1929 opening day. Seated front centre Mayor Cr C Brown and Mayoress Mrs. Brown (Holding flowers)stawell sport -
Coal Creek Community Park & Museum
Milk jugs
9098.1 Pottery milk jug, with three stripes of white, light brown and dark brown. 9098.2 Pottery milk jug, with a light and dark brown pattern, with a light brown rim. 'Made in Japan' on bottom of each jug. -
Coal Creek Community Park & Museum
False teeth boxes
8628.1 - Brown denture box (largest) 8628.2 - Light brown denture box 8628.3 - lightest brown denture box- Mr Mc Miller - F.S. Serpell Dentistry - High Street, Kyneton - Phone 81 -
Bendigo Military Museum
Container - WOODEN BOX, Post 1930’s
The translation on the box is not known. The box was brought back from WW2 by Leonard Francis Rainbow VX141558, enlisted 27.2.1942 in the CMF 22nd Bn until 17.5.1943, AIF 18.5.1943 to 8.8.1946, Overseas service, New Guinea 21.2.1943 - 26.8.1944, New Britain 19.2.1945. - 17.3.1946.Brown painted and lacquered wooden box with brown leather handle.Indecipherable print on top of the box, Japanese characters noted on the inside of the box.wooden box, japanese -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
see 359Brown glazed border tile - crazed with dark brown edgingceramics, earthenware -
Whitehorse Historical Society Inc.
Ceramic - Tile
Brown glazed edging tile with lighter brown pattern at top.ceramics, earthenware -
Clunes Museum
Functional object - INK WELL
.1 POT - Brown pottery .2 LID - Brown potteryNilink well, pottery -
Federation University Art Collection
Ceramic, Sandy Brown, 'Flying Spirit' by Sandy Brown, 1988, c1988
Sandy BROWN (1946- _ Born Tichborne, Hampshire. England From 1969-73 Sand Brown studied at Daisei Pottery, Mashiko, Japan. In 1988 she was awarded an residency in Australia, and was an artist in residence at the Gippsland Centre for Art and Design (GCAD). The Sandy Brown Museum opened in Appledore in June 2014.sandy brown, ceramics, gippsland campus, jan feder memorial ceramics collection -
The Beechworth Burke Museum
Animal specimen - Grey Butcher Bird, Trustees of the Australian Museum, 1860-1880
Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair -
Buninyong & District Historical Society
Photograph - Original B/W photograph, Mr Clive Brooks, Streetscape of Learmonth St., Buninyong, looking over roundabout to Town Hall and businesses, 18th September 1993
Part of a photographic record of Buninyong township. The buildings range from 1960s back to 1896, 1887, 1866, to a remnant of 1855, hidden within the shop of D. Brown electrician, consequently reflecting much alteration and change when compared to earlier photos.The streetscape is of historic significance, recording the detail of the streetscape in 1993. Many of the buildings have since undergone significant renovation/change.Streetscape of Learmonth St., Buninyong, looking over roundabout to Town Hall and businesses. Elm trees in the grounds of the Uniting (formerly Presbyterian) Church are seen in the background. Buildings are the fire station, council offices, Town Hall, Whykes Butchers, M. & D. Brown electrician, Buninyong Cake Shop and former bank, now a residence. Oak trees are in front of the council offices and shire hall. One tree planted in 1959 to mark the occasion of the connection of a water supply to Buninyong. A variety of elm is at the end of the row outside the Bank, now a residence. Junipers on each side of the former bank door was planted c1970.learmonth st, buninyong, bank, cake shop, m & d brown, electrician, whykes butchers, whykes, town hall, council offices, fire station -
Creswick Campus Historical Collection - University of Melbourne
Still Image, 1956 -1968
Subject: Creswick 1956 . 8 brown envelopes marked Run 4 -3 No. 31 - 42 of c.45 prints total. 2 empty brown envelopes marked run 4 no.38 -39, and run 6 no. 85-87. 5 loose black and white prints. Subject: Lower Glenelg Plantation . 2 brown envelopes marked Run 1. No. 26-27. Stored in a brown cardboard file box marked Creswick 1968 Project.Aerial Photographs -
Creswick Campus Historical Collection - University of Melbourne
Still Image, 1958 -1967
Subject: Calder Ridge Project . 3 brown envelopes marked Run 2 c.26 prints total. 1967. Subject: Mt Cole Mt Lonach 1958. 1 brown envelopes marked Run 4. c.15 prints total. Subject: Colac 1966 . 1 brown envelopes marked Run 6 c.8 prints total. Subject: Mt Tamoritha, Mt Arbuckle. 1966. 1 brown envelopes marked Civil AS-FRI-FCV-APMF CO-OP project no. 13.23 - 13.38 c.18 prints total. Stored in a brown cardboard file box marked as per contents.Aerial Photographs -
Rye RSL Sub Branch
Cork helmet wolesley, Embelton & Co. Melbourne Australia, Twentieth Century
This type of head dress was very commonly worn by British Commonwealth Forces in the Sub Continent and other tropical areas. This particular example would have been a common sight in Northern Australia during the time frame, as well as Africa, Middle East and the Pacific. It is a light weight ventilated helmet offering good air circulation via the vent in the top of the crown, and shade to the back of the neck. As well as protection by the peaked front for the eyes reducing glare, preventing sun and heat stroke. It also created an image of gentlemanly dress and pride in appearance. It conformed to an ideal and was considered quite fashionable and a little dashing, often worn at a jaunty angle, creating a rakish air, far from today's simplistic view of pure functionality and at as low as possible cost. Whether worn with a tropical uniform with jacket and trousers, or open necked shirt and shorts, the wearer was easily identifiable as British or one of the Commonwealth countries.WW2 RAAF Wolsley cork helmet. Helmet Khaki cotton six (6) panel outer, with three (3) fold pugaree. Colour patch on left side approximately 6cm X 5.5cm, Dark blue,2.5cm, Light blue, 0.5cm and Maroon 2.5cm. Tan leather trim around brim, tan leather chin strap. Traditional pith helmet four (4) hole domed type vent on top of crown. Beige leather sweat band pierced around the top and with a cotton cord adjustment threaded around. Fixed to shell in four points diagonally. Interior is also covered in Khaki cotton. Hand written in brown ink. A1917 F/Lt C KERR GRANTworld war two, head dress, helmet, pith, cork, cloth covered, leather trimmed, royal australian air force, officer, flight lieutenant, khaki, pith helmet, air force, tropical, hat -
Phillip Island and District Historical Society Inc.
Photograph, 1950
One of a collection of seven photographs of Amygdales, polished by Dr G Baker CSRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story". Black & White Photograph of an Amygdale Stone. Circular image with multi patterned interior."Phillip Island Amygdale. Magnified 5 diam. Colours chiefly brown and yellow."phillip island, amygdale stone, dr g baker, joshua w gliddon