Les MacLEMAN Les MacLeman was Apprenticed to Michael Cardew and was trained to make beautiful pots. He survived the late 1980s recession by slip-decorating them with Australian themes for the sourvenir market. In 2001, MacLeman was working part-time at Bendigo Pottery. A bright landscape scene on a handcrafted ceramic plate.australian landscape pottery, les macleman, ceramics, landscape

Donated by Lorna Inglis, grt. grt. granddaughter (Auckland NZ). Sent to Mrs Paul Buckland (cousin to Mrs Inglis) 36 Church Street, Cowes. Given to Morris, 76 Castle Street, Heigelberg.Black & White photograph attached to Card with Season's Greetings. Mr & Mrs Grayden sitting each side of doorway of dwelling. Mr Grayden leaning on old wooden table and Mrs Grayden has low wooden table with four big pots on top, beside her."With Best Wishes For A Happy Christmas and a Bright New Year" Gold embossing on front of card.mr & mrs grayden, phillip island, lorna inglis, mrs pearl buckland

This is a mid-19th century handmade Chinese clay teapot. It has a pattern around the body and interesting tubular handle and knob. This teapot is significant as an example of an item from the mid-19th century. It is also significant as the only example of a Chinese teapot in Flagstaff Hill Maritime Museum and Village's collection.Chinese teapot, brown clay, with vertical wavey line design. The spout is gracefully curved. The lid has decorative tubes as a handle. The handle, now dethatched, is also a tube shape. It is dated 1857. The inside is partially glazed. There is an inscription on the lid. The pot is broken and in five pieces.On lid "L26"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, teapot, chinese teapot, clay teapot, handmade teapot, food and beverage, tea

Melbourne Water inherited many of its water assets, such as reservoirs from its predecessor the Melbourne Metropolitan Board of Works (MMBW). They have served the organisation well and have long been celebrated for both their natural beauty and engineering ingenuity. In the nineteenth century Victoria’s fundamental need for water infrastructure went beyond merely functional solutions and reflected the English ideal of the romance and beauty that was embodied in expanses of water. The MMBW further enhanced this notion by incorporating beauty and function in to the Classical and Italianate designs of its infrastructure such as pumping houses and reservoir outlet towers. The reservoir gardens and picnic areas were landscaped with ornamental stonework, exotic trees, decorative flower beds, fern glads pools and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Tea caddy spoon with clock face engraved showing 4pm on round spoon, tea pot shaped handle with enamel scenic view badge saying 'Healesville' ( depicting Maroondah Reservoir outlet tower). Tea caddy spoon box labelled 'Fine Silverware by Stokes'Stokes and Sons Stokes & Sons logo (Star with S and boomerang) EG. No. 15733melbourne metropolitan board of works, mmbw, maroondah reservoir, melbourne water, scenic view, souvenir, tea caddy spoon

This photo was probably taken before her marriage to Arthur Redding Brent Born 1872 Died East Malvern 1956. Buried Brighton Cemetery.B/W photograph. Lady's hair is done up on top of her head. Right arm is resting on a pot with flowers at the bottom. Dress. High neckline with brooch at her throat. Buttons down front beading on shoulders and around hip. Left arm is holding a flower. portrait

Photographs of various sizes pasted on cardboard for display purposes. Some annotated. (1)Rose with 4 pieces cut off it. (2)"Citrus rootstock in nursery ready for budding." (3) "Feb. Left. Healthy budstick of current season's growth. Right. Prepared budstick, foliage and undeveloped buds removed, short section of leaf-stick reatined." (4) Same as (3). (5)"Harvest scions while dormant and store in moist, well-drained soil." (6) "Whip-tongue graft after one season of growth." (7) "Graft after one season of growth." (8) "Mastic applied to keep air and moisture from the cut surfaces." (9) "Graft tied to prevent movement." (10) "Young camellia-struck cutting." (11) Cutting beside pot. (12) "Feb. Same pot camellia struck." (13) Clump of dug-up perennials. (14) Divided piece. (15) Trimmed. (16) "April. Seedling Polyanthus." (17) Cuttings. (18) Clump of rooted cuttings. (19) Trimming rooted cutting. (20) Clump of Begonia. (21) Dividing Begonia. (22) Begonia leaf cut into pieces. (23) Rooted cuttings from leaf. (24) Putting leaf pieces in pot. (25) Pot of rooted cuttings. (26) Lupin seedlings emerging. (27) Lupin seedlings. (28) Clump of roots? From A. W. Jessep.roses, nursery, budstick, grafting, growth, camellia, polyanthus, cutting, trimming, begonia, dividing, a. w. jessep, citrus rootstock, scions, whip-tongue graft, perennials, lupin seedlings

A large black and white photograph of 9 ladies dressed in long garms with tea cups and saucers, some standing and some sitting in a house garden and onto verandah. A central figure is pouring tea from a silver pot on a table with a lace table cloth. This image depicts the way in which female residents in Beechworth in the late 1800s would enjoy their time through garden tea parties, providing insight to their ways of entertainment. Black and white rectangular reproduced photograph printed on matte photographic paper Reverse: BMM 8785 / 1997 2600/ PH 79 beechworth, tea party, burke museum, garden party, garden, verandah, cups and saucers

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This booklet was produced by Sirdar (UK) and contains three knitting patterns for tea pot cosies.Sirdar / No. 1797 / DOUBLE KNITTING WOOL / OR / SUPER NYLON DOUBLE KNITTING / TWO SIZES / 15 / CENTS / 1'6 / MODEL 'A' / MODEL 'B' / MODEL 'C'handicrafts - history knitting, harrap bros. (sirdar wools) ltd, handicrafts - history, knitting

The card was bought home by James Todd No 2418, 12th Batt AIF. Refer 1340P, 1341, 1491.Postcard, sepia colour. Lady seated amongst tree and pot plant. German text "Des herzens Sehnen. Mein Herz sehnt in die Ferne sich, Mit meinem Herzen such' ich dich." Writing on rear is faint, possibly written to or by Albert Buchert, Bavarian infantry.documents-postcards, photograpy - photographs, todd

Account page from J. A. Johnstone, General Advertising Contractor, No. 1 Bath Lane, Bendigo. Aluminium & Gold Work a Speciality. Date line ends 193-.Decorative work around the name and a paint pot and brush underneath. Printed in shades of grey with red cash lines.business, printers, cambridge press, cambridge press collection, j a johnstone

"Perfect", electroplated nickel silver (EPNS) "Challenge" silverware. It is an example of the golden era for the production of domestic silverware in Australia. The "Perfect" Teapot was made from 1927 with worldwide patents. It was such a success that the product range was greatly increased. The "Perfect" teapot design was still being made in 2002 (Description - see "Notes" below). 3 -275. PERFECT TEA-POT manufactured by ROBUR TEA CO. LTD. PATENTED AUS 10373, 14/11/27 / US AF 816-28 / DC 185311-28 / GB 300540-28 EPNS / NZ 59615teapot, robur

This type of cast iron kettle was used by pioneer families, mainly rural in the early 1900's upon open fires. It provided a source of boiling water, in or mainly outside the kitchen of homesteads. Early homes often had an open fire containing a fountain, buckets and kettles that hung from a hook in the fireplace. These containers supplied hot water for cooking, washing and cups of tea. The fountain was placed on hob until needed and then hung over fire.This water fountain would have been used by early settlers in Orbost before the connection of electricity.A large cast iron water fountain. It has a hook on the curved swinging handle and a tap at the front. This large cast iron camp pot or cauldron has a long tap connection located at the bottom end at the front. The tap has a simple control swivel at the end to control the water flow.On lid 1934.1 - 3 to 4 On base 1934.2 - A. Kenrick & Sons 4 Gallskettle cast-iron kenrick domestic kitchen

In this image a man sits and places tiles carefully on to a board, after applying adhesive. He wears floral apron, to protect his clothing, and a pot of Selley's Tile Bond (with an ice cream stick in it), rests on the board. Most likely taken during a crafting program held at a centre.1 black and white photograph of man sticking tiles to a boardrecreation, crafting

1950's era could also be used as a chamber pot. Hoffman's Brick and Tile Company was established in 1862 in Brunswick. They began making pottery in the 1930''s but after WW2 the focus shifted back to bricks and tiles. They were best known for their ranges of Art pottery with Australian motifs. A circular cream coloured ceramic object. It's 14 centimetres high and 27centimetres in diameter at the top. The base is 18 centimetres in diameter extending up 12 centimeters to a 20 centimetre diameter. There is a two centimetre wide and one centimetre deep grove extending out with a one centimetre wide and 2.5 centimetre high rim. There are two half centimetre wide holes opposite each other in the rim for handles, which are missing. v26302 Hoffman Pottery AUSTRALIAchamber pot, commode, hoffman pottery

The brick building was constructed in 1911/1912 and replaced an earlier school building. In 1942/43 the school building was extended to cope with the increased population in Sunbury. The State School remained on the Macedon Street site until 1999 when it was relocated to the restored former Industrial School at Jacksons Hill.A coloured photograph of the former Sunbury State School No. 1002. It is a red brick Federation building with a red terracotta tiled roof and wooden white painted trims. There are two stepped brick chimneys with terracotta chimney pots and six air vents protruding from the roof. There is a small porch at the front of the building.carirns, j. f. dr., eadie, peter, education department, george evans collection

Child's china tea set - white with blue edge and flowered pattern. Comprising: tea pot with lid, milk jug with one handle, 1 cup, 1 bowl, 1 oval plate, 1 oval plate, 3 saucers, 5 plates. 13 parts make up the setdomestic items, crockery, toys, dolls' accessories

Travelling salesmen (hawkers) regularly journeyed from farm to farm selling useful household items like needles, thread, clothing, even cooking pots. Mr T Saker was a salesman selling drapery. He was based in Warrnambool and had a regular route to Lake Bolac and through the Western district.lake bolac, hawkers, drapery, warrnambool, western district

Photos of what appears to be a picnic in the bush with Holmbush children and legatees, possibly in the 1940s. The matron is the lady in the hat fanning the fire and is believed to be Dorothy Farmer, names of the children and legatees are not known. There is a tray of cooked sausages and a large pot that had been on the campfire. The last photo shows a tripod of branches that had been erected to hold the pot over the campfire. Also some of the cars that took them on the outing. From a photo album which contains photos of Holmbush and some of the excursions and events that happened there, appears to have been put together in the 1940s. Including trips to the zoo and picnics. Holmbush at 1267 Burke road, was one of the properties that Legacy used for Junior Legatees. It was purchased 1942. In 1957 Holmbush was renamed Blamey House until it was sold in 1977.A compilation of photos of the matron and junior legatees from the Legacy residences on an outing with legatees.Black and white photo x 4 of Matron, children and Legatees on a bush picnic pasted to the page of an album.residences, holmbush, matron, picnic, junior legatee outing

Crucibles are used for heating and pouring molten metal. The set of six crucibles was raised from the wreck of the Loch Ard and includes a range of sizes, now in the Flagstaff Hill collection. All were manufactured by the Morgan brothers who founded the Patent Plumbago Crucible Company in 1856, making crucibles in a small factory in Battersea London. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, and abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles this technique was pioneered by the Morgan Bros thereby making a significant technological advance in foundry technology and metallurgy. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially, they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm's manufacturing rights and began producing their graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the Loch Ard suggests they may have been part of a sample shipment intended for similar promotion in the Australian colonies or at Melbourne's International Exhibition to be held in 1880. A newspaper account of an 1864 tour of the Morgan brothers' 'Black Potteries' at Battersea indicates: "All the pots were numbered according to their contents, each number standing for one kilogram or a little over two pounds; a No. 2 crucible contains two kilograms; a No. 3, three kilograms, and so on." These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six is of the same size. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line of ships that sailed the long voyage from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collection's objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.This crucible is the smallest of three nested crucibles, or fluxing pots, numbered according to their size. These containers rise slightly from a smaller flat base to a wider open top with a lip for pouring. They were recovered from the wreck of the Loch Ard. The crucibles have a coating of sediment that obscures some of their numerical specifications of size and capacity. Made by the Patent Plumbago Crucible Company at the Battersea Works in London. The number on this crucible is obscured by the sticker.Stamped into side "MORGAN'S PATENT" Stemped into base "MORGAN'S PATENT" "THE PATENT PLUMBAGO CRUCIBLE COMPANY" Sticker "L 96"flagstaff hill, warrnambool, graphite crucible, plumbago crucible, morgan's crucible company, loch ard, morgan potteries, crucible, fluxing pot, nested crucibles, heat proof container, metal worker, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, morgans crucible company, flagstaff hill maritime museum and village, fluxing pots, morgan’s patent, morgan brothers, patent plumbago crucible co, battersea works, london, loch ard gorge, port campbell

Taken July 1993.Colour photograph of the Ensay Primary School number 2953, East Gippsland. Taken from rear school ground, it shows original timber building with gable roof, brick chimney with chimney pot, portable classroom, playground and out buildings. Large corrugated iron tank on stand at side fence. Ensay Victoriaschools

Inside the kitchen of Harmony Vale the home of Jabez Richardson and family taken c1895. Jabez Richardson and his wife Sarah Ann are seated in the chimney ingle. Daughter Martha sits at the end of the table on LHS while daughter Sarah Ann tends the pot. Son John Willie sits smoking his pipe.harmony vale, richardson, jabez richardson, john willie richardson, martha richardson, sarah ann richardson, kitchen, cooking, chimney

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Wheel thrown bulbous vase with a narrow neck. Subsequent to potting, the vase has been scraped from head to foot. An overall pink glaze, fading as it has dripped down the exterior has been highlighted with a second irregularly applied green glaze within the ridged surface. The artist has signed the base. Signature to bases: "V. Ayling" ceramics, pakington street -- kew (vic.), vase, viola annie mcvicars, viola annie ayling

Prize cards won by J G Scott of Chiltern (refer to no. 31, medal & 31.3-31.19)Prize certificate, printed in black on green card, for April 25, 1906, Rutherglen Flower ShowOn front of card: "Rutherglen Flower Show / Second Exhibition / Wednesday April 25, 1906 / Second Prize / Class J, Section 2 / For 3 Pots in Bloom / Mr J.G. Scott / John Vivian Cock, Hon. Sec. / T. Drenen, Printer, Rutherglen"rutherglen show, flower show, j g scott

This trophy was won by Mrs H. Powell (Selina Jane) for the highest number of points in Classes I and J (Cooking) at the Orbost Agricultural Show, August 1927. Selena Powell came from Eden to Orbost at the age of 18. She met and married Henry James Powell in Orbost.This ornate silver plated jug has aesthetic significance as well as being representative of trophies awarded at an early Orbost Show.A tapered electro-plated silver jug / coffee pot with a hinged lid. It has an ornate handle. Engraved in a shield on the front is : "Presidents Trophy Won by Mrs H. Powell Class I. & J. Orbost Agricultural Show., August 1927." On the other side is a smaller shield with entwined initials - possibly S J P.On the back: Thomas Otley & Sons R131 Sheffieldtrophy electro-plated otley-thomas orbost-show powell

Centre panel of floral cotton, nine cms in diameter. Surrounded by folded strips of coloured cotton fabric, forming a "flower" type design. A row of embroidery in green stranded cotton edges the centre panel. Padded in the centre, the pot holder is backed with blue floral cotton fabric, and bound with the same around the outer edge.Made by Merle's Grangmother Williamson.domestic equipment, food storage & preservation, fabric pot holder- circular

Purchased in 1958 in gift shop in Mentone where donor was livingCoffee Set produced by Johnson Bros England. Coffee pot & lid, with green fern decoration and yellow flowers. Lid - yellow - plain Milk jug - yellow - plain Sugar basin - cream with yellow flower decoration coffee cups x 6 coffee saucers x 6. A total of 16 items in the set.Johnson Bros Englanddomestic items, crockery