Was the building of Morrissey Butchers established in 186512.5cm x 20cm black and white photograph of 61-63 Sydney Street Kilmore. The building look to have been separated into two stores, the left storefront looks original and the right storefront look to have been retrofitted. The roof of the building has a decretive trim and a arch which says "B.M Morrissey 1865 Established". This calls to the building original owners which used the building as a Butchers. The retrofitted side of the building was being used as a Butchers at the time of the photograph, E & G Fanger Butcher.Written on the back: 112/58 B. Mossissey Established 1865 1035 Kilmore Historical Society Photographer: Ray Fagg :- 1977shopfronts, storefronts, butchers, butcher shops, retail stores

Account of the Commonwealth Trans-Antarctic Expedition, (the 'race to the South Pole' 1957-58) where two field parties, headed by Dr. Vivian Fuchs and Sir Edmund Hillary, both reached the South Pole. G. L. Martin was photographer to the expedition.Paperback book, 160 pages, colour photographssouth pole, trans-antarctic expedition

Long Sleeve Battle Jacket. 1 Button on each Sleeve. Epaulet on each shoulder with one button. Australian Army Catering Corps shouder flashes. Single breasted with 4 buttons. Shoulder width 43cm. Waist 47cm. Length 58 cm. Sleeve Length 63cm. AGCF VIC 1981 8405.66 025 6419 SIZE 107-109L MACQUARIE 80 BATCH K DRY CLEAN ONLY CREASE UPPER HALF OF LAPEL ONLY NO BYHAM NAME 330989

These ledger books provide some data on club members and the financial resources of the club in the mid 20th century.These ledgers provide a picture of business conducted by the then Geelong West Cycling Club and are important resources for those investigating the activities of the Geelong cycling club at that time.Three ledger books. All foolscap size. 1954-58 book contains race results and newspaper articles of the time including many articles on Russell Mockridge. 1965 book contains the ledger for fees and race results. 1956-64 book contains the register of Financial Statements.race results; russell mockridge; 1954-68; 1965; 1956-64; geelong west cycling club;

Section of ammunition link belt for a (CSMG) MAG 58 calibre 7.62mm . The belt is made up of disintegrating links, normally fitted in the ration of 1 tracer to every 4 rounds. Items souvenired by Mathew Redwood. Refer Cat No 3891 for his service details..1) - .5) Five 7.62 mm cartridge cases. .6) Section of link belt for 7.62mm.“LC 11, “LC 08”mag 58, 7.62mm

Paper cover, white background, red / gold print on front, black print on back. Front cover illustrated in red / purple / gold Coat of Arms of 58/32 Infantry Battalion. 26 cut, glossy white pages. Illustrated black / white / sepia / colour photos. Stapled.booklet, 58/32, infantry, battalion

Alexander McCubbin published Fanny Withers ‘The Life & Art of Walter Withers’ in 1920. But, although Withers had written a 100 page manuscript, the book was edited into a 28 page format. This is that entire manuscript, its preparatory notes and three other manuscripts (1902, 1911, 1918).1. Signed by Andrew Mackenzie on Title page 2. Collector's edition No 58 signed by Andrew Mackenzie and Kathleen Mangan on Title pageartists, eltham, fanny withers (nee flinn), walter withers

This scrapbook. although much smaller than others in the collection, contains newspaper clippings, notes and correspondence relating to the work at the Mission.This scrapbook outlines the many events, concerts, important visits and social occasions held at and by the Mission during this time frame. It includes the names and activities of many prominent Melburnians and shows the vivacity of the work at the Mission.Small red sticker on inside of reverse cover: "NORMAN BROS./Stationers, Printers,/and/Artists' Material Importers/52-58 Elizabeth St."scrapbook, newspaper cuttings, seamen's missions, mission to seamen, newspaper clippings, events, melbourne

This membership ticket belonged to John Ely. Tickets admit bearer to games. Tickets include the names of office-bearers of the Greensborough Football Club and the season's fixture or draw.Gary Partington is a lifetime member of the football club and a GHS member. The Ely tickets were given to the late Trevor Partington when John Ely left the area and have been passed to Gary. Season ticket, cardboard. Cover: dark green with silver printing. Inside: white with green textCover: "Greensborough Football Club. Season 1950". Inside: "Alan John Ely" in blue pen. Membership number "58" stamped inside.greensborough football club, membership tickets, partington family, ely family

There are 32 boys and 16 girls in the class. Don Taggart, late president, is 3rd from the left in the front row.black and white post card fair conditionGrade 4B, Elwood Primary School. D.J.H Taggart, 58 Glenhuntly Road, Elwood 3184, Ph 531 6127. 1930's

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Tate ADAMS (1922-8 April 2018 ) Born Hollywood, County Wicklow, Ireland Arrived Australia 1952 England 1956-58 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed paper linocut, printed in colour inks, from three blocks. art, artwork, tate adams, printmaking, available, woodblock, woodcut, sailing, boats, ballarat teachers' college collection

Report - single A4 sheet prepared by Kevin Staines 28/3/2019 titled "C & D Series Conductors Tins", or outfits and when they were phased out of use - during 1957/58. Has notes on recollections of Alan Bailey and National Service for young men in Australia at the time.trams, tramways, conductors, outfits, tickets, national service

This sheet music is "The Parade of the Tin Soldiers', the original German title, composed by Leon Jessel as a solo piece for the piano in 1905. The work is also known as "The Parade of the Wooden Soldiers". In 1907 the orchestra version was published, Opus 123. (Op. 123, as written on the cover). The sheet music was published by Sole Publishers for the British Empire, Enoch & Sons Ld (1890-1927) of 58 Great Marlborough Street, London, W. Versions for all other countries were published by Neinrichshofen's, Verlag, Magdeburg. Orchestral and Military arrangements of the music were published by Hawkes & Son, Denman St, Piccadilly Circus, London, Leon Jessel (Jan. 22, 1821 to Jan. 4, 1942) was a German composer who was born a Jew and converted to Christianity in 1894. His works included a wide variety of music including 'The Parade of Tin Soldiers' (Die Parade der Zinnsoldaten). Jessel was also a music conductor and bandmaster. The instrumental piece 'Die Marokkanische Patrouille' (The Moroccan Patrol) was published in 1911, Opus 227. He was also known for his operettas 'Schwarzwaldmädel'(Black Forest Girl), presented in 1917, and 'Die Postmeisterin' (The Postmistress), presented in 1921. In December 1941 he was arrested and then tortured by the German Gestapo; he died in January 1942. In the early 1920s, The Parade of the Tin Soldiers became very popular; it was presented as part of a show and was re-titled The Parade of the Wooden Soldiers. It was also made into a film and its recording was a hit single record. The music continues to be played and presented and is a Christmas-time favourite.This music is significant for its connection with the German composer Leon Jessel, a victim of the Germans for being born a Jew, even though he converted to Christianity in his youth. It is also significant as a popular work of music composed in the early 1900s and later used for a variety show and a film. The music an example of entertainment in the early 20th century that has endured to current times and often played at Christmas celebrations.Book of sheet music for four tunes. The thin softcovered book has eight pages, with the front cover featuring colourful graphics of soldiers marching and others on horseback. The four tunes are: - The Parade of the Tin Soldiers, (piano solo), Composer: Leon Jessel. Ballade de la Lune, Enjolement, Lentement, document, tendrament, Publisher: for the British Empire, Hawkes & Son, Denman St, Piccadilly Circus, London, Sole Publishers for the British Empire, Printer: Enoch & Sons Ld. 58 Great Marlborough Street, London, W. Printer: Lowe & Brydone Printers Ltd. London N.W. 10 Publisher, for all other countries: Heinrichshofen's, Verlag, Magdeburg. Printed: in England by Heinrichshofen's Verlag Copyright: 1911 by Heinrichshofen's VerlagOther print on the cover includes: ALSO KNOWN AS "THE PARADE OF THE WOODEN SOLDIERS" "Op. 123" "Characteristic Piede" "SOLE PROPRIETORS FOR THE BRITISH EMPIRE" "NEW SUCCESS BY THE SAME COMPOSER 'MOROCCAN PAT(ROL) (CH)ARASTIC PIECE" "PIANO SOLO" "SIMPLIFIED" "DUET" "VIOLIN & PIANO" "Orchestral & Military Arrangements" On the bottom of pages: "E & S 4370" "Copyright 1911 by Heinrichshofen's Verlag" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, leon jessel, composer, operetta composer, the parade of the tin soldiers, the parade of the wooden soldiers, musical march, music conductor, music director, bandmaster, 19th-century classical composers, 19th-century german composers, 20th-century classical composers, 20th-century german composers, sheet music, music book, piano music, jewish composer, world war ii victim, composer: leon jessel., ballade de la lune, enjolement, lentement, hawkes & son, for all other countries: heinrichshofen's, verlag, magdeburg., book of sheet music, enoch & sons ltd london, lowe & brydone london, heinrichschofens verlag, marching music, 1911, early 20th century

Historical Details: . Description: The Westland Wessex was developed in Britain as a turbine engined version of the American Sikorsky S-58 with over 356 built between 1958 to 1970. The Wessex was used by the R.A.F. and Royal Navy and countries around the world including Australia. Th. Level of Importance: Regionalwessex

Linden, 26 Acland Street with 'Art Gallery' sign. Plastic chairs stacked in foregroundMichaleis Moritz, colour photograph, unmountedsticker on back of photograph: Donald J.H. Taggart, 58 Glenhuntly Rd, Elwood 3184, Melbourne, Vic Australia Telephone (03) 9531 6127

Chart No D64 Collected 1931-7-8 + 1947 -58-60 by W.W. Masons Marks A Selection from Durham Cathedral (William Waples ?mason's mark, durham cathedral, architecture

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Reston, Virginia, USAMade in Australia / 32 / JUL 69M6 / Encircled 51 (Handwritten-Cancelled) / Encircled 29 (Handwritten) / Encircled 58 (Handwritten-Cancelled) / Reston (Handwritten)slide, robin boyd

Sepia photograph of a group of six young men in uniform two standing at back, three seated, one seated on floor."Don't know identities of these taken about 1887. Linton Fire Brigade" / "Mrs E Monti 56-58 Rea St, Shepparton 3630".linton fire brigade, fire fighters

Refer to service of Harry Burrell MM, Cat 290, 297.2P, 298.4.This is a single sheet of thick paper folded to make the menu. The front is printed in blue ink:- The 38 Bn badge is at the top: - The words "Souvenir Menu for the Northern Victorian Regiment, 38 Inf Bn Sergeants Mess - Centenary Dinner, 16 Aug 58". Colour of the cardboard is an off white/Khaki colour.38th battalion, militia, souvenir

Bendigo Advertiser ''The way we were'' from 2000. Shopping: this photo taken in 1900 by W.H. Robinson is of the general store in Epsom. Robinson established his photographic business in Mitchell Street, Sandhurst. Around 1901 he moved to Wills Street and he died aged 58 in 1920. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Digital Image of the Feb. 2018 version of the tram and route map for Melbourne titled "Melbourne tram network". Published by Transport for Victoria, effective May 2017 following changes to routes, in particular route 58. Shows each of the route, terminal points, with a legend. Note does not have Yarra Trams logo.trams, tramways, maps, transport for victoria, melbourne, routes

Report - A4, 58 pages + card coves with brown comb bound, titled "CBD Passenger Survey - August 1977". Has table of contents, tables, figures and notes on the cards. Provides origin and destination information on passengers entering the CBD. Conducted over a two week period using university students.Has "3-10-78" on inside front cover.trams, tramways, surveys, city of melbourne, passengers, mmtb

Ordained 1958. Huon-Channel 1955-57; Queenstown 1957-58; Devonport 1958-61; Ballarat East 1962-66; W/S 1966-68; Carnegie 1968-70; Dept of Communication 1971-77; Board of Communication 1977-? Concluded as Editor of C&N February 1988.Clarnette, taken looking at him across his paper-laden desk."Warren Clarnette" and reference to C&N.clarnette, warren, church & nation

Ordained 1958. Huon-Channel 1955-57; Queenstown 1957-58; Devonport 1958-61; Ballarat East 1962-66; W/S 1966-68; Carnegie 1968-70; Dept of Communication 1971-77; Board of Communication 1977-? Concluded as Editor of C&N February 1988.Side view of Clarnette sitting at his desk."Warren Clarnette" and reference to C&N.clarnette, warren, church & nation

Black and white poster. Old Fire Station Arts Co-Operative Women's Festival presents ''The Mogadonnas'' plus local performers. At the Old Fire Station, 58 View Street Bendigo. April 23rd 8pm 1am BYO. Tickets $10 - $8. Bookings: Janet's Art Supplies. Enquiries: 411926 or 425749.entertainment

Councilor E.Edwards was elected to council in1951 until 1970.He served two terms as Shire President 1957-58 and 1965-66.This photo, which is part of a composite collection of photos, was taken to commemorate the 1954 visit of her Majesty Queen Elizabeth 11,and was presented by the Shire President,G.A.Fraser, to mark the occaision.Section of The Original Historical Photo of Councilors for the year 1954.Sepia/brown photo of Councilor E.Edwards. Situated second from left,middle row of composite photos of Councilors for the year 1954.PRESENTED TO BALLARAT SHIRE COUNCIL BY SHIRE PRESIDENT TO COMMEMORATE THE VISIT OF HER MOST GRACIOUS MAJESTY QUEEN ELIZABETH 11. 1954..ballarat shire council, e edwards, visit of her majesty queen elizabeth 11 1954