Photograph of two men playing tennis. Identity unknown. Part of a series of images taken during a tennis day involving Norman Brookes. Materials: Paper, Inktennis

Photograph of a group at the edge of a tennis court. Identities unknown. Part of a series of images taken during a tennis day involving Norman Brookes. Materials: Paper, Inktennis

The 1st Contingent departed Fremantle on 7 November 1899 and returned on 29 December 1900. The 2nd Contingent departed 3 February 1900 and returned 8 December 1900. Due to the shortage of khaki material, the 1st Contingent uniforms wore their blue militia tunics, blue puttees and a dark blue puggaree on departure. An Anglo Boer War Service of Reconciliation is held annually on the first Sunday in June at the "Fallen Soldiers" (Boer War) Memorial in Kings Park attended by descendants and representative of all combatant nations. The date selected is the closest Sunday to the date of signing of the Treaty or Peace of Vereeniging (31 May 1902). The culmination of the service is the laying of the Emily Hobhouse wreath.Unique series of stereoscopic images showing both the 1st and 2nd West Australian Mounted Infantry Contingents to the Anglo Boer War. Images contain details of uniforms, accoutrements, camp life, civic honours and departure.Local Artillerymen in the Procession. 2nd Contingent, High Street, Fremantle. Published in Australian Stereoscopic Views, WA Series, Photographed and published by Craig and Solin, Fremantle and KalgoorliePhotographed and published by Craig and Solin, Fremantle and Kalgoorliestereoscope, boer war, south africa, capetown

The 1st Contingent departed Fremantle on 7 November 1899 and returned on 29 December 1900. The 2nd Contingent departed 3 February 1900 and returned 8 December 1900. Due to the shortage of khaki material, the 1st Contingent uniforms wore their blue militia tunics, blue puttees and a dark blue puggaree on departure. An Anglo Boer War Service of Reconciliation is held annually on the first Sunday in June at the "Fallen Soldiers" (Boer War) Memorial in Kings Park attended by descendants and representative of all combatant nations. The date selected is the closest Sunday to the date of signing of the Treaty or Peace of Vereeniging (31 May 1902). The culmination of the service is the laying of the Emily Hobhouse wreath.Unique series of stereoscopic images showing both the 1st and 2nd West Australian Mounted Infantry Contingents to the Anglo Boer War. Images contain details of uniforms, accoutrements, camp life, civic honours and departure.Have Some Dinner with Us. 2nd WA Contingent at Karrakatta. Published in Australian Stereoscopic Views, WA Series, Photographed and published by Craig and Solin, Fremantle and KalgoorliePhotographed and published by Craig and Solin, Fremantle and Kalgoorliestereoscope, boer war, south africa, capetown

The 1st Contingent departed Fremantle on 7 November 1899 and returned on 29 December 1900. The 2nd Contingent departed 3 February 1900 and returned 8 December 1900. Due to the shortage of khaki material, the 1st Contingent uniforms wore their blue militia tunics, blue puttees and a dark blue puggaree on departure. An Anglo Boer War Service of Reconciliation is held annually on the first Sunday in June at the "Fallen Soldiers" (Boer War) Memorial in Kings Park attended by descendants and representative of all combatant nations. The date selected is the closest Sunday to the date of signing of the Treaty or Peace of Vereeniging (31 May 1902). The culmination of the service is the laying of the Emily Hobhouse wreath.Unique series of stereoscopic images showing both the 1st and 2nd West Australian Mounted Infantry Contingents to the Anglo Boer War. Images contain details of uniforms, accoutrements, camp life, civic honours and departure.Decorations High Street Fremantle. Departure 2nd WA Contingent. Published in Australian Stereoscopic Views, WA Series, Photographed and published by Craig and Solin, Fremantle and KalgoorliePhotographed and published by Craig and Solin, Fremantle and Kalgoorliestereoscope, boer war, south africa, capetown

Blue and red Index book. The book contains list of names in alphabetical order, next to the names a series of numbers. Possibly relating to land sales. Date unknown. Mallee index on the spineledger, name index, mallee

Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.2. Turinville. A Handcoloured cartoon created by the artist Joy Stewart as a template for the second of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "TURINVILLE. Early country residence overlooking the Yarra River. Recreational activities of the period included picnics." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), turinville, joy stewart

Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.7. Churches. A Handcoloured cartoon created by the artist Joy Stewart as a template for the seventh of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "CHURCHES. Religion has played an important part in the lives of Kew residents. The churches established schools and caring institutions." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart

The Victory Jig-Saw Puzzles were made by Gerald Hayter in England between the late 1920s through to the 1970s. They had wooden pieces and were very popular in the 1940s and 1950s. The puzzle was owned by the donor's mother, Iduna Miles (nee Sutton).A Victory Jig-Saw puzzle in its original cardboard box. Victory Jig-Saw puzzles were a popular series made by Hayter & Co., Bournemouth, UK.jig-saw puzzle, hayter & co, victory jig-saw puzzles

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Colour concertina postcards of Melbourne showing the intersection of Queen and Collins Streets looking east to the T&G Building in the distance. Series of concertina postcards of the City of Melbourne.postcards -- melbourne (vic.), christian-washfold collection

The construction of Seaview commenced in 1860, after David Talbot, purchased the land from James Atkinson,It had been suggested that it was intended to be double storied but there is no evidence of how that would have been accomplished. Following Talbot’s insolvency, Michael O’Reilly leased the house in 1862 until 1876 when he left for Melbourne.William Powling (Solicitor) acquired the house for Eight hundred and twenty three pounds in 1890 and lived there the rest of his life. His son Ernest Powling continued living there before selling it to Matthew Cathcart in 1917.A black and white photograph of the house called Seaview to be used as a postcard in a series by the National Trust Front of Seaview showing bay window and verandah bluestone painted whiteSeaview 1850 - Nat.Trust. CL1souvenir, port-fairy, seaview, powling, cathcart, talbot, o’reilly, house

Report - single foolscap sheet titled "Bridging Transition" describing the electrical circuit arrangements while passing from series to parallel in DC traction tramway motors.trams, tramways, tramcars, controllers, electrical engineering, electrical equipment, motors, electric traction

Black and white photograph of Table Tennis team Team Four Wayne Stewart and Ben Johnson, winners of series played at squash court Lakes Entrance Victoriasports, table tennis

Also known as the King George V memorial building this branch of the Mission to Seamen opened in 1937 as a replacement for the old Mission in Port Melbourne. The Foundation stone was laid by the Victorian State Governor and a photograph of the event is also held in the MTSV collection. The Art Deco style building was commissioned by merchant and philanthropist, Alfred Michael Nicholas (1881-1937) and designed by prolific Melbourne-based architect Harry A. Norris (1888-1966) in 1937 best known for his commercial work in Melbourne city centre. NB PMHPS Kindly allowed MTSV heritage to take scans of the Kelly series notes in their collection for reference in 2019.One of the few full colour images of this building originally classified by the National Trust and now demolished. An example of architect Harry Norris' work 1937. All that remains are a ceramic plaque, a brick and several items of chapel artefacts. Alison Kelly, a photographer, was part of the group supporting the Port Melbourne Seamen's Mission in the 1980s and 1990s. She took a series of photographs of the building now held by the Port Melbourne Historical and Preservation Society.Full colour Postcard featuring colour image of a large red brick building in a 1930s era Architecture. There is a green wrought iron gate ajar in the foreground with the word SEAMAN spelled out. MISSIONS TO SEAMEN can also be seen spelled ut in white across and down the central clock tower of the building and this is surmounted with a white flagpole.On verso: Printed: "Heritage Series / POST CARD " at right angles in small print from lwr edge to upper: "PHOTOGRAPHY BY ALISON KELLY PORT HERITAGE SERIES NO 6". At Lwr left crnr printed:" Missions to Seamen Building, Port Melbourne/ Designed in the Modern style by architect Harry Norris,/ this 1937 National Trust classified structure was until 1972 / an entertainment and spiritual centre for seamen, with / important roles during the war [WW2] and immigration periods"king george v, memorial chapel, harry a. norris, brick, art deco, alfred m. nicholas, beach street, mission to seamen, alison kelly, 1937, arts centre, seamen mission, mission to seafarers, port melbourne

Avro Lancasters of 460SQN RAAF, based at Binbrook Lincolnshire about to join the bomber stream heading into the gathering darkness of the continent, June 1943. Rectangle colour print of a group of Lancaster bombersAircraft Illustrated Series two. Number 1. Signature of Ray Honisett Printed in Australia

One of a collection of 18 photographs and postcards donated by Jill Yeoman. The Suspension Bridge was built 1940. Black & White Postcard of the Suspension Bridge looking towards San Remo from Newhaven Phillip Island."Suspension Bridge, looking towards San Remo from Phillip Island" Series 4203suspension bridge phillip island, bridges, jill yeoman

Donated by Stan McFee from the Keith McIlwraith Collection.Black & White Postcard of rustic bridge leading to Teahouse where a figure stands behind teatree staked fence. Surrounded by trees and shrubs."Rustic bridge at the Tea House. Cowes, Phillip Island." "Valentines Series M. 4851"tea house phillip island, cowes, phillip island, stan mcfee, keith mcilwraith collection

One of 11 photographs left in the museum for the Society by an anonymous donor.Black & White postcard - image taken from inside Forrest Caves looking out to the sea. Man standing outside on the rocks.Photo Shop Series Forrest Caves Phillip Island 6.3.47. On Back: "Inside the cave"forrest caves phillip island, phillip island coastline

Written on photograph, "Debbie Place looking south."(Undated, but others in this series of photos are 1982)

Black and white photograph of brick church. Photograph appears to be a reproduction from postcard photograph inserted in the sleeve.Printed below photograph, "The Methodist Church. Ringwood. Real Photo Series M.2453"

Photo mounted on backing card with clear protective film over image and card. Black and white image is of a man and woman photographed from the chest up, standing together. They are dressed formally, the man in a pale coloured suit with waistcoat and the woman in a pale coloured shirt with button detail. Both are wearing ties and she is wearing a dark coloured brimmed hat. The number P386E is printed in white in the lower left hand corner of the image. There is a white border varying between .2mm to .5mm around the photograph. The words Zena Dare & Brother are printed in sepia along the lower left hand edge of the backing card. The words Christmas Greetings have been written in silver on the right hand lower edge of the backing card. On reverse card is addressed to Miss Gladys Esmond McKenzie St Golden Square with a one penny stamp affixed post marked Melbourne.Rotary Photographic Plate Sunk Gem Series Rotary Photo EC. P 386Epostcard

R W Thomas Postcard of Marie Studholme boarding a horse carriagetinted colour postcard, unmounted, original, good conditionPost Card printed in Great Britain. Valentine's Series R W Thomas, Photo

The summer aggregate road races have been conducted from the 1930s at the Geelong Cycling Club. The award is made up from points accumulated for road races during the summer season.This award provides an incentive for cyclists to perform at their best on club race days. It is interesting to note that over time awards have changed with the fashion of the time. Cycling trophies have ranged from badges in the early 1900s, to sashes in the mid 1900s, then to shields and to individual trophies.Trophy with a square base and rectangular background in grey coloured imitation marble. A figure of a cyclist in gold colour is placed on the base and there is a plaque at the front of the base."Geelong Cycling Club/Summer Series - 2007-08/Road Aggregate/John Burtt"geelong cycling club; summer series - 2007/08; road aggregate; john burtt;

Several programs of the Melbourne Theatre Company performing at Russell Street Theatre contained advertising for the Melbourne Athenaeum Library. Melbourne Theatre Company leased Athenaeum Theatre from 1977 season to 1985Paper program for a play performed at the Russell St Theatre 17 July until 5 August 1972; green cover; 20 p. includes articles about the play, the actors and advertisementsThe front cover has a message for the secretary Mr Stephens regarding future advertising for the seriesmelbourne theatre company, russell st theatre, jugglers three, david williamson, the university of melbourne, australian elizabethan theatre trust, melbourne city council, program

Painting depicting a male and female nude with arms out stretched in an abstract composition. Signed (L.r) 'Clifton Feb 74'. On reverse in chalk 'Assassination Series Clifton Pugh'. clifton pugh, painting, male nude, female nude, assassination

RESTORED PRINTRESTORED PRINT OF ST PAUL'S ANGLICAN CHURCHST PAUL'S CHURCH OF ENGLAND CLUNES. VICTORIA. REAL PHOTO SERIES M 2153local history, photography, photographs, churches st. pauls anglican

Bellfield' formerly a guest house was opened as a licenced hotel in 1924 A message was written on the back of the post card and dated 21/12/25Bellfield with the Wonderland Range behind Hand written message on reverse side dated 21/12/25 The Rose Series P 4914 Message reads: "To my Dear Friend Thanking you for your dear little letter and pretty card and good wishes We all wish you a very Happy New Year I do wish you were here to [2 words cant read] lots of love from your loving friendaccommodation, hotels, bellfield