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Bendigo Historical Society Inc.
Clothing - FAY BRYANT COLLECTION: NYLON BRAID/TRIMMING, 1960 - 1979
Lemon coloured bri-nylon braid Folded in a concertina-like manner, the top embroidered layer is 3cm wide and has a double underlayer of 5cm width. Fabric is overlocked along the top edge to hold these layers in place. Embroidered in a leaf-like design, along a curved wavy thread in a silk like thread. The trim may have been stitched as an insertion or as a finished edge of a garment.costume, female underwear, trimming braid -
Bendigo Historical Society Inc.
Photograph - TEMPERANCE HALL, VIEW ST
Black and white photograph . Enlargement of illustration of original Temperance Hall, View St. Building with four column portico. Groups of people gathered in foreground (street and footpath) and LHS mid-ground (spare block). History of object: James Lerk March, 2000. Illustration of the Bendigo Temperance Hall designed' in 1860 by Vahland and Getzschmann. The Warden's Court is on the left. This section (minus the portico) is still in situ'.buildings, temperance hall -
Bendigo Historical Society Inc.
Photograph - TEMPERANCE HALL, VIEW STREET
Black and white photograph . Enlargement of illustration of original Temperance Hall, View St. Building with four column portico. Groups of people gathered in foreground (street and footpath) and LHS mid-ground (spare block). History of object: James Lerk March, 2000. Illustration of the Bendigo Temperance Hall designed' in 1860 by Vahland and Getzschmann. The Warden's Court is on the left. This section (minus the portico) is still in situ'.buildings, organisation, temperance hall -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. Small off-white card with celluloid front sewn to the back. Front has raised border design. It has a gold grandfather clock and Happy Days printed in gold. At the top left of the clock are some purple flowers and on the left some pink rose buds. On the right is a green and gold basket with pink roses in it. Card & insert held together with pink cord.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards, raphael tuck & sons -
Port Melbourne Historical & Preservation Society
Article - Deliverette van, 19 Mar 1987
The van was last registered in 1948, and forgotten when the factory began building Sabre jets. The van spent a number of years in Sir Lawrence's garage. It was rescued from local scrap metal dealers by Rosebus car dealer Barry Patterson.Newspaper article about Deliverette van which had a collapsible drivers seat instead of standing room only driving. The parcel van was designed and built by Sir Lawrence Hartnell in the early 1940s at the Commonwealth Aircraft Factory. Also a photocopy with the following notation "750 cc BMW engine on test bench at C.A.C. June 1941. Technician Rob Robinson, photographer Norm Robinson.built environment - industrial, transport - motor vehicles, sir lawrence hartnett, general motors-holden, gmh, ron robinson, norm robinson, commonwealth aircraft corporation, cac -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LACE BED CAP, Late 1800's early 1900's
Clothing. Bed cap. Fine cotton lace crown edged by a 1.5 cm band of insertion lace, which is threaded with a mauve silk ribbon 1 cm wide. This in turn edged with a 6 cm deep frill of cotton lace, featuring flower and leaf design, and has a scalloped edge. The mauve silk ribbon insertion is finished with a bow, to adjust the size of the cap to fit the head.costume, female, lace bed cap -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: AUSTRALIAN NATIVES ASSOCIATION HALL
Bendigo Advertiser "The way we were" from 1999. Australian natives association hall: the renaissance-style Australian natives association hall in View Street was next to the Masonic Hall and had a frontage of 75 feet. The public hall was capable of holding 500 people and the building designed by William Beebe, cost 4,500 pounds. Demolished in 1970, it was replaced with new ANA offices and a motelnewspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Textile - SIDE TABLE CLOTH, Mid 1900's - 2000's
Cream linen fabric, rectangular in shape. One log edge is finished with a 16 cm wide band of lace. This lace has been.machine made, and attached to the linen with a zig-zag machine stitch. The woven pattern in the lace is geometric in style. The other three sides are edged with 1.5 cm wide, woven lace in a scalloped design. Long-edge lace is 15.5 cms wide.manchester, table linen, side-table cloth -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: CENTRAL NAPOLEON GOLD MINING CO. N.L, 1940's
Document: Unused receipt book for Central Napoleon Gold Mining Company, for monies being called on from shares, to be signed by J.J. Stanistreet Manager, and banked at Commenwealth Bank Chambers Charing Cross Bendigo, Blue binding, cardboard cover, crocodile skin design 2 sheets of carbon paper loose, Markings: 'Central Napoleon Gold Mining' label glued to bound edge.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: CENTRAL NAPOLEON GOLD MINING CO. N.L, 14 May 1941 - 9 Dec 1950
Document: Hard Cover Receipt book, Crocodile Skin design on cover with dark blue binding, 2 loose company cheques inside front cover, Receipts no 301 - 304 used, Receipts No 305 - 401 unused, Receipt number 401 has pink sticker 'Repeat Order' F.H. Sparkman Bendigo Arcade, markings read 'Central Napoleon' label on spine of book.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon, receipt book -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Ovum forceps used by Dr Michael Kloss
Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal ovum forceps. Instrument resembles a set of scissors, with a ratchet adjacent to the handle to lock them at particular apertures. The end of each arm of the scissors ends with a metal loop, with grooves on the inner aspects of the loops for grip. The inner aspect of the forceps are engraved with the number '99'. The forceps are also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Surgical scraper used by Dr Michael Kloss, Jetter and Scheerer
The '3' on this instrument indicated it was size 3. Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal scraper. Instrument consists of a large, six sided handle section, a short, thin shaft and a small, oval shaped scoop at the end of the shaft. The handle at the proximal end is in the shape of an elongated teardrop, hollowed out at centre. The number '3' is engraved on the shaft of the instrument. The shaft is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'3'obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Surgical scraper used by Dr Michael Kloss, Jetter and Scheerer
The '3' on this instrument indicated it was size 3. Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal scraper. Instrument consists of a large, six sided handle section, a short, thin shaft and a small, round scoop at the end of the shaft. The handle at the proximal end is in the shape of an elongated teardrop, hollowed out at centre. The number '3' is engraved on the shaft of the instrument. The shaft is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'3'obstetrics -
National Vietnam Veterans Museum (NVVM)
Currency, Military Payment
FRONT: Cream coloured background red printing Military Payment Certificate: Twenty Five wtih 25 in blue print on each corner: Lady's picture on left hand side. Series 641 inside of mesh design and J10810024J written in black print CENTS on bottom: BACK: 25 cents in red and 25C in blue print on right and left corners over image of an eagle.For use only in US Military Est by US personnel in accordance with Appl. Rule and Regcertificate, military payment certificates -
National Vietnam Veterans Museum (NVVM)
Photograph, Ap Sui Nge Refugee Village
A black and white photograph of A Digger from 1st Australian Civil Affairs Unit stationed at 1st ATF Base in Phuoc Tuy Province assisted by a villager cuts timber for house construction during the building of the Ap Sui Nge Refugee Village. The village was designed by the officers and men of the 1st Australian Civil Affairs Unit and built as a major project involving Task Force Unitsphotograph, 1st australian civil affairs unit, 1st atf base, phuoc tuy province, ap sui nge village, gibbons collection catalogue, digger -
Tatura Irrigation & Wartime Camps Museum
Photograph, Goulburn Weir Sign, 1970s
Taken by photographer for State Rivers and Water Supply Commission.Medium sized black and white photograph. Sign describing Goulburn Weir - "State rivers and Water Supply Commission/Goulburn Weir/Diversion Headworks for Goulburn Irrigation System/Designed and Constructed by Victorian Water Supply Department 1891./Full Supply Level is 408 Feet Above Sea Level/Stuart Murray M.I.C.E Chief Engineer/William Henderson A.M.I.C.E Supervising Engineer."goulburn weir, victorian state rivers and supply commission -
Clunes Museum
Photograph, 1988
PHOTOGRAPHS TAKEN BY RON PRYOR 1988COLOURED PHOTOGRAPHS CLUNES BOWLING CLUB HONOUR / MEMORIAL BOARDS. 1. DESIGNED AND DONATED BY LACHLAN McLENNAN - BILL JONES MEMORIAL. 2. DONATED BY W.S.&M. ANDERSON - CLUNES LADIES BOWLING CLUB. 3. JANET McDONALD MEMORIAL PAIRS. 4. CLUNES BOWLING CLUB PRESIDENTS & CHAMPIONS BOARD DONATED BY JACK McMILLAN. 5. CLUNES LADIES BOWLING CLUB CHAMPIONS AND PRESIDENTS.local history, photography, photographs, sport, bowling club clunes -
National Wool Museum
Booklet, 50 Years Selling Wool in Geleong 1857-1907, 1907
Presumably created in 1907 to highlight achievements in the previous 50 years of selling wool in Geelong. Booklet features images of wool sales, wool stores, wool shipping and train transport within Geelong CBD, as well as meat sales and shipping.Booklet with red paper cover set to a landscape orientation. Gold text on the front cover with a swirling design surrounding the heading and encircling a sketch of the Geelong waterfront. Small box on bottom left corner describes authors of the book. Booklet is 36 pages, all white pages, several with images and text, but many with just images or just text. Booklet is stapled together on spine on left side.national wool museum,, geelong, wool sales, transport, wool store -
National Wool Museum
Rug, Returned Soldiers and Sailors Mill, Post 1924
Made by the Returned Soldiers & Sailors Mill in Geelong, post-1924. Rug was given to NWM from another museum in Western AustraliaTartan rug with cream base, featuring pattern with blue, black, green, yellow and red believed to be the Dress Stewart tartan pattern. RS&S label stitched on back of one corner. Label has stitched signature of John Monash. Two of the ends are tasseled. Appears used with several stains and small holes. Reverse of rug is free of design with solitary light brown colour Bottom left front corner has label which reads "THE/ Dress Stewart" On rear of same corner has label which reads "THE GEELONG R.S & S WOOLLEN MILLS/ PURE/ WOOL/ THE John Monash RUG wool, rs&s, reutrned soldiers and sailors mill, rug, quilt, blanket, john monash, the dress stewart, world war one, world war two, tartan -
Ballarat Heritage Services
Photograph, Peacock Hall, Ballarat High School
Photographs of the interior of Peacock Hall at Ballarat High School. The windows were designed by Amalie Feild of the Ballarat Technical Art School, and were completed as a World War One memorial. Above the wall above the stage honour boards name students from the school who served during the first World War. The Central board lists the 42 alumni who made the ultimate sacrifice. peacock hall, ballarat high school, amalie feild, amalie colquhoun, war memorial -
Ambulance Victoria Museum
Cap peaked, Rural Ambulance Victoria
White rigid ribbed peaked cap. Rural Ambulance Victoria badge on front of cap. Black plastic chin strap band above with plain gold coloured button on either end. Gold coloured plastic band in a wreath design either side of top of peak. Large red and white chequered band between the cap and the peak. Maker inscribed on plastic label inside cap.rural ambulance victoria -
South Gippsland Shire Council
Tower, Ornamanetal, Pearl Tower, Shanghai, 1990s
Glass ornamental tower designed on The Pearl Tower in Shanghai, China. Presented to the SGSC from businessman Mr. Poo, Jinshan Community in China. The tower features a tall spire with two large faceted balls and three smaller balls fixed to a glass base. Chinese writing around the edge of base. Under the base is round mirror which creates a multicoloured effect through the base of the tower. -
Australian Racing Museum
Racebook, Victoria Racing Club, 1946
Un-numbered page race programme for the Victoria Racing Club Autumn Meeting First Day Saturday 2 March 1946. Front cover has a white background with green and white writing, and a green and yellow 1930s art deco design with the VRC insignia in the middle top. Back cover has a white background with green writing, and a yellow border, explaining the railway arrangements. -
Tennis Australia
Racquet, Circa 1960
A Wilson, Don Budge Signature tennis racquet. Shaft features 'W' trademark. A decal white and gold chevron design features on the throat. Base of head features Wilson logo. Handwritten autograph along shaft on obverse, in silver ink, reads: DON BUDGE/1938 GRAND SLAM. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, Ribbon, Painttennis -
Tennis Australia
Racquet, Circa 1973
A Snauwaert Autograph, International Club tennis racquet, with plastic ribbon whipping around shoulders. Snauwaert logo features across base of head. Model name features along shaft. 'S' trademark features on throat and butt cap. Design and manufacturing details feature on the sides of the shaft. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Plastic, Fibreglass, Adhesive tapetennis -
Tennis Australia
Book, Oct-04
Book, from the 16 volume 'American Sportsman's Library' series: 'Lawn Tennis. Its Past, Present, and Future'. Also features a section regarding Lacrosse, authored by William Harvey Maddren. 419 pages. Hardcover, no dustjacket. Gold impressed cover design of forest scene. First edition, first print. Published by Macmillan New York. Materials: Paper, Ink, Cardboard, Glue, Clothtennis -
Tennis Australia
Page from card Album, Circa 1885
Page from an album designed for Allen & Ginther collectible cigarette cards. Features place holder for one card (depicting RD Sears). Framed with galss backing to also display back of card. Text on back of card: 'SECOND SERIES/THE WORLD'S CHAMPIONS/ONE PACKED IN EACH BOX OF 20 RICHMOND STRAIGHT CUT NO.1 CIGARETTES'. Materials: Paper, Ink, Glass, Woodtennis -
Kew Historical Society Inc
Badge - Fundraising Button, For Kith and Kin, 1915
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Metal badge with a printed illustration of a Red Cross flag and printed text on a red ink background surrounded by a white border. The Commonwealth Button Fund issued buttons of this design for a Victorian Red Cross appeal in July 1915. All funds raised during the appeal were to be used for the support of the Australian Red Cross and the servicemen in their care. Between 300,000-400,000 of these buttons were distributed."For Kith and Kin"patriotic buttons, badges, first world war 1914-1918 -
Kew Historical Society Inc
Photograph - 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Tara Hall, Studley Park Road, circa 1957. The front of Tara Hall (previously named Byram, Goathland and Lowan). This triple-storey mansion with its elaborate gabled, steeply-pitched roofs and verandah was set back from Studley Park Road and concealed by a high brick fence. E. G. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "Tara Hall at the time it was a home for nurses from the Royal Women's Hospital, Melbourne. (Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Photograph - Inlaid Tortoiseshell Locket, Pair of Henty Family Portraits, 19th century
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the sitters in this mid 19th century pair of portraits is as yet unidentified. The locket was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Small hinged locket made of tortoiseshell inlaid with mother-of-pearl, silver and gold. The locket is designed to be worn as a pendant. The two hand-tinted encased oval portraits are of an elderly woman on the left and an elderly bearded man on the right. The inlaid locket is probably Indian given the style of the floral inlay on the front and reverse. The portraits do not appear to be daguerreotypes, ambrotypes or tintypes and require further technical investigation.henty family, australia - early settlers