Report - by Yarra Trams- "Daily Vehicle Kilometres Report" - provides the distance travelled for each tram in service on 9 Dec. 2010.Yields information about the distance travelled by each tram on a particular date.Report - photocopied - A4 double sided sheet.In pencil on top edge "This only shows trams that ran services or transport.tramways, trams, forms, reports, yarra trams, distance

Printed embossed postcard of a view from the Town Hall looking over the Queen Victoria statue and Charing Cross. The former mining plant at this location is not in the view There is one ESCo tram in the view. Card by Valentine & Sons, printed in Great Britain. The card has a sprigg of wattle on the left-hand side and a kangaroo in the bottom right-hand corner, which have been embossed into the card.Demonstrates a embossed card of a view over Charing Cross Bendigo.Postcard coloured - divided back - unused, embossed.Has the "K J Magor No. " stamp along the bottom edge on the rear.tramways, trams, bendigo, esco, pall mall, charing cross

Printed embossed postcard of a view from the Shamrock Hotel looking over Pall Mall, the Court House, and Town Hall. There is one ESCo tram in the view. Card by Valentine & Sons, printed in Great Britain. The card has a sprigg of wattle on the left-hand side and an emu in the bottom right-hand corner, which have been embossed into the card.Demonstrates a embossed card of a view over Bendigo Pall Mall and Government buildings.Postcard coloured - divided back - unused, embossed.Has the "K J Magor No. " stamp along the bottom edge on the rear.tramways, trams, bendigo, esco, pall mall

Newspaper cuttings from The Leader, 31/3/1993, titled "Map revives tram history", about the launch of a printed map or poster giving the history of Melbourne's trams. See Reg Item 506 for the actual item. Article by Shane Jenkins provides snippets of history from the map or poster. Has a photo of the author, Stephen Watson standing alongside W6 964 with Bank of Melbourne adverts.Along the top edge, notes for Keith about the cutting, from Jan.trams, tramways, maps, publications, posters, tram 964

Newspaper clipping from Preston Post Times, 24/5/1983, titled "Steve's in a spin" of the launch of the 100th Z3 class tramcar at Preston Workshops. Newspaper clipping notes that there are 15 more Z3's to go, then the A class and also the introduction of the articulated trams and extension to Bolderwood Parade opened in May. Has a photo of the Transport Minister, Steve Crabb with his head out of the window of Z3 215.In ink on top edge "Preston Post Times 24/5/83"trams, tramways, preston workshops, z3 class, launch, tram 215

Six page, A4 photocopied technical pamphlet titled "Prototype Articulated LRV - Melbourne Australia", providing detailed specifications and description of the vehicle produced by Comeng (Victoria) in conjunction with AEG Telefunken and DUWAG. Provides details for B class trams 2001 and 2002. Dated 22/11/1983. Produced by The Metropolitan Transit Authority. Second copy of document - dated October 1984 added 3/4/2017. Changes not known, looks similar.2nd copy has "(Re B class") in ink on top edge.trams, tramways, b class, the met, comeng, specification, preston workshops

Black and White photograph (montage) of nine type of trolley poles spring bases used by the MMTB, c1970. Provides photos of US6, US13, US15, English Electric, Ohio Brass, US 15 Converted, MV, MMTB and PCC types. Titled "Trolley Pole Bases" 2nd copy added from donation of Geoff Warburton 7/10/17. 3rd copy added 11/6/2022 from unknown source2nd copy in pencil on top edge "Trolley pole bases MMTB"trams, tramways, mmtb, trolley poles, trolley pole bases

Folded paper packet containing suture needles, with original seals still in place. The packet is white with blue printed text.Stamped in blue ink on reverse: 1/2 CIRCLE / CUTTING EDGEneedle, suture, de vahl, england

Inspected by Joanna Freslov, archaeologist 2.6.2008. -unusual axe head. Ground-edge tools are made from fracture-resistant stone, such as basalt. This axe would able to withstand repeated impact. The stone would have been dug or found and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. Ground-edge tools could be held in the hand, or fashioned to be fixed onto a haft or handle.The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This stone axe head is an example of a ground-edge tool used by the early Indigenous people in Eastern Australia.A handmade stone Aboriginal axe head.aboriginal tool aboriginal stone-artefact

Paper document, serrated on two edgesDetails filled in by hand in ink. Paid stampings on both sides with signaturescheque, commercial bank of australia, sands macdougall, shire of eltham

Paper document, serrated on two edgesDetails filled in by hand in ink. Paid stampings on both sides with signaturescheque, commercial bank of australia, department of lands and survey, shire of eltham

Soldier in uniform sitting on table edge.world war one, photo black and white, john h evans, service number 1396

Elonara, Marine Parade, St Kilda sepia and white postcard, embossed edgePost card Elonara, Marine Parade, St Kilda

Primary School Slate with wooden edge.stawell, education

photo was taken on "Hellenic Prince" in 1950; ship left Naples in Italy and arrived in Australia (Melbourne) on 25th April 1950 (Anzac Day)one of a few items of this kind which has survived to present daysblack and white photo, carved edgephoto, migration, hellenic prince

Bayonet, smooth edge, with scabbard. German

Believed manufactured WWIBayonet, serrated edge with scabbard. German

Donated to WHG by Marion Crowther, grand-daughter of Annie Ford. Annie Ford wife of John Foord,founder of Wahgunyah. A direct link to the Foord family in Wahgunyah.Brown covered book, gilt edged,Holy Bible embossed on front cover. Inside front cover "Mrs Ford. A token of love from a friend 16th December 1864..."foord,, holy bible

White Damask tablecloth, with scalloped edge.tablecloths., table linen.

Used in early years (1900's) for covering the face of a baby in its pram, for protection from flies.Hand embroidered handkerchief, with scalloped edge.handkerchiefs

This is a simple metal mask with an ether chamber surmounting it. The patient breathes air down through the variable orifice over the surface of ether and in through the variable orifice over the surface of ether and in through the inspiratory valve. Exhalation was by means of the expiratory valve placed in the centre of the mask. All channels are extremely small and would offer considerable resistance to respiration.Metal inhaler with shaped rim edgeEngraved by hand into side of mask: DEWEE'S ETHER / INHALER.. 1901. Stamped into side of mask: J.E. LEECO / PATD. NOV. 12-1901 / 400ether, inhaler, ramsay, dewee, leeco

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

Document. Greeting Cards. Pinkish card with patterned edge. Purplish flower and a bud over the left edge. Card is embossed with small white flowers and has a green section with cutouts. Friends Ever printed in brown and edged with gold.person, greeting cards, malone collection, malone collection, greeting cards

Clothing, white cotton baby's petticoat. Shoulder openings, no fastenings. Neckline and arm openings edged with 1cm scalloped lace.Lower edge has two horizontal tucks, a 1cm lace insert and the hem is edged with 1cm scalloped lace.costume, children's, baby's petticoat

Photograph of the edge of a lake/swamp with several large trees standing in shallow water. The water appears deeper in the background. Part of a wooden gateway can be seen on the left hand edge of the photo. Written on the edge is 'Lake Morris Minyip'place, landscape view, lake, lake morris, minyip

The Edge of the Sword - This book is the story of the Gloucestershire Regiment in the Imjin Battle and in captivity.Hard cover, red colour buckram, gold print own spine. 286 pages cut plain. Illustrated black and white photographs. End paper illustrated with map "Battle of the Imjin River" and "Routes followed by the author after capture"books, military history

worn on the rear of boot to edge into the flank of the horse to help urge it forward.As manufactured and sold by Holden and Frost Ca 1900Metal U shaped boot mounted projection, straps for boot mounting buckled on toe of bootequine, spur