Page 11 of Ray Pearson's Photo Album. Brown card page with four photographs (3 x landscape, 1 x portrait format) placed on page using metallic look and brown card decorative photo corners. All photographs depict trams. Hand written inscriptions are written under each photograph.Hand written inscription in white-out or white pen beneath phorograph on - Top left: WORK CAR ELWOOD DEPOT Top right: CROSS BENCH CAR No 23 SANDRINGHAM Bottom left: SALOON CAR No 3. V.R. TRAMS ELWOOD Bottom Right: END VIEW SMALL CAR St KILDA STATIONvictorian railways, melbourne tramways, vintage tram, elwood depot, elwood trams, cross bench car

WALTER WILLIAMS No 1442 enlisted in 2nd reinforcements 2nd Batt AIF on 27.11.1914 aged 23 years 9 months. Embarked for Egypt 11.2.1915, embarked for Gallipoli 5.4.1915. Transferred to Stretcher Bearers 8.4.1915 & hospitalised 9.6.1915 with a twisted instep. Returned to unit 13.7.1915, KIA 29.8.1915. Refer Cat No 1860 & 4342P Original photo of W WILLIAMS with Identity disc and medals mounted beneath. Mid brown colour timber frame with dark green mount & glass.Above photo on white label with black print: W WILLIAMS No 1442 - 1st AIF 2nd Bn Below photo handwritten with grey lead pencil: PT WALTER WILLIAMS nobly FFL THAT WE MIGHT LIVE Attached white printed label: WALTER WILLIAMS Killed in Action 29.8.1915 Refer book 4. photography-photographs, frame accessories, military history

The Rays' badge was adopted by General Grand Council in Melbourne in 1935 with the design being submitted by South Australia. It was not to be worn on the Rays' regalia. "The shape of the badge represented the love with which every child of God is encircled. The blue circle stood for loyalty, the ivy leaf for friendship as well as recognising the Rays as a section of the Methodist Girls' Comradeship, and the white background for purity of mind and heart. The gold lines represented the good deeds which go out from each young life as rays of light bring sunshine to others. This meaning was adopted at General Grand Council in Sydney in 1948. In 1966, General Grand Council in Sydney, decided to discontinue the use of the Rays' badge in favour of the one badge [B021] for the whole organisation, thus emphasising the unity of all sections." Leaders' Manual for Comradeship 1970.MGC061.1 and MGC061.2, MGC061.3 and MG061.4 - White, blue and gold round MGC Rays' enamel badge with a pin on the back. "R"methodist girls' comradship rays section, badges

The Polwarth is the first new breed of sheep developed in Australia for Australian conditions. 75% Merino and 25% Lincoln, the fleece is white, soft and high yielding, and is resistant to fleece rot. A dual purpose breed, the Polwarth produces fine wool as well as a quality carcass that is particularly lean and well suited to lamb and mutton. A large breed of sheep, mature ewes generally reach 50 to 60kg, while the mature rams, like Mr Polwarth, typically weigh in at 66 to 80kg. This breed has approximately 7kg of fleece per animal which is 23 to 25 microns. The Polwarth was bred to the west of Geelong at Tarndwarncoort Station, just outside of Colac, in the state electorate of Polwarth. Settled by the Dennis family in 1840, the station is still owned by the same family and they still breed Polwarth sheep.Polwarth ram sheep. Has a medium size body and short legs with white fleece covering his eyes. sheep, polwarth

A black and white photograph depicting seven men and four women surrounded by tunnel boring machinery. A tunnel boring machine (TBM), also known as a "mole", is a machine used to excavate tunnels with a circular cross section through a variety of soil and rock strata. They may also be used for microtunneling. They can be designed to bore through anything from hard rock to sand. Tunnel boring machines are used as an alternative to drilling and blasting (D&B) methods in rock and conventional "hand mining" in soil. TBMs have the advantages of limiting the disturbance to the surrounding ground and producing a smooth tunnel wall. This significantly reduces the cost of lining the tunnel, and makes them suitable to use in heavily urbanised areas. The major disadvantage is the upfront cost. TBMs are expensive to construct, and can be difficult to transport. The longer the tunnel, the less the relative cost of tunnel boring machines versus drill and blast methods. This is because tunneling with TBMs is much more efficient and results in shortened completion times, assuming they operate successfully. Drilling and blasting however remains the preferred method when working through heavily fractured and sheared rock layers.This photograph is significant as it shows the machinery used and attire worn by men and women during the gold rush era. Black and white rectangular photograph printed on photographic paperburke museum, mining, beechworth, boring machinery, excavate, gold, gold fields, gold rush, miners

Four soldiers mounted on horses in the forecourt of the Shrine of Remembrance. Three of the four that are named are Legatee Rex Hall, Billy Kent-Hughes and Legatee Bill Scott. The other rider's name and date unknown. An article in The Herald on 19 April 1975 mentions that Rex Hall, Jim Holland and Bill Scott would wear their Light Horse uniforms and lead the Anzac Day parade to the Shrine mounted on police horses (see 01023). Though the date on the back of the photo is 1967. It is believed these legatees rode in at least 13 Anzac Day marches. Wilfred Kent-Hughes, known as Billy, served in both World Wars, was a prisoner of the Japanese, an Olympic athlete (hurdles, Antwerp 1920) and a State and Federal politician and was awarded a Knighthood. His niece, Jane, is a Legatee in the South Gippsland Group. From another article found Colonel Rex Hall was a member of the 5th Light Horse Brigade in World War 1. The image of the newspaper article and black and white photo is from an album stored separately at 00209 - at that march the men were: Max Armstrong, Legatee Rex Hall, Legatee Harry Burton and Warren Hardy.A record of a Legatees riding horses to the Shrine in Light Horse uniform.Black and white photo of 4 soldiers on horseback at the Shrine.Front of photo has " L/Rex Hall ; Kent-Hughes ; L/Bill Scott" in black pen. The back is stamped Copyright Herald and Weekly Times in blue ink. Handwritten "Property of Melbourne Legacy / Melbourne Shrine of Remembrance / L/tee J. R. Hall / 1967" in black ink.anzac day, horses, light horse, rex hall, bill scott, billy kent-hughes

Carols by Candlelight pass attached to a purple Vision Australia lanyard. The pass is on a red background with musical notes and small flames in a lighter red tone, and the letters 'AAA' and 'No: 39'. A white background dominates the pass, and contains white flames with red or green flame hearths against a purple circular background, with one white musical note against a red circular background. 'vision australia's carols by candlelight' is beneath this, in purple (the first two words) and green lettering. 'presented by the city of melbourne' is below this in gray lettering with the City of Melbourne logo.1 laminated pass with Vision Australia purple lanyardcarols by candlelight, vision australia, fundraising

The Ring Ouzel is a member of the Thrush family, Turdis, of which there are about 85 different species, commonly located in Europe. They are found in upland Scotland, northern England, north west Wales and Dartmoor. This species is identified by their dark colouring which contrasts to the white crescent across the breast and the white edging on the wings and some body feathers which provides a scale-like appearance. The diet of this species consists of invertebrates, some small vertebrates and a wide range of fruit. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Ring Ouzel specimen is stylised perched on a wooden platform. It is a medium sized bird of the thrush family. This particular specimen is a brown colour with pale edging to the wing feathers rather than the plumage being a darker black which can help identify this bird as female. The feathers have a white edging on the stomach giving this bird a scaly appearance. The bird has a small dark bill, two glass eyes, black legs and a long tail. Around the front of the upper breast, the bird has a striking white crescent shaped band. "Label 1 110a. / Ring Thrush / Catalogue Page 29 / Lable 2 Furdus torquaters / [illegible] 10 OCT. 1859 / near Leiden /"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, european birds, ring ouzel, blackbird, ouzel

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A handmade, sturdy white cotton christening gown. The bodice is made from a number of separate pieces of fabric. At the front there is a flat, pleated panel that extends well below the waist. The longer half-length sleeves are attached to the neckline rather than from a shoulder. Each sleeve is bordered with crocheted lace. Crocheting is also used as a decorative element on the front of the tie. The skirt is simply hemmed. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

Control room cards; White cards were used for an immediate emergency response, and if the white card had a red corner it denoted "Accident". Blue cards were used to denote and record routine forward bookings such as patient transport requirements. The cards were used at the Latrobe street Ambulance Headquarters circa 1975.Pale blue paper card with black printing on one side only.From To Car No.card, control room

Control room cards; White cards were used for an immediate emergency response, and if the white card had a red corner it denoted "Accident". Blue cards were used to denote and record routine forward bookings such as patient transport requirements. The cards were used at the Latrobe street Ambulance Headquarters circa 1975.Pale blue paper card with black printing on one side only.From To Car No.card, control room

Control room cards; White cards were used for an immediate emergency response, and if the white card had a red corner it denoted "Accident". Blue cards were used to denote and record routine forward bookings such as patient transport requirements. The cards were used at the Latrobe street Ambulance Headquarters circa 1975.Pale blue paper card with black printing on one side only.From To Car No.card, control room

As the White Ensign was reserved entirely for the use of the Royal Navy, the Admiral decided to approve of a new ensign for the Victorian Navy and this was flown for the first time from Nelson on 9th March 1870. The new ensign was very similar to the present day national flag and incorporated the Union flag with five white stars on a blue field.Following upon a series of ‘Russian scares’ in the 1870s, Nelson presumably by permission of the Admiralty, was converted into a fighting ship for the Victorian Navy; she was cut down to a single- decker, the fore and mizzen masts were removed, and the armament modified by the landing of several of the old muzzle-loaders and the addition of a number of new breech-loading guns. This conversion was carried out in the new drydock in 1881.A framed copy of an engraving entitled: 'Opening of the Graving Dock, Williamstown'.Opening of the Graving Dock, Williamstownhmvs nelson, alfred graving dock, williamstown

Black and white photograph showing a W2 class tram, climbing the Spencer St hill near Collins St. The tram has a war time white stripe on the rear cabin. Has the Victorian Railways Head Office and the Outward Parcels Office in the background. Also visible is the VR Spencer St yard clock.Yields information about the W2 class trams and Spencer St station buildings in 1947Photograph with hand written notes on rear. Printed on Kodak Velox paper.In pencil "Recent Melbourne about 47 in Mar or April" and the Ken Magor stamp.trams, tramways, w2 class, spencer st

The Independant order of Rechabites "Hope of Australia Tent No. 109" was formed in Harcourt in July 1869 and celebrated its centenary in 1969. With a strong -minded core of Methodists and members of the Church of Christ the group provided moral leadership and social framework to a wide area for a long time. At first they met in a small hall but, the lodge having inflamed partisan passions, the hall was deliberately burnt down in 1877. Undeterred the Lodge rebuilt the hall in the same year and thus provided the only district public hall. The Hall was sold by the lodge in 1937.; The Independent order of Rechabites, a temperance and social organsiation, was particularly strong in the Harcourt, Barkers Creek district, due to the high proportion of Methodists in the population, a demographic phenomenon resulting from the courage, prevalence and influence of Wesleyan lay preachers on the Mount Alexander Goldfields. Ribbon/collar sashes,white, with red longitudinal stripe (Chief Ruler & Deputy Ruler only) and red border, red machine embroidery, angle stitched at lower front to form a fitted collar."CHIEF RULER"," DEPUTY RULER", "TREASURER", "GUARDIAN", "LEVITE" plus IOR triangle - "Truth, Fortitude, Justice" plus three heraldic shields with background foliage, Plus "Independant Order of Rechabites" plus a further decorative sheild surmounting a swage-like motto " Peace & Plenty the reward of Temperance" and "Rechabites Salford Unity" all in red on white background

Illustrated book with dust jacket. Book has a marron cover with title, author and publisher's name embossed in gold on the spine. Front and spine of dust jacket has a black and white photograph: sick sisters on Lemnos. Title and authors name in black and red print on front and spinenon-fictionThis book investigates the contradictions, paradoxes and anomalies which have arisen for those assigned the role of army nurse. Financial discrimination saw the female captain in charge of an operating theatre in Vietnam being paid less than a male corporal working with her. Guns have replaced brooches as part of the nurses' uniform, as "total war" increasingly makes a mockery of the distinction between combatants and non-combatants.military nursing-australia, australian army nursing service, nurses, nursing

Illustrated book with gold coloured cover with title and authors name on front and spine. Also on front cover is image of Grace Collins (1891-92) on the right with two fellow nurses. On the back cover is the RCH trained nurses' badge (red Maltese cross on gold background inside a white circle) with the motto ' Infirmis Opitulare' (to care for the sick and infirm).non-fictionThe book is a tribute to the nursing service of the Royal Children's Hospital, Melbourne. From the time of the hospital's opening in 1870, the first nurse training school in 1889, and the transition to tertiary education, up to time of publication in 2006.royal children's hospital (melbourne), paediatric nursing-victoria-history, nursing-victoria-history

In the early 19th century, infant baptismal gowns worn by male and female infants began to be modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A mid-nineteenth century christening (baptismal) gown, constructed of sturdy white cotton featuring a long skirt, high neck and long sleeves. The gown is constructed by hand, and there is evidence of home-finished needlework, The bodice is loosely pleated with gathering at the high waist, A later cotton tie was attached at the centre waist and commercial lace added to the neckline and cuffs.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

This is a set of five black & white photographs of troops from the Army Headquarters Survey Regiment undertaking ceremonial drill at the military funeral for SSGT Peter Dew in 1977. The location of the funeral service was at Fortuna, Bendigo. He was buried at Bendigo Cemetery in Quarry Hill. Peter Dew died in a tragic accident at home. He was fondly remembered as one of Lithographic Squadron’s colourful personalities. See item 6243.7P for photos of Peter Dew at work in Lithographic Squadron. The "Super Animal of the Year" Peter Dew Memorial Award was an award presented to a member of the squadron for a crude act. To view a photo of this award, refer to item 6230 of the Victorian Collections. This is a set of five black & white photographs of troops from the Army Headquarters Survey Regiment undertaking ceremonial drill at the military funeral for SSGT Peter Dew in 1977. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, 1977. Unidentified soldiers and civilians. .2) - Photo, black & white, 1977. In front of the tennis court gates: John McCulloch. Remainder unidentified. .3) - Photo, black & white, 1977. Rifle party rear rank right marker: Russ Mollenhauer. Front rank rifle party commander next to right marker: Greg Kidman. Pall bearers in front of vehicle L to R: Dave Miles, Dick Barwald. Remainder unidentified. .4) - Photo, black & white, 1977. Rifle party commander: Greg Kidman. Right file front to back: Russ Mollenhauer, Peter Breukel, Bill Jones, John Anderson. Remainder unidentified. Left file front to back: unidentified (x2), Rhys De Laine, Frank Lenane, Josh Degroot, Gary Drummond. .5) - Photo, black & white, 1977. Left of minister: Alan Toogood. On right of tree L to R: Max Neil, Bob Hayden, Dave Malligan, Le-Anne (Smallshaw) Shirley, Stan Vote. Remainder unidentified.No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Black and white photograph"Attached to photograph" Back Row- L to R: Peter Brown, Darryl McDonald, Geoff Venn, Peter Anderson, Jim(Bill) Noble, Ronnie Harrison, Bruce Taylor, Kevin McCullough, John Gadsden, Peter Terry, Peter Evans. 2nd Row- L to R: Carol Patten, Margaret Merry, Susan Smeaton, Jennifer Miles, Heather Parker, Lynette Allen, Sandra White, Robyn Whitchurch, Caroline McLennan, Marie Hargreaves, Mrs Norman. 3rd Row- L to R: Stephen Lavender, Ian Uren, Robert Rutherford, Annette Bousaid, ?, Diana Logan, Helen Marr, Rosemary Cini, Jeanette Hewlitt, Cheryl-Anne Mitchell, Kathy Parker, Malcolm Grant, ?, ?. Front Row- L to R: Colin Jones, Billy Harding, Peter Crettenden, Michael Bangay. Teacher: Mrs Norman

This is one of four surf oars now on display at Flagstaff Hill Maritime Museum and Village. The oars were once owned by the Warrnambool surf Live Saving Club. They are painted in the original club colours of brown and white. The Warrnambool Surf Life Saving Club was formed in 1930, and the elected President was Mr Fletcher Jones (later Sir Fletcher Jones). It is one of the oldest lifesaving clubs on the Victorian Coast. The donor was a member of the surf boat crew that won the 1952 Victorian Surf Boat Championships; the crew comprised Geoff Scott, Ron Blackney, Wes McLaren, Jim Tibb, and Stan Stephens. This oar is significant for its connection with the Warrnambool Surf Life Saving Club and as an example of equipment used for saving lives at sea in the local Warrnambool community. Oar, one of four oars. Timber handles with flat blades painted in the original club colours of brown and white. The oars originated from the Warrnambool Surf Life Saving Club.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, surf boat oar, original oar, warrnambool surf life saving club, wslc, oar, brown and white, wslc colours, rowing oar, lifesaving

This is one of four surf oars now on display at Flagstaff Hill Maritime Museum and Village. The oars were once owned by the Warrnambool surf Live Saving Club. They are painted in the original club colours of brown and white. The Warrnambool Surf Life Saving Club was formed in 1930, and the elected President was Mr Fletcher Jones (later Sir Fletcher Jones). It is one of the oldest lifesaving clubs on the Victorian Coast. The donor was a member of the surf boat crew that won the 1952 Victorian Surf Boat Championships; the crew comprised Geoff Scott, Ron Blackney, Wes McLaren, Jim Tibb, and Stan Stephens. This oar is significant for its connection with the Warrnambool Surf Life Saving Club and as an example of equipment used for saving lives at sea in the local Warrnambool community. Oar, one of four oars. Timber handles with flat blades painted in the original club colours of brown and white. The oars originated from the Warrnambool Surf Life Saving Club, .flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, surf boat oar, original oar, warrnambool surf life saving club, wslc, oar, brown and white, wslc colours, rowing oar, lifesaving

This is one of four surf oars now on display at Flagstaff Hill Maritime Museum and Village. The oars were once owned by the Warrnambool surf Live Saving Club. They are painted in the original club colours of brown and white. The Warrnambool Surf Life Saving Club was formed in 1930, and the elected President was Mr Fletcher Jones (later Sir Fletcher Jones). It is one of the oldest lifesaving clubs on the Victorian Coast. The donor was a member of the surf boat crew that won the 1952 Victorian Surf Boat Championships; the crew comprised Geoff Scott, Ron Blackney, Wes McLaren, Jim Tibb, and Stan Stephens. This oar is significant for its connection with the Warrnambool Surf Life Saving Club and as an example of equipment used for saving lives at sea in the local Warrnambool community. Oar, one of four oars. Timber handles with flat blades painted in the original club colours of brown and white. The oars originated from the Warrnambool Surf Life Saving Club.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, surf boat oar, original oar, warrnambool surf life saving club, wslc, oar, brown and white, wslc colours, rowing oar, lifesaving

This is one of four surf oars now on display at Flagstaff Hill Maritime Museum and Village. The oars were once owned by the Warrnambool surf Live Saving Club. They are painted in the original club colours of brown and white. The Warrnambool Surf Life Saving Club was formed in 1930, and the elected President was Mr Fletcher Jones (later Sir Fletcher Jones). It is one of the oldest lifesaving clubs on the Victorian Coast. The donor was a member of the surf boat crew that won the 1952 Victorian Surf Boat Championships; the crew comprised Geoff Scott, Ron Blackney, Wes McLaren, Jim Tibb, and Stan Stephens. This oar is significant for its connection with the Warrnambool Surf Life Saving Club and as an example of equipment used for saving lives at sea in the local Warrnambool community. Oar, one of four oars. Timber handles with flat blades painted in the original club colours of brown and white. The oars originated from the Warrnambool Surf Life Saving Club.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, surf boat oar, original oar, warrnambool surf life saving club, wslc, oar, brown and white, wslc colours, rowing oar, lifesaving

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Database https://vhd.heritagecouncil.vic.gov.au/places/35576 No. 70 Orrong Road is important as an exceptionally ornate Boom style villa residence in the terraced form and in this respect is rare in Caulfield. Its architectural value is enhanced by its intact state and by the manner in which its bold architectural expression is carried through into the hallway and staircase. Victorian Heritage Database - National Trust local significance 284 Orrong Road Caulfield https://vhd.heritagecouncil.vic.gov.au/places/65700 A house designed by Harold Desbrowe Annear in 1917 and believed to have been the first "all electric" house in Melbourne. It has been extensively altered.Page 164 - four photographs of 2 different houses on Orrong Road. The top left photo is in colour while the others are in black and white.Handwritten: Orrong Road [top right] / Lisborn House [ (ed. correct name is LISBON HOUSE), under top left photo] / Lisborn House [under top right photo] / [under bottom right photo] / CORNER ORRONG ROAD AND PEARSON AVENUE / HOUSE BY DESBROWE ANNEAR [under bottom left photo] / 164 [bottom right]trevor hart, orrong road, lisbon house, lisborn house, elsternwick, pearson grove, st kilda east, caulfield north, terrace houses, cast iron work, verandahs, balconies, parapets, arches, cars, streetscapes, attic houses, desbrowe annear

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 2 of Photograph Album including one black and white photograph of Woodbine, 18 Adelaide Street in bottom right hand corner. hand written "Adelaide Street [top right of page] / "Woodbine" 18 Woodbine St [above photograph] / 2 [bottom right]murrumbeena, woodbine, houses, trevor hart, polychrome brickwork, bi-chromatic brickwork, decorative brackets, cast iron pillars, verandah, porch, brick, adelaide street, victorian style, cast iron work

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Myoora - Victorian Heritage Register (VHR) Number H0490 Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 10 of Photograph Album including four black and white photographs. Three photos are in a portrait orientation with the fourth on the right in a landscape orientation.Handwritten: "Myoora" 405 Alma Rd [top right of page] / Neg 176 DEC 1972 [underneath bottom right photograph] / 10 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs, chimneys

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Register (VHR) Number H0490 From the Victorian Heritage Register Database - Citation for Myoora https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 14 of Photograph Album including two black and white photographs that are arranged in landscape orientation in the centre of the page with one beneath the other. Handwritten: "Myoora" 405 Alma Road [top right] /Neg 87 c1890 [under top photo]/ Neg 89 c1890/ [under bottom photo]/ 14 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, cast iron balconies, gardens, views, cast iron work, reed henderson & smart, flats, asymmetrical style, slate roofs

Colour slide of children with toys at Government House during a Legacy Christmas party in the 1960s. Melbourne Legacy held an annual Christmas Party for Junior Legatees and Widows at Government House for many years. Junior Legatees were given gifts. The exact date is not known but there are 15 slides in the same white mount which appear to be the same event (02913 - 02924). Governor Delacombe is in some the photos so they are post 1963 when he became Governor. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Legacy Christmas party held at Government House.Colour slide of children with toys at a Government House Christmas party in an Agfacolor plastic mount which is white on one side and blue on the other.Imprint of "Agfacolor Service' on the blue side of the mount.christmas party, government house party, toys