Camera was used by the donor from 1980 to 1990Black bakelite oval camera with black carry cord attached. Camera has a flash button, a zoom button, shutter button, exposure sensor, autofocus windows, finder window and landscape button. The front has a zoom lens, lens and a lens cap. Back has panorama switch, film window and battery chamber cover. On and off button. As per manual 1150.photography, cameras

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Extant (2020) mixed cream brick house built in 1940 in the Old English style featuring a steep tiled roof. A dormer window was added at the front in 1957. Additions and alterations in 2000 included windows altered on the facade. The pen and ink architectural drawing on drafting film of 77 Charles Street, Kew by was completed in 1992 by Margaret Picken, and predates the alterations to the front windows.77 CHARLES ST., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 77 charles street -- kew (vic.)

Steam trams operated in Bendigo from February 1892 till 1902.Bendigo steam tram depot - copied from 'The Bendigonian 1899' Photo of interior showing saloon trailers. Inscription Bendigo Steam tram sheds - interior. Copied from Bendigonian 5/1/1899. Two men standing in forefront of image. A trailer A5 or 6 window saloon trailer. 9 window saloon trailers. No. 4 (a 9 window saloon trailer).copied from Bendigonian 5/1/1899basil miller, tramways, steam tram

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, brick, rough east above windowline, shingles above front window, white rougheast below floorline to verandah balustrade, verandah approach and to buttresses to RH, verandah, sixlight windows at front and L.H. rear walls, small window under veandah. Decorative linels between wooden verandah posts.Frank A. Jeffree, Photo, Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

A window sash is a type of moveable window frame that can slide, usually vertically. Unlike a window frame built into the wall, a sash allows glass window panes to slide up and down. The sashes fit inside a track that runs along another window frame attached to the house. Lead weights traditionally counterbalanced sashes, but today they are counterbalanced by springs. The traditional sash window is double-hung; this means it has two sashes that can both slide along a vertical track. However, some sash windows have a single moveable sash, and sashes may slide horizontally. A sash usually contains panels of glass, called lights. The lights are traditionally held together by a grid of bars. The sash window was developed in 17th century England and allowed for greater airflow. The sash window has had a significant impact on western architecture, used in nearly every style of English domestic architecture since the late 17th century. The subject item is a template used by the carpenter to mark or scribe the vertical track in which to window will slide up and down.An item used when sash windows were made by hand from the 17th to the early 20th century. The template allowed the carpenter to mark accurately a channel that was then planed and the Mitre to join the bars.Wooden Ovalo sash template with two screws each side. It has slot along length and has 45 degree bevelled edge each end.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden ovalo sash template, ovalo sash template, template, sash template, sash templet, window sash, tool

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.shop, window, hams, george farmer, war

Devizes is a medieval market town in the centre of Wiltshire, near Stonehenge and Avebury, and east of Bath. For more information see https://devizes.org.uk/index.php/history/history-of-devizes.html Some convicts that were tried at the Devizes Assizes were transported to Australia. Amongst these was John Chew, who stole metal, and who was transported to Tasmania. He married in Tasmania, but descendants of his family settled in Victoria, Australia. Colour photograph of a circular staircase at the Bear Hotel in Devizes. devizes, bear hotel, staircase, window, john chew

Student, Pauline Crawford (nee Harries), in student uniform on the steps of Lister House, Rowan Street, Bendigo. Colour photograph Name cannot be found in student registers.Pauline Crawford (nee Harries), good pose, uniform satisfactory, toilet block (windows) obstructs view, steps for base 8594.8andsn, nursing

The inscription tells of the person, Susan Fleetwood. That Susan Fleetwood was the daughter of William Rutledge, and the wife of Thomas Falkner Fleetwood places her with two men of historical importance in Warrnambool and district.Stained glass lancet window, west wall, north nave, second light from the left in the group of five lights, Depicting the Blessed Virgin Mary facing towards the central light of the Crucifixion, the predominant colours are blues and purple/magenta. Towards the top of the design is an angel holding the Alpha symbol. At the peak of the design is a golden crown. To the Glory of God, and in loving memory of/ Susan, daughter of William and Eliza Rutledge/ of Farnham Park Dennington, and wife of/Thomas Falkner Fleetwood/ born at Port Fairy, July 9th 1848, Entered into rest April 18th 1932./ By her devoted affection to her family and friends, and/ her generous help to all who were in need and distress/ she won the love and gratitude of many./ "Then are they glad because they are at rest, and so/ He bringeth them into the haven where they would be."/ This window is erected by her Son and Daughter.rutledge, fleetwood, st mary

Sepia photograph of the workers at the Horwood Bros foundry. Four rows of workers, some sitting some standing in front of a brick building, arched windows, main entrance centre of image. On window on RH side is the Horwood Bros name.industries, steelmaking, horwood's foundry

Window envelope with O.H.M.S. The State Rivers and Water Supply Commission printed in black across the top. Window is buff coloured with dark blue border. State Rivers and Water Supply Commission, Bendigo printed in the bottom left corner.document, w. babidge collection - s.r. & w.s.c. envelope, state rivers and water supply commission, bendigo

This is an image of the original single storey Royal Hotel building which was on the corner of Brook and Evans Streets. In the 1930s the single storey structure was demolished after a fire and replaced with a double storey Art Deco red brick building, which still stands on the same site.At one stage there were four hotels in Evans Street between Station Street and Brook Street. At some stage the Millett family owned them. The Royal and the Olive Tree (formerly the Railway) hotels remain on their original site but not in their original appearance.A black and white photograph with a cream border of a single storey hotel building with a headlight window on the RHS of the corner entry doorway, which also has lead light windows. A young tree and power pole are seen on the RHS of the image. hotels, royal hotel, s.winter, t. millett

National significance. Presented as souvenir by Commodore Mr Andrew M. Cannon AM, of the Australian Yacht Squadron. Date of presentation unknown but commemorates America's Cup victory of Australia II in 1982. Commodore Dacre Smyth, who designed and presented the Naval windows in the MTSV chapel , was also a member of the Squadron. The burgee was designed by Nigel Abbott, twice world sailing champion and graphic designer. The burgee design features the Commonwealth Star in the corner, the A for Australia and the nautical colours of Royal blue – as per the Oxford Concise Dictionary – red and white.A link and souvenir with a significant event in the life of yachtsmen and for the City of Perth and Australia in 1982. The first time in many years that the USA lost this coveted cup and contest.Mounted triangular pennant style Australian Yacht Squadron flag also known in yachting circles as a burgee. Red, white and blue colours with white star in the middle and Red 'A' on top left. Gilded wooden frame with glazing with three window label inserts. Mount includes at lower right a souvenir green rectangular piece of the Australia II Spinnaker used to win the America's Cup in 1982. Sticker on back of frame has framers details.'Commodore Andrew M. Cannon' 'From the Commodore of the Australian Yacht Squadron, Andrew Cannon, To the Mission to Seafarers' 'Piece of Australia II Spinnaker Used to win the America's Cup' australian yacht squadron, andrew m. cannon, commodore, 1982, america's cup, burgee, australia ii, commodore dacre smyth (1923-2008), pennant

Eliza Rutledge (1820-1888) was the daughter of Rupert and Jane (nee Newby) Kirk. She married William Rutledge in St James’ Church, Sydney on 18th August, 1840. She and William had five children, two sons and five daughters. Recorded accounts tell that Eliza was “beloved for her kindness and hospitality” and that she and William kept open house for all manner of social events and occasions. Eliza died at Farnham Park, Dennington, on 31st August 1888. She is buried at Tower Hill Cemetery. The marriage of Eliza to William Rutledge, a man of historical importance in the development of Port Fairy, Warrnambool and the western district of Victoria, places her as a person of importance.Their daughter Susan Fleetwood is also memorialised in a window in Christ Church, Warrnambool. Their son Thomas Forster is also memorialised with a tablet positioned near the Eliza Rutledge windows. Stained glass, lancet window, south wall, main nave. Depiction of the ascension of Christ."By Thy Glorious Ascension Good Lord Deliver Us" In Latin: +In Memoriam+ Elizae Rutledge quae pridie idus Februarias/ MDCCXX nata pridie kalendas Septembres MDCCCXXXVIII obit/ liberi amantissimi Gulielmus Rutledge et Susanna Fleetwood pietatis/ indicio hane Jenestram posuerant Beati qui sunt mundi corde.rutledge, christ church warrnambool, eliza rutledge, eliza kirk, farnham park

Woolamai House was built in approx 1869 on part of Capt Cleeland's property which covered most of the eastern end of Phillip Island. He maintained the Beacon Light on Woolamai Point close to his house. Owned and occupied by family since 1869.Coloured photograph - view of wooden outbuilding, showing two doors and two windows - chimney.local history, photographs, buildings - historical, coloured photograph, john cook, woolamai house, cleeland family history

Unknown person in a police car holding up a POLICE sign to the window, circa 1950police vehicles; transport branch; wireless patrol; motor police branch; motor traffic section

Colour photographs showing the interior and the Stained Glass Windows at the Ballarat Technical Art School.ballarat technical art school, stained glass window, gribble building

Colour slide in a mount. Cocos (Keeling) Islands, Australia (taken through plane window)Made in Australia / Cocos Islands (Handwritten)australia, slide, robin boyd

Tin Buggy Lamp with candle. Small glass window. Bracket for attachment. Liddle Family stawell

Colour Photograph showing a partially demolished mineers cottage, with the doors,windows and roof removed.

Miss Molan's (From Deep Lead) Patrick StreetColour Photograph: Weatherboard House with verandah, Iron roof. Two doors and two windowsstawell residence homes

Coloured photo of Mitcham Primary School. North windows. West entrance Tirana Avenue.mitcham primary school, no. 2904

Toy metal truck chassis with green windows and red front. Four rubber wheels.Daf. Lesney. Made in England.toys, general

Photograph of two kookaburras taken from the window of a four storey building at Mount Helen.kookaburra, bird, laughing jackass

Parma House was bult by Italian born Fabrizio Crippa. It was restored from a burnt wreck to Villa Parma by Richard Rigby and Franchek. Walls were scraped back to the original, and burnt umber detailing added. The garden was created by Richard Rigby and Kevin Flintoff.View from the second storey window of Parma House, Main Road, Hepburn Springs.villa parma, fabrizio crippa, parma house, richard rigby, kevin flintoff, garden, hepburn springs

Graham STONE Graham Stone has worked with glass for over 25 years. He has taught at Monash University, then RMIT University. He was a founding member of Ausglass, Coordinator of the Cold Glass Access Workshop at the Meat Market Craft centre, and Editor of Ausglass Magazine. Four slumped glass windows in the Crofton Hatsell Room at Federation University Gippsland campus.artwork, artists, glass, stained glass, slumped glass, gippsland campus, graham stone

St Patrick's R.C.Church interior around 1920-30Black and white photograph Interior looking toward the altar and the 4 panel arched windowsRose Series P. 1138. interior of St Patricks Church Port Fairy Victoriachurch, sunday-school, building, st patrick, catholic, interior

The construction of Seaview commenced in 1860, after David Talbot, purchased the land from James Atkinson,It had been suggested that it was intended to be double storied but there is no evidence of how that would have been accomplished. Following Talbot’s insolvency, Michael O’Reilly leased the house in 1862 until 1876 when he left for Melbourne.William Powling (Solicitor) acquired the house for Eight hundred and twenty three pounds in 1890 and lived there the rest of his life. His son Ernest Powling continued living there before selling it to Matthew Cathcart in 1917.Coloured photograph of White painted stone house with bay window to right and large verandahcottage, building, home, house, seaview