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Geoffrey Kaye Museum of Anaesthetic History
Photograph, Specialized Photographic Company Pty. Ltd
Black and white photograph depicting a labour ward in a hospital, with two men in business suits standing on the left of the photograph next to an nitrous oxide machine. A woman patient is lying in a hospital bed on the right, wearing a hospital gown and holding the mouth-piece of the apparatus to her face. The two men are looking down at the equipment and the man on the left, Dr Kevin McCaul, is pointing at the patient, demonstrating the use of the demand flow nitrous oxide/oxygen apparatus. A lamp is above the bed and there are curtains behind the men on the left.•Handwritten on reverse in grey pencil: 1 [in a circle] •Printed stamp in blue ink on reverse: 51 4776 / PHOTOGRAPHED BY SPECIALIZED / PHOTOGRAPHIC / COMPANY PTY. LTD. / REF. No .................... 240 CHAPEL STREET / TAKE ........................ PRAHRAN, VICT., S1 / PHONE 51 4776 / 51 1752 •Handwritten in black ink on reverse: 4874 [next to REF. No] / D [next to TAKE]nitrous oxide apparatus, demand flow apparatus, kevin mccaul, anaesthetic equipment -
Federation University Historical Collection
Photograph - Photographs - Colour, University of Ballarat Graduation Photograph Album, 2000, 2000
University of Ballarat is a predecessor institution of Federation University Australia. Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. Large black photograph album with sticky pages. Includes photographs of 2000 recipients of University of Ballarat Honorary Doctorates:- Mary Atkinson, Jeff Kennett , Chancellor David Caro, academics and graduands.mary atkinson, jeff kennett, graduation, honorary doctorate, university of ballarat, david caro, kerry cox, mary akers, academic regalia, michael aderman -
Bendigo Historical Society Inc.
Photograph - AILEEN AND JOHN ELLISON COLLECTION: FRAMED WEDDING PHOTOGRAPH OF BRIDE, 24 September 1949
Photograph. 12.5 cms x 17.5 cms, in a plain silver frame. In black and white, this photograph shows bride Aileen Beryl Ervin of McKenzie Creek, via Horsham, in her wedding attire, for her marriage to Leslie John Ellison, of McKenzie Creek via Horsham. This ceremony was officiated by Rev. Francis Fielding, on September 24th 1949, in the Horsham Methodist Church. The bride wore a beautiful gown, with a short and a long veil. Her flowers trail beautifully and she appears to be holding some horseshoes over her left arm.photograph, person, photograph of bride. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Porcelain figurine of a doctor holding a monkey
The writing is unclear, but the name of the artist for this piece may be Bessi.Colourful porcelain figurine of a doctor holding a monkey. The doctorhas yellow hair and is wearing a white coat, with a white substance on their hands resembling gloves. They are wearing bright green and orange striped pants below the gown, and green high heeled shoes. The doctor is holding a monkey by its ankles in their left hand, and is holding the palm of his right hand on the monkey's bottom. The doctor is standing behind a small white crib, which is covered with a blue and white patterned blanket. The maker's name 'BESSI'(?) and the word 'ITALY' are hand painted on the underside of the crib.obstetrics -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. D'Arcy Wood, (1) 10/2002 (2) - (8) Undated, but presumably 1984
The Rev. Dr D'Arcy Wood, now retired and living in Riddells Creek, Victoria, has been President of the UCA, lecturer at Parkin-Wesley College in Adelaide, and parish minister. For full details, see Proceedings of the UC Historical Society Synod of Victoria & Tasmania, Vol. 22, No. 2, December 2015. For the story of the interview with Hugh Morgan, see C&N 25/7/1984.(1) Clipping from "The Star" showing Wood with 5 recipients of the Dr Wood Scholarship. (2) Head & shoulders Wood in alb and scar. (3) Wood with Rev. Dr Gregor Henderson as President and General Secretary of the UCA Assembly. (4) Wood preaching, wearing an academic gown. (5) Wood reclining in a chair. (6) Wood sitting at a table interviewing Hugh Morgan (see C&N 25/7/84). (7) Wood facing Hugh Morgan during the interview. (8) Wood leaning on the table during the interview with Hugh Morgan.Identification of Wood.wood, d'arcy -
Ballarat Tramway Museum
Photograph - Digital image, John Ward, 22/03/1970 12:00:00 AM
Digital image of three Bendigo trams at Charing Cross. Trams 7 (North Bendigo), 21 (Golden Square) and 2 (Quarry Hill). Has the Beehive building in the background, along with sings for 3BO, Myer, Amor gowns and Wm I Jones Chemist. The trams have some SEC Roof adverts. Photo by John Ward 22 March 1970. Slide title "00757 220370 SEC single truck trams 7 & 21 Pall Mall bogie tram 2 Mitchell St Charing Cross Bendigo Vic"trams, tramways, bendigo, charing cross, pall mall, mitchell st, tram 7, tram 21, tram 2 -
Kew Historical Society Inc
Clothing, Floral Crepe Georgette Summer Dress, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family. Long floral green crepe georgette dress.women's clothing, dresses, australian fashion - 1930s -
Kew Historical Society Inc
Clothing, Floral Crepe Georgette Summer Dress, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family.Long cream and orange floral crepe georgette evening dresswomen's clothing, australian fashion - 1930s, fashion and textiles collection, rosemary smart -
Kew Historical Society Inc
Clothing - White Embossed Cotton Evening Dress, Ricki Reed, 1960s
Dorethy Rabinov’s Melbourne-based brand Ricki Reed "became an international success story. Her brand catered to “the petite and young, people who like smart simple dress” and popular with the women lib groups due to her comfortable smart pantsuits. The Ricki Reed’s brand often favored synthetic fabrics designed to keep up with the life of an active, busy woman. Through out the decades, Miss Rabinov dabbled in prairie gowns, tailored pant suits, bold colours and floral prints. Spanning over three decades Miss Rabinov kept Ricki Reed at the front of fashion, keeping ahead of trends and on the bodies of fashionistas." (Source: 'House of Darlington' website). This dress was owned, worn and donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Sleeveless embossed white cotton high waisted cocktail dress designed by Ricki Reed of Melbourne.Nilricki reed, women's clothing, evening wear, australian fashion - 1960s, mcintyre collection -
Flagstaff Hill Maritime Museum and Village
Leisure object - Boudoir Doll, c. early 1900s
The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll -
Bendigo Historical Society Inc.
Photograph - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE AT CAMP HILL STATE SCHOOL
Two small black and white photographs of Room 1 at Camp Hill State School. (a) Ms. J.C. Burnett is photographed teaching a class. She has a blackboard behind her and she is looking at some books on her desk. She is wearing a gown over her clothing. (b) A black and white photograph of an unknown teacher standing in front of her desk. There is some work written on the blackboard. On one side the date is written as August 4th with some writing below. On the other side is some writing underneath the heading 'Instruments of the Orchestra'. 14/8/47. See 3320.100bendigo, education, miss j.c. burnett, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, ms. j.c. burnett, camp hill state school, photo, photos, photograph, photographs, photography, staff, bendigo teachers' college, mr. geoff pryor, history, place, person, female -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Staffordshire ceramic figurine of Queen Victoria, with baby, c. 1840
This is believed to be a figurine of Queen Victoria. Staffordshire pottery began to be produced in the 1840s, at the beginning of the reign of Queen Victoria, and the Queen and her family were popular subjects for depiction in pottery.Painted ceramic figurine of a woman holding a baby. The woman is wearing a dark blue dress with gold lapels and a white frilled collar, and a decorative gold pattern at the hem. The woman is also wearing a white bonnet with gold bow at the top and a red flower at the front, white gloves, and yellow slippers. The woman has short, dark coloured hair visible beneath the bonnet, and rosy cheeks. She is seated on a stool and cushion, and is holding a baby on her knee. The baby is dressed in a long white gown, with a hood. Sticker beneath the base of the statue carries the handwritten number '44'. -
Melbourne Legacy
Slide, Dressed for the Royal Ball 1959, 1959
Slide photographs of two Stanhope residents prepared to go to the ball held in honour of Princess Alexandra's visit to Melbourne in 1959. The ball was held at the Melbourne Town Hall. Elizabeth Brown (on the right) was a resident at Stanhope after her father died in 1953 and she came to Melbourne from Seymour to compete further studies at Toorak Teachers College. She was chosen to present a bouquet to Princess Alexandra at the Royal Ball. Elizabeth wore a pink taffeta gown and was accompanied by a Legacy boy, Julian Hyde. The handwritten note implies it is the visit of the Queen Mother, but it was a ball held to welcome Princess Alexandra in September 1959. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of of a Legacy girl being chosen to participate at an important event.Colour slide x 4 of two Stanhope ladies in ballgowns, in a beige Anscochrome mount.Handwritten on reverse 'Stanhope girls. Visit of Queen Mother' in blue pen.junior legatee, royal visit, ballgown, stanhope -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 29/1/1910
Coloured picture of a bride and groom in a garden house. The bride is wearing a long sleeve, long gown and veil and carrying a bouquet of white flowers with green leaves. The groom is wearing a long black coat, grey trousers with white shirt & waistcoat with gold chain. He is carrying a top hat. A girl, dressed in a blue dress is throwing pink petals before the couple. There are people following the bride & groom. In the background is a lake with a sailing boat on it. At the top is printed 'Horner's Penny Stories 'River of Life' Series No 3. 29. 1. 1910. On the back is written in ink - MP 276. The picture is titled 'The Wedding Morn'.MP276personal effects, greeting cards, malone collection, malone collection, greeting cards, horner's penny stories 'river of life' series no 4 -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: INFANTS CREAM SILK CHRISTENING GOWN
Clothing. Infant's cream silk christening gown. High round neckline edged with gathered .7 cm lace. Yoke front (7cm) and back (8cm) of lace pieces and pin tucks. Skirt has 37 cm border of horizontal pin tucks, embroidered sections, piping and hemmed with scalloped embroidered lace.Centre back opening (21 cm) fastened at neck and lower edge of yoke with one cm pearl look buttons. No button holes. Long sleeves gathered at shoulders and gathered into 3 cm band of lace at wrist with gathered lace frill at hem. Three pin tucks around sleeves at elbow.costume, children's, infant's cream silk christening gown -
Bendigo Historical Society Inc.
Clothing - ELAINE BISHOP COLLECTION: INFANT'S GOWN, 1890-1910
Clothing. Infant's white cotton gown with long sleeves. Round neck with casing for cotton tape ties. 2cm lace trim around neck. Back opening (18cm). Gathered at back from neckline. Front has pintucks from neckline to broiderie lace band at waist (15cm X 2.8cm). Gathered below band. Cotton fabric ties (66cm) attached to either side of waist band.Centre front of bodice has vertical lace insert (10cm X 2.8cm) from neck to waist. Ties and sleeves trimmed with 1cm lace. French seams. Machine stitched. Old box 230.costume, children's, infant's gown -
Nhill & District Historical Society Inc.
Clothing - 1980 of Wedding dress of Debbie Jarred, Cassandra Gowns, 8 March 1980
Debra Jarred only daughter of Rex and Joan Jarred, of Broughton, married John Barber second son of Basil and Val Barber of Nhill, on 8 March 1980, at the Uniting Church, Broughton.Nhill family wedding; representing style of wedding dresses in 1980Wedding dress made by Cassandra Gowns; shoe string strap daisy lace bodice, with stand up collar of daisy lace and pleated skirt, elegantly covered with a cuffed long sleeve blouse, over skirt & belt of chiffon, flowing graceful soft train, finishing with a head-dress decorated in daisies attached to a long fine silk net veil.(2007.01.1) - Bouquet of white silk roses & ribbon(2007.01.2); white high heal lattice toe shoes with delicate ankle strap (2007.01.3), Blue lace garter & assorted crocheted bells, horse-shoe, and slippers, of satin ribbon (2007.01.4)daisy lace trim on cuffs and necklinewedding dress, 1980, broughton, debra jarred, debbie jarred, john barber, uniting church, rex & joan jarred, basil & val barber], nhill -
Nhill & District Historical Society Inc.
Clothing - 1949 Wedding dress handmade and worn by Marjorie Schneider, 2 March 1949
This wedding dress was made & worn by Marjorie Gertrude Schneider, elder daughter of Mr & Mrs A. A. Schneider, of Lorquon, married Harold Francis Rohde, youngest son of Mr & Mrs J. B. Rohde, of Gerang, at St. Paul's Lutheran Church, Woorak, March 2nd, 1949.The dress was handmade by the bride, Marjorie Schneider.A charming frock of ivory cloque, inset with a yoke of beige lace with scalloped edges, cut on very flattering lines. The bodice, fitting perfectly to the waist and the back having a row of buttons, was ornamented as the shoulder with a diamante clip which had adorned her mother's wedding gown. The full skirt was draped softly from the waist, & extended into a long train at the back. The halo of orange blossom, which held the veil in place, set off to perfection the exquisite bride. She carried a shower bouquet of creamy white tiger lilies, gardenias, dahlias, gladioli and rose buds, & added to this was several horseshoes given by friends.schneider, rohde, woorak, st paul's lutheran church, gerang, lorquon, wedding -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Digital image, Barry Sutton, c.1930
In 1930 the Society were pioneers in opening an Ante-Natal Clinic at the Melbourne District Nursing Society (MDNS) After-Care Home, setting a high standard with equipment, keeping records and providing leaflets with instructions in how to keep healthy during pregnancy, what complications to look for, and what to do when labour commenced. This image was taken in the Ante-Natal Clinic and shows some of the equipment used at that time and the uniforms worn by Trained nurses (Sisters) in the 1930s. Melbourne District Nursing Society (MDNS) was founded in 1885 and only nurses who had trained in a Hospital Training School and were fully qualified were employed by the Society. It commenced with one Trained nurse (Nurse), and another employed six months later; both walking amid the slums of inner Melbourne administering nursing care to the sick poor. The Society decided to commence a Midwifery Service and Nurse Fowler, who had previously worked for the Society, was re-employed as their first Trained Midwife. She began home births in August 1893 giving some Ante Natal care, taking midwifery bundles and providing clothes for the babe and mother as needed. Following birth, she gave Post-natal care to the mother and babe twice a day for three days and then daily for a week, and longer if required. She resigned after twelve months and Nurse Wilkie was appointed to the position. As well as walking, the Nurses used Public transport in the limited areas it ran, though a taxi was used by the Nurses and Midwife in emergencies and at night. As the Society expanded it rented premises until it was able to purchase it's own Nurses Home at 39 Victoria Parade, Collingwood in 1914. The Society were pioneers in recognizing the need for premises where patients too ill to be in their own home, but not ill enough to go to hospital, was needed. Land was procured next to No. 39, and the Society built the After-Care Home at 45 Victoria Parade, for these patients, and for patients from Hospitals. It was opened in July 1926 and the name of the Society then became ‘Melbourne District Nursing Society and After-Care Home’ (‘Hospital’ from 1934) The Ante-Natal Clinic at the Melbourne District Nursing Society After-Care Home was opened on the 23rd of September 1930 and MDNS Midwifery patients were encouraged to attend. Prior to the opening of the clinic Ante-natal care was not considered important, but within a short time 100 percent of MDNS Midwifery patients were attending. During 1934 the Women’s Welfare Clinic, including at the time a very controversial Family Planning Clinic, the first of its kind in Australia, was opened to support women at risk following multiple and difficult pregnancies. The Clinic gave advice on birth-control and was attended by their own patients at first, but then accepted patients from Melbourne public hospitals until their own clinics were opened.Digital image showing a Doctor and three Melbourne District Nursing Society (MDNS) Sisters attending a patient in the Ante-Natal Clinic at the After Care Hospital. In the forefront is a set of scales standing on the floor, behind which is the lady lying on a wooden framed bed with the base slightly raised at the top end supporting a white pillow and the lady's head. The lady has short dark hair and her frock can be seen to her waist; the rest of her body is covered by a white sheet and dark coloured blanket. Behind her and to the right of the image, are two Sisters wearing dark coloured long sleeved uniforms which have a belt and white collar; they are both wearing white veils over their short dart hair. To their left is a Doctor who has short dart wavy hair and is looking down at the lady. He is wearing a long white gown and has a stethoscope in his ears with the other end held in his right hand. To his left is another Sister who is wearing a white veil over her dark curled hair, and is wearing a long white gown. In the rear between the Doctor and Sister a hand basin can be seen. On the far left of the picture a trolley with two cloth covered shelves can be seen; a basin and squat bottle sits on the top shelf and kidney dish on the lower one. Behind this, part of a window can be seen.after- care hospital, 45 victoria parade collingwood, melbourne district nursing society (1885-1957), ante-natal clinic, after-care home, mdns midwifery, rdns, royal district nursing service -
Federation University Historical Collection
Photograph, Installation of Chancellor Geoffrey Blainey, c1995
Geoffrey Blainey was the inaugural Chancellor of the University of Ballarat. It is assumed this is the first graduation in 1995 at the Chancellor does not wear the University of Ballarat Chancellor's Academic regalia. Another possibility is when Geoffrey Blainey was awarded an honorary doctorate. Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. Two images of University of Ballarat Chancelor Geoffrey Blainey in academic regalia. .1) Coloured photograph of Geoffrey Blainey addressing the audience at a University of Ballarat Graduation Ceremony .2) Black and white image of of Geoffrey Blainey doffing his cap at a University of Ballarat Graduation Ceremonyuniversity of ballarat, geofrey blainey, blainey, chancellor, graduation -
Kew Historical Society Inc
Photograph - Margaret E Hollis, 1953
The donor's aunt, Margaret E. Hollis nee Piesse (18/2/1919-2008) wore this gown to the Coronation of Queen Elizabeth II in 1953. She was one of a total of 8,251 guests who attended the ceremony at Westminster Abbey, London. Margaret Piesse was born in Hobart and grew up in the Piesse family home, 'Merridale', Sackville Street, Kew. She was residing at 4a Little Cloister, Westminster Abbey at the time of the Coronation and was married (on 14/2/1942) to Rev Howard Hollis, a minor Canon at the Abbey and a deputy Priest in – Ordinary to the Queen (1954-1959). Howard chanted the litany and carried the sceptre. Margaret’s daughter-in-law, Sue Hollis, Margaret’s sons, Julian who attended the Coronation with his mother, and Richard, gave the photograph to Felicity Renowden, the donor. Margaret Hollis died in Kew on 16/4/2008. Print copy of an original photograph of Margaret Ellen Hollis (nee Piesse) before she attended the Coronation of Elizabeth II in 1953. She is posed in the photograph, seated wearing her dress, tiara and long elbow length gloves.coronation of elizabeth ii, westminster abbey, piesse family, merridale -- sackville street kew (vic.), margaret e hollis -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: PIECE OF SILK FABRIC WITH LACE AND EMBROIDERED INSERT, 1920-30's
Textiles. This is a beautiful remnant of fine cream silk fabric, with a 3.5 cm deep band of cotton lace, woven with a floral design, stitched around the lower edge. A triangular shape above the lower edge, is formed by the insertion of a piece of 2 cm wide cotton lace, also with a floral design, folded and machine stitched as an insertion. The same lace is also inserted in a 9.5 cm high "frame" over an embroidered panel 7.5 cms x 6 cms wide, and featuring a delicate circular embroidered and cut-work floral design. (Perhaps this remnant of beautiful fabric was cut from the lower edge of a camisole, or a babies gown).textiles, domestic, piece of silk fabric with lace -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: IVORY CORDED LACE WEDDING GOWN, 24 September 1949
Clothing. Long pointed sleeves, fastened with one press-stud at the wrist. Full circular skirt, lined with cream, synthetic lace type fabric. Fabric of the gown is a small floral type design,in a corded style, on a fine net backing. Sleeves are not lined. Back upper bodice has a lining in a double thread net. The sweetheart neckline is edged with a fine tulle frill. Bustline panels gathered top and bottom, and joins a peaked midriff panel, 15.5 cm deep at the centre bustline. Skirt is highly gathered to this panel, at the waistline, is a full circle and extends into a small train at the back. A small 23 cm zip on the left side seam.A KEAM Creation, Regd. Melbourne.costume, female ceremonial, ivory corded lace wedding gown -
Tennis Australia
Page from Magazine, 1912
Framed page from 'The Designer' magazine, June issue, 1912. Features large colour illustration of three women, one holding racquet, next to crowded lawn tennis court. Blurb at bottom states: WAIST 6167; SKIRT 6168...COSTUME 6159...COSTUME 6172/ AT THE TENNIS TEA ONE SEES SMART GIRLS AND WOMEN IN SIMPLE GOOD-LOOKING FROCKS. THE DEEP ARM-/ HOLE, PEPLUM, FRONT-CLOSING AND INSERTED PLAITED SECTIONS ARE SALIENT FEATURES OF THESE GOWNS/ FOR ILLUSTRATIONS AND DESCRIPTIONS SEE OPPOSITE PAGE/ THE DESIGNER, JUNE, 1912'. No hanging fixtures. Numbers '103' and '157' handwritten on backing. Materials: Ink, Paper, Wood, Cardboard, Metal, Glasstennis -
Kew Historical Society Inc
Photograph - Display of costumes at the 1976 Festival of Kew Exhibition, 1976
From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.Very faded photographic colour positive of a christening gown and four Victorian-era dresses displayed at the 1976 Festival of Kew exhibition mounted by the Kew Historical Society. This picture is one of the earliest showing items from the Coombs Collection on display. The collection had been donated to the Society in 1961. Dresses displayed: L-R blue silk 2-piece fitted day day dress with long train; cream satin parasol; gold taffeta wedding dress with long train; blue silk 2-piece day dress with applied later lace at neck and waist; duck egg blue quilted afternoon dress with buttons at front. Inscribed verso: Kew Historical exhibition 1976festival of kew 1976, kew historical society -- exhibitions, coombs collection -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1975
The Royal District Nursing Service (RDNS), Sister has sterilized an autoclave pack for use by the RDNS Sisters when attending their patients in their homes who are requiring specific treatments for e.g. catheterization. This photograph is taken in the sterilizing room at a RDNS Centre. The Sister is wearing the RDNS Summer uniform of a short sleeve white blouse under a royal blue V neck tunic style frock with the RDNS logo on its upper left.Royal District Nursing Service (RDNS) supplied sterilized equipment, such as ready set up catheter trays and dressing trays, as well as dressing packs for their Sisters to take to the home when attending to specific patient care. Patients bought their own future dressings, if these had not been given to them when discharged from Hospital. Following their day in the community the Sisters returned to the RDNS Centre and washed and set up the trays again ready for re-sterilization. Black and white photograph showing a Royal District Nursing Service, (RDNS), Sister who has blonde short hair; is wearing a short sleeved white blouse and dark tunic style frock, standing in the Autoclave room in an RDNS centre. She is emptying the Autoclave chamber after sterilizing a wrapped, 'gown and towel', which is written on the wrapping. Her right arm is extended with her hand on the metal wire basket which has a protective floral cloth covering the edge of the basket. The photograph shows a tall vertical Autoclave, which is made of metal. To the left above the chamber is a dark rectangular section with several switches, and to right of it are three white faced dials. royal district nursing service, rdns, rdns equipment, sterilizing -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 17.10.1973
Sister Snyders is based at RDNS Essendon Centre. She is a trained midwife working in the RDNS Domiciliary Infant and Maternal Care (DIMC), section and is attending a recently born baby in her home to give Post-Natal care. Often mothers and babes came home early from hospital, many after 24 hours of birth, and RDNS Sisters attended for several days to check babies progress, including - colour, feeding regime, weight, take a PKU test and give any advise needed to the mother. They also gave Post-Natal care to the mother. In August 1893 Melbourne District Nursing Society (MDNS), commenced a Midwifery Service with Nurse Fowler, who was trained in General nursing and Midwifery nursing, being the first Midwife employed. Mothers were assessed for suitability of a home birth or if they required delivery at the Women’s Hospital. The Midwife worked in conjunction with the Doctors at the Women’s Hospital and if a complication arose before or after birth the patient was transferred to their care. Following birth, the Midwife gave Post-Natal care to both the mother and babe commencing with visits twice a day. In 1898 the service ceased due to lack of funds but recommenced in 1906, and in the August 1925 Annual Report the number of MDNS home births was recorded at 478. MDNS built the After-Care Home and a pioneering Anti-Natal Clinic was opened in 1930. The last Ante-Natal clinic was held there in December 1951 and the MDNS Midwifery service ceased in February 1952. MDNS established Melbourne's first Family Planning Clinic in 1934. In 1964 MDNS commenced a Post-Natal service with General and Midwifery trained MDNS Sisters working from a room on the ground floor at the Footscray Hospital Nurses quarters, and visiting early discharged Footscray Hospital maternity cases at home. Later, as Royal District Nursing Service (RDNS), this service was extended and renamed as Domiciliary Infant and Maternal Care, (DIMC) service operating from most Centres and visiting early discharged, often 24 hours after birth, maternity cases from hospitals to give Post-natal care to the mother and babe. Many of the RDNS Sisters who carried out DIMC visits also had their Triple i.e. Infant and Child Welfare Certificate, though Midwifery trained nurses also made visits. This black and white photograph shows a close up view of Sister (Sr.) Mary-Ann Snyders from Royal District Nursing Service (RDNS), who is standing and cradling a recently born baby in the crook of her left arm; her supporting arm extends along the babe and her right arm is under babe. Sr. Snyders has short dark hair and is wearing a white gown over her uniform. She is smiling down at the babe, who has dark hair and is wearing a check bib over a white nightdress. To the left, voile curtains are seen over a window and in the background, part of an open patterned curtain is seen.Barry Sutton LW 4royal district nursing service, rdns, rdns dimc, sister mary-ann snyders -
Churchill Island Heritage Farm
Clothing - Lace Collar, circa 1870
This handmade lace collar includes Honiton-style motifs joined with bobbin-made brides. Honiton lace is characterised by scrollwork and botanical motifs. Initially called 'bone' lace due to the bobbins being made from bone, it was developed in the small village of Honiton in Devon. It was thought to be brought from the Netherlands by Dutch refugees in the mid-16th century after the Dutch revolt. It grew in popularity after Queen Victoria chose this style of lace for her wedding dress and veil for her marriage to Prince Albert in 1840. It was again chosen for the royal christening gown which is still in use today. Brides, or bars, are the narrow connections between lace motifs that do not have a mesh background. They are ornamented in line with each individual lace technique, in this case with tiny picots at irregular intervals along the bar. Handmade items were highly sought after for their imperfections and irregularities as opposed to machine-made items which were repetitive in their perfection.This collar is part of a 94 piece collection of small lace items accumulated by four generations of Amess women, starting with Janet Amess in the 1850s. Hand-made individual bobbin made lace motifs hand sewn together with bobbin made brides. Cream colouredlace, churchill island, janet amess lace collection, bobbin lace, lace collar, amess -
Bendigo Historical Society Inc.
Clothing - DRESS: MRS ELLEN LANSELL
Dark cream coloured dress with bodice and gathered waltz length skirt. Back opening on bodice with six hooks and eyes. Back opening on skirt with two hooks and eyes at waist. Bodice lined with ivory coloured cotton. Short puffed sleeves. Frill around bottom of skirt is edged with purple trim top and bottom. Frill around neck front and back. Decorative purple loops on sleeves and around neckline. Dress worn with a decorative overskirt, (see 11400.124), hand made. 1860's dress worn in 1920 by Ava Jane Hall, granddaughter of W.Lansell. Photo taken by Bartlett Bros in the 1920's. The gown was worn to a ball in the Bendigo Town Hall in 1920.costume, female, ball gown -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1980
This photograph shows one of the aspects of nursing care given by Royal District Nursing Service (RDNS), Sisters who worked in the community. The Sister attending had received instructions for care of this toddler's wound from a Doctor. The Sister is using a dressing tray which was sterilized at the RDNS centre. At the time of this photograph many hospitals provided wound dressings for their patients when they returned home. If not attached to a hospital, the family bought their own dressings, though the Sister carried spare dressings in their cases if needed at the time of their visit. The Trained nurses of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients, who ranged in age from the very young to the elderly. As research developed better products and dressing materials the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed programs, such as Wound Care Programs, to provide their Trained nurses (Sisters)) with methods of best quality care. The Sisters liaised with the patient’s Doctors and hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. RDNS introduced Wound Care Specialists who carried out assessments and provided advice and support to the District Sisters working in the field. Black and white photograph showing a Royal District Nursing Service (RDNS) Sister, who has sort dark hair and is wearing a short sleeved white gown over her uniform; the sleeves of her grey uniform skivvie are seen. She is sitting side-on with her left hand resting on the right leg of a seated dark curly haired toddler; her right hand is on a bandage which is from ankle to thigh on the left leg of the toddler. The toddler is wearing a T-shirt with a pattern on the front, and is sitting on a floral cover in a room in her home. At the rear of the photograph a floral covered table is seen with an open dressing tray on a sterile drape; a small jar and bottle are seen on the table. rdns, royal district nursing service, mdns, melbourne district nursing society, rdns wound care