Bendigo City Information Brochure Barkly Ward By-Election. Saturday, 23rd March, 1991. Brochure by the Bendigo City Council to assist Barkly Ward residents in casting their vote in Barkly Ward, 23 March, 1991. Authorised by R J Burton, Returning Officer. Map of Barkly Ward. Candidate Information, Lois Angus, David Anderson, Lynne Geri. Ward Boundaries. Hotline. Polling places: Senior Citizens Centre (Bendigo), White Hills Primary School, Lake Weeroona Pavilion, North Bendigo Scout Hall. Disabled Persons all Polling Places are accessible to disabled persons in wheelchairs.government, local, barkly ward, bendigo city information brochure barkly ward by-election. saturday, 23rd march, 1991. 23 march, 1991. authorised by r j burton, returning officer. map of barkly ward. candidate information, lois angus, david anderson, lynne geri. ward boundaries. hotline. polling places: senior citizens centre (bendigo), white hills primary school, lake weeroona pavilion, north bendigo scout hall. all polling. accessible to disabled

Certificate printed on grey mottled card presented to the Long Gully History Group on the 5 February 2005 in recognition of the Donation made to your organisation on the occasion of our final disbursement of funds to local groups and charitable organisations. Signed by Sandra Walker and Bruce McDonald. In the top left corner is a five pointed star, each point a different colour and the points linked with a black line. Printed in blue is - Order of the Eastern Star Bendigo Chapter No. 210. and Masonic Centre and address printed in red.bendigo, history, long gully history group, the long gully history group - masonic centre certificate, order of the eastern star bendigo chapter no 210, long gully history group, sis sandra walker, bruce mcdonald

1897 G P G THE BENDIGONIAN Black and white newspaper cutting pasted onto cardboard. ' Captains and Secretaries of the local cycling clubs' 8 male figures with bicycle lying in front of photo. Names of men printed around photo:; Rear: J. Porter, Secretary, Rovers CC. C.E.H. Swyer, Secretary Bendigo CC., J.H,. Marwick Captain Ramblers CC., Centre : G.W. ---- Captain Rovers CC, H.M. Bickerton Secretary proterm Rambers CC, C. Jeffrey, Captain Eaglehawk CC, C. Ward Captain Bendigo CC. , H. Lay Secretary Eaglehawk. G P G Bottom R.H.Side On back in blue biro: Mr. Ward, 72 Lily Street.organization, club/society, cycling clubs

Lucky Envelope sheet ('Unlucky!) Centre part of one side of sheet indicates that holder (buyer) has not won a prize. Centre part of other side of sheet names ''Bendigo Traveller's Charity Club'' as being the charity concerned - Easter Effort 1963. Details of the direction of proceeds, consent details and officials of Club provided. Two advertisements for local firms on one side, two on other side.ephemera, mementoes, lucky envelope sheet

Hand tinted print: Gorge, with water running over a small waterfall. Large eucalypt centre of print. Local watercourse - Barfold gorge ? F.T. Kennedy printed on bottom right of photo mount.F.T. Kennedyplace, landscape view, waterfall

Aulsebrook Collection: Centenary Athletics Meeting program -Conducted by Bendigo Local Centre of V.A.A.A. -Tarnagulla, March 7th, 1970 -Lists of events for the day, -Lists of participants and officials

Black and white photograph of the Benevolent Home, now known as The Ann Caudle Centre, located in Barnard Street Bendigo.government, state, local, benevolent home/ann caudle centre

In 1976, the Shire of Pakenham recognising that Cockatoo was the second largest township within the shire, acknowledged requests for the provision of recreation facilities. Council purchased four hectares of land strategically located in the Town Centre and in conjunction with the local community, embarked upon a programme of staged development of the site. The first stage saw the construction of the kindergarten building which was opened in 1977, followed by the bowling green, tennis courts, netball courts and public toilets. The Community Complex Building was the final development of the site.The Cockatoo Community Complex building, was the final stage of the development and was opened on the 20th November 1982. It was a replacement for the old Cockatoo Hall, which had not been renovated since 1936. The old Cockatoo Hall was lost in the Ash Wednesday fires on the 16th February 1983. The community complex played an integral part in the recovery stages after Ash Wednesday.Four page document, including Acknowledgements, Order of Ceremony, Menu and Site Plan of the Cockatoo community ComplexTwo punctured holes for folder storagecockatoo community complex, cockatoo hall, hall opening, cockatoo

Front cover is a photo of Alexandra Fountain. 52 paged booklet - ''Report to Residents - City of Greater Bendigo, 1995. Table of Contents; The Mayor; Chief Executive Officer; Council meetings; Office location and hours; ''One Telephone Number''; Locations of functions and business; Units; Organisation Structure; Advisory Committee; Municipal Boundaries; Customer services; Economic development; Bendigo Tourism; Bendigo Trust; Events Bendigo; Capital works 1996/97; Bendigo Regional Arts Centre; Local laws; Aged and disability services; Children and family services; Environmental health; Recreation and leisure; Parks and gardens; Planning and building; Waste management in Bendigo; Library services; Rates; Budget for 1996/97; The budget at a glance; Index.bendigo, council, report

Black and white photo ( possibly copy). Image shows three men standing at base of wooden poppet legs. Written on back in green pen:' Bendigo Gold Mine, D (?) Corroning manager, myself. My grandfather Dr Ray Hill on the right, the manager in the centre and the local Bendigo Dr on the left. His name I couldn't read. It might be Cameron'bendigo, mining

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

Although this publication has no date it is obviously from the 2nd half of the 20th century and put together by the local historic society in an effort to record certain traditions and promote the local area. It is aimed at visiting tourists and includes maps with walk and cycle routes.A colourful 32pp booklet published as extra-edition of the historic Bunschoten periodical 'Bunscote'.Names of the editing team, co-ordinator, graphic artist and printer are all recorded.

The item dates from the years of Dutch influence in the region which ended in 1962. The region is now known as West Papua.As the above urls will show, West Papua's history is a complex one with various colonial powers disputing ownership with the local inhabitants. Modern Indonesia also lays claim to it. The area was part of the Kingdom of the Netherlands from 1949 till 1962. Prior to 1949 it was part of the Dutch East Indies. The item may well date from this pre-1949 period.Richly illustrated small rectangular glass ashtray showing map of one-time Dutch New Guinea, surrounding waters and smaller islands. Two endemic bids are also shown. The glas is a pale blue; the illustrations are in green and yellow; words are in black. The ashtray's four sides are curled slightly upwards.Oceans, seas and islands are named in the Dutch language. A dotted border marks off Australian New Guinea.

At the crossover between placemaking and public art, this space designed and constructed by Katherine Masiulanis embeds local stories to enliven the local community centre. Masiulanis has designed the public artwork to reflect the lines of crops and ploughed fields and mountains in the surrounding landscape. The artwork also refers to the seasonal travel of Aboriginal people from Wendouree to Burrumbeet and migratory birds making a similar journey. The style of the refurbished courtyard will reflect the 1970s positivity style reflected in the Community Centre architectural design and the history of the first development of the ‘Village’. Cardigan Village is home to about 450 residents on the outskirts of Ballarat. It was established in the 70s, with all the positivity and optimism of the period.Painted walls, metal bird shapes, metal cut out wall shapes, stone bowl