artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Army Jungle Greenuniform, 1969, army

Blue, light canvas, bag with eyelets

Book contains notes for physical training. Property belonged to Howard Maxwell DAY VX31282, 2nd AIF. Refer Reg No 92.2 for service details also 87, 88, 90, 91.2.Light brown cardboard cover; name & illustration of knight in armour on horseback on front. Inside, lined pages with margins & handwritten notes. Australian Comforts Fund loose sheet inside.Handwritten top right: VX31282 L/Cpl H.M Day 3 Corps Section 1st Aust Ord Fld Park Front centre: Domrémy Bottom left: No 4760documents - notebooks, records, training instructions

Mountain Grand guest house in Autumn Guest House in Halls GapAutumn Halls Gap 87/3guesthouses, mountain grand

From the Temple estate. George Temple (1832-1918) started Temple's Store opposite the Post Office and packed stores to Bendoc. Donor was the grand-daughter of Dr Kerr, first doctor in OrbostThis item is an example of a piece of jewelry worn by women in the early 20th century.Small fine mother-of-pearl shell necklace with metal clasp.necklace jewelry costume-accessories pearl

Black and white photographWritten on rear of backing sheet: "Main St., Melbourne St. to Ringwood St., 1974."

In the late 19th and early-20th centuries household heaters burned wood and coal for heating. In winter the warm air from the fireplace would flow into the room through a round flue in the face of the chimney. In the warmer months the unnecessary heater and flue was removed and the chimney cleaned. Homemakers then covered the circular flue hole with a decorative and usually inexpensive wall hanging to prevent draughts and dust. The practice was especially popular in France and Germany where a lot of the artwork originated. The covers were no longer needed after households changed over to more modern designs of heaters. The flue covers were known as Wall Art or Flue Cover Art. They were usually round and illustrated with a lithograph or chromograph print. The picture was then mounted on card, covered with glass, and framed with a brass or tin rim. The border was commonly gilt with a black stripe around the centre. There were numerous illustrations, many with a European appearance, and were easily bought through local merchants for a small price.This pretty flue cover is significant for representing a common domestic wall decoration from the late Victorian to the Edwardian eras, when solid fuel heaters were used in low to high income homes. The picture is similar to many other flue cover images, apart from the holly clutched in the girl’s hand, which gives the cover a Christmas theme. This flue cover is the only one in our collection and appears to have a unique design; the hand painted floral decoration on the glass and the two crimson rings around the edges of the frame’s white border haven’t been seen on other flue covers. Flue cover, metal and glass. Print of a young girl with blue eyes and curly blonde hair, a hooded blue cape, a silver clasp with blue stones, and a sprig of holly in her hand. The round metal frame forms a deep, white-painted, crimson-edged border for the illustration. The hand-painted blue flowers on the glass front form add to the border and give a 3-dimensional effect. The picture is between the cardboard backing and the glass front, with the metal frame holding them together. There is a metal chain attached for hanging the cover.warrnambool, flagstaff hill maritime museum, picture, handpainted, portrait, girl in blue cape, metal frame, round picture, illustration, print, holly, christmas, child in blue cape, silver and blue clasp, holly sprig, late 19th century, early 20th century, 1890s-1930s, victorain, edwardian, flue cover, flue cover art, wall art, chimney flue cover, chimney hole cover, stove pipe cover, fireplace flue cover, antique, victorian, glass frame, chromograph, lithograph, tin, brass, lithograph print, chromo print, christmas girl, blue cape, blonde girl

black and white photo, lake with swans in foreground, island in centre, water slide in background. Water pondage upper reserve looking west, giant water slide in background, C 1908, taken from post card. ( James Lerk 17.12.1999 )unknownplace, water, upper reserve, bendigo

Board-Maroon Yellow lettering. Regimental ODE. Rar badge on top 9BN Symbol on Bottom (Roman numerals + Rams head)Regimental ODE - RestYE, Oh warriors, You'll battle no more. No longer to live the horrors of war. Your duty was done with honour and pride farewell. Oh Brothers until we march by your side. Lest we forget9 rar, 9th bn ode

.1 WHITE PORCELAIN CONTAINER .2 LID.1 Sticker 126 .2 Cherry Tooth Paste ~ For beautifying & preserving the Teeth and Gums. Patronized by the Queen local history, toilet requisites, teeth, personal effects

Built by the celebrated shipbuilder Donald McKay, the Lightning was the first clipper built in the USA for a British firm. In 1862 on a return trip to Liverpool, it struck an uncharted rock in a rip. No water entered the vessel but on arrival a rock 6 feet long was found sticking through its timbers and beginning to work loose. Under Capt. 'Bully' Forbes, the Lightning made its first voyage to Australia in 77 days, and on its return voyage, made it in a record 64 days. The Lightning's entire life was spent on the Australian run carrying immigrants and cargo. It had the job of carrying free of charge immigrants and early consignments of introduced animals, including rabbits, which were sent to Thomas Austin of Barwon Park, Winchelsea. The wreck of ‘Lightning’ caused by fire was the worst shipping calamity in Geelong's history. Geelong's Centenary celebrations included a re-enactment of the burning of ‘Lightning’.Framed picture of ‘Lightning’ which is a ship particularly historic to the region of Geelong because of its story, the worst shipping calamity in Geelong's history.Framed Picture of ship "Lightning"lightning, geelong, ship wreck

Heavy, intricate, good quality lace. Use - either fashionable costume or ecclesiastical.Needle lace flounce - sample

This object relates to Neil Godfrey WALKADINE. He was born on 25/12/1922 in Melbourne, VIC. Neil Godfrey served in the Army (NX136354 (N280367)) enlisting on, 21/10/1942 in Oakleigh, VIC before being discharged from duties with the ARTY POOL NSW L OF C AREA as a Army Non-Commissioned Gunner (GNR) on 29/12/1944. Neil Godfrey WALKADINE was not a prisoner of war. His next of kin is Ethel WALKADINE. Neil Walkadine was awarded the Australia Service Medal 1939-1946 and the War Medal 1939-1945.1 of 3 No. V26051 2 of 3 No. V10460 3 of 3 No. V5104uniforms, ballarat rsl, ballarat

world war 1, anzac, ww1, soldiers, australian, uniform, back, camp

Framed Olympic Games 1956 Photomontage print with Limited Edition Certificate attached. Presented to the South Gippsland Shire Council from the Olympic Games Committee, Sydney 2000. Cream card window mount with engraved text panel set in light brown wood frame. The photomontage features images of the the Olympic Torch and Commemorative medals atop with text and signatures above a collection of ephemera, memorabilia, items of clothing and objects relating to the Olympic games.

Wooden handled iron bale hook.wool bales

RAN Tally BandHMAS Harman

Artist is not known. Comments recorded at the time of purchase are that it is possibly by 'Plimer'. Andrew Plimer, 1763-1837 and his brother Nathaniel Plimer, 1757-1828, were notable British miniaturist portrait painters.William Henry Bacchus was one of the first British colonists to arrive in the Waddawurrung and Wurundjeri first nations peoples country 55 kilometers west of Melbourne in 1838. He established a large sheep property and built a notable large Georgian style home which still stands in the town of Bacchus Marsh today. From shortly after his arrival the area became known to the colonists as Bacchus's Marsh, and was later officiaslly named 'Bacchus Marsh' in his memory.Small framed painting of William Henry Bacchus. On the reverse is a label which reads: Captain William Henry Bacchus who arrived in the district of Bacchus Marsh early in 1838, was born in Suffolk, England, 1782, and died at Bacchus Marsh on 26 February 1849. His remains were interred in the graveyard of Holy Trinity Church which during his lifetime he had richly endowed with a gift of land. He was a Captain of the 2nd Royal Surrey Militia and formerly Captain of the 18th Light Dragoons.bacchus family, william henry bacchus 1782-1849

Presented to School children.Peace Commemoration Medal 1919 on faded red, white and blue ribbon."Victory - The Triumph of Liberty and Justice."

52 Decorations and Campaign Medals awarded to Australians for bravery and service in theatres of war from1860Gold and brown coloured frame containing 52 medals and decorations with written explaination for eachDecorations and Campaign Medals AUSTRALIAcampaign medals, australlia, decorations

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens. The clothing appears to be from the Victorian era. Mounted in a textured grey matt with green matt edging in a black and silver frame with glass.Front: 29/ 37 (lower left) a Gee (lower right) (pencil) Back: (no inscriptions)female artists, female artist, angela gee, poster workshop, 150th anniversary, angela gee residency

Drawing of the air brake system on a Melbourne tram using a self lapping brake and relay valve - the charging and release positions. 89.1 - shows the relay valve in the exhaust position 89.2 - shows the valve in the applied position. Has been drawn in ink on a piece of paper, and the coloured red or green as necessary to show the various positions and state of the valves, reservoir, brake cylinder and pipes.trams, tramways, mmtb, braking, brake valves

These breast pumps were also known as breast relievers or breast exhausters. They were a refinement of the much earlier 'sucking glass'. The breast pump was refined during the Victorian age. Glass breast pumps were used to manually express milk for the infant. These pumps were in use from the early 1920s to the late 1960s. They can also be used to stimulate lactation. These pumps were widely used in the 1950s by mothers of premature babies. The milk was expressed by hand in the home, then transported to the hospital to feed the premature infant. Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Glass breast pump. Pump is loosely bell shaped with a glass bowl attached to the side of the bell.infant feeding, midwifery