The Buff-banded Rail is located on mainland Australia. It can also be found in south-east Asia, New Guinea and New Zealand. These birds are often seen individually or in pairs walking through the dense reeds and vegetations of wetlands or crops. This rail has a slow walk and often flicks its tail, which is raised, as they move. They are omnivore scavengers who feed on a large variety of invertebrates, fruit, seeds and vegetables. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is in a standing position with its neck stretched forwards on a wooden platform. The Buff-Branded Rail has a pale grey/yellow eyebrow over the orange glass eyes and a pale grey bill. It also has an orange and brown coloured band on its breast. This bird is multicoloured with streaks of chestnut brown, black, white and a faint orange-brown. This specimen has a paper identification tag tied to its left leg.20D. / Land Raid / See Catalogue, page, 35. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, landrail, buff-banded rail

About the specimen: The Californian Quail is a highly sociable bird commonly seen in small flocks. They have a distinctive appearance with the black plume on top of their head and white markings on the head and torso. This species reside in open woodland, bushy grassland, roadsides and fringes of urban areas. They are native to western America but have been introduced to areas outside this location including King Island. This species was established as the state bird of California in 1932. Explain how it should look: Copy and paste: This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.Copy and paste this section: This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Californian Quail has a black forward drooping plume on the top of its head. It has a dark brown/black coloured cap on its head and a black face with distinct white markings on the sides of its face and neck. The back of the bird is brown.The belly is a lighter brown colour and the chest and back of the neck is a blue-grey. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 46 / (b)? Californian Scrub Quail / Catalogue Page, 30. / Metal tag: 4341 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, californian quail, california, american birds, quail, californain sub wren, wren

The Australian Wood Duck is commonly described as 'goose-like' in appearance. They reside throughout Australia and Tasmania in regions including grasslands, open woodlands, wetlands, flooded pastures and along the coast and bays. Unlike some breeds of ducks, this species can walk on land with ease and can often be seen perched on logs and in trees. The Wood Duck eat grass, clover and other herbs. On occasion they eat insects. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Australian Wood Duck has a dark brown head with a pale brown-grey speckled body. The lower belly of this specimen is dark brown and the bill is a pale grey-yellow. The legs are a pale grey and stand upon a wooden platform. There is a paper tag tied to the upper part of the Wood Duck's right leg, a white label attached to the front right of the wooden platform and a grey label on the left beside the white label. 132. / Maned Goose / Male / 132taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, australaisian shovelor, shovelor, wood duck, male, male duck, australian wood duck

The Belted Kingfisher is commonly seen near bodies of water or coasts in Canada, Alaska and the United States. During migration periods these birds may stray far from their usual habitat. Interestingly, the female of this species, as is the case for this specimen, is often larger than the male. They are also more brightly coloured. This species feed on amphibians, small crustaceans, insects, small mammals and reptiles. They lie await perched on a tree located close to water and remain there watching until they see their prey. When they have located their prey, the Belted Kingfisher plunges its head into the water and catches its food. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Belted Kingfisher stands upon a wooden perch with a light brown paper tag attached to leg. This specimen has pale cream/white and slate grey/blueplumage. The head and back are coloured the blue-grey while the neck and stomach are cream/white. The bird has a black ring around its upper chest. The stomach has a chestnut brown band which identifies this particular specimen as female. The bill is long and pointed and the eyes and legs black. The bird is small and stocky with a large head and a square-tipped tail.95.a / Belted / Kingfisher / Catalogue page, 25 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, small birds, belted kingfisher, king fisher, female bird

This particular species is native to Australia and can be located throughout the mainland, preferably in the south-western interior. It is known for its distinctively upturned bill, the males of this species have a slightly more upturn to their bill than the female. This style of bill is unusual among birds and is used to assist them forage in the water of shallow wetlands. These birds feed on aquatic insects, crustaceans and seeds. The name of this species is derived from the distinctive chestnut brown/red colouring of the head and neck. Interestingly, the call of this bird has been described as a "yapping" sound which is similar to the sound of dogs barking when performed by a flock in flight. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Red Necked Avocat specimen is stylized in a standing position upon a wooden platform. There is a pale brown identification tag tied around its left leg. The bird has long pale grey coloured legs and a characteristic long, thin and black upturned bill. The plumage of this species is largely white. It has a chestnut brown/red coloured head which is where this species gets its name. The wings are white with black tips.25c. / Avocet / Catalogue, page, 36. / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, large bird, red necked avocat, avocat

This particular species is native to Australia and can be located throughout the mainland, preferably in the south-western interior. It is known for its distinctively upturned bill, the males of this species have a slightly more upturn to their bill than the female. This style of bill is unusual among birds and is used to assist them forage in the water of shallow wetlands. These birds feed on aquatic insects, crustaceans and seeds. The name of this species is derived from the distinctive chestnut brown/red colouring of the head and neck. Interestingly, the call of this bird has been described as a "yapping" sound which is similar to the sound of dogs barking when performed by a flock in flight. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Red Necked Avocat specimen is stylized in a standing position upon a wooden platform. There is a pale brown identification tag tied around its left leg. The bird has long pale grey coloured legs and a characteristic long, thin and black upturned bill. The plumage of this species is largely white. It has a chestnut brown/red coloured head which is where this species gets its name. The wings are white with black tips.24c. / Avocat / Catalogue, page, 36. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, large bird, red necked avocat, avocat

This Carte-de-viste (CdV) previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. It is unclear; however, whether or not the man depicted in the photograph is Daniel Mullins or a different police officer. The Police Station at Glenrowan depicted in this CdV stood during the events of the Kelly gang's siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Items pertaining to the Kelly gang, including photographs like this one which depicts a police officer standing outside of the Glenrowan Police Station, are of great historical significance. Photographs like this can provide valuable information on the architecture, lifestyle and dress of colonial Australia. When studied, photographs have the ability to shed more light on the events of the Kelly gang and colonial Australia. This photograph is also of artistic significance because of the popularity of the CdV during the nineteenth century.A sepia toned photograph mounted on grey card with rounded corners. The image has been captured by an unknown photographer and depicts the outside the Glenrowan Police Station. In front of the Station stands an unidentified policeman and lying on the ground behind the policeman is a medium sized dog with dark colouring. The Police Station depicted in this photograph is a classic example of Australian country colonial architecture typically seen dating to the nineteenth century. It has the typical features of an Australian colonial 'miners' cottage' with the gable roof and a skillion at rear. A white picket fence is stands between the Station and the policeman. A small building is located at the rear of the Station which may have served as a lockup.BMM 8083kelly album, glenrowan, police, police station, photograph, ned kelly, australia, colonial australia, victoria, james bray, william e barnes, daniel mullins

Taken in Beechworth c1910, this postcard depicts Victoria Road lined with trees and residential houses. A horse and buggy is also pictured driving towards the camera. This postcard was manufacture by SEMCO or SEMCO Art Needlework Company, which was a "music, post-card and fine art importers, indentors and publishers" established by Stanley Edward Mullen in c1910, Melbourne. One of the identifying features of the Semco postcards is the text printed on the reverse of the cards which read: “Semco Series, P.O. Box 545, G.P.O. Melbourne.” Black and white postcard within oval frame, grey decorative edge. Obverse: VICTORIA ROAD, BEECHWORTH Reverse: 1997.2839 (crossed-out) A02839 84-137-1 POST CARD Near our state school. BEECHWORTH about 1910 beechworth, victoria road, postcard, 1910, semco

The photograph was taken towards the ESE from Peterborough headland. It reproduces an original landscape view of the FALLS OF HALLADALE shipwreck which occurred at 3 am on 14 November 1908 (and confirms that the vessel was on an ENE tack at the time of the collision). The image includes three groups of formally dressed Edwardian sightseers on the cliff top and an adjacent rock ledge. Subsequent versions of this well-known image are usually cropped to present a striking portrait view, emphasising the vertical lines of the ship’s masts and sails, and excluding the groups of sightseers on the right hand of the original image. The small girl in the foreground and the loose sail on the foremast are common to both the landscape and edited portrait versions of this memorable scene. The photograph was taken at an early stage of the ship’s final days, somewhere between the date of her grounding in mid-November 1908 and early January 1909 (when salvagers began dynamiting her iron masts so they could get to the valuable cargo still in her holds). Firmly wedged between two parts of the reef and with all of her square-rigged sails fully set, the FALLS OF HALLADALE provided a spectacle for many miles along the coast. Over these weeks she attracted hundreds of sightseers, and photographers, before the pounding seas finally broke her weakened hull and she disappeared back into deeper waters. The iron-hulled, four-masted barque, the Falls of Halladale, was a bulk carrier of general cargo. She left New York in August 1908 on her way to Melbourne and Sydney. In her hold, along with 56,763 tiles of unusual beautiful green American slates (roofing tiles), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6500 gallons of oil, 14400 gallons of benzene, and many other manufactured items, were 117 cases of crockery and glassware. Three months later and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland at 3 am on the morning of the 15th of November, 1908. The captain and 29 crew members all survived, but her valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. ABOUT THE ‘FALLS OF HALLADALE’ (1886 - 1908) Built: in1886 by Russell & Co., Greenock shipyards, River Clyde, Scotland, UK. The company was founded in 1870 (or 1873) as a partnership between Joseph Russell (1834-1917), Anderson Rodger and William Todd Lithgow. During the period 1882-92 Russell & Co., they standardised designs, which sped up their building process so much that they were able to build 271 ships over that time. In 1886 they introduced a 3000 ton class of sailing vessel with auxiliary engines and brace halyard winches. In 1890 they broke the world output record. Owner: Falls Line, Wright, Breakenridge & Co, 111 Union Street, Glasgow, Scotland. Configuration: Four masted sailing ship; iron-hulled barque; iron masts, wire rigging, fore & aft lifting bridges. Size: Length 83.87m x Breadth 12.6m x Depth 7.23m, Gross tonnage 2085 ton Wrecked: the night of 14th November 1908, Curdies Inlet, Peterborough south west Victoria Crew: 29The shipwreck of the FALLS OF HALLADALE is of state significance: Victorian Heritage Register No. S255. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976). The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Photograph; sepia-toned black and white, mounted on grey card. Image of a fully rigged sship, the Falls of Halladale, stranded near the shore with a group of people in the foreground seated on the ground. The photograph is well-worn. Description of Image: Quadrant 01, vessel with full set of sails perched on reef with stern submerged; Quadrant 02, predominantly clear sky over flat calm sea; Quadrant 03, two groups of standing sightseers on rocky promontory with three individuals approaching from left foreground; Quadrant 04, fifteen well-dressed sightseers seated on grassed cliff top including one child and six women. There is a deliberately obscured inscription in white ink along the lower border or foreground of the photograph.Lettering of white uppercase in grassed foreground of initial image is smudged out by subsequent development process and largely indecipherable. However pencilled writing on rear of card ― “Mrs Francis” and “Wreck of ‘Falls of Halladale’ Peterborough 1908”.flagstaff hill maritime village, shipwreck coast, peterborough reef, shipwreck photograph, falls of halladale, warrnambool, flagstaff hill, shipwrecked image, flagstaff hill maritime museum, shipwrecked coast, maritime museum, edwardian sightseers, shipwreck spectacle, photograph, mrs francis, wreck of falls of halladale, peterborough 1908, 1908, peterorough, shipwreck

This book records the date, name and ship of seafarers who visited the mission. The book tells a story of which ships were visiting Melbourne in 1981 the nationalities of visiting crew members were predominantly asian, pacific and philipino.Cover: Visitor Log 1981 - 1984ship, crew, visitor, logbook, sailors, seamen, seafarers, mission, mission to seafarers, seamen mission, flinders street

This photograph is part of a donated sub-collection relating to the history of the Ladies Harbour Lights Guild and Olive Duncan who was a member.This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the LHLG and the activities carried out by that organisation. The image is also significant as an insight into the life of Olive Duncan and illustrates the fashion of the time.Formal black and white professional photograph of Olive Hall (nee Duncan) dressed in a long sleeved, v-necked velvet dress, with leaf-shaped broach at the neck and jewelled clasp at the waist. The photograph is mounted on grey card within a grey deckled paper folder.On the back of the photograph mount written in biro is "Olive Hall (nee Duncan) daughter of David Hood Duncan."ladies harbour lights guild, olive duncan, olive hall, lillie duncan, lhlg

This photograph shows spectators watching the Orbost Races on the flat in 1899. Some of the earliest horse races were held on a course in a paddock belonging to Mr James Cowell at Jarrahmond. For a long time horse races were part of the Marlo Picnic Races. Bellagoogan on Majors Creek near Orbost was the site of the first race courseThis item is a pictorial record depicting the popularity of horse racing in Orbost in the late 19th century.A black / white photograph on a grey buff card. It is of a man on a horse holding a whip in his right hand. A horse with jockey is approaching. Spectators are standing on the right hand side under the trees.on front - "Finish Orbost Cup 1899: on back - "Mr Edlington"horse-racing-orbost sport recreation

The Orbost Football Club began in 1894. This photograph shows the premiership team of 1921.They defeated Buchan. The Orbost football club players were known as the Busters and wore green and gold guernseys. An Orbost football team has participated in the East Gippsland League since the early 20th century. In 2003 in response to a dwindling population, the Snowy Rovers and Orbost Football Clubs were driven to merge into the Orbost Snowy RoversFootball clubs, through their many changes, have always been an important social fabric of the community. Sport is often regarded as an important part of life in rural Australia, contributing to community identity, sense of place, social interaction and good health.A black / white photograph of three rows of men in sports clothes The back row is standing, the middle sitting on chairs and the front row sitting on the ground.. All men have their arms folded and the photograph has been taken outside. The photograph has been pasted onto a grey buff card.on front - "Orbost Football Club Premiers - 1921" on back - 'Mary Gilbert"orbost-football-club recreation sport

This is a photograph of a group of people dressed up in traditional Japanese costumes for a Church of England bazaar and fete C 1900. in the late 19th and early 20th centuries Churches in Orbost provided venues for social activities, fellowship and entertainment. Many concerts, festivals and money-raising fetes were held by the church committees. St. James' Anglican Church, Orbost, was conceived and built as a memorial to the men 'who served and suffered during the Great War' as noted on the foundation stone. The Right Reverend GH Cranswick, DD, Bishop of Gippsland, laid the stone on 1 October 1927.This item is reminiscent of the late 19th - mid 20th centuries when church-going was more commonA black / white photograph on grey buff card. It is of a large group of men and women dressed in traditional Japanese costume.on front at top - handwritten - "E. H. NIXON" with an arrow pointing to the first lady standing in the back row.churches-orbost church-of-england-orbost anglican-church-orbost festivals celebrations

The Stony Creek Trestle Bridge was built in 1916 when the existing rail line from Melbourne to Bairnsdale was extended to Orbost. This 97km Bairnsdale to Orbost extension through rugged terrain was reputed to have been the most difficult rail project undertaken in Victoria. In service for over 60 years the bridge was damaged by bushfire in 1980, with the last train crossing in 1987. At 247m long and 20m high, it is the largest standing bridge of its kind in the State, and is listed on the Register of Historic Sites. Built of red ironbark and grey box timber, it is a fine example of the early engineering skills that utilised the resources and materials found on site. (More information Newsletter July 2013)Built during the period 1914-16, of Gippsland Grey Box and Red Ironbark, the Stoney Creek bridge on the East Gippsland Railway is a fine example of early engineering skilll , being constructed without the aid of any of the modern machinery available today. This is a rare photograph and of high significance in showing the bridge under construction.Landscape format black + white photograph (unframed). Four pin holes in each corner, tear to top left quadrant and fold / crease top to bottom in centre of image.construction, 1916, railway bridge, timber industry, trestle construction, stony creek bridge, east gippsland, bairnsdale to orbost line

Ellen Thomas was an Aboriginal woman who lived in Newmerella. George Thomas who lived with his family at Newmerella on Grand View Road until the 1950's. The family was a very well-respected local Aboriginal family.The Thomas family were early residents of Newmerella.A black / white portrait photograph of a lady in a long-sleeved top and long skirt. The photo is oval -shaped and mounted in a light grey card.on back - Ellen Thomasthomas-ellen

The photograph shows Miss Clarice Ingram with her grandmother Mrs Sivewright on her 95th birthday.A black / white photograph of an elderly woman in a dark dress sitting outside with a young girl next to her. Yhe photograph is oval shaped and mounted on light grey card.on back - Clarrie Ingram (night Tues) wife..................95th birthdayingram sivewright

In 1977 great efforts were being made to preserve this bridge, the highest trestle bridge in Victoria at Stoney Creek. The Stony Creek Trestle Bridge was built in 1916 when the existing rail line from Melbourne to Bairnsdale was extended to Orbost. This 97km Bairnsdale to Orbost extension through rugged terrain was reputed to have been the most difficult rail project undertaken in Victoria. In service for over 60 years the bridge was damaged by bushfire in 1980, with the last train crossing in 1987. At 247m long and 20m high, it is the largest standing bridge of its kind in the State, and is listed on the Register of Historic Sites. Built of red ironbark and grey box timber, it is a fine example of the early engineering skills that utilised the resources and materials found on site.The Bairnsdale to Orbost rail line contains the most varied range of timber & timber composite bridges on any Victorian line. The Stoney Creek bridge is listed on the Victorian Heritage Register for its architectural and historical significance.A black / white photograph of a very large trestle bridge. a steam locomotive, with loaded goods trucks, is on the bridge. stoney-creek trestle-bridge railway east-gippsland-railway

The Orbost Rifle Club existed in the early 20th century. (There are records from 1900). It folded in the late 1970's.Target shooting is one of the oldest organised sports in Australia. Records date back to the British Marines at Sydney Cove in 1788. The Victorian Rifle Association (VRA) was formed in 1860. One of the most important adjuncts to the militia system from 1903 to the re-organisation of 1912 was the role played by the Rifle Club movement in Australia. At the time, these clubs were seen as the reservoir of manpower for a potential guerrilla force should any invasion occur. For Australia, the invasion fear was uppermost in the minds of the population. So important were the rifle clubs for the defence of Australia that the Commonwealth provided the training staff, rifles and ammunition so the clubs could function. Members were drilled, wore uniforms and practised all the basic skills of soldiering as well as target shooting. The Orbost Rifle Club was active during this period.A grey covered bookj with a light brown fabric spine. The front has a white sticker label with "Orbost Rifle Club" handwritten in ink. It contains accounts and a trophy list.orbost-rifle-club accounts-book

Uniform issued to "LOCKYER" 114493.Jacket - khaki colour wool/polyester fabric. Service dress style, gold colour plastic buttons with metal shank and split ring. Buttons have raised emblem of Queens crown, crossed swords and Kangaroo. Royal Australian Army. Collar, shoulder epaulettes, four front pockets, top two with button and two metal studs on flap, lower button down flap. Green colour polyester fabric lining with white cotton manufacturers labels inside right.Manufacturers information on labels - black ink print faded to light grey/blue. "RUSS JOHNSTON/ -TAILOR- /VIC^ 1989/90/ DEN 8405-66-019-8188/ DRYCLEAN ONLY/ REPRESS USING IRON AND DAMP CLOTH/ OR MEDIUM TO HOT STEAM IRON/ CREASE UPPER HALF OF LAPELS ONLY" "REGIMENTAL NO./NAME" Handwritten, blue ink pen "LOCKYER". uniform, army, service dress, lockyer

Service ribbons issued to Australian Service Personnel for all areas of their service. Items relate to the collection of Craig Triffett. Refer Cat. No.5997.5.Two copies of Service Ribbons for areas as follows, mounted on metal backings:- 1. Australian Service medal (Grey, Yellow, Light Green, Dark green, black. 2. Long Service Medal with rosette on one (Blue and Yellow). 3. Australian Defence Medal (Black, Red and White). 4. Nato Medal Bosnia Herzagovnia (Blue and White). 1. Has silver back with stud at one end and pin at other. 2. Has gold metal back with extended pin hook and Rosette.service ribbons, craig triffett

Photograph - black and white photograph of three men at a presentation ceremony. Two Army personnel and one civilian with a certificate. Mount - Mid grey colour cardboard. Frame - timber with brown colour varnish and gold colour paint trim. Decorative moulding. Glass front, timber and paper backing. metal plaque - gold colour - on lower edge of frame with etched information.Information on plaque - etched black on gold. "PRESENTED TO/ BOBDUBI BARRACKS/ AFTER RESTORATION/ 3rd MAY 1989/ BY/ COMMANDING OFFICER/ LT. COL. DOUGLAS BALL/ 8TH/7TH BATTALION RVR"framed accessories, photographs, army, 8/7 rvr

Refer Cat No. 7503, 7504, 7506, 4 book collection.Hard cover book. Cover - cardboard, with dark green colour buckram cover. Light green print on front cover and spine. End papers - mid green colour with cream print illustration back and front. 204 pages - cut, plain, cream colour paper. illustrated in colour, black and white and sepia photographs, illustrations, paintings. handwritten owners signature - front end paper. handwritten notes - on Editorial Note page.Front end paper - handwritten black ink - owner's signature "Lynette Smith/Johnson St/Ouyen" Editorial Note Page - handwritten grey lead pencil - 7 lines of very small almost illegible writing.books, army, ww2

"Horseman, Pass By. The Australian Light Horse in World War 1".Soft cover book. Cover - cardboard, white, red and grey colour print on front, spine and back. Front and back covers illustrated black and white photograph, a mounted division (of soldiers on horseback) march out. 337 pages, cut, plain white paper. Illustrated in black and white photographs, maps and diagrams.books, ww1, light horse

"W.J.BERTUCH" SERVICE DETAILS - REFER CAT NO. 1664.2.1. Jacket - khaki colour, wool fabric, Battle dress style, belted at waist with metal buckle and brown plastic buttons. Collar, shoulder epaulettes, two front pockets with button down flap and sleeve cuffs. Shoulder insignia, white on red lettering "ROYAL AUSTRALIAN REGIMENT". Light khaki cotton twill fabric pocket lining. Manufacturers white fabric cotton labels. - Left pocket lining. Handwritten information. 2. Trousers - khaki colour wool fabric, Battle dress style, with two side pockets, two back pockets with concealed button down flap, one side leg pocket with concealed button down flap, button down belt loops on waist band, five button fly. Brown plastic buttons. Light khaki colour cotton twill lining to waist band and pockets. Manufacturers white cotton label, back waistband lining. Handwritten information. 3. Braces - type known as "POLICE AND FIREMEN". Set of cotton, flat elastic braces with leather button attachments for trousers. Stripes on elastic are brown, beige, blue, black and grey in colour. Metal slides for adjustment to wearers size. 1. & 2. Manufacturers information on labels. 1. Tw labels - black ink print - "Regimental NO./ NAME". Red ink print "M.T.X./ SIZE 3". Third cotton label - black ink print - all print indecipherable. Handwritten information - blue ink pen "PTE W.J. BERTUCH" 2. Black ink print "J. WILSON PTY LTD/ 1953/ SIZE 118/ MADE IN AUSTRALIA/ REGIMENTAL NO. / NAME". BLACK INK STAMP "?? - RO-SET" Handwritten information, blue ink pen "BERTUCH/ 59060". 3. Stamped on metal adjustment slides 'POLICE AND FIREMEN". Black ink stamp on leather F.B.??/ ^/ 1966/38.uniform, army, battle dress, w.j. bertuch

"Herbert Rex Wills" Reg. No.342872. Service details. Refer Cat No. 5231.3.1. Jacket, Khaki colour wool/ polyester fabric, service dress style, no buttons. Collar, shoulder epaulettes, four front pockets, top with concealed buttonhole and two metal press studs on flap, lower button hole on flap. Sleeve Insignia Australian Coat of Arms embroidered on khaki patch, gold green, blue, red, black and white thread for Warrant Officer First Class. grey colour polyester fabric lining with manufactureres white cotton label inside left. 2. Belt, Khaki colour, wool/polyester fabric with holes and gold colour plastic buckle. Leather strap and button belt keeper. 3. Trousers, khaki colour wool/ polyester fabric, service dress style with fob pocket, two side pockets and one back pocket. Green colour polyester fabric waist and pocket lining with manufacturers white cotto label inside, on back pocket.1,&,3. All print illegible.uniform, army, service dress, rex willis

Shirt and trousers combination made of dark blue, light blue, beige and brown colour in stripes, cotton fabric. Cream colour, plastic buttons. Cream colour drawstring. 1. Shirt with long sleeves with no cuffs, collar, one front pocket and placket front, with buttons. Manufacturers white cotton label inside back of collar. 2. Trousers, long legs with drawstring at waist. 3. Manufacturers label, lightweight cardboard, previously sewn to shirt. Black and red print with purple stamp information. Also handwritten information, grey lead pencil.Manufacturers information- 1. Blue and red embroidered details "GUARANTEED/DEFIANCE/BRAND". 2. Lightweight cardboard details "MENS AND BOYS/ Pyjamas/ for/ SERVICE and COMFORT/ Distinctive/ Cloth/ Defiance/ Exclusive/ Designs/ RENOWNED/THROUGHOUT AUSTRALIA/ NO./ SIZE." Purple stamp "100/ O.S." Grey lead pencil "3 D/-/ 16/6". 3. Reverse side of label - handwritten grey lead pencil. "I am a refined type of/ gal desiring a boy friend/ if you would write I shall/ be only to pleased to answer/ I am 18 (1941)/ Norma Poulton/ 96 Flinders Street/ 4th Floor/ Melbourne" The handwritten note and pair of pyjamas were sent to an unknown soldier serving during World War Two.clothing, pyjamas, ww2

""Collier's Photographic history/ of the European War" including Sketches and drawings made on the battlefields/ PHOTOGRAPHS OF THE OFFICIAL PHOTOGRAPHERS, ACCOMPANYING EACH ARMY/ COLLECTED AND ARRANGED BY FRANCIS J. REYNOLDS AND C. N. TAYLOR".Hard cover book. Cover - cardboard with light grey colour and dark blue fabric spine tape. Black print on front cover and illustrated black and white photograph of a cannon battle scene. 144 pages - cut, plain, glossy white paper. Pictoorial book - illustrated black and white photographs, sketches and drawings.books, pictorial, ww1

Album belonged to Francis Joseph Walsh VX 61879, Enlisted 18/8/41, age 20 years. Discharged 13/8/46. Rank PRIVATE 20 AUST MOTOR REGT. 20th AUSTRALIAN MOTOR REGT This unit deployed to Merauke, Dutch New Guinea 1943 (late). Returned April 1945. Album - cardboard, back cover only, with brown buckram adhered to cardboard. 5 cardboard, 2 sided, pages containing black and white photographs and six greeting cards. Cards dated 1941, 1943 and 1944. Pages are grey in colour and all photographs and cards are glued to the pages. Portrait photograph of F. J. Walsh on page 7 with caption. "ME, GEORGE STREET, SYDNEY 1945". album, photographs, ww2, dutch new guinea, f. j. walsh, 20th aust motor regt

Collection of 50 "HARD N BOLD" 57/60 ASSOCIATION BOOKLETS. Original owner of items; FRANK TRACEY JOHNSON UNIT 57/60 AREA OF SERVICE PNG SEE ALSO 5973 & 5974Soft cover booklets. Cover - cardboard, black print on cover. Illustrated with the red and black battalion colour patch. Date on front cover. Published annually. 1. - 9. Cover grey textured cardboard. 16-32 pages 1960-1969 - 1964 booklet missing, 10. - 19. Cover - glossy white, blue or cream cardboard. Illustrated with maps and black and white photographs. 24 - 40 pages, 1970 - 1979. 20. - 29. Cover glossy white, cream, yellow and bronze colour cardboard. Illustrated sepia, black and white and black, red and blue, photographs and maps 1980 to 1989 - 24 to 40 pages. 30. - 39. Cover - glossy white cardboard. illustrated with 57 & 60th colour patches and unit badges. 1990 to 1999. 44 - 60 pages. 40. - 50. Cover - glossy white cardboard. illustrated with 57 & 60th colour patches and unit badges on "Cobbers" bronze 1998. 44 o 68 pages. All booklet pages - cut, plain, white paper. Booklets illustrated with black and white photographs.booklets, 57/60 battalion association, ww2