The Widow and Children statue was installed in the Legacy Garden of Appreciation at the Shrine of Remembrance on 29 September 1988. Sculptured by Louis Laumen a Melbourne artist. It symbolises the work that Legacy does with the families of deceased veterans since 1923. The artwork is a sketch of the statue and does not have a artist name on it. Put on display on Level 1 reception when Legacy House was remodelled in 2020.A record that the statue is a symbol of Legacy's work with the families of veterans.Black and white sketch of the widow and children statue in a black and gold frame.statue, widow and children statue

Rough sketch for the new Flinders Street building designed by Walter Richmond Butler. The copy was published in the 2002 conservation plan without mentionne the source. The original has not been located.The drawing shows the first design of the chapel, the intented position of the weathervane, the absence of chaplain's residence and dome.Original drawing for the new chapel with signature of Walter Butlerwalter richmond butler (1864–1949), flinders street, building, sketch, built heritage

One of several illustrated envelopes, without letter, sketched by soldier/s during second world war and sent to Mrs McDonald of WangarattaVictoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940. They were welcomed with open arms by the local community as they rapidly built up their numbers. The people of Wangaratta adopted the Battalion and they became known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. Many of the soldiers maintained life long friendships with the people of Wangaratta. Even though the Battation was disbanded in 1946 members and their families return each year, in November, for a commemorative service at the 2/24th Battalion Memorial Wall at the Wangaratta Cemetery.Cream paper envelope with sketch of full moon over water and palm trees - to the left of this outline in blue of map of Australia with red shield in centreTop left - AIR MAIL above The Salvation Army Red Shield War Services Top right - postage stamp Left side - AIF Censor stamp Bottom left - " A Merry Christmas to you all" Right side Mrs M McDonald "Monald" 32 Grey Street Wangaratta Victoria Australia ww2, envelope art

There have been a number of municipal depots in the former City of Kew (now part of the City of Boroondara). This perspective sketch by Dorner Rice Pty Ltd represents the original design of the depot at 31-35 Hutchinson Drive, on the grounds of the former Kew Mental Hospital. The large perspective drawing by W.A.D. Brodie in 1984 is an important record of the depot as originally designed.This architectural sketch is a key piece of evidence about public infrastructure developed in the former City of Kew. The facility has been modified from the original design.Large colour perspective drawing of the new Kew Municipal Depot at 31-35 Hutchinson Street, Kew. The drawing was completed by W.A.D. Brodie in 1984 on behalf of the project consortium. In addition to the projected layout of the depot, the drawing includes details of the consortium drawn together to bid for the project: project managers - McGinley & Partners; consulting engineers - D. G. Hill & Harvey Pty Ltd; and project architects - Dorner Rice Pty Ltd.Architectural Perspective Sketch : City of Kew Municipal Depot: Perspective sketch : W.A.D. Brodie 1984 : McGinley & Partners Pty Ltd Project Managers : D.G. Hill & Harvey Pty Ltd Project Engineers : Dorner Rice Pty Ltd Project Architectscity of kew (vic) - municipal depot, w.a.d. brodie, mcginley & partners pty ltd, d. g. hill & harvey pty ltd, dorner rice pty ltd

Ink sketches of Rutherglen landmarks and old buildings produced by local artist Pat Robinson for planned Historic Walk brochure (not used)One of a series of black and white ink sketches, on paper, of Rutherglen landmarks. This one showing the water tower with the structure that was added to the top to make it look like a wine bottle. pat robinson, buildings, artist, water tower, wine bottle

Item in the collection re Ron Bollard VX14150, refer Cat No 5919P for his service details.Both, Place mats rectangular shape with rounded corners, white background with all text, depictions in brownish red colour, there are Five sketches over in total.Main Text, " 1941 - 50th Anniversary Seige of Tobruk - 1991", Sketches are, "The War memorial at Tobruk cemetery, Cantonera 31 on the Derna Road, Eagle corner, 4th Australian General Hospital".sovenirs, toruk, mats

"Victoria the Golden" documents life in Victoria between 1850 and 1862 as viewed by artist William Strutt. Momentous events in the Colony’s history such as Separation Day (1 July 1851), the sitting of the first Legislative Council (13 November 1851), the death of Burke (June 1861) and the Black Thursday bushfires (6 February 1851) are depicted. In 1907 the Premier of Victoria Thomas Bent purchased "Victoria the Golden" from Strutt for £120 and presented it to the Library. The album depicts events in chronological order with what Strutt considered “fidelity to nature and accuracy”, so that present day Victorians may view the sketches “as records of what we may now look upon as the dim past in the rapidly progressive history of Victoria”. Victoria the Golden is celebrated as one of the Parliament’s great treasures. It is a testament to William Strutt’s skill as a draughtsman and contains over 100 assorted images which were executed between the years of 1850-1862. Strutt’s particular talent was to be able to step back and record each event with particular care to detail. Many of the pieces contained within this album are littered with notes, such as the correct resting position of a corporal’s sword or details about the cloth and cut of a subject’s jacket. Strutt also notes in one of his many sketches of the new Legislative Council chamber at Spring Street that the President, Sir James Palmer, is seated ‘a little too high’ (page 30). Throughout the album, Strutt’s illustrations bring to life the diverse nature and peoples of the new colony. His range of subjects is comprehensive and includes parliamentarians, lawyers, wives and daughters, merchants, labourers, police and military officers, indigenous communities, farmers, miners, prisoners and explorers. The everyday and the extraordinary are depicted with each turn of the page. 44 leaves heavy card, approximately 1mm thick. Sketches, watercolours and prints of varying sizes and papers are glued onto the pages. Full leather binding in blue leather with title and decorative border in gold. There are four raised bands on the spine, with gold decoration on the bands and at the head and tail of the spine. Marbled end papers and flyleaves. Gold on the edges of the book block. Card pages have a sheet of mottled blue paper on recto. Album leaf connection is a guarded system with stiff stubs and cloth hinges. Each page has a sheet of glassine paper attached at the binding edge to protect the images. Many pages stamped with "Parliament of Victoria" verso. Printed in gold, recto: "VICTORIA THE GOLDEN/ SCENES,/ SKETCHES,/ AND JOTTINGS FROM NATURE./ BY/ Wm. STRUTT/ MELBOURNE, VICTORIA./ 1850-1862" First pages include handwritten 'introductory remarks' and index of plates.parliament of victoria, colony of victoria, separation day, victorian legislative council, burke and wills expedition, wills, william john, 1834-1861, burke, robert o'hara, 1821-1861, strutt, william, 1825-1915, bent, thomas sir, 1838-1909, native police corps, fawkner, john pascoe, 1792-1869, black thursday bushfires, gold rush, princes bridge, melbourne

Hand draw sketch on cloth handkerchief by Private Edward CURRAN VX143967 - Born Wangaratta 6/6/1923 Service - CMF 23/1/1942-11/7/1943 AIF 12/7/1943-15/10/1945 24th Battalion Embarked 29/3/1943 for New Guinea. Cotton handkerchief depicting hand drawn sketch by soldier whilst on active service in New Guinea during second world war.Brown timber frame and beige mount containing sketch of a koala in a blue diamond above a boomerang on cloth Bouganville New Guinea 24th Battalion AIF "I Hold Fast" Plaque with inscription "Private Edward Joseph Curran 24th Infantry Battalion Australian Imperial Force - New Guinea and Bougainville"new guinea, ww2, 24 battalion, edward curran

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Prelimiinary sketch of 'Derham House, Ruyton' by the artist Joy Stewart. Inscription: "Derham House, Ruyton".joy stewart, derham house (ruyton)

The front-page article was published in February 2003 and is mentioned in the Ship to Shore Autumn Edition 2002 (sic 2003).Newspaper printed in black ink, with a sketch depicting the Mission's building on Flinders Street, Melbourne with someone holding the Flying Angel flag in front.the mariner, mission to seafarers, drawing, sketch, flag, ship to shore, andrew baird, peter swan

This framed sketch details, in graphic form, where the core samples in the display cabinet were removed. The drilling was a precursor to the decision where to locate, in this case, the McKay Creek Power Station. The information gained by structural engineers from the core samples would be used also for the placements of underground tunnels entry and exit points and the overall effective size of the plant. This would have included drill and blast techniques(rock characteristics play an import part of explosion control), requirements for support structures and reinforcing cement/steel forms. The use and replenishment of diamond drill bits(the strongest available, see KVHS 0280) was dependent on the "type" of rock found. Support beams for reinforced ceilings and floors was also a necessity.The visual derails of where the rock core samples were removed is very significant in the formulation and placement of the underground Power Stations and their maze of tunnels(in and out) for a successful implementation of the Hydro Scheme. The amount of pre-planning and scientific studies required for such a large scheme must be undertaken to ensure that a "white elephant" was not the result.This framed and glass front rock core display sketch has type written information of the rock samples displayed in KVHS 0279 (A). It has a softwood stained and glossed frame with a fixed(nailed) back board and a brass fixture for mounting onto a wall.The paper and type are slighted faded (sunlight affected). The sign heading "ROCK CORE SAMPLES RECOVERED FROM DIAMOND DRILLED BORE" underneath this "BORE NO: 883" and below this "LOCATION: McKAY CREEK POWER STATION AREA" to the left a sketch incorporating the ground level point "GROUND LEVEL R.L.3493", and the core depth point "CORE DEPTH 40' 7". In between and representing( in visual form) the core location areain question.alternate energy supplies, alpine feasibility studies temperature, rainfall, sec, kiewa hydro scheme, electricity

Green Hills School was the first school in the Wodonga area. Before the school could open and a teacher commence duties, the Government had to be assured that a minimum of 20 children would be attending. The school was built of round timber, slab walls, bark roof, dirt floor and shuttered windows. The school opened in 1850 and closed in 1870. This sketch, completed by Jim Parker, a Life Member of Wodonga & District Historical Society, was included on a commemorative plaque as part of the Wodonga Heritage Drive established by the Society to recognise the story of key historic locations in the Wodonga area.This drawing is significant because it depicts the first school opened in Wodonga.A sketch of Green Hills School completed by Jim Parker, a life member of Wodonga & District Historical Society. This sketch was completed as part of a project to place commemorative plaques at key locations around Wodonga green hills school, wodonga schools, education wodonga

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of fashion sketches in pen, Ink, and charcoal on paper. This work was donated through the Australian Government's Cultural Gifts Program by David Thomas.artwork, walters, wes walters, fashion, available, ballarat technical art school, sketch, commercial art

Wooden frame with green border & glass front.Sketch Map of Darwin.documents - maps, frame accessories, darwin

David Ancrum Alexander was born c1925 and died in 2015. He practiced medicine in Ballarat but also had a keen interest in drawing and painting, mostly water colour. The sketch books range from 1971 to 2012. Each appears to be related to a specific theme - people, places, and characters in novels. Often this is mentioned on the cover. He became a member of the Art Acquisition Committee at the University Campus at Mount Helen. A Thanksgiving Service was held in his honour at Federation University in the Caro Convention Centre on 27 March 2015.52 sketch books, spiral bound. Pencil drawings and water colour workYear printed on cover of each book. Themes contained in book written on coverdavid alexander, doctor, ballarat, drawing, painting, water colour, art acquisition committee, ballarat university, federation university, caro convention centre, thanksgiving service, 1971, 2012, c1925, 2015

This is a tourist guide to Warrnambool produced by a local artist, Ella Webb, in conjunction with the Warrnambool and District Historical Society. It includes a sketch map showing the location of some points of interest – buildings and sites of historical interest, places of interest that are no longer existing, some natural features (mainly along the coast) and some information about incidents and people in the past. It is an attractive broadsheet that is a useful guide for visitors to Warrnambool. This sheet is of interest as a modern-day tourist map produced in an artistic fashion by a local Warrnambool artist.This is a single sheet of thick paper printed on both sides in green, brown, yellow and beige tonings. One side of the sheet has sketches of buildings and places of interest and printing and the other side has a sketch map of some of the main streets of Warrnambool and some of its attractions.

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Prelimiinary sketch of 'Merritt House, Trinity Grammar School' by the artist Joy Stewart.Inscription: "Merritt House, Trinity Grammar School". c.1978.joy stewart, merritt house, trinity grammar school

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Preliminary sketch of 'Sunninghill', 228 Cotham Road, Kew by the artist Joy Stewart. Inscription: "Sunninghill". Signed and dated by the artist: "JStewart, September 1979"joy stewart, sunninghill (cotham road), cotham road (kew)

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Preliminary sketch of 'Roberts House' [Trinity Grammar School] by the artist Joy Stewart. Inscription: "Roberts House". Another ink drawing by the artist of Roberts House is 1980.0037. A finished watercolour is 1980.0018. Signed by the artist: "JStewart".roberts house (trinity grammar school), joy stewart

The Adult Education Association Drama Group originally staged Liliom at the Union Theatre, University of Melbourne on Saturday, 3rd November, 1951, at 8pm and on the 8th November it was re-staged by them as the opening production of the The City of Heidelberg Repertory Company, now known as the Heidelberg Theatre Company Inc. in the Eistedford Hall, Ivanhoe. Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre.Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre. Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre Company. Photo from unidentified newspaper of the director of Liliom by Ferenc Molnar, Joy Youlden.an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951 and restaged at the Eisteddfod Hall, Ivanhoe as the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. The Adult Education Association Drama Group performers, backstage workers and technicians staged the play at the Eisteddfod Hall in Ivanhoe. Local Councillor E.A. Carlyle attended and addressed the audience. Reg Rudd is described as director-producer. He announced another Repertory evening in February. Inagural production under the name of The City of Heidelberg Repertory Company, now known as the Heidelberg Theatre Company Inc., staged in the Eisteddfod Hall, 14 Ivanhoe Parade, Ivanhoe, Victoria, Australia on the 8th November, 1952.All items in good condition. Original and one colour photocopy of hand drawn sketches for the Prologue and Scenes 2 and 3 settings in blue biro with watercolour washes on ecru paper. On the back side of paper with scene sketch of Act 1. Photo – Joy Youlden - Small black and white cutting from unidentified newspaper on newsprint which has yellowed, Cutting has been glued onto ecru A4 paper sheet. Sketch for Scene 6, The Land Beyond, and Sketch for Scene 7, Julies House 16 Years later, an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. Sketches for Scene 4, The Railway Embankment, and Sketch for Scene 5, Behind The Shop, an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. Handwritten detail of scene numbers and names, name of producer, theatre company AEA (Adult Education Association) Drama Group Show and place, Union Theatre.eistdford hall, fern matthews, city of heidelberg repertory group, adult education association drama group, liliom, liliom by ferenec molnar directed by joy youlden, 1952, 1

This card has a sketch map showing the properties surrounding Dunmore on one side and a detailed sketch plan of Dunmore homestead in the early 1970s on the other side. The plan of Dunmore homestead shows interesting features such as the brick oven for bread making, the croquet lawn, the site of the aboriginal mia mias, the Turkish baths and the fowl house used later as a poison house. Francis and Ann Baulch were pioneer settlers in the Kirkstall area and their son Samuel worked at Dunmore in the Macarthur area before purchasing in the early 1870s the property he named Rose Park. In the 1890s he acquired property in the Dunmore estate and his son Stan Baulch gained a section of the Dunmore property after his father’s death. Stan Baulch named this Dunmore section, Rose Park, a property to the west of his father’s original Rose Park property. Stan Baulch was a long time member of the Warrnambool & District Historical Society and he contributed many local history articles and donated many local artefacts to the Society.This sketch plan is of interest as it tells us what the historic homestead of Dunmore in Western Victoria was like in the early 1970s. It will be useful for research. This is a sheet of white lightweight cardboard with a pencilled sketch on one side and a blue ink sketch plan of a house on the other side. The edges of the card have some torn sections. The card is enclosed in an oval cardboard cylinder (recycled and torn at the ends). Both the card and the cover have handwritten titles in ink. Dunmore Homestead & History by S. Baulch Dunmore Homestead drawn by Stan Baulch c.1972 dunmore property, western victoria, baulch family

The original sketches were used by the Tatura Museum for an exhibition c.1997, and were photographed before their return to Wittenberg's nephew, who verbally approved of the use of these copies for any purpose by the Society.23 15 x 10 cms photos of shetches of life as a "Dunera" internee at Hay and Tatura in silver glass fronted frame. Colour sketches of prisoners, their quarters, barracks, suggested coat of arms and banknotes.dunera, hay internment camp, camp 2 internment camp, tatura, internment camp money, internee coat of arms, internment camps, world war ii

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 34 Stevenson Street, Kew by the artist Joy Stewart. Inscription: "Stevenson Street, Kew". Signed lower right: "JStewart".stevenson street (kew), joy stewart