Showing 1020 items
matching shire halls
-
Tatura Irrigation & Wartime Camps Museum
Wages Ledger Shire of Rodney, 1950
Wages ledger for Shire of Rodney from 1950 - 1955. Includes office staff, saleyards, abbatoirs, infant welfare sisters, truck driversHard dark green leather cover with beige suede corners and spine. Title "Shire of Rodney" on red panel with silver lettering on spine. "July 1950 to June 1955" written in pen on spinetatura, shire of rodney, wages, council, martin, neill, lange, french, muir, mellows, hogan, mills, steen, huggard, chalker, maclennan, price, clayton, forbes, burke, pell, hawking, hazelman, stagg, maskell, pyke, taylor, whitehead, willmott, colliver, connor, corrigan, glover, hinneberg, hooper, ibbott, adams, page, nelson, sheales, trevaskis, anderson, knee, barber, young, dick, flintoff, dudley, coonerty, nevett, shead, gilmore, gemmill, mclure, clarke, cantwell, mark, seamons, maclachlan, wain, macmahon, bartlett, brown, whyte, evans, cole, harten, king, preece, clark, gillespie, george, woodman, wheeler, hulley, steddar, thomson, neal, henderson, waites, gannon, mckenzie, gaunt, wright, jones, power, dogherty, birthisel, crawford, de lai, baldwin, pearson, carter, padgham, ponting, hargreaves, mcwhinney, matthews, nicholl, webb, mcphee, bennett, conley, guy, dempsey, o'brien, gundry, holden, graves, thornton, hays, harding, kerrins, knott, smith, williams, thomas, lindsay, mccartney, londrigan, hall, asboth, hearn, mcinnes, collie, rodney shire, accounts -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - gelatin silver photograph, Talma & Co, Sandringham Town Council, Proclaimed 9th day of April,1919
Sandringham was originally part of the Shire of Moorabbin. On 28 February 1917, Sandringham was severed from Moorabbin and incorporated as the Borough of Sandringham. It was proclaimed a Town on 9 April 1919 and a City on 21 March 1923. The Sandringham Town Hall, located on Abbott Street, Sandringham (formerly the mechanics institute) was demolished in 1994.councillor, sandringham, local government, municipality, mayor, portrait, city of sandringham, sandringham town hall, abbott street, cr. e.l. belyea, cr. b. champion, cr. h.b. grace, cr. c.a. hartsman, cr. j.e.d. beck, cr. b.j. ferdinado, cr. t.g. farrant, cr. w.t.c. kelly, cr. g.w. knott, town, proclamation, bayside, hampton, black rock -
Stawell Historical Society Inc
Photograph, War Memorial W W 1 at Joel Joel
Joel Joel War Memorial (World War 1) with wreath pipe railing and row of trees in background. Black scratch on left of image.World war 1 memorialB/W. Photograph: of a sone plinth mounted on a three tiered base with fow ston coloumns connected by round steel bars. the is a wreath at the base with hte Army rising Sun.the Army rising Sun symbol. Joel Joel TO THE HONOR OF LIVING AN DTHE EVERLASTING GLORY OF THE DEAD WHO FOUGHT IN THE GREAT WAR. 1914 - 1919 FAITHFUL UNTIL DEATH J FRAMPTON, W.T. HALL, R. MOORE, C. McCOLLOUGH, C. MORPHETT, J. HICKEY, J ORMSTON. C.W ORMSTON, J CLARKE.shire, world war 1, ww1 -
Stawell Historical Society Inc
Photograph, Grampians Entrance to Halls Gap 1866
Grampians Entrance to Halls Gap. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, Chautauqua Peak in the Grampians at Halls Gap 1866
Grampians Hall’s Gap (Chautauqua Peak). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, Saw Mills at Childe’s Glenbower Creek in Halls Gap 1866
Saw Mills Halls Gap (Childe’s Glenbower Creek). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell industry -
Stawell Historical Society Inc
Photograph, Grampians at Halls Gap 1866
Grampians Halls Gap. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, "Barney’s Castle" in the Grampians at Halls Gap 1866
Grampians Halls Gap (Barney’s Castle). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Photograph, Wonderland Range in the Grampians at Halls Gap 1866
Grampians Halls Gap (Wonderland Range). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell -
Stawell Historical Society Inc
Book, Stawell & Hall's Gap Hospital, Historical Survey Shire of Stawell June 1990, 1990
stawell heritage -
Nillumbik Shire Council
Ceramic (tiles): Tom SANDERS, Untitled, c. 1970s early
Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals. Murals created during the second half of the 1960s and into the 70s can/could previously be found at Southland Shopping Centre in Cheltenham, Melbourne (1968) - now demolished, the National Mutual Centre, Melbourne (1964-5) - now demolished, Dee Why Library, Sydney (1966), Woden Valley High School, ACT (1967), Tullamarine Airport, Melbourne (1969, 1970), Perth Concert Hall (1971) and University of Melbourne (1975) (with John Olsen). Sanders has worked with many of Australia’s pre-eminent painters and ceramicists including Fred Williams and John Olsen. In 2015 Nillumbik Shire Council will be installing a mural by Sanders, donated by Tom and his family before Tom passed away in 2009, for the redevelopment of the Eltham Town Square. During the 1970s Sanders produced a number of tapestry designs. Highly respected artist and one time local resident Hilary Jackman worked with Sanders developing and adapting his tile designs to be translated into silk tapestries that were made in Japanese Mills of Kawashima Orimono in Kyoto. They were displayed in the big Hall in the NGV. Sanders gave these tiles to Jackman as payment for her work. The tapestries are based on abstract designs and have a cotton warp, and silk weft. The tiles are similar to Sanders’ other mural works such as Wall of the Moon (Homage to Miro) and the mural located in the Perth Concert Hall. It’s clear that Sanders was inspired by the Spanish surrealist artist Joan Miro from the 1930s in both philosophy and style. Miro’s work is quite playful, symbolic and imaginative. Miro’s preference for painting like this was “to express contempt for conventional painting methods, which he saw was a way of supporting a bourgeois society”. He "famously declared an "assassination of painting" in favor of upsetting the visual elements of established painting.” Three earthenware tiles, embossed with an abstract linear design. N/A -
Nillumbik Shire Council
Public Art: Lasting Memories Mosaic GROUP, Lasting Memories Mosaic Seat (Location: St.Andrews Hall, 1 Proctor Street, St. Andrews), 2012
The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires. For most women being part of the Lasting Memories Mosaic Group was a way of reconnecting to the area, friends and neighbours. As the months went by, the idea of creating a gift to the community together was born. The women wanted to artistically express their memories of what they had experienced. Creating a mosaic seat in the heart of St Andrews allowed the group to be 'in control' of building something from the ground up - a symbol of hope, recovery and renewal. All of their experiences and memories have been included into the seat design, which makes it so special. This mosaic seat is proudly positioned outside the St Andrews Hall, which is also the site for the St Andrews market held every Saturday throughout the year.The Lasting Memories Mosaic group began this piece just after the Black Saturday fires in 2009. After the horrific fires ravaged through St Andrews and the surrounding areas, a group of bushfire affected ladies bravely came back to St Andrews to begin their healing in an artistic way. Each woman created something beautiful and meaningful, using remnants of crockery, glass, tiles and bricks salvaged from their own properties. This artworks identifies who they are and tells their personal 'life journey' and family heritage and memories of what they had experienced before, during and beyond Black Saturday. It is also an expression of their love for the St. Andrews area and the nature and people within it. A large concrete seat in the style of an organic chaise lounge covered in mosaic (broken tiles, glass, crockery and ceramics of all shapes and colour). The pieces have been placed to form pictures, words and patterns that tell and recount stories and memories of reflection, hope and love of a group of people who experienced the Black Saturday bushfires. (Click on links to view details of the seat) black saturday, mosaic, art, lasting memories, st andrews, tiles, glass, fire, concrete, cement, chris reade, ekphrasis2017 -
Tatura Irrigation & Wartime Camps Museum
Booklet, Tatura Victory Hall. Grand Opening Concert
Contains pictures of various members of the committee, Shire and Governor General and Victory Hall2 pages of A4 paper folded in half to make a small booklet. Cream coloured paper with blue writing and faded black border. Inside pages are printed in blue with pictures.victory hall, opening concerts, 1926 opening concert -
Malmsbury Historical Society
Photograph (Item), Malmsbury Borough Shire Councillors & Staff 1901, Malmsbury 1901
People - Jeremy Hooppell Reid Bevers Ohanlon Jones Ward Lambert Buildings - Town Hall Associated with - Borough Of Malmsbury Federation -
Stawell Historical Society Inc
Photograph, 12 Councillors out the front of the Town Hall 1929
Group of Councillors & Others - Stawell Borough 1928-30B/w Photo: L.to r. Back row standing:J. Simpson. G. Brown. C. Hosking. ? J.A. Larkin. C. Hunt. Front Seated: G. Haase. G,. Mitchell? W. Sharpley (Town Clerk), David Mitchell, G. Holden, J. Young.V.P.R.S. Series: no. 3757 The Public Records Office. No. 142: Ballrarat Seach Room Records Depository. The Stawell Historical Society had permission to copy this photograph fron Northern Grampians Shire Commissioners. April 1995stawell government -
Stawell Historical Society Inc
Map, Plan of Division Line between Ararat and Stawell Shires 1877, 1877
Grampians Halls Gap Black Range Stawell Shire Ararat Shire Crowlands TownshipVery Large Map Printed on Linen with Table of bearingsExamined by H.C. Malcolm 28.12.77 Traced By D.H. Meike 28.12.77survey -
Hepburn Shire Council Art and Heritage Collection
Medal, 1951 Commemorative Plaque, 1951
Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951 -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Petrus Spronk, 'Memory of Place' - Petrus Spronk. 2000, 2005
Local Artist CV Artist StatementSignificant artwork by nationally renowned local artist Petrus Spronk.Large Scale Outdoor Sculpture made up of a bronze chair with an open book, a bronze shadow and 6 story rocksArtist signature - underneathlocal artist, petrus spronk, sculpture, public art, victoria, daylesford, mineral springs reserve, environmental art, hepburn shire public art collection, hepburn shire, hepburn springs, hepburn springs mineral reserve, bronze, granite, tourist attraction, art, clare gervasoni, joan mcewen, marie butler, laurie sullivan, bonnie howell, vera, lutea, merv keating, silent -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Memorial Fountain Tree' - Anton Hasell. 2009, 2012
'Black Saturday' Bushfire Memorial Sculpture.Commissioned by the Hepburn Shire with funds provided by the Commonwealth and State Governments through the Bushfire Community Recovery Fund. Large scale tree-inspired steel and bronze sculpture incorporating two drinking fountains. Artist's name is laser cut onto the base of the 'trunk' of the tree.hepburn shire, hepburn shire public art collection, public art, bushfire memorial, sculpture, memorial, public art commissions, anton hassell, australian bell pty ltd, daylesford, art -
Hepburn Shire Council Art and Heritage Collection
Installation work at Hepburn Sound Shell, Hepburn, Victoria, 'Flight of Fancy', Petrus Spronk. 2014, 2014
Petrus Spronk is an artist of national and international significance who lives in the Hepburn Shire. He is a well loved member of the Daylesford community and gifted this work to the community as thanks for the support he received during his cancer treatment in 2013. Installation work installed at the Hepburn Sound Shell in 2014. The work comprises ceramic tiles joined/cut into 67 full bird shapes and 3 partial bird shapes.petrus spronk, art, sculpture, hepburn shire, installation art, contemporary art, hepburn sound shell, hepburn, daylesford, public art -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Patrick Jones, 'Poemscape: a physical anthology' - Patrick Jones. 1999, 1999
The work was installed at the cnr of Bridgport St and the Midland Hwy, adjacent to the Daylesford Library, in 1999. The work was commissioned by the Friends of the Library, Daylesford and funded by Arts Victoria and the Australia Council. Poemscape: a physical anthology is a much loved site specific installation work commissioned by the Friends of the Library, funded by Arts Victoria and the Australia Council, made by Daylesford resident Patrick Jones in response to his interests in the provision of public food, the development of locavore sensibilities and the rethinking of economies of material accountability and regard. Patrick Jones is a poet and non-fiction writer, a visual artist and ecological thinker. In 2013 Patrick Jones was awarded the degree of Doctor in Creative Arts from the University of Western Sydney for his thesis, 'Walking for food. Regaining permapoesis.'Public Art Environmental installation work installed near the Daylesford Library. Poemscape: a physical anthology comprises of 19 apple trees (18 Fuji apple trees and 1 Granny Smith apple tree) planted on the corner of Bridgport St and the Midland Hwy, adjacent to the library. Adjacent to each tree is a hardwood plinth at topped with a laser engraved brass plate that has been screwed in place. The text of each plate is by 19 poets including the artist and Daylesford resident Patrick Jones, local poets Peter O'Mara, Toby Sime and Robert Campbell, Australian poets Geoff Page, Kath Walker, D T Sime, Judith Wright, Ramona Barry, Jack Davis, Robert Campbell, Christopher Brennan and International Poets Dylan Thomas - Welsh, Sylvia Plath - American, Choku Kanai - Japanese, William Blake - English, Duo Duo - Chinese (translated from the Chinese by John Rosenwald), Yannis Ritsos- Greek (translated from the Greek by Kimon Friar & Kostas Myrsiades), Michel Deguy - French (translated from the French by Clayton Eshleman), Seamus Heaney - Irish and Rainer Maria Rilke - German. The title plate adjacent to the Granny Smith apple tree is by the artist/poet - Patrick Jones. See photographs with images of each of the laser engraved brass plates. permapoesis, artist as family, patrick jones, william blake, kath walker, chaku kanai, peter o'mara, sylvia plath, dylan thomas, geoff page, duo duo, d.t. sime, judith wright, yannis ritsos, michel deguy, ramona barry, seamus heaney, jack davis, rainer maria rilke, robert campbell, christopher brennan, hepburn shire, daylesford library, public art, installation art, environmental art, hepburn shire public art collection -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Wombat' - Miriam Porter. 2013, 2012 - 2013
Commissioned by the Friends of Wombat Hill Botanical Gardens and gifted to the Hepburn Shire in 2012. Historical Significance - In 1848, Irish immigrant John Egan took up land on the future town site then known as Wombat Flat. He and a party of searchers found alluvial gold in 1851 on ground now covered by Lake Daylesford initiating the local gold rush. Other finds quickly followed. With the finding of alluvial gold a town site was surveyed and founded in 1852. Initially called Wombat, it was renamed Daylesford. Cultural and Artistic Significance - Miriam Porter's 'Wombat' is a symbol of the Wombat Hill Botanical Gardens where visitors and locals alike love being photographed. Large scale solid redgum wombat sculpture.Artist intends to sign the work with 'M' on one leg.daylesford, hepburn shire, public art, miriam porter, wombat, art, sculpture, red gum, australian wood, australia, tourist attraction -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Petrus Spronk, 'Silent/Listen Listen/Silent' - Petrus Spronk. 2001, 2001
This work was first commissioned by the Melbourne city council as part of a celebration of the opening of the Birrarung Marr park. 25 victorian sculptors were given $2,500.00 to create a work which would be part of the park for about 6 months. Date of manufacture and installation: 2002 'Silent/Listen' was gifted by the artist, Petrus Spronk, to the people of Hepburn Springs in July 2001.Two smooth rectangular engraved granite slabs placed directly on the ground. Each granite stone is engraved on its uppermost surface. The left hand work is engraved with the text - 'silent' and the right hand work is engraved with 'listen'. Unsigned. Dated July 2001 petrus spronk, public art, sculpture, environmental art, hepburn shire public art collection, hepburn shire, listen, silent, hepburn springs mineral reserve, granite -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Bunjil' - Russell Petherbridge. 2012, 2012
'Hepburn Pool is a forgotten treasure which many visitors to Hepburn Springs would never be aware of. The owners of the Bellinzona Grange hotel explained that it was once the hotel pool and was built in the 1930's. You can find it behind this hotel, downhill at a street called The Pool Way. Steps and a ramp continue down to the pool itself and the secluded park around it. It was built into Spring Creek and became a competition pool for state swimming championships. A concrete weir separates a shallow children's pool from the main pool. You can still see the numbers of each lane painted on the walls at the deep end. There are plenty of seats and a barbeque area. A sign says this is a sacred aboriginal spot and you can certainly feel something magical about the place. I wouldn't suggest swimming in the former pool, it looks rather murky now.' Review of Hepburn Pool by 'Jolyon67' on 'Tripadvisor', 3 June 2015'The Bunji: The Bunjil sculpture emerged from discussions with local indigneous Elders, as a dreamtime totem to the Sacred Pool at Hepburn Springs. The original idea was to create the 3 totems of the area...the Bunjil, The Crow and The Bat. Russell applied for, a council grant of $3,000 to design, create and install the Bunjil Sculpture to overlook the pool and reflect its powerful image in the water.' Information provided by Russell Petherbridge, December 2015Large scale steel sculpture depicting 'Bunjil', the dreamtime totem of the Hepburn Pool, an eagle in flight.art, public art, sculpture, installation art, aboriginal art, site specific art, hepburn shire, hepburn shire public art collection, russell petherbridge, bunjil, hepburn, hepburn pool, aboriginal significance, steel sculpture -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Boy with a thorn - 'Lo Spinario', c. 1900
Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Jason Waterhouse, 'Cottage' - Jason Waterhouse. 2015, 2014 - 15
The iconic bush surrounds of Lake Daylesford are now home to a new permanent artwork titled Cottage, by artist Jason Waterhouse. The artwork has been months in the making, thousands of S-shaped pieces have been hand crafted from three kilometres of wrought iron, then joined together to form a scaled-down miners cottage. ‘Cottage’ is a highly decorative wrought iron sculpture inspired by the gates at the Convent in Daylesford, “ said Waterhouse. “This work references the rich opulence of the Victorian gold rush and pre-war spa resort era in its patterning. In its form ‘cottage’ pays homage to the miners, workers and farmers on whose backs the riches of Daylesford were built.” Cottage is the first in a series of significant public artworks to be commissioned by Hepburn Shire Council. Cottage will enhance one of Victoria’s premier tourist destinations, Lake Daylesford. Large scale wrought iron public sculpture referencing the worker's cottage of the Goldrush period in Daylesford. 203cm (height) x 382cm (width) x 353cm (depth) verandah 159.5cm (height) wrought iron 32mm x 2.5mmpublic art, sculpture, jason waterhouse, stockroom, daylesford, hepburn shire, daylesford lake, cottage, site-specific art, art, wrought iron, hepburn, hepburn shire public art collection -
Inverloch Historical Society
000054 - Photograph - 1939 Inverloch - Abbott St Beach - Gladys Bate wearing school uniform - Daughter of Shire Engineer
-
Inverloch Historical Society
000242 - Photograph - August 1891 Woorayl Shire Council - George Henderson - b 1854 - d 1854 - Shire President 1895-96 - Selected Pound Creek 1876 - E Henderson
-
Inverloch Historical Society
000244 - Photograph - George Henderson - b 1854 - d 31st October 1923 - Shire President 1895-96 - Selected Pound Creek 1876
-
Inverloch Historical Society
Photograph - Unknown man with shire horse