Frame 10. Photo 1. A group of Sergeants on the deck of the Karmala. Jack and Bert were the only Sergeants from the 45th quota from the original Battalion on the Karmala. There were two other Sergeants who had transferred to the 38th, one in Oct 1918, Sgt R. L. Glover from the 37th Batt and Sgt F. Perkins also from the 37th who transferred in April 1919. Both are or should be in the collection of photos. Photo 2. life on deck of the Karmalal. Photo 3. A group of nurses on the Karmala. In the family collection there are two faded sepia photos showing the others not in this negative. The negatives to these are missing. From the War Diary of the Karmala there were ten nurses on the Karmala and there are ten nurses in the photos. There was also the ship's Medical Officer who is hidden in this negative. The ship's S.M.O. was Captain C. P. Rosenthal from the 33rd Batt HQ. The nurses on board were: Sister Sarah Eliza Faulkner (Sydney) S/Nurse Ivy Louisa Robbins (Epping NSW) S/Nurse Edith Agnes Purdon (Bathurst, NSW) Sister Catherine Douglas Graham (Footscray, Vic) Nurse Gladys Webster Jarrett "RRC" (Middle Park, Vic) Nurse Ida Mary Mason (Wodonga, Vic) Nurse Ethel May Mead "RRC" (Elsternwick, Vic) Sister Elizabeth Hamilton O'Reilly (Leitchville, Vic) S/Nurse Janet Hay (Adelaide, SA) Sister Janet Ivy Barron (Ennogerra, Qld) Photo 4. Arriving at Cape Town, South Africa on the way home. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. 4 photographs top to bottom. 1. Group of soldiers on ship's deck. 2. Crowd of soldiers on ship's deck. 3. Group of nurses on ship's deck. 4. View of a dock. Frame - timber with black colour paint. Glass front. Mount - black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten black felt tip pen "10."framed photographs, grinton collection, ww1, 38th

Frame 2. Photo 1. Jack in a billet which appears to be part of a barn. In writings it seems this was a Visme-au-Val in France. He had written "At my washing". Photo 2. Accommodation in an old Army hut, place unknown. Photo 3. "Tucker Time", place unknown. Photo 4. Group of diggers with some locals, they may have been billeted with them. Refer Cat No 5880P for exhibition details. Refer Cat No 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. Four photographs top to bottom. 1. Soldiers in a billet. 2. Accommodation in an old Army hut, 3. 4 soldiers with mess tins. 4. 4 soldiers with 4 local people. Frame - timber with black colour paint, glass front, mount black cardboard, backing cardboard with handwritten notation.Backing cardboard - handwritten black felt tip pen "2."framed photographs, grinton collection, ww1, 38th

Photos in the collection relating to R.G. Bennetts No. 119452 & A36088, R.R. Bennetts No. A312177 RAAF. Refer to Cat. No. 560.3.1) Photo, black & white, group of 20 Australian Rules footballers, 86 Sqd RAAF. On rear in pen are all their names. .2) Photo, black & white, group of 23 Rugby League footballers, 86 Sqd RAAF. On rear in pen are all their names. .3) Photo, black & white, RAAF parade, band & aeroplanes in background..1) In black pen: "Runners Up Grand Final 29.7.45" .2) In black pen: "86 SQD Rugby League Football team 1945 Runners Up".raaf, photographs

Soft cardboard cover, black & white print front & spine. Background in grey & off white tones, front 2 Rising Sun badges top & bottom, illustrated numerous colour patches in black / white. Cut, plain, white illustrated colour & black / white photos & diagrams of patches. Black ink stamp on top front cover: “AREA CLOTHING STORE PUCKAPUNYAL LOG. BN” Handwritten inscription in black ink on title page: “Donated by Gary BALL”book, colour patch, register

This photograph shows the interior of a library, possibly a storeroom.Black and white photograph of a library interior, showing tables and chairs, empty floorspace and with empty bookshelves stacked against the left hand wall. There is a box on one of the tables. A woman is walking through a doorway next to a bookshelf containing books in the background of the photograph.Printed in black ink: 868Elibrary, libraries

Military issue. Peter Dodd collection refer cat No 2436.2PToiletry bag, water proof green colour, rectangular shape, top has a green cord draw string, inside is divided into two sections, stamped in black on one side.In black, “(arrow up) VQ 1976”toiletry bags, accessory

Tin, grey metal with black script on the top & underside. Containing ointment.Printed in black on front of tin: “OINTMENT ANTI-GAS NO 3A”accessory, anti gas, ointment

A photo of Santa and Melbourne Legacy President Bill Braidie with children and gifts in one the residences (either Stanhope, Harelands or Blamey House - Kew) in 1974. Photo came from a folder marked Residences. Melbourne Legacy ran residences to take care of children whose deceased father had been a serviceman and the mother was unable to care for them herself or the child needed to be in city for education reasons. The first was Holmbush which started in 1942. Then Stanhope in 1945, these were for older children for education or vocational opportunities. There was a need for a toddler/younger child home so Blamey House was established in Beaumaris in 1947 for 3 to 9 year olds. Harelands was acquired in 1950. Then the property in Beaumaris was sold and the name Blamey House was transferred to Holmbush, at 1267 Burke Road Kew from 1956 to 1978. For much of the time from late 1950s to 1970s Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. Stanhope was closed in the late 1970s and when Blamey House (formerly Holmbush) was closed the name was again transferred, this time to Harelands from 1978 to 1981 when it was the last residence to be sold.A record of gifts for the children at the residences in 1974.Black and white photo of Junior Legatees with Santa and gifts at a residence in 1974.Handwritten 'P7 Legacy' in blue pen and '1974' in black penchristmas gifts, residences, bill braidie

Front cover of book is a blue background with black flowers. 160 pages.fictionfiction

Black and White photograph on backing showing a ship with one funnel and text over the item.In black print above photo: “1914 EUROPEAN WAR 1919” In white print on photo: “Leicestershire” In black print centre below photo: “Return of the AIF” In black print bottom R: GORDON JENKINS PHOTO 75 RUTHVEN ST WAVERLEY”photographs, aif, return

Historical record of early residents of Myrtleford area circa 1950's/1960'sHistorical record of early residents of Myrtleford area circa 1950's/1960'sBlack and white photograph of Gorden Miller and Ken Alexander working on a vehicleHandwritten in black ink on the back of photograph: Gorden Muller Myrtleford (curly hair with drum) Ken Alexander with hat. Stamped on back in black ink - 6 250gordon muller, myrtleford, ken alexander

Black and white photograph of Lesley Hills and Geoffrey Butterworth in garden c1942Digital copy of black and white photograph.lesley hooper, geoff butterworth

This crate of bottles may have come from a wholesaler, business, stationer or school. The design of the bottles is sometimes called a ‘cottage’ or ‘boat’ shape. Each of the 70 Caldwell’s handmade glass ink bottles was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This large collection of similar ink bottles is of particular significance as the bottles have come from the same source, most have their original corks and some retain their original labels, which is rare. The method of manufacture of these bottles is also representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottles and their contents are of state significance for being produced by an early Melbourne industry and exported overseas. This case of ink bottles is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottles in a wooden crate; 70 rectangular, hand-blown clear glass ink bottles. They have side seams, uneven thickness, especially at the bases, and rough, burst-off mouths. The shoulders on the long sides have horizontal grooves used for pen rests. The bottles vary; some have labels, some contain remnants of blue-black ink, and many have their original corks. The glass has bubbles and imperfections. The remnants of printed labels are on white paper with a swirly border and black text. The bottles contained Caldwell’s blend of blue black ‘Flo-Eesi’ ink.Printed on label; “CALDWELL FLO-EESI BLUE BLACK INK” “ - - - - “ Printed script signature “F.R. Caldwell”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

According to the shipslist.com, the Union Steam Ship Company of New Zealand had 3 ships called Koranui. Koranui (1) 1883 1885 taken over with Black Diamond Line fleet, 1889 wrecked Blind Bay. 448 Koranui (2) 1914 ex- Cleopatra (A.Kirsten, Hamburg), 1920 war reparations and renamed, 1953 to J. Hagen, Noumea, renamed Neo Hebridais II. 1,266 Koranui (3) 1956 1976 sold to Maldives, renamed South Pacific. 3,722 The buoy is most likely coming from one of the last two on te list.The lifebuoy is a essential piece of equipment on a ship; as it has the name of the ship written on it it is often a memorabilia kept after the ship has changed name or has been broken up.Ring shaped life preserver from SS Koranui divided into four sections alternating between red and white colourings.Black writing on white sections of buoy: "S.S. KORANUI/MELBOURNE"buoy, safety wheel, lifebelt, water wheely, ring buoy, lifering, lifesaver, life donut, life preserver, perry buoy, mission to seafarers, seamen's mission, ss koranui, new zeaaland, union steam ship company of new zealand, rescue, life saving equipment

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Evelyn and Duncan Black. The photo was made by Yeoman Co. of Bourke Street Melbourne which operated between 1888 and 1915.Digital copy of black and white studio photograph.shirley fraser, evelyn black, duncan black

Black and white portrait of male - possible a member of the Chatham family.Black and white portrait in light card framechatham-holmes collection, chatham family

Biography of Leonard Keysor. This is the personal story of one of Australia's 9 VC recipients at Gallipoli & the story of his family. Compiled by his great neice, Kiera Quinn Lockyer.Soft cardboard cover, black print on front, spine & back. Mottled beige background with two black & white photos on front. Larger photo is a painting of a soldier in uniform on the battlefield, smaller photo is a half portrait of a soldier in uniform. 302 pages, cut plain paper, illustrated with black & white photos of people, certificates, medals, ships & buildings.Front flyleaf signed in black ink: “Keira Quinn Lockyer”books-military, photography-photographs, keysor, vc

Photo relates to James Worland MILLS as a cadet. He would become No 3441 59th Battalion AIF. Refer Cat No 169P for his service details.Post card photo, black / white, showing a young cadet soldier standing in uniform with a background facade.On rear LHS in black pen: “To My Dear Bell”photograph, cadet, 59th

In the early nineteenth century larger Australian wool producers sent all their wool by sailing ship to London, where colonial auctions were held in November, January, February and March. Wool bales were carried from the farm on drays or wagons pulled by bullocks, horses or camels to port warehouses. In these times, wool transport could take anything from a week to six months. Ships, such as the Lightning, were then loaded and raced each other to get to London ahead of their rivals. The wooden ship 'Lightning' was destroyed by fire while loading wool at Geelong 31 Oct. 1869. Scuttled in Corio Bay and the remains later blown up. Reputed to be one of the fastest sailing ships. Famous in the Australian passenger trade.Model of a clipper ship with hull painted brown and black. Red Ensign flag attached to flag pole.On label - Lightning Black Ball Line 1854-55geelong, transport, model ship, lightning, wool transport

A black and white photograph of Murchison Street in Marysville in Victoria.A black and white photograph of Murchison Street in Marysville in Victoria. Murchison Street was named for Roderick Impey Murchison who was one of the most distinguished geologists of the 19th century. His liberality and social position plus the pride he took in his science were of immense value in furthering the cause of learning in Britain.murchison street, marysville, victoria, roderick impey murchison, geology, geologist