Showing 2396 items
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Whitehorse Historical Society Inc.
Functional object - Toaster
Silver coated electrical toaster with rack on top. Both sides pull away to allow bread to rest next to the element. Four knobs and four vents each side. Includes cord.W550 V GR CT3domestic items, cooking -
Nillumbik Shire Council
Ceramic: Clifton PUGH, technician: Geoffrey DAVIDSON, Leda and the Emu, c. 1975
Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton' -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Float, n.d
Painted wooden 'pencil' fishing float. Top section orange, the rest green. Has barrel-shaped section adjoining orange section and a smaller one near the bottom end of float. -
National Vietnam Veterans Museum (NVVM)
Photograph, HUE Civilians Final Resting Places, 1968
Advisors Bill Brown and Lester Bootes inspecting the final resting places of these HUE civilians who were massacred during the enemies twenty five day occupation of the city in February 1968hue, hue occupation, photograph -
Glenelg Shire Council Cultural Collection
Photograph - Contact sheet - cargo train and shed, n.d
Port of Portland Authority archivesport of portland archives, cargo train -
National Vietnam Veterans Museum (NVVM)
Model - Diorama, M-107 Self propelled artillery
Self propelled gun with blade to dig its own bund. Crew of seven. At rest, one soldier is with a map, one soldier is looking at a magazine, while another soldier is unpacking ammunition.Word PACHELBEL? appears on the gun barrelpachelbel, m-107, self propelled artillery, diorama -
National Vietnam Veterans Museum (NVVM)
Film, Did I do a good job Boss?, 1968 (approximate)
Ektachrome slide image. Coloured image taken from a slide photographed by Barry Navin. Image depicts a building with sandbags, steps and sand in foreground. A sign sayiang "Welcome to Diggerrs Rest".Did I do a good job, Boss? "Yes, you did mate and let me tell you how proud and privilged I was to be the CO of such a magnificant team"ektachrome slide, photograph, 1st australian field hospital -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small portrait of a man seated on a chair with his left elbow resting on a cupboard. He is wearing a three piece suit with a bow tie and a watch chain. He also has a beard.J. Kirkley, 193 Gilesgate. Durhamphotograph, portrait, male, portrait of a man, j kirkley -
Bendigo Historical Society Inc.
Photograph - GUINEY COLLECTION: CARTE DE VISITE, 1860-1880
Carte de Visite Photographed by Batchelder Pall Mall Sandhurst. B & W Photograph of a young man in a three piece suit. Wearing a cap.Facing the camera with one hand resting on a pillar.Batchelder -
Bendigo Historical Society Inc.
Photograph - BATTERY DEVICE
Black and white photo of dry battery connected by wires to small device mounted on circular base. All resting on wooden box. ' Mesco dry battttery' On back printed Post Card.topic, objects, battery -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: NORTH VIRGINIA GMC N L - JOURNAL, 1/8/1933 - 31/7/1952
Document. Blue slim book. Ruled. North Virginia Gold Mining Co. 14 pages used, the rest blank. Stickered from Frank Every's Book & Stationary Centre Bendigo.McColl, Rankin & Stanistreetorganization, business, north virginia gmc n l, mccoll, rankin & stanistreet, north virginia gmc n l, gold mining, journal -
Flagstaff Hill Maritime Museum and Village
Leisure object - Stereoscope, H C White, Late 19th century
The development of stereoscopic photography views or stereographs was immensely popular in the United States and Europe from about the mid-1850s through the early years of the 20th century. First described in 1832 by English physicist Sir Charles Wheatstone, stereoscopy was improved by Sir David Brewster in 1849. The production of the stereograph entailed making two images of the same subject, usually with a camera with two lenses placed 6 cm apart to simulate the position of the human eyes, and then mounting the positive prints side by side laterally on a stiff backing. Brewster devised a stereoscope through which the finished stereograph could be viewed; the stereoscope had two eyepieces through which the laterally mounted images, placed in a holder in front of the lenses, were viewed. The two images were brought together by the effort of the human brain to create an illusion of three-dimensionality. Stereographs were made of a wide range of subjects, the most popular being views of landscapes and monuments and composing narrative scenes of a humorous or slightly suggestive nature. Stereoscopes were manufactured for various price ranges and tastes, from the simple hand-held device introduced by Oliver Wendell Holmes who promoted stereography through articles to elaborate floor models containing large numbers of images that could be flipped into place. The stereograph became especially popular after Queen Victoria expressed interest in it when it was exhibited at the 1851 Crystal Palace Exposition. Like television today, stereography during the second half of the 19th century was both an educational and a recreational device with a considerable impact on public knowledge and taste. The Fine-art Photographers' Publishing Co. published many stereoscopic pictures from many different photographers from around the world under license. They also not only sold these images of various scenes and of famous people of the time but also were retail sellers of the viewers with the subject item having been made in the USA probably by H C White who held the patent for the subject items design from 1895 to 1902.An item that was very popular from the mid 19th century through to the beginning of the Edwardian period. Used for entertainment and also educational purposes and significant as it gives us a snapshot into the Victorian era and its social and domestic societal norms. Stereoscope viewer with adjustable view-finder that has a padded nose rest. The slide holder can move along the channel to suit the viewer. Made in London by the Fine-art Photographers' Publishing Co. Printed on metal plate "THE FINE-ART PHOTOGRAPHERS' PUBLISHING CO. 48 Rydevale Rd, LONDON, S.W." Embossed on viewing cup "U.S.A. PATENT OCT.15.1895" "CANADA / FRANCE / GERMANY / D'R''G'M' NO. 53803" "JUNE 3.1902 / FEBY 1.1896 / B.S.G.D.B. / GREAT BRITAIN / AUSTRIA / BELGIUM"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, flagstaff-hill-maritime-village, stereoscope, stereographs, stereoscope viewers, home entertainment -
Bendigo Military Museum
Administrative record - NATIVE COMB, c.1943
There are other items donated by MRS CROSBIE. This item possibly relates to item Cat No 28.2Native comb, wood, curved shape with top & nine tines rest of length. Engraved on outside at top by hand 'Milne Bay, Moresby, Wau, Bulola, Salamoa, New Guinea 1942-3'.ethnographic material - dress ornament, military history - souvenirs, comb, new guinea -
Tennis Australia
Print, Circa 1922
Chromolithograph depicting a young woman with a pink headscarf, resting a tennis racquet on her shoulder. Text in German indicates printer, and several numbers. Materials: Paper, Ink, Metal, Plastic, Glass, Cardboardtennis -
Surrey Hills Historical Society Collection
Photograph, Muriel Pornitz (deceased), Quarry on site of Grovedale Road - James Street Park
The photo is of a painting of the dam formed on land between Grovedale Road and James Street, Surrey Hills. It was painted in 1927 by Miss Muriel Pornitz, an art teacher, who lived in Grovedale Road. The land had been part of Mr James Maling Snr’s property and in the 1880s clay was removed to build houses, including his own located on the corner of Weybridge and James Streets. Maling grazed cattle on this area and used it as a dam. The land was subsequently made into parkland, the quarry / dam having been filled in after several drownings had occurred in the 1920s/1930s. See also SHP94, another copy of the same. Muriel Hedwig Lucy Pornitz lived at 22 Grovedale Road, Surrey Hills. She was born c1894 in Balwyn; died in Kew on 1 December 1982. She was the daughter of Konrad Pornitz (1864-1903) and his wife Charlotte Richardson Gooderidge (1863-1942), known as Tottie, who married in 1890. Konrad Pornitz is listed in the 1892 directory as living in Edgevale Road, Kew and the business Pornitz and Ross at 291 & 293 Little Collins Street, importers and commission merchants. The 1896 directory gives the Kew address as 176 Edgevale Road, Kew, however the business Pornitz and Ross was dissolved on 1st day of October 1892, by mutual agreement. Legal notice advised that: Mr Pornitz will hereafter carry on the business on his own behalf at the same address, under the style "Pornitz and Ross". Muriel is buried in Box Hill Cemetery (B-086-0042) along with Ulrich Horst Holm Pornitz known as Horst or Bon (d 1957) and Edith Olga Pornitz (d 1951), her brother and sister. A further sibling (Konrad b 1891) died in infancy. He is buried with his mother in Boroondara (Kew) Cemetery - C/E A 0366. Konrad died at his home 'Yarran' in Lane Cove Road, North Sydney on 31 October 1903; reported in the Sydney Morning Herald. Buried Gore Hill Cemetery, St Leonards, North Sydney. The headstone reveals he was born in Chemnitz, Saxony in 1863. Muriel was also known as Muriel Pornett. She studied at the South Australian School of Arts & Crafts in 1911 under James Ashton and Fred Britton, and at the Australian School of Etching in Sydney. She was also an illustrator and cartoonist. The photo, and the painting from which it is derived, documents the landscape prior to close settlement and is material to early building and farming in the Surrey Hills area.A black and white photograph of a painting of a landscape of parkland. Two trees are on top of a rise and are reflected at the bottom in water. The signature of the artist is in the bottom right corner: "AUST MP 192" (and the rest is cut off).(miss) muriel pornitz, grovedale road, james street, surrey hills, artists, parks and reserves, (mr) john butler maling, snr, quarry, dam, (miss) muriel hedwig lucy pornitz, box hill cemetery, muriel pornett -
Halls Gap & Grampians Historical Society
Photograph - B/W
Frederick Paasch 's house with two Chandlers outside. See Victoria's Wonderland p98-99. Weather board slab building with climbing rose growing on side of house. Bricks form base of chimney with an iron flue forming rest of chimney. Two men and a horse stand to the right of the cottage.buildings, houses -
Orbost & District Historical Society
black and white photograph, late 19th / early 20th century
There is no information with this item. It may be associated with the Guthrie family of Bendoc. ( Peter Guthrie’s Grandfather was John Charles Guthrie, (born 1880), and the photo is of his brother Charles Henry Guthrie (born 1884 at Bendoc - from Patricia and Peter Guthrie who farm sheep and cattle at Bendoc).This photograph is associated with the Guthrie family , early settlers in Bendoc.A black / white photograph on a thick cream coloured buff card. It is of two me, both seated with one of the men resting an arm along the back of the other man's chair. It appears to be a studio portrait.on front - "Charlie Guthrie" on back - "Charlie Guthrie"guthrie-charles -
Churchill Island Heritage Farm
Photograph - Photograph of man sitting on a sled, 30/03/2013
Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of a man sitting on a bolted chair on top of a sled with a loose strip of leather resting between his knees. Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen "The old meets the new. Metal/plastic chair bolted on to sled towed by a working horse. Churchill Island Easter Festival 30/3/2013"churchill island, photograph -
Whitehorse Historical Society Inc.
Functional object - Writing Desk
Portable writing desk. Made of wood with reinforced brass corners, brass hinges, two lift-up compartments, two compartments for ink wells, tooled leather writing surface and pen rest.domestic items, writing equipment -
Whitehorse Historical Society Inc.
Functional object - Pen Holder
Solid moulded glass container with small indents to rest a pen. Glass dish has a shallow recess to hold pins and paper clips. Base of dish has pattern of small squares moulded into it.domestic items, writing equipment, commerce, office equipment / stationery -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Small area of ocean, rest land with lakes.Front: '820 -9' - handwritten, white, border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour, coastline -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, C.1914 - 18
Soldier is George Bailey Jackson No 2172Refer Cat No 3446P for his service details.Black & white photo of a man & woman. The lady on L is wearing a light shaded blouse & a medallion or pendant brooch. The gentleman on R is Australian, his slouch hat is resting on a bannister between them.On back: “(Bailey) George & Louise Jane (Hobbs) Jackson. First (? illegible) in England. Dear Rays mum & dad”photography-photographs, military history - souvenirs, bailey -
National Vietnam Veterans Museum (NVVM)
Vehicle, Rickshaw
Vietnamese rickshaw. Predominantly blue in colour material covering the soft-top hood & padded passenger seat is timber with a slatted foot rest. It is powered by a bicycle at the rear of the rickshaw. All metal frames.C Century Saigon Hotel, Ho Chi Minh City.rickshaw -
Uniting Church Archives - Synod of Victoria
Furniture - President's Chair, F. K. Cox & Co, 1932
This President's chair was presented to the Victorian and Tasmanian Conference in 1932 by Mr Fred J Cato. Dark hardwood ornately carved high backed chair with two arm rests. The chair includes two worn leather cushions on the bottom and the back. There is a small metal plaque at the back with the manufacture's details. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/06/1990 12:00:00 AM
Black and white photograph showing cameleer and two children on resting camel, Pioneer Skills Day, taken between Caltex Service Station and State Bank building Esplanade Lakes Entrance Victoriatourism -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small portrait of man sitting at a desk. He has his left hand resting on a book. He is weraing a three piece suit with watch chain. Photographer's name and address printed on the back.A. Asher, 65 Princes Street and 47 Whitefield Place, Leith Walk, Edinburghphotograph, portrait, male, portrait of a man, a. asher -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Three quarter length portrait of a youngish lady. She is wearing a skirt and jacket with a frilled collar that has a large bow and brooch. She is standing beside a chair with her left hand resting on it.J. W. Thomas, 45 George St., Hastingsphotograph, portrait, female, portrait of a lady, j w thomas -
Bendigo Historical Society Inc.
Negative - BILL ASHMAN COLLECTION: VARIOUS NEGATIVES
7 black and white negatives and 1 larger one. Contained in a beige envelope. Br 1235 3/- written on the envelope. One negative is a Scalebuoy, 1 is the interior of a room and the rest are photos of scales?sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, negatives, envelope -
Bendigo Historical Society Inc.
Functional object - MINERS' SPIDER CANDLE HOLDER
Metal miners' 'spider', circular candle holder on side, half loop on side for resting 'spider'. Circular handle on end. Spike on one end. One continuous piece of metal forged to shape.gold mining, mining equipment, spider lamp -
Churchill Island Heritage Farm
Photograph - Photograph of a resting working horse, 30/03/2013
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a Clydesdale in harness being held by a man partially out of frame.Catalogue number written on reverse in pencil Written in pen on reverse 'Resting working horse + handler C.I. Easter Festival 30/3/2013'churchill island, photograph