Donald Clark Collection. A monochrome photograph depicting miners on the Waanyarra Goldfields in 1902. Main trio: Standing right is Robert Scholes, seated is George Lockett. Other subjects names not known. Notice on tree is for Waanyarra Boxing Day Sports, 1902. Copy photograph. mining, gold

Photo contains 15 soldiers holding weapons posing who are members of C Coy RVR role playing as enemy for the Battalion at Puckapunyal 2011rainf, infantry, enemy party, c coy, 5/6

This magazine is part of a collection of yearly marketing magazines promoting Falls Creek ski region. These include magazines for summer and winter programs.This item documents a range of activities and facilities available at Falls Creek Alpine Resort.Magazine containing information and images for 1987 winter holidays. skiing, ski, falls creek, victoria, school holidays, winter, snow, winter sport, 1990s, marketing, graphic design

A booklet by Jack Risden of song parodies. He has rewritten the songs; "They didn't believe me", "They call it Dixie Land" and "Samoa" for a concert during the first World War. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).A record of publications made for the troops in World War 1 or made of material that came from soldiers.Booklet x 4 pages of songs for soldiers in World War 1.world war one, songs

A photo of Santa and Melbourne Legacy President Bill Braidie with children and gifts in one the residences (either Stanhope, Harelands or Blamey House - Kew) in 1974. Photo came from a folder marked Residences. Melbourne Legacy ran residences to take care of children whose deceased father had been a serviceman and the mother was unable to care for them herself or the child needed to be in city for education reasons. The first was Holmbush which started in 1942. Then Stanhope in 1945, these were for older children for education or vocational opportunities. There was a need for a toddler/younger child home so Blamey House was established in Beaumaris in 1947 for 3 to 9 year olds. Harelands was acquired in 1950. Then the property in Beaumaris was sold and the name Blamey House was transferred to Holmbush, at 1267 Burke Road Kew from 1956 to 1978. For much of the time from late 1950s to 1970s Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. Stanhope was closed in the late 1970s and when Blamey House (formerly Holmbush) was closed the name was again transferred, this time to Harelands from 1978 to 1981 when it was the last residence to be sold.A record of gifts for the children at the residences in 1974.Black and white photo of Junior Legatees with Santa and gifts at a residence in 1974.Handwritten 'P7 Legacy' in blue pen and '1974' in black penchristmas gifts, residences, bill braidie

Local artist Graeme Drendel often depicts isolated individuals against stark Australian landscapes. Even when portrayed in group settings, Drendel’s figures exude solitude and introspection. Their expressions and attire hint at larger, obscured narratives, which the viewer is left to unravel or imagine. His paintings seamlessly blend the ordinary with the surreal, which creates a sense of uneasiness or forboding. Viewers grapple with the challenge of deciphering these compositions.

bundoora

Five men in suits with high collars and bow ties pose with three ladies in evening dress. To the far left are Aaron Solomon and Annie Rose Drummond, and to the far right is John Irwin. Aaron Solomon (1870-1936) was enrolled at the RVIB school in 1878, after losing his sight at 6 years of age. He first began participating in concerts in September 1884, at an exhibition of talent that was held by the Institute and the Deaf, Dumb and Blind Institute, to raise awareness of their work and achievements. He then became a regular performer with the entertainment troupe and travelled around Victoria singing and playing piano, even after his discharge from the Institute in 1892. In 1894 he formed his own troop of players and toured around Victoria, Tasmania and New Zealand. This consisted of two females (Tilly Aston and Maggie Mulvogue) and three males (Charles Bartlett, John Irwin and himself). In 1896, Annie Drummond, Nellie Andrew and William Snell replaced the Aston, Mulvogue and Bartlett, and W.W. Spicer was appointed as manager with his wife acting as an assistant to the ladies of the group. In 1897-1898, H Forder replaced William Snell. On a return tour to New Zealand in late 1898, Thomas Andrews - brother to Nellie - joined the troop and Fred Hunter replaced H Forder. This was the first time the troop numbered eight people, who were also present when Annie Drummond married Aaron Solomon in Hamilton, New Zealand on Feb 3, 1899. This image could have been taken in 1898 before they left as a promotional card, or in 1899 when they returned, as a memento of the happy occasion.1 cardboard postcard size image with silver writingA. Marks & Co Elgin Street Carltonaaron solomon, annie rose drummond, w.w. spicer, nellie andrews, thomas andrews, fred hunter, john irwin, a. marks & co

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Gold lurex one-piece swimsuit (.1) with v-neck and built-in bra. Matching floor-length gold cape (.2) with high collar and yellow lining. Fastens at collar with hook.Label, blue text on white: “Watersun / SIZE 10 / BUST 32 / Made in Australia”swimwear, watersun, david waters, ada productions, melbourne designers, 1970s

dorothy leeder

christmas, traders, concerts, jim chiselett, les hosking, jamie crosbie, cliff nicholls, frank fortune, stan hemming

dorothy griffiths, val storer, len hudson, les willcock, gwenda griffiths, louis? stanton, anne cossens, val potter, peter willcock, bob stephenson, wilma stephenson, lorraine mcrae, john cossens, valda sylvia, birthday parties

charlie flenley

pam matotek, mary ritchie

bill hollis, keith & elvie drury, doug watson, jack baumann

wit buchecker, max whiting, thelma treen, dorothy & heini herath

christmas party

christmas party

les willcock, les heaysman

allan hayward, max whiting, bill farrell

bowling club office

k. blake, d. watson, k. drury