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St Kilda Historical Society
Photograph, Elwood Primary School, c. 1935
There are 32 boys and 16 girls in the class. Don Taggart, late president, is 3rd from the left in the front row.black and white post card fair conditionGrade 4B, Elwood Primary School. D.J.H Taggart, 58 Glenhuntly Road, Elwood 3184, Ph 531 6127. 1930's -
National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
Bendigo Military Museum
Booklet, Judy Maddigan, Essendon Rifles & World War 1, 2016
Paper cover, white background, red / gold print on front, black print on back. Front cover illustrated in red / purple / gold Coat of Arms of 58/32 Infantry Battalion. 26 cut, glossy white pages. Illustrated black / white / sepia / colour photos. Stapled.booklet, 58/32, infantry, battalion -
Flagstaff Hill Maritime Museum and Village
Document - Sheet Music, Enoch & Sons Ld., music publisher, The Parade of the Tin Soldiers, ca 1911
This sheet music is "The Parade of the Tin Soldiers', the original German title, composed by Leon Jessel as a solo piece for the piano in 1905. The work is also known as "The Parade of the Wooden Soldiers". In 1907 the orchestra version was published, Opus 123. (Op. 123, as written on the cover). The sheet music was published by Sole Publishers for the British Empire, Enoch & Sons Ld (1890-1927) of 58 Great Marlborough Street, London, W. Versions for all other countries were published by Neinrichshofen's, Verlag, Magdeburg. Orchestral and Military arrangements of the music were published by Hawkes & Son, Denman St, Piccadilly Circus, London, Leon Jessel (Jan. 22, 1821 to Jan. 4, 1942) was a German composer who was born a Jew and converted to Christianity in 1894. His works included a wide variety of music including 'The Parade of Tin Soldiers' (Die Parade der Zinnsoldaten). Jessel was also a music conductor and bandmaster. The instrumental piece 'Die Marokkanische Patrouille' (The Moroccan Patrol) was published in 1911, Opus 227. He was also known for his operettas 'Schwarzwaldmädel'(Black Forest Girl), presented in 1917, and 'Die Postmeisterin' (The Postmistress), presented in 1921. In December 1941 he was arrested and then tortured by the German Gestapo; he died in January 1942. In the early 1920s, The Parade of the Tin Soldiers became very popular; it was presented as part of a show and was re-titled The Parade of the Wooden Soldiers. It was also made into a film and its recording was a hit single record. The music continues to be played and presented and is a Christmas-time favourite.This music is significant for its connection with the German composer Leon Jessel, a victim of the Germans for being born a Jew, even though he converted to Christianity in his youth. It is also significant as a popular work of music composed in the early 1900s and later used for a variety show and a film. The music an example of entertainment in the early 20th century that has endured to current times and often played at Christmas celebrations.Book of sheet music for four tunes. The thin softcovered book has eight pages, with the front cover featuring colourful graphics of soldiers marching and others on horseback. The four tunes are: - The Parade of the Tin Soldiers, (piano solo), Composer: Leon Jessel. Ballade de la Lune, Enjolement, Lentement, document, tendrament, Publisher: for the British Empire, Hawkes & Son, Denman St, Piccadilly Circus, London, Sole Publishers for the British Empire, Printer: Enoch & Sons Ld. 58 Great Marlborough Street, London, W. Printer: Lowe & Brydone Printers Ltd. London N.W. 10 Publisher, for all other countries: Heinrichshofen's, Verlag, Magdeburg. Printed: in England by Heinrichshofen's Verlag Copyright: 1911 by Heinrichshofen's VerlagOther print on the cover includes: ALSO KNOWN AS "THE PARADE OF THE WOODEN SOLDIERS" "Op. 123" "Characteristic Piede" "SOLE PROPRIETORS FOR THE BRITISH EMPIRE" "NEW SUCCESS BY THE SAME COMPOSER 'MOROCCAN PAT(ROL) (CH)ARASTIC PIECE" "PIANO SOLO" "SIMPLIFIED" "DUET" "VIOLIN & PIANO" "Orchestral & Military Arrangements" On the bottom of pages: "E & S 4370" "Copyright 1911 by Heinrichshofen's Verlag" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, leon jessel, composer, operetta composer, the parade of the tin soldiers, the parade of the wooden soldiers, musical march, music conductor, music director, bandmaster, 19th-century classical composers, 19th-century german composers, 20th-century classical composers, 20th-century german composers, sheet music, music book, piano music, jewish composer, world war ii victim, composer: leon jessel., ballade de la lune, enjolement, lentement, hawkes & son, for all other countries: heinrichshofen's, verlag, magdeburg., book of sheet music, enoch & sons ltd london, lowe & brydone london, heinrichschofens verlag, marching music, 1911, early 20th century -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Warren Clarnette, Editor of Church & Nation, Undated
Ordained 1958. Huon-Channel 1955-57; Queenstown 1957-58; Devonport 1958-61; Ballarat East 1962-66; W/S 1966-68; Carnegie 1968-70; Dept of Communication 1971-77; Board of Communication 1977-? Concluded as Editor of C&N February 1988.Clarnette, taken looking at him across his paper-laden desk."Warren Clarnette" and reference to C&N.clarnette, warren, church & nation -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Warren Clarnette, Editor of Church & Nation, 24/09/1986
Ordained 1958. Huon-Channel 1955-57; Queenstown 1957-58; Devonport 1958-61; Ballarat East 1962-66; W/S 1966-68; Carnegie 1968-70; Dept of Communication 1971-77; Board of Communication 1977-? Concluded as Editor of C&N February 1988.Side view of Clarnette sitting at his desk."Warren Clarnette" and reference to C&N.clarnette, warren, church & nation -
Melbourne Tram Museum
Document - Report, Kevin Staines, "C & D Series Conductors Tins", 28/02/2019 12:00:00 AM
Report - single A4 sheet prepared by Kevin Staines 28/3/2019 titled "C & D Series Conductors Tins", or outfits and when they were phased out of use - during 1957/58. Has notes on recollections of Alan Bailey and National Service for young men in Australia at the time.trams, tramways, conductors, outfits, tickets, national service -
St Kilda Historical Society
Photograph, Linden, 26 Acland St, St Kilda
Linden, 26 Acland Street with 'Art Gallery' sign. Plastic chairs stacked in foregroundMichaleis Moritz, colour photograph, unmountedsticker on back of photograph: Donald J.H. Taggart, 58 Glenhuntly Rd, Elwood 3184, Melbourne, Vic Australia Telephone (03) 9531 6127 -
Ballarat Heritage Services
Digital Photograph, Chart of Stonemason's mark, Durham Cathedral, UK, 10/2016
Chart No D64 Collected 1931-7-8 + 1947 -58-60 by W.W. Masons Marks A Selection from Durham Cathedral (William Waples ?mason's mark, durham cathedral, architecture -
Robin Boyd Foundation
Slide, Robin Boyd, 1969
Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Reston, Virginia, USAMade in Australia / 32 / JUL 69M6 / Encircled 51 (Handwritten-Cancelled) / Encircled 29 (Handwritten) / Encircled 58 (Handwritten-Cancelled) / Reston (Handwritten)slide, robin boyd -
Learmonth and District Historical Society Inc.
Photo - Edwards, Thornton Richards & Co Ballarat, Edwards. E. Councilor, 1954, 1954 (exact)
Councilor E.Edwards was elected to council in1951 until 1970.He served two terms as Shire President 1957-58 and 1965-66.This photo, which is part of a composite collection of photos, was taken to commemorate the 1954 visit of her Majesty Queen Elizabeth 11,and was presented by the Shire President,G.A.Fraser, to mark the occaision.Section of The Original Historical Photo of Councilors for the year 1954.Sepia/brown photo of Councilor E.Edwards. Situated second from left,middle row of composite photos of Councilors for the year 1954.PRESENTED TO BALLARAT SHIRE COUNCIL BY SHIRE PRESIDENT TO COMMEMORATE THE VISIT OF HER MOST GRACIOUS MAJESTY QUEEN ELIZABETH 11. 1954..ballarat shire council, e edwards, visit of her majesty queen elizabeth 11 1954 -
Melbourne Tram Museum
Sign - "Stop 115, Route 55", mid to late 1980's
Indicated or provided a location to tram drivers and passengers of a tram stop that trams had to be hailed or be requested to stop. Gives details of the fare section. Produced by The Met, possibly during the 1980's. Stop 115 on route 55 (changed to route 58 in May 2017) is in Queensbridge St at the Southbank/Casino tram stop.Demonstrates the form of tram stop that The Met used to replace former tram stop signs and shows the typical tram stop sign of the era. These have since been replaced with Yarra Trams badged signs.Sign - "Stop 115, Route 55", aluminum folded sheet overlain on both sides with a printed reflective sheet with the image of a person hailing or signalling or requesting a tram to stop. Formed with a short angle on one side drilled with three holes for attaching to a pole. Has two holes along the top edge where it was secured to a stop structure. Has The Met logotram stop, signs, the met, route 55, queensbridge st, trams, tramways -
Bendigo Military Museum
Document - MENU - 38 Bn. Centenary Dinner Sgt's Mess, Sgts Mess, 16 Aug 1958
Refer to service of Harry Burrell MM, Cat 290, 297.2P, 298.4.This is a single sheet of thick paper folded to make the menu. The front is printed in blue ink:- The 38 Bn badge is at the top: - The words "Souvenir Menu for the Northern Victorian Regiment, 38 Inf Bn Sergeants Mess - Centenary Dinner, 16 Aug 58". Colour of the cardboard is an off white/Khaki colour.38th battalion, militia, souvenir -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: SHOPPING
Bendigo Advertiser ''The way we were'' from 2000. Shopping: this photo taken in 1900 by W.H. Robinson is of the general store in Epsom. Robinson established his photographic business in Mitchell Street, Sandhurst. Around 1901 he moved to Wills Street and he died aged 58 in 1920. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Melbourne Tram Museum
Map, Transport for Victoria, "Melbourne tram network", Feb. 2018
Digital Image of the Feb. 2018 version of the tram and route map for Melbourne titled "Melbourne tram network". Published by Transport for Victoria, effective May 2017 following changes to routes, in particular route 58. Shows each of the route, terminal points, with a legend. Note does not have Yarra Trams logo.trams, tramways, maps, transport for victoria, melbourne, routes -
Melbourne Tram Museum
Document - Report, Melbourne & Metropolitan Tramways Board (MMTB), "CBD Passenger Survey - August 1977", Aug. 1977
Report - A4, 58 pages + card coves with brown comb bound, titled "CBD Passenger Survey - August 1977". Has table of contents, tables, figures and notes on the cards. Provides origin and destination information on passengers entering the CBD. Conducted over a two week period using university students.Has "3-10-78" on inside front cover.trams, tramways, surveys, city of melbourne, passengers, mmtb -
Tatura Irrigation & Wartime Camps Museum
Photographs, Flanagan collection
Flanagan collection of four photos.|Photo 1: Home of Tom Flanagan, 56? Hogan Street.|Photo 2: Shop 54? Hogan Street.|Photo 3:|Photo 4: Shop occupied by Wal Reddie, c.58 Hogan Street.|Photo 5: Reddie's shop c.1910 when 2 storied. -
Melbourne Legacy
Letter - Documents, correspondence, 1958
Progress report from W.B. Russell to Mr Cooper (Chair of the Biography Committee) on the writing of 'There Goes a Man' dated 30/5/1957. This date could be a typographical error, as the report seems to follow on from the one submitted on 7/3/58 (Item 00918) and mentions that he expects to complete the manuscript in two monthsPart of the story of how the book 'There goes a Man' came to be created.White paper with black type, a letter from WB RussellSigned 'W.B. Russell' in blue ink.savige book, committee -
Bendigo Historical Society Inc.
Document - BENDIGO WOMEN'S FESTIVAL
Black and white poster. Old Fire Station Arts Co-Operative Women's Festival presents ''The Mogadonnas'' plus local performers. At the Old Fire Station, 58 View Street Bendigo. April 23rd 8pm 1am BYO. Tickets $10 - $8. Bookings: Janet's Art Supplies. Enquiries: 411926 or 425749.entertainment -
Port Melbourne Historical & Preservation Society
Document - Property valuation working papers, McPhee (J Wattie Chemicals), Nott Street, Port Melbourne, George Levey, 1950 - 1974
Sample of working papers relating to the valuation of 29 premises in Port Melbourne. These papers were maintained by Mr George LEVEY, who was the City Valuer for PMCC from around the mid 1950s to about 1974. Details are all in manilla folders. .16 - McPhee (J Wattie Chemicals) 54-58 Nott Streetbuilt environment - commercial, business and traders, industry, george levey, mcphee (j wattie canneries) -
Bendigo Military Museum
Book - DIARY PERSONAL, 07/08/1916 - 24/10/1916
Adolphus Samuel Ferdinand Oppermann No 2123 enlisted in the AIF on 11.5.16 in 4th reinforcements 59th Batt aged 34 years 5 months, embarked for England 1.8.16, transferred to 58 th Batt 20.11.16, hospital 25.11.16 with Cystitis then Influenza and Mumps. Hospital 17.5.18 with Gastritis severe, discharged from the AIF on 13.2.19 medically unfit.Re A.S.F. OPPERMANN relating the voyage to England 7th August 1916 to 24th October 1916. Diary has black rear cover, front cover missing. Diary entries are in ink.diaries, personal, aif ww1 -
Halls Gap & Grampians Historical Society
Photograph, C 1930s
Wilfred (Fred) Warren and niece Ida Warren (who later married Robert Greer). They are shown standing in front of Warren's Bakery van, which is parked in front of their house. Warren bakery was started in 1929 by John Warren, his wife Florence, their daughter Ida and an aunt Miss Vine. see Bridging the Gap p.58A man and a woman standing in front of a truck marked "Baker.". There is a house in the background.people, warren, transport, trucks -
Halls Gap & Grampians Historical Society
Photograph - B/W
Fred Paasch was born in Denmark in 1862. It is unknown when he arrived in Australia or when he settled in Halls Gap. He owned land generally in the area now occupied by the Halls Gap Supermarket where he established an orchard. See " Bridging the Gap " p.58-60 "Victoria's Wonderland" p.98-99.Shingle and slab house, chimney has loose brick base and tin flue. Four men in foreground. Freddy Paasch, owner of the house is seated in the centre. A number of hens feed in the near foreground. A climbing rose coyers the fence and part of the house roof.buildings, houses, people, paasch -
Montmorency/Eltham RSL Sub Branch
Headwear - Beret, Spanish, 1987
Representative Spanish Army armoured corps beret. Good conditionBlack wool beret with black leather trim and black synthetic cloth liner. Two riveted eyeletes 5mm diameter. Cap badge: gilded metal tank 1/4 front view, surrounded by laurel wreath, surmounted by a crown with red enamel liner. Badge mounting: oval, stiffened, black cloth backing. between cap and lining. Cloth, with clear plastic covering, manufacturer's label. Manufacturer's label on liner- "Boinas Elosegui S.A. Anu 1987 year of manuf. Lana 100% wool (pictogram care instructions) Talia 58 sizeheadgear -
Ringwood and District Historical Society
Photograph, Jos Oberman's Timber Yard. Office staff at switchboard. 1958
Written on back of photograph, "'Mail' 10/7/58. Jos Oberman's Timber Yard. Office staff. Brunett, Irene Maggs and blonde, Jan Taylor". -
Warrnambool and District Historical Society Inc.
Artefact, Silver pomander - Wembley logo, 1924
This silver wool-holder was sold as a souvenir at the British Empire Exhibition of 1924-5. This exhibition was staged to strengthen the bonds of the British Empire and 56 of the 58 nations or territories within the Empire participated. Wembley Stadium was built for the Exhibition and called then Empire Stadium. 27,000,000 visited the exhibition in the two years of is existence. Wembley Stadium survived until 2003 when it was rebuilt. This wool-holder is of interest as an example of the type of household item that would have been in a more affluent home in the 1920s. It is also of interest as an example of the type of souvenir sold at the British Empire Exhibition in 1924-5. It is a useful and attractive display item.This is a silver circular-shaped wool holder which was a souvenir of the British Empire Exhibition held at Wembley in 1924-5. It has four silver segments held together at each end with silver pins. The segments have an open fretwork pattern and can retract and open to allow material to be stored and to be easily accessible to the knitter or needleworker. The Wembley emblem with the image of an Art Deco lion is welded onto one of the segments. This silver ball could also be used as a pomander to hold perfumed material and to be placed in a wardrobe or cupboard.‘Wembley’ british empire exhibition, wembley 1924-5, pomander, wool holder -
Port of Echuca
Black and white photograph, Mid 20th Century
The P.S Canberra was built in 1912 at Goolwa South Australia by David Milne. It was built as a fishing vessel. It was originally a steam engine, reverted to diesel, but was returned to steam in 1995. It is currently owned by the Murray Steam Ship and Tourist Co. and has operated as a tourist vessel at Echuca Since 1967. (Ref Parsons, R "Ships of the Inland Rivers " p. 58)The P.S Canberra is significant as it has operated as a tourist vessel since 1967, and continues to do so. A black and white photograph of the P.S.Canberra coming downstream from the iron bridge at Echuca.On boat the words Canberra.p.s canberra, murray steam ship & tourist company -
Waverley RSL Sub Branch
Belt webbing
The 1937 pattern equipment (also known as '37 webbing') was an item of military load-carrying equipment. Pattern 37 replaced the 1908 Pattern and 1925 Pattern—on which it was based—and was standard issue for British and Commonwealth troops from its introduction in 1937, throughout World War II, and in the post-war period until it was superseded by 58 pattern webbingKhaki webbing army infantry belt with brass clip buckle and brassretainers, also has rear brass buckles for attatchment of webbing straps for "basic pouches" -
Eltham District Historical Society Inc
Folder, Elizabeth Jane Edwards
Elizabeth Jane Edwards was born in Geelong in 1851 to Eliza, nee Murphy and Frederick Edwards. It is said that she was one of the first children registered in Melbourne. She married George Gray in 1864. They lived at Cleir Hills, Queenstown where George was a pioneer fruitgrower in the area. They had six daughters and two sons. She died in 1901 aged 58.Folderelizabeth jane edwards, elizabeth gray, george gray, queenstown, hurstbridge, pioneer