In 1963 work was being undertaken to create the central Plantation Strip that divides Bay Street. The layout of the strip can be seen although actual work has not begun. The photo possibly taken from Port Melbourne Town Hall tower. Note absence of traffic lights.Photograph looking toward the Bay before the installation of the central Plantation strip. On reverse 'Bay Street before plantation strip was started 1963'built environment - commercial, bay street, port melbourne town hall

Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground

The intersection of Warrigal Road and Nepean Highway is now a major intersection, serviced by traffic lights. In the 1950s it was a joining of two sealed roads, although covered in gravel, and with wide gravel shoulders. There are no traffic signs and the few houses visible are not set very far back from the road. This image is one of many in the collections that focuses on either roads or the railway. The development of roads and the railway was crucial to the ongoing development of the area.Black and white photograph of the intersection of Warrigal Road and Nepean Highway, Mentone. Handwritten in blue ink on reverse: 218 Handwritten in red ink on reverse: 75%mentone, roads, suburbs

Padre Oliver settled in the Mission with his family in 1930. His daughter, Beverley, born 13 August 1927, lived with them in the Mission for many years, was married and her children were baptised in the St Peter Chapel. She was also a ember of the Harbour Lights Guild. celia little room, beverley oliver, frank leslie oliver 1897-1986, 21st birthday, birthday cake, flowers

Cream card with a 3mm gold oval frame with a mostly light purple scene inside it. In the foreground are 3 brown deer. Behind them is a 2 story house with lights in the windows. Bluish sky with clouds. Red cord holds the insert & card together. 'Wishing You a Happy Christmas' printed in gold at the bottom.person, greeting cards, malone collection, malone collection, greeting cards

Agfachrome Professional plastic mount (blue base, white cover) reproduction slide of a colour slide of Geelong Pengelley No. 16 at the Beach terminus - Bellarine St and Corio Tce (now Brougham St). Photo taken after 1951. Dave O'Neil notes remark that the corner is virtually unchanged, except for traffic lights. "G 14" and "1 -14" in pencil.tramways, trams, geelong, beach, corio tce, tram 16

Ballarat Tram No. 37, about to enter Bridge St, at bottom of Sturt St. hill, with Mt. Pleasant destination, 26-8-1961. Has been fitted with dash canopy lights. Has small white triangles on front dashes. In background is Union Hotel and other shops on South side of Sturt St.'SEC Ballarat No. 37, Sturt St., 26-8-61'tramways, trams, ballarat, sturt st, tram 37

Features a number of post-WW2 members of the Ladies Harbour Lights Guild. Two of the Ladies standing centre back are Sadie Wilson and one other, Berenice who provided personal memories of their time as young hostesses at the Mission on the DVD 'The Lightbearers' produced by Csilla Tsongaray circa 2005The donations of Sadie Wilson are key sources of dates and information re the role of LHLG members mid to late 20th Century at the Mission, this photograph is thought to originate from one of these gifts of selected personal papers presented (date unknown) by Miss Wilson. Colour photograph of a group of eight senior age women four standing and four seated Blue Ball point pen handwritten on verso: Jessie, Marg, Sadie, Berenice, / & Eunice / Pat, Mable, Nora, Sheela [sic] / Joan took the photo / Jan 1984sadie wilson, lhlg, ladies harbour lights guild, hostesses

This photograph of Lillie and Olive Duncan is one of a number featuring the sisters. They were active members of the Ladies' Harbour Lights Guild during the 1920s and 1930s and the objects we have relating to the women highlight the relationships forged between seafarers and those who offered their time and energy to the Mission.The Ladies' Harbour Lights Guild was instrumental in raising the necessary funds for the construction of the current Mission to Seafarers building. They also worked to provide the tangible elements of seafarers' welfare, such as procuring donations of goods and money. However, their most important work, in many ways, was to provide company, conversation and support to seafarers. Lillie, Olive and their entire family were involved with the Mission over an extended period of time.Black and white photograph of Lillie Romana Duncan and Olive Harriet Duncan. Olive is on the left wearing a dark coloured dress with a 'V' neck, little coloured coat and gloves, carrying a clutch under her arm and wearing a dark hat. Olive (on the right) is wearing a ladies' suit and gloves, carrying a clutch under her arm, wearing a dark coloured hat and a brooch at her neck. The photograph has been turned into a postcard, complete with printed postcard division on reverse.In pencil on reverse: Lillie Morgan/Olive Hall/RHS/(DUNCAN) Printed: POST CARD/CORRESPONDENCE/ADDRESS

Large round sign with yellow lighthouse shining yellow lights either side on blue background. Around the outside of the circle in yellow writing is: Royal Victorian Institute (upper half) and For the Blind (lower half). The words 'Mid Western' and 'District Office' sit either side of the lighthouse.Blue and yellow large round signRoyal Victorian Institute for the Blind Mid Western District Officenameplates, royal victorian institute for the blind

Black and white photograph of Collins St near the intersection of Swanston St with a Victoria Bridge cable tram in the view. Shows the buildings on both sides of the street, street lights, horse drawn vehicles and people. Not known how the photo was dated to 1908. Photo possibly from a postcard.Yields information about Collins St from Swanston St, 1908.Black and white print with notes on the rear.In ink "Collins St at Swanston St corner 1908"tramways, collins st, victoria bridge, cable trams, trams

Colour photograph (possibly printed from slide), of 5 members of the Ladies Harbour Lights Guild with two seamen sitting on lawn. A basket of apples, a plate of sandwiches and teacups laying on the grass. In the background, behind a wooden fence, a large white tent, and part of a bus or van with colour lettering (63 Charles St, Footscray).picnic, seamen, apples, sandwiches, tea, teacups, tent, lawn, footscray, camera, hlg, marjorie smith nee fraser, camberwell branch

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a window of a white rendered brick house. The wooden framed window features two double hung windows of lead lights glass in the top panes with a fixed glass pane in the middle section. The window has a decorative bracket above it and unpainted variegated brown feature bricks below. "7' is on the edge of the frame. 7murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, sash windows, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, rendered houses, brick features, lead lights

Black and white photograph of SEC Bendigo 23 in Mitchell St. Bendigo. Has destination of "Eaglehawk" On driver's cab, small ad for Cohn's drink and two roof ads, one for SEC briquettes and the other for a furniture store. Tram has not been fitted with dash canopy lights. Photo dated 1959. On Ilford paper.On rear in blue biro "Bendigo 1959" and D.F.Jowett stamp (see 626) in purple ink.trams, tramways, bendigo, mitchell st. , tram 23

Photo with Ballarat tram No. 38 in background, floral clock in foreground, Ballarat Town Hall with Begonia Festival sign on Sturt Street face, Myers building and a horse drawn cart about to cross Sturt St. Tram fitted with large triangles, dash canopy lights and small white stripe. 23/2/1963'SEC Ballarat, No. 38, Floral clock and Sturt St. 23/2/63' in blue inktramways, trams, sturt st, floral clock, town hall, tram 38

Photograph, Black and White, Birney No. 217 on the Russell St route, Footscray in Barkly St , Cnr Commercial road, just to the west of Geelong Road. Note the tram and bus stop signs on the pole with the traffic lights, and the bus in front of the tram. One of the buildings has an "Ealing's radio electrical sign" Early 1950's?In ink on the rear: "MMTB X217 on Russell Street route at Footscray. / In Barkly St Cnr Commercial Road, immediately west of Geelong Road. / /5" Has KSK number CLC36 in to right hand corner.trams, tramways, footscray, birney, tram stops, bus stops, russell st, barkly st, buses, tram 217

Agfa colour slide, blue / white plastic mount, photo by Keith Caldwell of W2 303 outbound in Dandenong Road, to Malvern Burke Road, route 5. Their are work lights strung along the overhead, track appears to have been relaid or reballasted. Tram has a 3XY radio station advert. 4/1964In ink "Relay Dand Rd 4-64"trams, tramways, w2 class, dandenong rd, route 5, malvern burke rd, trackwork, tram 303

Possible remnant of the dinner equipment used at mealtimes for seafarers at the Mission to Seafarers during the first half of the 20th C. and hosted and prepared by Ladies Harbour Light Guild members. Found early 21st C amongst several examples in a box of miscellaneous items labelled Ladies Harbour Lights.See images this collection for examples of mealtimes at the MTS hosted by the LHLG.Deep bowled plain metal spoon Makers mark on underside of handlemeals, lhlg

The image shows us one of the many dances, or functions, held at the Mission to Seafarers Melbourne, It shows the main hall in its original condition and the way it was used at the time. The dance shown here is an example of the work of the Ladies Harbour Lights Guild, which held fundfraisers and social events at the Mission.This photograph is a reflection of the main hall, in original condition, and its use circa mid-1950s. The photograph is of historical significance as it is a documentation of one of many social events held by the Ladies Harbour Lights Guild at the Mission to SeafarersBlack and white photograph of a dance held in the Mission to Seafarers main hall. The foreground shows A man to the left and a woman to the right dancing together. There is another couple dancing behind them. The background shows two of the archways leading out of the main hall. The floors are the original hardwood floorboards.dance, lhlg, flying angel club, seamen, flinders street

A storm in a coffee cup is brewing on busy Diamond Creek Road. Every time a motorist stops for a morning caffeine fix, six lanes of traffic grind to a standstill. Sensors installed at St Sava Serbian Church trigger traffic lights which allow the car in the carpark to enter traffic.News article 1 page, black text.greensborough, coffee stop, diamond creek road, nillumbik council, st sava serbian orthodox church

Advertisement in Victorian Country Hotel, Guest and Boarding House Guide. Provides details of tours, things to see, do and costs. Mrs. S. V. Morgan proprietress. Guest House arranges tours and has electric lights, large garage, hot water service, tennis, fishing and shooting.Grampians House accommodation. Guests in front of Grampians House tennis court.media, advertisements, accommodation, grampian hosue

This photograph is part of a donated sub-collection relating to the history of the Ladies Harbour Lights Guild and Olive Hall (nee Duncan) who was a member. Olive Duncan was Lillie Duncan young sister. Here she stands next to her husband, David Hall, and her father, David Hood Duncan.This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the LHLG and the activities carried out by that organisation. It is also an insight into Olive Hall's (nee Duncan's) personal life as well as the fashion of the period.Small black and white photograph of two men, Henry Hall and David Hood Duncan, and one woman, Olive Hall (nee Duncan) standing in front of a motor car in a bush setting.On the reverse of the photograph in biro is written "Harry Hall and Olive and David Hood Duncan" The marking F 597 is also printed ladies harbour lights guild, olive duncan, olive hall, 20th century, lillie duncan, harry hall, david hood duncan, lhlg, seamen mission

This lantern would have been attached to a horse-drawn coach for lighting purposes and local coaches and other large-size horse-drawn vehicles would have had similar lights. It is a heavy object and may also have been used on early model automobiles or other motorised vehicles.This item has no known local provenance and is retained for display and research purposes.This is cylindrical metal lantern painted black. It has a glass covering on the rounded face and glass inserts on the back and the side. It has a metal-covered candle that is inserted into the lantern through an opening at the base. There are hinged clips to open the main glass and the back glass.vintage coach lighting, candle-lit lanterns

The inscription tells of the person, Susan Fleetwood. That Susan Fleetwood was the daughter of William Rutledge, and the wife of Thomas Falkner Fleetwood places her with two men of historical importance in Warrnambool and district.Stained glass lancet window, west wall, north nave, second light from the left in the group of five lights, Depicting the Blessed Virgin Mary facing towards the central light of the Crucifixion, the predominant colours are blues and purple/magenta. Towards the top of the design is an angel holding the Alpha symbol. At the peak of the design is a golden crown. To the Glory of God, and in loving memory of/ Susan, daughter of William and Eliza Rutledge/ of Farnham Park Dennington, and wife of/Thomas Falkner Fleetwood/ born at Port Fairy, July 9th 1848, Entered into rest April 18th 1932./ By her devoted affection to her family and friends, and/ her generous help to all who were in need and distress/ she won the love and gratitude of many./ "Then are they glad because they are at rest, and so/ He bringeth them into the haven where they would be."/ This window is erected by her Son and Daughter.rutledge, fleetwood, st mary

colour page from magazine ? - image shows Cobb and Co., coach, police escort, coach in full flight. Man up front holding rifle, lights on front of coach. Man inside holding rifle. On bottom The name of the painting - 'The gold escort' . Signature on bottom of print ' Northfield' -Artist James Northfield (1887-1973),print by James Northfield -business, transport, cobb & co., gold escort, cobb & co.

Brian Cleveland taught art to Swinburne students from the 1970s to 1990s and sketched and recorded iconic areas of the city that were scheduled to vanish or be seriously altered. The Port Melbourne drawings were predominantly done in the 1990sSeventy-two (72)) pencil drawings (some with watercolour washes) by Brian Cleveland. Sites include: Centenary Bridge (including demolition) ; ships ; Princes Pier ; Station Pier ; structures and cranes on piers ; cable tram sheds ; London Hotel ; foreshore views ; Beacons (leading lights) ; kiosks ; Missions to Seamen building: railway stations.built environment, built environment - civic, piers and wharves - princes pier, piers and wharves - station pier, engineering - bridges, brian cleveland, centenary bridge, missions to seamen

Article from Whitehorse Gazette 21/1/1998 informing that Whitehorse Council will restore 75 year old signs painted under the Laburnum railway viaduct. The signs which have been vandalised and have badly deteriorated have been described as a Blackburn icon and a reminder of the past before traffic lights and road signs existed.Whitehorse Council will restore 75 year old signs painted under the Laburnum railway viaduct.city of whitehorse, abbott, kevin, champion, isaac, ray, shire of blackburn and mitcham, shire of nunawading

Used by trainees on manikins during training to simulate heart rate and breathing.Portable plastic grey coloured control device used on manikins during training to simulate heart rate and breathing. Three lights on top of box labelled Ventilation (green), Compression (orange) and Wrong Hand Position (red). Plastic cover. Flexible chrome rod on base of device with two connections protruding from base of rod.

Negative and Digital images of the Wal Jack Geelong Negative file of the Geelong 18 turning from Ryrie into Malop Streets. In the background is the R. White shoe store at the National Mutual building Coles, Ezywalkin Shoes, Moopers, and other shops. Note the set of bar traffic lights at this location. Photo mid to late 1940's. trams, tramways, geelong, ryrie st, malop st, traffic lights, tram 18

Yields information about the appearance of the Lydiard St North level crossing and tram 26 in the early 1960'sBlack and White photograph print of tram 26 northbound in Lydiard St North, crossing the railway level crossing. Tram has a briquettes roof advert and a White Horse Whiskey front panel advert. Tram has dash canopy lights and the colour scheme of the early 1960's. May not be a Andrew Howlett taken photograph.trams, tramways, lydiard st north, railway, level crossings, tram 26