Black and White group photograph of a Sunday School Picnic in Ravenswood, Consisting of approximately 65 adults & approximately 55 children, somewhere within the children is Phillip Adams, Markings on rear of photo read 'copyright Rosa Maclehose BHS'organization, church, sunday school, sunday school, sunday school picnic, phillip adams

A coloured photograph in a black frame of soldiers standing and working around s supply of armenants. Bottom left hand side of photograph reads Voyages to Vietnam Collection. Bottom right hand side reads Copyright Allan Etherington.photograph, hmas hobart, voyages to vietnam collection, cerberus collection

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists

"Talma" and "The Little Minister company" were both touring theatrical companies in the late 1890's. The toured extensively throughout Australia and New Zealand.sepia photograph on cream board. Gentleman in top hot and tails, with cane. Buckles on shoes, theatrical pose. Floral backdrop. Talma/The little Minister Coy/ 119 Swantston Street, Melbourne. Copyright. Printed on base of photo board.Talma, 119 Swanston Street, Melbourne.person, group, portrait

The booklet is sponsored by Shire of Phillip Island, Penguin Reserve and Fisheries & Wildlife Department. Photography by: Graham Pizzey, Kevin Lott, Nucolorvue Productions Pty. Ltd. and Bob Porter. Designed and produced by Neil Jones and Kevin Lott for The shire of Phillip Island. Copyright 1980. National Library of Australia.Coloured booklet featuring the Little (Fairy) Penguin. Photographs and the life story of a Little Penguin. penguin parade phillip island, wildlife - penguins, penguins, graeme clauscen

The painter of the work is unidentified. While the frame was made in Brisbane, the artwork is likely to be European in origin. The framer, William Lewis Hamilton, trading as A.L. Hambleton is listed in a Commonwealth of Australia Gazette of 1917. (No.113) in an application for copyright. The donor's ancestors, who included a number of amateur artists, lived in Coorparoo, Queensland.Oil on canvas mounted in an elaborate gilt wooden frame. The painting depicts a donkey and chickens in a barn. Donated by Rosemary Vaughan-Smith. A label on the frame is partly readable. It indicates that the frame was supplied by A.L. Hambleton, Kents Building, cnr Adelaide and Albert Streets, Brisbane.See note on label abovevaughan-smith collection, farmyard scenes, oil paintings

Shellac Zonophone Record with a green label. Side A: The Border Ballad - this side has a 1/2d B&Co stamp on it. Side B: Mandalay - this side has a copyright supervision stamp on it. Sung by Mr Peter Dawson with Orchestral Accompaniment.Serial number 914 Ref x -2-42379

In a black frame a coloured photograph of sailors dressed up for Melbourne Cup Day on board HMAS Brisbane. Bottom left hand side reads Voyagers To Vietnam Collection, bottom right hand side reads copyright John CecchiVoyagers To Vietnam Collection.Copyright John Cecchiphotograph, hmas brisbane, cerberus collection

Molded plastic reproduction of Disney cartoon image featuring Elvira Grandma Duck Coot character playing tennis against Gus Goose character. Text lower right:'COPYRIGHT (symbol) WALT DISNEY COMPANY'. Materials: Cardboard, Plastictennis

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A circular pressed tin fundraising badge showing an armed soldier advancing through a rocky landscape. The soldier’s head is bandaged and spots of red indicate that the soldier has sustained wounds to the head and hand. The badge bears the word ‘Copyright’ on the border.Lest We Forgetpatriotic buttons, first world war (1914-18), numismatics, lest we forget, world war one, wwi, memorials

Black and white print of MMTB Bus No. 500 - an Austerity bus. Photographed from an MMTB Original illustration with caption "Austerity Type bus - 25 seats" Photo from the PTC Historic Photo collection with copyright stamp on rear - H48.trams, tramways, mmtb, world war 2, buses, bus 500, ford motor company, austerity buses, mmtb buses

1. Black and white photograph of the SMB Retaining Wall 2. Black and white photograph of the bay windows at SMB Library1. Reatining wall crumbles, July 12 '93ballarat school of mines, e.j.tippett library, smb retaining wall, july 1993, ballarat courier propriety limited, copyright, grant street, grant street retining wall

White programme with red, black and blue coloured print, titled 'Noel Coward's Epic of the Empire CAVALCADE Fox Film's proudest achievement.' 'Souvenir. For General Exhibition.' 'Copyright 1933 by Fox Film Corporation (Australasia) Ltd. All Rights Reserved.'program, theatre, films, lydia chancellor, collection, drama, entertainment, performing arts, souvenir, films

In a black frame is a coloured photograph of a Navy Helicopter being re-armed on HMAS Melbourne. Bottom left side under the photograph reads Voyages to Vietnam Collection. Bottom right hand side under the photograph reads Copyright Grant Jesserphotograph, hmas melbourne, voyages to vietnam collection, cerberus collection

A coloured photograph in a black frame are sailors dressed up for Melbourne Cup day. One of the sailors is dressed as a lady. Bottom righ hand corner are the words Voyages to Cietnam Collection. Bottom left hand corner are the words Copyright "Slim" Whitfieldphotograph, hmas stuart, cerberus collection

Black and white print of the interior of the MMTB Ambulance bus made by Preston Workshops for Workshops use. Shows 6 beds on the lower level and more on the upper level. Photo from the PTC Historic Photo collection with copyright stamp on rear - H8012Atrams, tramways, mmtb, world war 2, buses, ambulances

A group of 18 pieces, polychrome moulded plastic figures; On the side of each figure copyright symbol and maker's mark, indecipherable ... plasticsmary, joseph, shepherds, kings, animals, nativty, christmas, jesus, camel, donkey, cow, sheep, balthazar, melchior, gaspard

Boggy Creek Bridge was built in 1916 as part of the Bairnsdale to Orbost extension to the main Gippsland Railway, and is situated in the middle of the township of Nowa Nowa, crossing a steep-sided and well-timbered creek-valley. This section of the line closed in 1987. This item is a pictorial record of the Boggy Creek railway bridge on the East Gippsland line. This bridge plays a major part in the identity and history of the town of Nowa Nowa, since Boggy Creek’s steep sided valley divides the township into two components.A black / white photograph of a bridge across a river in the bush. It is under glass in a brown wooden frame which has gold decorated edges. There appears to be a man sitting on rocks in the right front foreground.on front of photograph - "Nowa Nowa Creek, Gippsland, Victoria, Sears, Copyright"boggy-creek-nowa-nowa east-gippsland-railway bridge-rail

Shows two bridge crossings over the Diamond Creek in Diamond Street, Eltham. The upper pedestrian crossing provided continual access for foot traffic during times of flood. The railway came to Eltham in 1901, the Eltham Railway Station is visible in the distance as well as a wooden bodied Tait (Red Rattler) First Class train carriage. The Tait train was first introduced in 1910 as a steam locomotive hauled carriage and in 1919 electric motor carriages were introduced however the line to Heidelberg was not electrified till 1921 and to Eltham in April 1923. The Railway General Store on Main Road is visible beyond the station and was built by Luther Haley in 1902. It was the first shop in the present day shopping centre. It was later known as lloyd's stopre (1917-1920) followed by a succession of six other owners until purchased by Eric Staff in 1939. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9 x 13.9 cmDiamond Creek, Eltham, Vic., The Rose Series P. 4314, Copyrighteltham, postcard, travel, rose stereograph company, glass plate negative, rose series postcard, tait train, eltham railway station, railway store, staffs general store, diamond creek, diamond street bridge, lloyd's general store, railway station, peter and elizabeth pidgeon collection

The Shrine was nearing completion when this photograph was taken. The Hellenistic sculpures on the portico are not complete which supports that this is a photograph of the Shrine just prior to being completed.A rare example of the Shrine just prior to being complete.Photograph of Melbourne Cenotaph (The Shrine of Remembrance)Bottom left hand side of the photo is a mark that states " Copyright OMEGA" the shrine of remberance, photograph, coyright "omega"

This is a detailed book of aircraft with photographs.This book provides a detailed description of aircraft an is accompanied by pictures.Air Power of the Empire, a book oblong, white paper cover and pages.Printed by Juvenile Productions Ltd, London. Designed and Printed in England, Copyright.aircraft, world war two, boeing fortress, lara r.s.l.

Rocky gorge is known as The Grand Canyon, part of the Wonderland/ Pinnacle walking track.Photo shows a rocky gorge. Aroad can be seen through bushland in the background. Two figures can be seen middle foreground about to climb a ladder to higher level . A handrail is visible on the track above the hikers.Copyright photograph. This photograph may be reproduced on condition that it is acknowledged as " Victorian Railways'.scenery, wonderland range

A black and white postcard of the Buxton Hotel in Buxton. The Buxton Hotel was built by William Burchall, probably in the late 1870s. The first owner, who also had land locally, was Frederick Nichols (1833-1904). The Buxton Hotel is located directly opposite the General Store. It was fronted with two huge oak trees and bordered and backed by large pine trees. It was a weatherboard structure with a painted corrugated iron roof. Old split wood shingles were covered by corrugated iron, which overlaid the shingles to make the roof watertight. The wooden shingles date back to the 1850s. This postcard was produced by the Rose Stereograph Company as a souvenir of Buxton.A black and white postcard of the Buxton Hotel in Buxton.THE ROSE SERIES P. 10274/ COPYRIGHT BUXTON HOTEL, BUXTON, VIC.buxton, victoria, australia, buxton hotel, rose stereograph company, rose series, p. 10274, postcard, souvenir, william burchall, frederick nichols

West beach showing pavilion, people on beach, Port Melbourne sugar mill in backgroundblack and white postcard, unmounted, original, good conditionThe Beach, St. Kilda West, Vic.The Rose Series P2103 Copyright

Also black and white copy 10 x 15Black and white photograph showing MV Blackbird, a similar launch at back, plus three smaller boats on left, off Comers Tearooms landing at top of North Arm. Thick vegetation on bank. Lakes Entrance VictoriaTourist Launches and Kiosk, North Arm, Lakes Entrance (Bulmer Copyright)waterways, boats and boating, tourism